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Showing results for tags 'dual amps'.
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Got a hd500x back in 2015. after many hours... i love it. I then got a dt25. I've had some problems with the amp ... from fuses blowing, to tubes going bad... probably put in 4 sets over the last few years. When it works it is great. My latest problem with the amp is the presence (or sometimes the mid) would shoot to about 75% without me doing anything. This happens when I use the AES cable or the XLR cable. I just bought another dt25, partly to see if they would change on a new amp, and to have a backup... (or to look cool on stage by having two amps :)). The first thing I noticed is the presence (or the mid) behaves as it should. It doesn't change by itself. The second thing I noticed is it sounds much better than my old amp with the same settings. I think I may have a tube going bad again in my old amp. Ok, hope you are still reading because here are my questions: 1. The new amp labels that light up (volume, bass, treble, etc.) are yellow, not white like my old amp. Is that the way it is supposed to be or do those lights eventually get dimmer and go out? The amp sounds great and seems to work fine so it really isn't a big deal. 2, I wanted to play through both amps so I hooked them together using the l6 link. On the HD500x I set the l6:Control to Amp1:=AmpA; Amp2=AmpA. It looks like I have to set this for each patch. Is there a way to globally set this, so I don't have to go do this to all my patches? I'd also love to hear if anyone else is using this setup and what variations you guys use. Thanks.
This might be a slightly stupid question but I can't figure it out. I have been running a dual amp settup (GK sim with big ampeg cabs) for my bass and I think it sounds really good. The setup is basicly to different paths (effect wise) with a pair of the same amp model, with the exakt same settings. I did this settup just for keeping some clean signal when using distortion. The downside to this setup is that it takes a lot of DSP and if I want to make some slight adjustments, I have to do it twice and thats a pain in the lollipop. So I thought that the I would get the same result when keeping the dual paths, but removing one amp block and placing the one left right behind the mixer. Now I'm able to have the same settup but without the mentioned hussle right? As this sounds VERY simular to the dual settup something is missing and I can't place my finger on it. It just doesn't sound as "full". Why is that? It should sound the same when compensating for the loss of volume? I have the mixer panned full left and right, and tried to compensate for the volume change with the channel volume and even master volume, but it still sounds different. Is the answer to this just that two of the same amps togheter sounds better than just one, or am I missing something here? /Danne
If you connect only the Left input, the signal is split to L+R stereo out (since L is the standard mono input). But shouldn't the Right in/out path be separate from the Left in/out path if both ins and both outs are connected? What I am trying to accomplish is this: a dual amp rig using an ABY to feed the M5 inputs, then the L & R outputs to 2 amps. GTR---->ABY---->M5----> 2 Amps [A --> Left in; B -->Right in / L out---> Amp 1, R out---> Amp 2] With both inputs connected, I expected the stereo outs to be 2 independent paths so I can toggle between amps, or blend both via the ABY. The Problem: I only see that behavior if the patch is turned off, defeating the purpose. It doesn't seem to matter if I send A, B, or A+B to the M5, both outputs active sending signal to both amps. Is this normal behavior, or a bug? Is there an update perhaps where this is possible? I am using the M5 primarily as a Tube Comp with the EX1 sweep set to playing level (heel) and lead boost (toe), so I could put the ABY after the M5 and run it in mono, but I'd really like to take advantage of the occasional Stereo FX when running dual Amps. If I can only get the L out to be independent of the R out...I'd be in Tone Heaven. Any Suggestions?