DarthHollis 234 Posted July 5, 2017 Hello everyone. I have created a stereo patch that I really like but I was wondering how everyone else achieves it. I am only using one amp and cab at a time. I use a simple pitch shift that just a few cents off and a little bit of delay in it's own path on the right side - 100% wet and the left side is dry. Stereo reverb is last but not heavy in the mix. I have tried chorus and I don't like it. I have tried just using the delay trick and that is OK. What unique methods have any of you used to create a stereo sound with only one amp and cab? Is there something I haven't thought of? Thanks in advance. Quote Share this post Link to post Share on other sites
jbuhajla 325 Posted July 5, 2017 I just put my reverbs and stereo delays after the cab/IR block instead of before it, just as if you were to add reverb and/or delay post processing in the studio. Everything before and including the cab/IR is mono, then the stereo reverb/delay after that "transforms" it to stereo. Quote Share this post Link to post Share on other sites
DropTheSun 5 Posted July 5, 2017 1.Make path A and B identical and put both to have their own Multi input. Example Amp-Cab-Reverb. 2.Then hard pan path A to left and path B right. 3.Change path B cab to something darker, than what path A has. 4.Add a simple delay block in the start of the path B and set decay/repeats to 4ms and set feedback to zero. Enjoy your 3D tones with popcorn! Quote Share this post Link to post Share on other sites
Doug6String 22 Posted July 5, 2017 My go to approach is to use the dual delay and have a 30 ms offset for one path and pan one R and the other L. And like "J" said above, I have some other stereo effects after my IR/cab (more delay, verb, etc.). This gives a really nice full sound for jamming and some recording. Quote Share this post Link to post Share on other sites
DarthHollis 234 Posted July 6, 2017 Thank you everyone. All good techniques. More ideas if anyone has any? Quote Share this post Link to post Share on other sites