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Found 15 results

  1. Hi all! I am new to the Line 6 family, have recently purchased a Line 6 Helix and am loving it and its flexibility! Now I want to move onto the Variax line of guitars, especially for the alternate tunings as I play in a cover band and we split between standard, 1/2 step, and full step down. Whilst at home I really enjoy the heavier side of music, in particular Drop B tuning... So the question is: Will the Variax Standard ($1400 AUD odd) be able to do this sort of tuning (Drop B) or do I need to go the Shruiken model...? Price isn't really a major issue, as you get what you pay for in everything, its more that I didnt want the 'full metal guitar look'... Any advice would be greatly appreciated! Cheers Trent
  2. My brand new Variax has had only intermittent success when I've used the switch to go from mags to modeling. Oftentimes it sticks when I use it, and sometimes I can depress it several times yet still the thing won't switch modes. This can happen while switching from/to either the modeling or the mags. I seem to notice a higher success rate if I remember to hold the switch down for a couple of seconds before releasing it. Other than the problem stated it seems properly installed, and it doesn't wobble or anything. Questions: Is the switch intended to operate in the manner described so as to curtail inadvertent switching while playing? If not, should I be worried? (It is still in the return period, so I could ship 'er back for a replacement model.) Is there a simple fix? THANKS in advance for your help! Mike
  3. mtreehugger

    Variax Standard, you complete me

    I finally found a great deal on a (not) scratch n dent V-Standard at SW, and after 2.2 days I'm starting to get blown away. Let me back up. I entered the modeling realm with an HD500 when they were fresh (what, 2010?), thinking that I'd have more capability than the Spider Valve MkI that amazed me. First thing I noticed on the POD was that all the stock presets sucked. Playing at very low volume, I had to develop my own, which relied on a fair bit more gain than I'd normally go for in order to achieve any kind of crunch. I moved from FRFR to DT amps, but still, always kinda had more gain than I wanted (except when I went totally clean with the lovely Twin model). I picked up a Variax 600 and finally reached "dream rig" status, but really only liked the Strat models, Tele neck, and the Rick bridge. The alt tunings seemed kinda crappy too. Most of the other electric models were just too loud--much louder and with more gain than my real guitars with hot pups. When I first tried my new V-Standard, it was looking like more of the same (except usable mags). So I wondered, how do I get away from my presets with too much gain and into presets that work for my Variax? In an epiphany of sorts, I started trying out all those presets in my HD500 that sucked, and guess what? NO MO SUCKY! They're amazing, for the most part. Also, to my surprise, they all have variax settings already. So all I had to do was plug my dream rig in, using an ethernet cable and the digital L-6 Link, and now folks, I hardly have to tweak, I can just play my heart out! Turns out those patches were very well crafted using Variaxes of some kind, and so far about 2/3 are keepers! Has anyone else noticed this as well, or am I the first to stumble on this total treasure chest? The magnetic pickups are pretty sweet too! But the other thing I'm really thrilling over is the neck on the Variax Standard. I was afraid that something this flat, this thin, and with medium frets might not work for my aging knuckles, but I gotta tell you that even with 10's at concert pitch this thing is a joy for my hand! It's the most comfortable neck I've felt since the Japanese Variax 700 I've been wishing I'd have bought--and that's saying a lot. I do have questions: Is the light on the alt tuning knob supposed to be only momentary (unless you go to the "model" position)? I wish the thing would stay lit in mag mode so I could dial up the tuning I want without activating all those other tunings in between. Does anybody know how hard it would be to change pick guards? I'm thinking white would look very sweet with my sunburst brown... THANKS!!! Mike
  4. Deutsche Version Version française James Tyler Variax Guitar Specs (Korean) JTV-59 - Mahogany body with carved maple top with flame maple veneer - Set mahogany neck with rosewood fingerboard - 24-9/16" scale length - 12" radius neck profile - Tyler '59 neck shape - 22 medium-jumbo frets and dot inlays - 1-11/16" Graph Tech Black TUSQ XL self-lubricating nut - Sealed tuners (16:1 turn ratio) - Chrome hardware - Fully adjustable Tyler-designed stoptail bridge - L. R. Baggs Radiance Hex piezo pickup system - Vintage-voiced alnico neck and bridge humbuckers wound to Tyler's specs - Master volume and tone knobs - Model and Alt Tune knobs - 3-way selector switch - VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products - Li-Ion battery (12 hours of play time), and international wall charger - Variax Workbench™ software and USB interface - Includes quality padded gig bag - Additional battery, charger and cable kit available separately JTV-69 - Alder body - Bolt-on solid maple neck with rosewood fingerboard - 25-1/2" scale length - 12" radius neck profile - Tyler '69 neck shape - 22 medium-jumbo frets and dot inlays - 1-5/8" Graph Tech Black TUSQ XL self-lubricating nut - Sealed locking/staggered tuners (16:1 turn ratio) - Chrome hardware - Fully adjustable Tyler-designed tremolo bridge - L. R. Baggs Radiance Hex piezo pickup system - Alnico bridge humbucker and vintage-style neck and middle single-coil pickups wound to Tyler's specs - Master volume and tone knobs - Model knob and Alt Tune roller knob - 5-way selector switch - VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products - Li-Ion battery (12 hours of play time), and international wall charger - Variax Workbench™ software and USB interface - Includes quality padded gig bag - Additional battery, charger and cable kit available separately JTV-89 - Mahogany body - 3-piece maple neck with rosewood fingerboard (Tyler Fast n' Flat neck shape) - 25-1/2" scale length - 16" radius neck profile - Tyler Fast n’ Flat neck shape - 24 jumbo frets and dot inlays - 1-11/16" Graph Tech Black TUSQ XL self-lubricating nut - Sealed tuners (16:1 turn ratio) - Black and black nickel hardware - Fully adjustable Tyler Custom stoptail bridge - L. R. Baggs Radiance Hex piezo pickup system - Two high-output, PAF-style alnico humbucking pickups wound to Tyler's specs - Master volume and tone knobs - Model and Alt Tune knobs - 5-way selector switch - VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products - Li-Ion battery (12 hours of play time), and international wall charger - Variax Workbench™ software and USB interface - Includes quality padded gig bag - Additional battery, charger and cable kit available separately JTV-89F - Mahogany body - 3-piece maple neck with rosewood fingerboard (Tyler Fast n' Flat neck shape) - 25-1/2" scale length - 16" radius neck profile - Tyler Fast n’ Flat neck shape - 24 jumbo frets and dot inlays - Locking Floyd Rose® nut and string tree - Sealed tuners (16:1 turn ratio) - Black and black nickel hardware - Floyd Rose® Licensed double-locking tremolo system* by Graph Tech - L. R. Baggs Radiance Hex piezo pickup system - Two high-output, PAF-style alnico humbucking pickups wound to Tyler's specs - Master volume and tone knobs - Model and Alt Tune knobs - 5-way selector switch - VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products - Li-Ion battery (12 hours of play time), and international wall charger - Variax Workbench™ software and USB interface - Includes quality padded gig bag - Additional battery, charger and cable kit available separately VARIAX STANDARD - Alder body - Bolt-on solid maple neck with rosewood fingerboard and pearl dot inlays - 25-1/2� scale length - 13 3/4" fret board radius - 22 medium frets - 1-5/8" Graph Tech Black TUSQ XL self-lubricating nut - Sealed tuners (16:1 turn ratio) - Chrome hardware - Fully adjustable tremolo bridge - SSS pickup configuration features vintage-style single-coil pickups loaded with alnico V magnets - L. R. Baggs Radiance Hex piezo pickup system - Master Volume and Tone knobs - 5-way selector switch - Model knob and Alt Tune roller knob for easily accessing instrument sounds and alternate tunings - 1/4� out VDI (Variax® Digital Interface) - Lithium-ion battery (Up to 12 hours of play time) and international wall charger (also functions as standard electric guitar without batteries) - Variax Workbench™ HD software and USB interface - Additional battery, charger and cable kit available separately - Tobacco Sunburst, Midnight Black, and Vintage White finishes available VARIAX SHURIKEN - Alder tone wood body, w/ "Shuriken"-style double cutaway shape - Bolt-on Maple neck, Rosewood fingerboard - 27" scale length - 12" radius neck profile - "Shuriken" "C" shape neck - 24 medium jumbo frets - Graphtech low friction, 1.65" width nut - Fully sealed locking tuners - Black hardware - Custom fixed bridge, string through body design - Custom mid-gain humbucker magnetic pick-up - L. R. Baggs Radiance Hex piezo pickup system - Master Volume and Tone knobs - 5-way selector switch - Model knob and Alt Tune roller knob for easily accessing instrument sounds and alternate tunings - 1/4� out VDI (Variax® Digital Interface) - Lithium-ion battery (Up to 12 hours of play time) and international wall charger (also functions as standard electric guitar without batteries) - Variax Workbench™ HD software and USB interface - Additional battery, charger and cable kit available separately James Tyler Variax Guitar Specs (USA) JTV-59US Hand-selected mahogany body and carved figured maple top Set mahogany neck with rosewood fingerboard and dot inlays 24-9/16" scale length Tyler '59 neck shape 12" radius neck profile 22 medium-jumbo German-wire frets 1-11/16" Graph Tech Black TUSQ XL self-lubricating nut Hipshot Classic tuners (18:1 turn ratio) Chrome hardware Fully adjustable Tyler-designed stoptail bridge L. R. Baggs Radiance Hex piezo pickup system Vintage-voiced alnico neck and bridge humbuckers wound to James Tyler's specs Master volume and tone knobs Model and Alt Tune knobs 3-way selector switch Made in U.S.A. Assembled by 30+ year veteran luthier Tim Wilson High-quality local set-up and inspection VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products Two Li-Ion batteries (for up to 24 hours of play time), and international wall charger Variax Workbench™ software and USB interface Includes high-quality, plush-lined G&G hardshell case Spare battery Charger and cable kit available separately JTV-69US Hand-selected ash or alder body Solid quarter-sawn maple neck with maple or rosewood fingerboard Dot inlays 25-1/2" scale length Tyler ’59 neck shape Compound 10-12" radius neck profile 22 medium-jumbo German-wire frets 1-5/8" Graph Tech Black TUSQ XL self-lubricating nut Hipshot Grip-Lock locking staggered tuners (18:1 turn ratio) Chrome hardware Fully adjustable Tyler-designed tremolo bridge L. R. Baggs Radiance Hex piezo pickup system Alnico bridge humbucker and vintage-style neck and middle single-coil pickups wound to James Tyler's specs Master volume and tone knobs Model knob and Alt Tune roller knob 5-way selector switch Made in U.S.A. Assembled by 30+ year veteran luthier Tim Wilson High-quality local set-up and inspection VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products Two Li-Ion batteries (for up to 24 hours of play time), and international wall charger Variax Workbench™ software and USB interface Includes high-quality, plush-lined G&G hardshell case Spare battery Charger and cable kit available separately JTV-89US Mahogany body 3-piece maple neck with rosewood fingerboard 25-1/2" scale length Tyler Fast n’ Flat neck shape 16" radius neck profile 24 jumbo frets and dot inlays 1-11/16" Graph Tech Black TUSQ XL self-lubricating nut Sealed tuners (16:1 turn ratio) Black and black nickel hardware Fully adjustable Tyler Custom stoptail bridge L. R. Baggs Radiance Hex piezo pickup system Two high-output, PAF-style alnico humbucking pickups wound to Tyler's specs Master volume and tone knobs Model and Alt Tune knobs 5-way selector switch VDI (Variax® Digital Interface) for integration with Line 6 POD HD500 and POD HD Pro, and limited compatibility with POD® xt, POD® X3, Vetta™ II amplifier and other legacy Line 6 products Li-Ion battery (12 hours of play time), and international wall charger Variax Workbench™ software and USB interface Includes high-quality, plush-lined G&G hardshell case Spare battery Charger and cable kit available separately Battery Q: What kind of battery is used in the James Tyler Variax and what is the battery life? A: JTV guitars use a lithium-ion battery similar to that of a camcorder. A fully charged battery can deliver at least 12 hours of continuous performance. There is a four light battery life indicator on the battery compartment on the back of the JTV guitars that can be viewed by pressing the round flush black button next to the lights. 4 LEDs = 9+ hours 3 LEDs = 6+ hours 2 LEDs = 3+ hours 1 LED = less than 3 hours 1 LED blinking = less than 1 hour, recharge battery Note: Using a non-Line 6 JTV battery will void your warranty and may damage your JTV. Q: How can I power my JTV without a battery? A: There are 2 ways to supply power to the Variax without a battery. When connected to VDI Digital Input equipped hardware, such as a POD X3 Live, power is supplied via this connection. Or, use the optional XPS-DI direct box/power supply and TRS cable. With this box you can power the Variax and it also works as an A/B box to send your signal out of a DI to go direct to a board or acoustic amplifier with certain models. When powering the JTV guitar with either TRS or VDI connection, it is suggested to remove the battery from the guitar. Q: How long does it take to fully charge a dead battery for the JTV guitars? A: It takes about 12 hours to fully charge a dead JTV battery, but leaving it to charge overnight is a good time to do this. You can get a 4-6 hour play time by charging the JTV battery for 30-45 minutes. Q: What does the indicator light mean on the JTV battery charger? A: A solid RED light on the charger indicates that the battery is charging. A blinking RED light means that either the batter is fully charged, or the battery was inserted improperly into the charger and needs to be re-seated properly. If you know the battery needs charging and you get a blinking RED light when it is put into the charger, please re-seat the battery in the charger. Tuning Gears JTV-59US and JTV-89US guitars will have Hipshot Classic Guitar Tuning Machines. They are sleek, precision-built tuners with an ultra-smooth 18:1 gear ratio. The JTV-69US guitars feature the Hipshot Grip-Lock Locking Guitar Tuning Machines that are staggered in height for maximum tuning stability. For the Korean James Tyler Variax guitars, we went with 16:1 sealed tuners on all three models. They are die-cast, modern-built, solid tuners. They are sealed permanently and lubricated to work smoothly for years to come without slipping or binding. As with the JTV-69US, we went with locking and staggered versions of these 16:1 sealed tuners. As with the staggered locking tuners, the locking pole pieces within each tuner are staggered as well to match the size the tuner. They are measured 23.4mm (x2 forlow E/A strings), 21.9mm (x2 for D/G strings), and 20.4mm (x2 for B/high E strings). New HD Acoustic Models Q: When were the new HD acoustic models added to the JTV guitars? A: The new HD acoustic models were added in firmware 1.81 and are included in all newer firmware versions of the JTV guitars after that. Q: What does the Tone knob do on the newer HD acoustic models on the JTV guitars? A: The Tone knob on the new HD acoustic models is used to adjust the amount of body resonance for the model, but it was also specially programmed to have the top 10% of the Tone knob completely remove this resonance (at the 90-100% position) for those that prefer to remove that sound from the new acoustic models to closely resemble the flat nature of the older acoustic models from previous Variax guitars. Alternate Tuning Knob Q: How does the Alternate Tuning Knob on the JTV guitars work? A: The Alternate Tuning Knob on the JTV gutiars can be used to any of the preset tunings that are saved to the knob. This knob has 12 settings including two labeled 'Model' and 'Standard' Set to 'Model,' the Alternate Tuning Knob lets you access the alternate tunings you created using the Variax Workbench software. These tunings are stored on your Variax's Model knob. Set to 'Standard,' the Alternate Tuning knob overrides saved tunings to set every model to standard EADGBE tuning. The Alt Tune knob's remainging 10 settings are hand-picked for each stle of James Tyler Variax guitar. Q: How do I reset the tunings? A: The on-board factory tuning reset feature was removed starting with HD firmware (2.x and higher). That procedure was to plug in while holding down the model knob. To reset the tunings in firmware 2.0+, they have to be loaded from the Workbench HD program. Alt tunings for JTV-59 and JTV-69: MODEL STANDARD: E A D G B E DROP D: D A D G B E 1/2 DOWN: Eb Ab Db Gb Bb Eb DROP Db: Db Ab Db Gb Bb Eb 1 DOWN: D G C F A D DADGAD: D A D G A D OPEN D: D A D F# A D BLUES G: D G D G B D RESO G: G B D G B D OPEN A: E A C# E A E BARITONE: B E A D F# B Alt tunings for JTV-89/89F: MODEL STANDARD: E A D G B E DROP D: D A D G B E 1/2 DOWN: Eb Ab Db Gb Bb Eb DROP Db: Db Ab Db Gb Bb Eb 1 DOWN: D G C F A D DROP C: C G C F A D m3 DOWN: Db Gb B E Ab Db DROP B: B Gb B E Ab Db M3 DOWN: C F Bb Eb G C DROP Bb: Bb F Bb Eb G C BARITONE: B E A D F# B Workbench Interface Q: How do I get the Variax Workbench interface to recognize the James Tyler Variax guitar? A: First, ensure that you have downloaded and installed the latest drivers for the Workbench interface from the Line 6 Downloads page. Then, ensure that the battery of the James Tyler Variax is charged and inserted into the guitar. Connect the Variax Workbench interface to the computer via USB, and also connect the James Tyler Variax guitar to the Workbench interface via the included VDI/Network cable. Lastly, connect a 1/4" cable into the guitar's output jack to power on the guitar (as the Workbench interface DOES NOT provide power to the guitar, this 'dummy' plug is necessary for the interface to recognize the JTV). The other end of the 1/4" cable does not need to be plugged into anything. You should see 2 green lights on the Workbench interface when everything is connected and being recognized properly. Factory Reset and Updating the Flash Memory Q: Why doesn't the Factory Reset procedure described in the manual work? A: The reset procedure described in the JTV manual was removed from the JTV guitars to make room in the memory for the Variax HD Acoustic models that were added in flash memory update v1.80. All JTV guitars with flash memory v1.80 and newer no longer have this factory reset procedure available. To perform a factory reset, re-install, rollback, or update the flash memory on the James Tyler Variax guitars, please use the following link: Variax Reflash and Software update F.A.Q. Q: If I tune physical strings on the guitar down or up on the JTV can I use the virtual capo? A: It is not recommended as it could cause audible anomalies. The guitars were designed to re-tune from E Standard tuning. Using the Virtual Capo to tune the guitar from any other tuning is unsupported. James Tyler Variax: Spezifikationen (koreanische Version) JTV-59 Mahagoni Korpus mit gewölbter Ahorndecke und Flammenahorn Furnier. Mahagonihals mit Palisandergriffbrett. 24 9/16“ Mensur. 12“ Radius Hals. Tyler Halsform von 1959. 22 Medium-Jumbo Bünde und Punkteinlagen. 1 11/16“ Graph Tech Black TUSQ XL selbstschmierender Sattel. Geschlossene Zwirbel. (16:1 Verhältnis) Chrom Hardware. Vollständig einstellbarer, von Tyler entworfener Stoptail Steg. L. R. Baggs Radiance Hex Piezo Tonabnehmer. Vintage Alnico Humbucker für Steg und Hals gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 3-Weg Schalter. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Li-Ion Batterie (bis zu 12 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, gepolsterter Gigbag. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. JTV-69 Erlen Korpus. Angeschraubter Ahornhals mit Palisander-Griffbrett. 25 1/2“ Mensur. 12“ Radius Hals. Tyler Halsform von 1959. 22 Medium-Jumbo Bünde und Punkteinlagen. 1 5/8“ Graph Tech Black TUSQ XL selbstschmierender Sattel. Geschlossene, verriegelbare und versetzte Zwirbel. Chrom Hardware. Voll einstellbarer, von Tyler entworfener Tremolo Steg. L. R. Baggs Radiance Hex Piezo Tonabnehmersystem. Alnico Steg-Humbucker, Vintage Hals und Mittel SingleCoil Pickup gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 5-Weg Schalter. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Li-Ion Batterie (bis zu 12 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, gepolsterter Gigbag. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. JTV-89 Mahagoni Korpus. 3-teiliger Ahornhals mit Palisander Griffbrett. (Tyler Fast n Flat Halsform) 25 1/2“ Mensur. 16“ Radius Hals. Tyler Fast n Flat Halsform. 24 Jumbo Bünde und Punkteinlagen. 1 11/16“ Graph Tech Black TUSQ XL selbstschmierender Sattel. Geschlossene Zwirbel. (16:1 Verhältnis) Schwarze Nickel Hardware. Vollständig einstellbarer, von Tyler entworfener Stoptail Steg. L. R. Baggs Radiance Hex Piezo Tonabnehmersystem. Zwei PAF-Style Alnico Humbucker gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 5-Weg Schalter. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Li-Ion Batterie (bis zu 12 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, gepolsterter Gigbag. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. JTV-89F Mahagoni Korpus. 3-teiliger Ahornhals mit Palisander Griffbrett. (Tyler Fast n Flat Halsform) 25 1/2“ Mensur. 16“ Radius Hals. Tyler Fast n Flat Halsform. 24 Jumbo Bünde und Punkteinlagen. Schließende Floyd Rose Sattel und Saitenniederhalter. Geschlossene Zwirbel. (16:1 Verhältnis) Schwarze Nickel Hardware. Zwei PAF-Style Alnico Humbucker gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 5-Weg Schalter. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Li-Ion Batterie (bis zu 12 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, gepolsterter Gigbag. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. James Tyler Variax Gitarrenspezifikationen (USA Versionen) JTV-59US: Handverlesener Mahagonikorpus sowie geschnitzten, geflammte Ahorndecke. Mahagoni Hals mit Palisander Griffbrett und Punkteinlagen. 25 9/16“ Mensur. Tyler Halsform von 1959. 12“ Radius Hals. 22 Medium-Jumbo Bünde und Punkteinlagen. 1 11/16“ Graph Tech Black TUSQ XL selbstschmierender Sattel. Hipshot Classic Zwirbel. (16:1 Verhältnis) Chrom Hardware. Vollständig einstellbarer, von Tyler entworfener Stoptail Steg. L. R. Baggs Radiance Hex Piezo Tonabnehmersystem. Vintage Alnico Humbucker für Steg und Hals gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 3-Weg Schalter. Made in the U.S.A. Zusammengebaut von Tim Wilson, ein Gitarrenbauveteran mit über 30 Jahren Erfahrung. Qualitätsinspektion jeder einzelnen Gitarre. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Zwei Li-Ion Batterien (bis zu 24 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, samtgefütterter G & G Hartschalenkoffer. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. JTV-69US: Handverlesener Esche oder Erle Korpus. Ahornhals mit Ahorn oder Palisander Griffbrett. Punkteinlagen. 25 1/2“ Mensur. Tyler Halsform von 1959. 10-12“ Halsradius. 22 Medium-Jumbo Bünde, die in Deutschland hergestellt sind. 1 5/8“ Graph Tech Black TUSQ XL selbstschmierender Sattel. Hipshot Grip-Lock verschließende versetzte Zwirbel. (18:1 Verhältis) Chrom Hardware. Vollständig einstellbarer, von Tyler entworfener Tremolo Steg. L. R. Baggs Radiance Hex Piezo Tonabnehmersystem. Alnico Steg Humbucker und Vintage Hals sowie Mittel SingleCoil Pickups gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 5-Weg Schalter. Made in the U.S.A. Zusammengebaut von Tim Wilson, ein Gitarrenbauveteran mit über 30 Jahren Erfahrung. Qualitätsinspektion jeder einzelnen Gitarre. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Zwei Li-Ion Batterien (bis zu 24 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, samtgefütterter G & G Hartschalenkoffer. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. JTV-89US: Mahagoni Korpus. 3-teiliger Ahornhals mit Palisander Griffbrett. 25 ½“ Mensur. Tyler Fast n Flat Halsform. 16“ Halsradius. 24 Jumbo Bünde mit Punkteinlagen. 1 11/16“ Graph Tech Black TUSQ XL selbstschmierender Sattel. Geschlossene Zwirbel. (16:1 Verhältnis) Schwarze Nickel Hardware. Vollständig einstellbarer, von Tyler entworfener Stoptail Steg. L. R. Baggs Radiance Hex Piezo Tonabnehmersystem. Zwei PAF-Style Alnico Humbucker gewickelt nach Tylers Spezifikationen. Master Volume und Tone Knöpfe. Model und Alt Tune Knöpfe. 5-Weg Schalter. Made in the U.S.A. Zusammengebaut von Tim Wilson, ein Gitarrenbauveteran mit über 30 Jahren Erfahrung. Qualitätsinspektion jeder einzelnen Gitarre. VDI (Variax Digital Interface) zur Integration mit Line 6 POD HD500 und POD HD Pro sowie zusätzlicher, limitierter Kompatibilität mit POD xt, POD X3, Vetta II Verstärkern und anderen älteren Line 6 Geräten. Zwei Li-Ion Batterien (bis zu 24 Stunden Spielzeit) mit internationalem Ladegerät. Variax Workbench Software sowie USB Schnittstelle. Hochwertiger, samtgefütterter G & G Hartschalenkoffer. Zusätliche Batterien, Ladegeräte und Kabel sind separat erhätlich. Batterie: Welche Art Batterie verwendet Line 6 in den JTV Gitarren und wie lange halten diese? In den JTV Gitarren verwenden wir Lithium-Ion Batterien. Eine voll aufgeladene Batterie liefert ca. 12 Stunden Leistung. Auf der Rückseite der JTV befinden sich 4 LEDs. Diese geben den Batteriestand an. Drücken Sie den schwarzen Knopf neben den LEDs um den Batteriestand angezeigt zu bekommen. 4 LEDs: 9+ Stunden Laufzeit übrig. 3 LEDs: 6+ Stunden Laufzeit übrig. 2 LEDs: 3+ Stunden Kaufzeit übrig. 1 LED: Weniger als 3 Stunden übrig. 1 blinkendes LED: Weniger als 1 Stunde übrig, laden Sie die Batterie bitte auf. Achtung, es gibt zwei Wege die Variax mit Strom zu versorgen ohne eine Batterie zu verwenden. Wenn die Gitarre an ein VDI Input gerät angeschlossen ist, wie z.B. ein POD X3 Live, wird Strom über diese Verbindung geleitet. Oder Sie verwenden eine XPS-DI Box Netzteil mit TRS Kabel. Mit dieser Box können Sie die Variax mit Strom versorgen und gleichzeitig dient sie als A/B um Ihr Signal direkt aus einem DI in ein Board oder akustischen Verstärker mit verschiedenen Modellen. Wenn Sie die Gitarre auf einen dieser Wege mit Strom versorgen, dann sollten Sie immer die Batterie erst entfernen. Wie lange dauert es um eine platte Batterie einer JTV komplett aufzuladen ? Es dauert 12 Stunden um die Batterie vollständig aufzuladen. Sie können aber schon nach 30 bis 45 Minuten für 4-6 Stunden spielen. Was bedeutet die Lampe auf dem Ladegerät? Wenn das Licht durchgehend ROT leuchtet, dann heißt das, dass die Batterie nachlädt. Ein blinkendes rotes Licht heißt, dass die Batterie entweder voll geladen ist oder, dass die Batterie falsch eingesetzt worden ist. Wenn Sie aber wissen, dass die Batterie nicht voll geladen ist und das Licht blinkt, dann sollten Sie die Batterie neu ins Ladegerät einsetzen. Zwirbel: Die JTV-59US sowie JTV-89US haben Hipshot Classic Zwirbel. Diese Zwirbel sind geschmeidig und gleichzeitg präzise. 18:1 Verhältnis. Die JTV-69US Gitarren haben Hipshot Grip-Lock Zwirbel. Die Grip-Lock sind höhenverschoben für maximale Tuningstabilität. Die koreanischen Modelle haben verschlossene Zwirbel mit 16:1 Verhältnis. Moderne und solide Druckguss Zwirbel. Sie sind permanent versiegelt und eingeölt damit sie jahrelang funktionstüchtig bleiben ohne Rutschen oder Verklebung. Verschiebungen der Stäbchen in den Zwirbeln: 23.4mm für tiefe E/A Saiten. 21.9mm für D/G Saiten und 20.4mm für B/hohe E Saiten. Neue HD Acoustic Modelle: Wann wurden die neuen HD Acoustic Modelle zu den JTV Gitarren hinzugefügt? Die neuen Modelle wurden mit Firmware Patch 1.81 eingeführt und sind in jedem neueren Firmware Update enthalten. Was kann ich mit dem Tone Knopf auf neueren JTV HD Acoustic machen? Der Tone Knopf auf den neueren HD Modellen passt die Menge der Resonanz für das jeweilige Modell an, zusätzlich ist es speziell programmiert, sodass die oberen 10% des Tone Knopfes die Resonanz vollständig entfernen (zwischen 90 und 100%) für die, die liber einen flachen Sound haben. Wie bei den alten Varaix Acoustic Modellen. Alternate Tuning Knopf: Wir funktioniert der Alternate Tuning Knopf? Der Alternate Tuning Knopf auf der JTV kann mit allen anderen Presets verwendet werden wie auf dem Knopf abgespeichert sind. Der Knopf hat 12 Einstellungen, dazu gehören „Model“ und „Standard“. Stellen Sie den Alternet Tuning Knopf auf „Model“ bekommen Sie Zugriff auf Ihre Stimmungen, die Sie selbst mit der Variax Workbench Software erstellt haben. Diese sind nämlich im Variax Model Knopf abgespeichert. Stellen Sie den Knopf aber auf „Standard“, wird die Gitarrenstimmung jedes Models temporär auf EADGBE Standart gestellt. Die restlichen 10 Alternate Tuning Einstellungen sind handverlesene Tyler Variax Gitarrenstimmungen. Alternate Tuning Stimmungen für die JTV-59 und JTV-69: MODEL STANDARD: E A D G H E DROP D: D A D G H E 1/2 DOWN: Eb Ab Db Gb Hb Eb DROP Db: Db Ab Db Gb Hb Eb 1 DOWN: D G C F A D DADGAD: D A D G A D OPEN D: D A D F# A D BLUES G: D G D G H D RESO G: G H D G H D OPEN A: E A C# E A E BARITONE: H E A D F# H Alternate Tuning Stimmungen für die JTV-59 und JTV-69: MODEL STANDARD: E A D G H E DROP D: D A D G H E 1/2 DOWN: Eb Ab Db Gb Hb Eb DROP Db: Db Ab Db Gb Hb Eb 1 DOWN: D G C F A D DROP C: C G C F A D m3 DOWN: Db Gb H E Ab Db DROP B: H Gb B E Ab Db M3 DOWN: C F Hb Eb G C DROP Bb: Hb F Hb Eb G C BARITONE: H E A D F# H Workbench Schnittstelle: Wann erkennt die Variax Workbench Schnittstelle meine Gitarre? Erst müssen Sie die Workbench Software herunterladen und installieren, diese können Sie hier finden. Stellen Sie dann sicher, dass die Batterie in der Gitarre geladen und korrekt eingestetzt ist. Verbinden Sie dann die Schnittstelle via USB mit Ihrem Computer und die Gitarre mit der Schnittstelle anhand des VDI/Netzwerk Kabels, welches enthalten ist. Stecken Sie dann zuletzt ein ¼“ Kabel in den Ausgang der Gitarre um diese anzuschalten. (Die Workbench Schnittstelle startet die Gitarre NICHT!, stattdessen können Sie einfach ein ¼“ Kabel anschließen als Dummy sozusagen.) Das andere Ende des ¼“ muss nicht in ein anderes Gerät eingesteckt sein. 2 Grüne Lichter sollten nun leuchten auf der Workbench Schnittstelle sobald es angeschlossen und erkannt worden ist. Zurücksetzen auf die Werkseinstellungen und die Aktualisierung des Flash Memory: Weshalb funktioniert das Zurücksetzen nicht so wie im Benutzerhandbuch beschrieben? Die Prozedur zum Zurücksetzen auf Werkseinstellungen, die im Handbuch beschrieben ist wurde von der Gitarre mit Update 1.80 entfernt um Platz zu schaffen für die Variax HD Acoustic Modelle. Alle JTV Gitarren mit Flash Memory V1.80 oder neuer können auf diese Art und Weise nicht mehr zurückgesetzt werden. Um die Geräte zurückzusetzen oder zu aktualisieren folgen Sie diesem Link: Variax Reflash and Software update F.A.Q. Wenn ich die Gitarrensaiten manuell nach oben oder unten stimme, kann ich dann immernoch den virtuellen JTV Kapo (Variax virtual capo) verwenden? Wir empfehlen dies nicht, da die Gitarren für eine E Standart Stimmung entworfen sind. Das Verwenden des Virtuellen Kapo auf eine umgestimmte Gitarre ist also nicht unterstützt. JTV-59 Spécifications de la guitare James Tyler Variax (version coréenne) Corps en acajou avec érable sculpté et vernis en érable flammé. Manche en acajou avec une touche palissandre. 24 9/16" longueur d’échelle. 30,5cm (12’’) rayon de la manche. Forme manche Tyler de 1959. 22 frets medium-jumbo avec inserts. 1 11/16’’ sillet imprégné de lubrifiant Graph Tech Black TUSQ XL. Mécaniques scellés (16 : 1) Accastillage chrome. Chevalet stoptail complètement ajustable Tyler. Système de micro piezo L.R. Baggs Radiance Hex. Des humbuckers alnico pour la manche et chevalet vintage. Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 3 voies. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Batterie Li-Ion (12 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Housse matelassée. Batteries, chargeurs et câbles sont disponibles séparément. JTV-69 Corps en aulne. Manche vissé en érable avec une touche palissandre. 25 ½’’ longueur d’échelle. 30,5cm (12’’) rayon de la manche. Forme manche Tyler de 1959. 22 frets medium-jumbo avec inserts. 1 5/8’’ sillet imprégné de lubrifiant Graph Tech Black TUSQ XL. Mécaniques scellés (16 : 1) Matériel chrome. Tremolo entièrement réglable Tyler. Système de micro piezo L.R. Baggs Radiance Hex. Des humbuckers alnico pour la manche, chevalet vintage et micro à simple bobinage en milieu). Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 5 voies. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Batterie Li-Ion (12 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Housse matelassée. Batteries, chargeurs et câbles sont disponibles séparément. JTV-89 Corps en acajou. 25 ½’’ longueur d’échelle. 40,6cm (16’’) rayon de la manche. Manche Tyler « Fast n’ Flat ». 24 frets jumbo avec inserts. 1 11/16’’ sillet imprégné de lubrifiant Graph Tech Black TUSQ XL. Mécaniques scellés (16 : 1). Matériel noire nickel. Chevalet stoptail complètement ajustable Tyler. Système de micro piezo L.R. Baggs Radiance Hex. Deux humbuckers alnico PAF à haut rendement. Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 5 voies. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Batterie Li-Ion (12 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Housse matelassée. Batteries, chargeurs et câbles sont disponibles séparément. JTV-89F Corps en acajou. 25 ½’’ longueur d’échelle. 40,6cm (16’’) rayon de la manche. Manche Tyler « Fast n’ Flat ». 24 frets jumbo avec inserts. Sillet et Guide cordes Floyd-Rose. Mécaniques scellés (16 : 1). Matériel noire nickel. Système tremolo Floyd Rose de Graph Tech. Système de micro piezo L.R. Baggs Radiance Hex. Deux humbuckers alnico PAF à haut rendement. Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 5 voies. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Batterie Li-Ion (12 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Housse matelassée. Batteries, chargeurs et câbles sont disponibles séparément. James Tyler Variax : spécifications : (série US) JTV-59US Corps en acajou sélectionné à la main avec érable sculpté et vernis en érable flammé. Manche en acajou avec une touche palissandre et inserts. 24 9/16" longueur d’échelle. Forme manche Tyler de 1959. 30,5cm (12’’) rayon de la manche. 22 frets medium-jumbo avec inserts. 1 11/16’’ sillet imprégné de lubrifiant Graph Tech Black TUSQ XL. Mécaniques Hipshot Classic. (18 : 1) Accastillage chrome. Chevalet stoptail complètement ajustable Tyler. Système de micro piezo L.R. Baggs Radiance Hex. Des humbuckers alnico pour la manche et chevalet vintage. Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 3 voies. Fabriqué aux états unis. Assemblé par vétéran luthier Tim Wilson. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Deux batterie Li-Ion (24 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Batteries, chargeurs et câbles sont disponibles séparément. Étui à guitare rigide de haute qualité. JTV-69US Corps frêne ou aulne. Manche solide en érable avec touche érable ou palissandre. Inserts. 25 1/2" longueur d’échelle. Forme manche Tyler de 1959. 10’’ à 12’’ rayon de la manche. 22 frets medium-jumbo avec inserts. 1 5/8’’ sillet imprégné de lubrifiant Graph Tech Black TUSQ XL. Mécaniques Hipshot Grip-Lock. (18 : 1) Accastillage chrome. Tremolo entièrement réglable Tyler. Système de micro piezo L.R. Baggs Radiance Hex. Des humbuckers alnico pour la manche, chevalet vintage et micro à simple bobinage en milieu. Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 5 voies. Fabriqué aux états unis. Assemblé par vétéran luthier Tim Wilson. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Deux batterie Li-Ion (24 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Chargeurs et câbles sont disponibles séparément. Étui à guitare rigide de haute qualité. JTV-89US Corps en acajou. Manche en érable à 3 pièces avec une touche palissandre. 25 1/2" longueur d’échelle. Manche Tyler « Fast n’ Flat ». 16’’ rayon de la manche. 24 frets jumbo avec inserts. 1 11/16’’ sillet imprégné de lubrifiant Graph Tech Black TUSQ XL. Mécaniques scellés (16 : 1). Matériel noire nickel. Chevalet stoptail complètement ajustable Tyler. Système de micro piezo L.R. Baggs Radiance Hex. Deux humbuckers alnico PAF à haut rendement. Master Volume et boutons de ton. Boutons Model et Alt Tune. Sélecteur à 5 voies. Fabriqué aux états unis. Assemblé par vétéran luthier Tim Wilson. Variax Digital Interface pour l’intégration avec les systèmes Line 6 POD HD500, POD HD Pro et une compatibilité limitée avec les amplis POD xt, POX X3, Vetta II et autres produits Line 6 de l’héritage. Batterie Li-Ion (12 heures de jouer) et un chargeur international. Logiciel Variax Workbench et interface USB. Chargeurs et câbles sont disponibles séparément. Étui à guitare rigide de haute qualité. Batterie : Quelle batterie est incluse ? Nous utilisons des batteries Li-Ion. Une batterie chargée fournit 12 heures de performance. Il y en a un indicateur de vie de la batterie avec 4 LEDs. Poussez le bouton rond noire : 4 LED : 9+ heures 3 LED : 6+ heures 2 LED : 3+ heures 1 LED : moins que 3 heures 1 LED clignotant : moins que 1 heure, rechargez la batterie Attention : Il y en a deux façons de d’alimentation sans batterie. Si la guitare est connectée via câble VDI à un autre appareil VDI Digital comme le POD X3 Live, l'alimentation est fournie par cette connexion. Ou vous utilisez un XPS-DI avec un câble TRS. Avec un XPS-DI, vous pouvez alimenter la guitare, mais c’est aussi une boxe A/B pour envoyer un signale du DI au Board ou un ampli acoustique avec certains modèles. Si vous alimentez votre guitare avec un de ces méthodes, déconnectez la batterie. Combien de temps faut-il pour recharger complètement une batterie à plat JTV ? Plus ou moins 12 heures. Vous pouvez jouer 4 à 6 heures si vous le chargez 30-45 minutes. Qu'est-ce que le voyant signifie sur le chargeur de batterie JTV? Une lumière rouge solide veut dire que la batterie se recharge. Un rouge clignotant veut dire que la batterie est à pleine charge ou que la batterie a été insérée incorrectement. Si vous savez que la batterie n’est pas complètement chargée, remettez la batterie. Tuning Gears : Les guitares JTV-59US et JTV-89US ont des mécaniques Hipshot Classic. Ces mécaniques sont lisses et précises à 18 : 1. Les guitares JTV-69US ont des mécaniques Hipshot Grip-Lock. Ces mécaniques sont décalées pour une stabilité maximale. Pour les guitares JTV coréennes, nous utilisons des mécaniques scellés 16 : 1 sur tous les modèles. Ce sont des mécaniques solides moulés sous pression. Comme pour la JTV-69US, nous utilisons des mécaniques déplacés et de verrouillage. Les pièces de verrouillage dans les mécaniques sont déplacées également pour correspondre au format des mécaniques : 23,4mm (pour les cordes Mi grave et La), 21,9mm (pour les cordes Ré et Sol), et 20,4mm (pour les cordes Si et Mi aigu). Nouveaux modèles acoustiques HD : Quand est-ce que vous avec ajoutés ces modèles aux guitares JTV ? Les nouveaux modèles ont été ajoutés avec la version du firmware 1.81 et sont inclus avec tous les versions après. Qu'est-ce que le bouton « Tone » fait sur les nouveaux modèles JTV HD Acoustic ? Le bouton Tone sur les nouveaux modèles acoustiques HD est utilisé pour ajuster la quantité de résonance de la caisse. Les derniers 10% suppriment la résonance complètement (90-100%) pour les joueurs qui le préfèrent. Bouton Alternate Tuning Comment est-ce que le bouton « Alternate Tuning » fonctionne ? Le bouton Alt Tune peut être utilisé avec tous les presets qui sont enregistrés sur ce bouton. Le bouton a 12 configurations, avec « Model » et « Standard ». Si vous le mettez sur « Model », vous pouvez accéder les réglages preset que vous avez créé dans le logiciel Variax Workbench avec le bouton « Alternate Tuning ». Ces réglages sont enregistrés sur le bouton Model. Mettez-le sur « Standard » pour avoir la configuration EADGBE normale sur tous les modèles. Les autres sont tons des configurations de guitares JTV spécifiques. Configurations « Alternate Tuning » pour JTV-59 et JTV-69: MODEL STANDARD: Mi La Ré Sol Si Mi DROP D: Ré La Ré Sol Si Mi 1/2 DOWN: Mib Lab Réb Solb Sib Mib DROP Db: Réb Lab Réb Solb Sib Mib 1 DOWN: Ré Sol Do Fa La Ré DADGAD: Ré La Ré Sol La Ré OPEN D: Ré La Ré Fa# La Ré BLUES G: Ré Sol Ré Sol Si Ré RESO G: Sol Si Ré Sol Si Ré OPEN A: Mi La Do# Mi La Mi BARITONE: Si Mi La Ré Fa# Si Configurations « Alternate Tuning » pour JTV-89 et JTV-89F: MODEL STANDARD: Mi La Ré Sol Si Mi DROP Ré La Ré Sol Si Mi 1/2 DOWN: Mib Lab Réb Solb Sib Mib DROP Db: Réb Lab Réb Solb Sib Mib 1 DOWN: Ré Sol Do Fa La Ré DROP C: Do Sol Do Fa La Ré m3 DOWN: Réb Solb Si Mi Lab Réb DROP B: Si Solb Si Mi Lab Réb M3 DOWN: Do Fa Sib Mib Sol Do DROP Bb: Sib Fa Sib Mib Sol Do BARITONE: Si Mi La Ré Fa# Si Interface Workbench: Comment puis-je faire l'interface Variax Workbench reconnaître la guitare James Tyler Variax? Assurez-vous que vous avez téléchargé et installé les pilotes les plus récentes pour l’interface Workbench d’ici : Line 6 Downloads Assurez-vous que la batterie de la guitare est chargée et installé correctement dans la guitare. Connectez l’interface Variax Workbench à l’ordinateur avec le câble VDI inclus. Connectez un câble ¼’’ à la sortie de la guitare (parce que Workbench n’alimente pas la guitare). L’autre extrémité du câble ne doit pas être connectée. Si vous voyez deux lumières verts sur l’interface Workbench, tous est configuré correctement. Réinitialisation d'usine et mise à jour Flash Memory : Pourquoi est-ce que la procédure de la réinitialisation décrit dans le mode d’emploi ? La fonction de la réinitialisation d’usine décrit dans le mode d’emploi n’existe plus. Nous l’avons enlevé pour faire de la place pour les modèles Variax HD Acoustic. Tous les modèles avec Flash Memory v1.8 ou plus récent sont affectés. Pour réinitialiser réinstaller ou mettre à jour le Flash Memory utilisez ce lien : Variax Reflash and Software update F.A.Q. Si je règle les cordes de la guitare, est –ce que je peux utiliser le capo virtuel ? Ce n’est pas recommandé parce qu’il pourrait causer des anomalies sonores. Les guitares ont été conçues de régler à nouveau de réglage E standard. Utiliser le capo virtuel avec un autre tuning n’est pas supporté.
  5. My variax standard came with the Strat type bridge flat against the body. Is it ok to set it up for floating, as I'm using Floyd Rose on my other guitars, with my playing style I use a lot of pull ups on my trem?
  6. Hello All, I've tried researching this topic myself but to no avail so I humbly come to the forum asking for help. I recently purchased a Line 6 Variax Standard (white) about 10 days ago. Three days ago, I finally got some time to explore the guitar. That's when I noticed that most of the alternate tunings when played through multiple amplifiers / heads give this horrible, screechy, octave, feedback when played. Standard works fine. Open G ("Blues G") works alright, except for the A string. Anything else, even 1/2 step down is unplayable. I really don't want to return the guitar as, when it comes to the model and playablity, I love it. What I've Done So Far 1. Downloaded Line 6 Monkey and reinstalled all firmware updates 2. Downloaded the workbench Are there any other patches / installations that can fix this, or is it a hardware issue that I will not be able to fix by myself? Overall, I think the guitar is awesome, but I can't look past the alternate tuning not work...even though I will, 99.9% of the time, play in standard. Any help is greatly appreciated. Sincerely, Mike
  7. Hopefully this will help those seeking solution to this same problem, I searched the forum and found nothing.......so hear it is; Two of the slits on the graphite nut had horrible slippage from day 1, UNbeliveable!!!! Mostly the high E string, just from picking the string it would POP right off the frigin nut!! and same for the D string only on bends around 2/3rd fret. Impatiently I started to hack away on it with a utility razor and still, finally I got the strings to stay put BUT now I have bad string buzz and neck and action/springs everything has been adjusted to various positions but....yes, I messed up and cut too deep. I have all the setup the way I like it but the high E buzz persist. Any one have the correct size info. for replacement NUT, so I can just replace it with a better one? I rather buy it my self then have to go through the warranty process and wait. Please HELP, thanx it advance.
  8. I just got my VA 2 days ago and every time i put it in the 12 string mode on electric or acoustic, the low E and A string have terrible what sounds like fret buzz. I set the intonation I changed the strings. The neck is fine. None of the other Gtr models on my instrument have this problem. It seems that others are having this problem as well. For the price I paid for this thing the quality Control should be Must be needs to be better. Any suggestion on how to fix this problem.
  9. I just got my VA 2 days ago and every time i put it in the 12 string mode on electric or acoustic, the low E and A string have terrible what sounds like fret buzz. I set the intonation I changed the strings. The neck is fine. None of the other Gtr models on my instrument have this problem. It seems that others are having this problem as well. For the price I paid for this thing the quality Control should be Must be needs to be better. Any suggestion on how to fix this problem.
  10. In common with others, I found the neck on my Variax Standard a little narrow for my tastes. I play mostly fingerstyle, and it was impossible to precisely sound individual notes with the very tight string spacing. I measured the neck at 41.2mm (1 5/8") precisely, but E-E spacing on the factory nut was a very narrow 33.8mm. A quick search through Graph Tech's website found the Black Tusq XL PT-6225-00, a precut 41.2mm nut with a healthy E-E spacing of 34.9mm. Even though 1.1mm improvement sounds tiny, it makes a huge difference under the fingers. Heres a comparison of the nut widths: The factory nut popped off easily with a light tap with a plastic hammer. The new nut is a great fit, and only needed sanding on the base to bring the height down. I fixed the new nut with a single drop of CA glue, so that it can easily be removed in the future. The replacement looks better than the narrower factory nut, which didn't hide the truss rod cover: Here's the finished upgrade - you can see the frets are JUST wide enough to accomodate the new spacing: The guitar is now far more comfortable to play, and despite the wider spacing the strings don't slip off the neck (which was the biggest danger of this upgrade). For anyone reading and considering the upgrade, I recommend you measure your neck width and E-E spacing first. It could be that the factory simply cut the nut on my guitar too narrow. Also examine your fret ends - if the ends are finished with a shallow angle, you might suffer string slippage on the top & bottom E. However, this is a cheap & reversible upgrade - if you try it and it doesn't work out, just pop the factory nut back on.
  11. Hello, I just purchased and received my first Variax (Standard) Sunburst. First of all, it's a beautiful guitar and plays very well and feels great. I bought this guitar because I really needed a guitar that I could take to a gig and have so many different guitar types and tuning available like I'm sure many of you are thinking alike. Well, I was getting to know my new guitar absolutely stoked out. It played good for about 3o minute then it made a quick screeching sound and I just shrugged it off as it is working with some complex modeling systems and I kept playing. Well, maybe 10 to 15 minutes later this large airy noises started coming out of the guitar. When I turn the modeling system off and just use the regular SSS (Single-coil) system it fine but every time I push down on the modeling pot to on that guitar modeling system it starts that airy sound again. It's pretty loud and something I can't get by with. I also notice the 4th string (D string) is quite softer then the rest. I guess a new set of strings and setup might help with that but I'm totally bummed out with the noise problem. Please anyone of you can help me please let me know. I'm thinking that this could be a common situation but not sure. Much aloha from Hawaii and mahalo (Thank You) in advance.
  12. ryanh92

    pod hd500 + new variax standard

    so i just bought a new variax standard to use with my pod hd500. everything seems to be working fine other than i can't save any guitar models to the presets on the pod. for example, if i wanted to change from a lester on one patch then switch to acoustic on another. the tunings change, the knobs can be assigned to certain effects, but for some reason, i can't change the guitar models. any idea why this might be? thanks!
  13. I just purchased an upgrade license for my pod farm 2 standard to pod farm 2 platinum. I cannot figure out how to add it to my Ilok I used the line 6 license manager to save the license to my PC, but Pod Farm 2 still doesn't show the platinum tones.. Help anyone?
  14. This document covers the registration and installation of Riffworks Standard 2.5. 1) Once you have purchased the RiffWorks standard licence, locate your license under "software license keys" at the following link: http://line6.com/account/purchasehistory/ Click the details link beside the Riffworks license you just purchased. On the next page, under Order Items you will see the license key and Windows Mac and Drummers downloads. 2) Once you have selected the operating system you will be prompted to download the file to your system. Select "Save File" 3) Once the file has downloaded to your system you will need to install the software. Select "I Agree" to proceed with the installation. 4) Riffworks will ask you to select the components to install, then select "Next" 5) RiffWorks will select the installation path, then select "install" 6) Wait for RiffWorks to install 7) Then select "yes" to launch the program 8) You will be prompted to enter your log-in information (this is NOT your Line 6 log-in). If you have not already created a Sonoma Key or RiffWorks account, select "Register". This will open a new page in your web browser. 9) Select "Sign Up Now" 10) Create a user name, then check the availability by clicking the button to the right of the user name box. Once you have a user name that is available, select/verify your password and select "continue" 11) Enter the required information, then select "Continue" 12) Check your email for the registration details and select "Finish & Close" 13) Go back to your RiffWorks Standard activation page, and input your account information 14) Agree to the end user agreement. Now you are now able to use your RiffWorks Standard software!
  15. RiffWorks Application Support: For application usage support, please visit Sonoma Wire Works (the creators of RiffWorks Software) at: Sonoma Wire Works Support NOTES: RiffWorks Line 6 Edition is discontinued and the license can no longer be purchased. If you already have the RiffWorks Line 6 license on your account, you can download the last version (RiffWorks Line 6 Edition 2.2.2) from the following link: Line 6 software downloads RiffWorks T4: (which comes with POD Studio GX, UX1, and UX2 purchases) does NOT require activation nor is it co-related to the RiffWorks 2 Line 6 Edition software in terms of license key requirements. You can simply download it from Sonoma Wire Works should you lose or damage the CD and install the application using the downloaded install file. Again, there is no license key activation required for this specific version. Any questions concerning the setup or usage of RiffWorks T4 should be directed to Sonoma Wire Works. Q: Is RiffWorks Vista 64-Bit Compatible? A: According to Sonoma Wire Works, RiffWorks is not officailly supported in 64-Bit OS environments, only 32-Bit. Some users have mentioned to Sonoma that they were able to get the application to run, but most often the problem lies in 64-Bit driver support for the audio interface being used. Q: What are the system requirements for RiffWorks? Line 6 RiffWorks System Requirements Q: Do I need to have my RiffWorks licensed gear connected to my computer when trying to record in RiffWorks? A: Yes. Q: What Line 6 gear is compatible with RiffWorks? A: You can use the GuitarPort/RiffTracker, TonePort, POD Studio, PODxt or POD X3 USB device. Q: Does Bass POD XT work with Riffworks? A: The Bass POD XT will pass audio and work as ASIO driver with the Line 6 Edition RiffWorks, but the program cannot be activated or purchased through connection with the Bass POD XT series device. The Bass POD XT should work with the RiffWorks standard edition, which you can purchase at the following link: RiffWorks Standard Purchase Q: I have a Guitarport-Rifftracker unit, can I transfer my RiffWorks license off the unit to a different Line 6 device? A: No, the Rifftracker license is "hardwired" and cannot be transferred off the unit. Q: How do I get a hotter signal to RiffWorks input meters? A: Make sure the volume on your guitar is all the way up. You can get a hotter signal by turning up the volume of the amp model you have selected in Gearbox. Q: How can I add new layers? A: Once you've recorded your first layer, you can add another layer on top of the original layer by clicking on record again. This new layer will automatically layer itself on top of the original layer. You have a total of 24 layers available to you. If you want to create several layers one after the other without stopping, all you have to do is keep recording. RiffWorks will automatically continue to create new layers every time it starts to loop around again. Q: Can I change the size of the RiffWorks window? A: Yes. The RWSettings tool allows you to select a specific resolution for RiffWorks. You will need to re-launch RiffWorks after adjusting this setting. Q: I just purchased and installed RiffWorks Line 6 edition but I do not see my drummers? A: The add-on drummers are a separate download from the Line 6 software menu dropdown box. Please download and install the the add-on drummers after you have installed your RiffWorks license and activated the hardware. You will then see the drummers in your session menu. Q: I just installed RiffWorks 2 Line 6 Edition and my drummers from RiffWorks that I purchased are not showing up? A: If you have installed RiffWorks 2 Line 6 Edition and you do not see your purchased drummer add-ons from RiffWorks 1, you will have to copy the drummers from your RiffWorks 1 folder and then paste these into your RiffWorks 2 Line 6 Edition folder. Please copy all of your .swd (Sonoma Wire Works Drummer) files from: XP/Vista/Windows 7/8: C:\Program Files\Line6\RiffWorks\drummers and then paste your drummers into: C:\Program Files\Sonoma Wire Works\RiffWorks Line 6 Edition\resources\drummers Mac OSX: HD/Library/Application Support/Sonoma Wire Works/drummers (Regarding drummer transfers, It's referring to the different folder that your system will generate as each program installs. When you install your new RFW program, new program folders get created, inside that program folder you will find a sub-folder with the same title as the one that your drummers currently live in. You just move the drummers to that new folder with the same name.) NOTE: The other Add-On Drummers can be purchased directly from Sonoma Wire Works at: http://www.sonomawireworks.com. Q: I just bought and activated a new drummer for RiffWorks but don't see it? A: You need to download the drummer from Sonoma Wire Works at: http://www.sonomawireworks.com/. Once downloaded, double-click to install the files to your computer. Run RiffWorks, you should be able to see the drummer in the Session area of the Drummer tab. Also: If you purchased add-on RiffWorks InstantDrummer Sessions from Line 6 for RiffWorks v1, they will not work in RiffWorks v2 or later. Sonoma will need to add those to your Sonoma Account Downloads for free. Email Sonoma's support team support@sonomawireworks.com, and ask for the InstantDrummer sessions to be added to your Sonoma Wire Works store account downloads area. Q: Can I change the location where RiffWorks records audio? A: Yes. The RWSettings tool allows you to change the drive that RiffWorks records to. After changing this setting, you need to re-launch RiffWorks for it to take effect. Q: Does RiffWorks work with a 48k sampling rate? A: No. When using RiffWorks, all compatible devices are restricted to a 44.1k. Changing the sampling rate in the control panel to 48k will result in it changing back to 44.1k automatically.
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