twystedriffs Posted April 20, 2017 Share Posted April 20, 2017 So, I had been running my helix through stereo power blocs and cabs. Recently went to dual alto's. Needless to say, I am rebuilding my patches with cabs, etc.. I had one patch previously that used a harmonizer and sounded glorious. Almost true dual lead sound. Now it sounds too blended, not enough distinction and the harmonizer is kinda synthy sounding. Anybody had good luck with a stereo harmony patch and want to share their secrets? More high gain sound..thank you! Quote Link to comment Share on other sites More sharing options...
requietus666 Posted April 20, 2017 Share Posted April 20, 2017 you definitely want to put harmonizer after overdrives if you need them to remotely remind different takes, otherwise it will sound as if played on one instrument. time based and modulation fx go after the harmonizer in chain. harmonizer will sound synthy, yes, but try lowering the mix of harmonizer module, it does not need to cut thru, just a little presence Quote Link to comment Share on other sites More sharing options...
DunedinDragon Posted April 20, 2017 Share Posted April 20, 2017 I always get great results placing it after the amp and cab just prior to the final reverb/delay effects. This gives me a well articulated and very believable dual guitar harmony effect which I use on a number of different patches. Quote Link to comment Share on other sites More sharing options...
aleclee Posted April 20, 2017 Share Posted April 20, 2017 I run before the cab/IR block to minimize the impact on formants. If I have the CPU cycles, I'd go with a second amp (different settings if not model) and split paths to get things more distinct. Quote Link to comment Share on other sites More sharing options...
cwelling Posted April 20, 2017 Share Posted April 20, 2017 Other options: Put a slight delay (<50ms, Feedback=<15) before one side of the stereo signal before the harmonizer Use the Dual Pitch for any fixed intervals like 5ths and Octaves and set a slight delay Experiment with a stereo pan either before or after the Harmonizer. Try both slow pans and very fast pans. Play with the mix control to taste. Use 2 Harmonizers with different settings and mute one of the voices on each. Quote Link to comment Share on other sites More sharing options...
twystedriffs Posted April 20, 2017 Author Share Posted April 20, 2017 Thanks everyone comma I'm getting closer. When I switch to direct as opposed to going to an amp, I find a lot of wonderful things. However there are a few things that I greatly Miss and this particular patch is one of them exclamation point I know it won't be the same but as long as I can get a close I'll be happy period I'll be tweaking for a few hours this evening and I'll try your ideas Quote Link to comment Share on other sites More sharing options...
aleclee Posted April 21, 2017 Share Posted April 21, 2017 Thanks everyone comma I'm getting closer. When I switch to direct as opposed to going to an amp, I find a lot of wonderful things. However there are a few things that I greatly Miss and this particular patch is one of them exclamation point I know it won't be the same but as long as I can get a close I'll be happy period I'll be tweaking for a few hours this evening and I'll try your ideas Looks like your speech-to-text isn't detecting punctuation. (period) Quote Link to comment Share on other sites More sharing options...
erniedenov Posted April 21, 2017 Share Posted April 21, 2017 I always get great results placing it after the amp and cab just prior to the final reverb/delay effects. Same here. I was a little surprised that it sounded awful in front of the amp and great after the cab, but that's why you have to experiment with what sounds best where in the chain; it's not always what you'd expect. When using the dual pitch block, it's helpful to understand the scale modes. For instance, when I wanted to harmonize with a Dorian mode (I call it "The Santana Mode;" the one that works best if you're playing over a progression like Emin7 to A7), I set the Dual Pitch to D major. Dorian is the second mode of that scale. And I don't know if anybody would be interested in this, but a setting I like to use with Dual Pitch is based on a wide chord voicing that I've always liked the sound of. I set one harmony a 6th below the primary pitch and the other one a 5th above. It's a huge sound, try it! Quote Link to comment Share on other sites More sharing options...
jbuhajla Posted April 21, 2017 Share Posted April 21, 2017 Looks like your speech-to-text isn't detecting punctuation. (period) He is busy tweaking his preset and doesn't have time to type on a keyboard period Quote Link to comment Share on other sites More sharing options...
twystedriffs Posted April 22, 2017 Author Share Posted April 22, 2017 Yeah comma I was period But seriously, thanks for the advice, it has gotten better, it is just one of the few downgrades I have noticed since going direct. It sounded amazing through my amp setup! Quote Link to comment Share on other sites More sharing options...
Rocco_Crocco Posted April 22, 2017 Share Posted April 22, 2017 I put mine between the amp and cab/IR. Quote Link to comment Share on other sites More sharing options...
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