Please ensure Javascript is enabled for purposes of website accessibility Jump to content

Assistance with Hard Gate and High Gain


schapman1022
 Share

Recommended Posts

I have been using the Input Gate for my high gain tones but I noticed that there is still some noise coming though and it does not clamp down quick enough.  I started putting the hard gate after the Tube Screamer and it does the job really well.  I just want to make sure I am setting the gates correctly.  For some reason the whole open and close threshold is confusing for me.  Which value should be higher than the other?  Is it best to use a meter in a DAW to make sure I am setting the gate correctly and not choking off sustain or the beginning of the note?

 

Typical Rhythm High Gain patch for me...

Guitar > Tubescreamer > High Gain Amp > IR

Link to comment
Share on other sites

On 8/4/2019 at 4:47 PM, schapman1022 said:

I have been using the Input Gate for my high gain tones but I noticed that there is still some noise coming though and it does not clamp down quick enough.  I started putting the hard gate after the Tube Screamer and it does the job really well.  I just want to make sure I am setting the gates correctly.  For some reason the whole open and close threshold is confusing for me.  Which value should be higher than the other?  Is it best to use a meter in a DAW to make sure I am setting the gate correctly and not choking off sustain or the beginning of the note?

 

Typical Rhythm High Gain patch for me...

Guitar > Tubescreamer > High Gain Amp > IR

 

The smaller the -db number you set on the noise gate's 'Threshold' parameter the more aggressive the gate will be.  So -20db is a much more aggressive gate setting than -90db and will kick in earlier and require less noise to be present before activating. In other words it will take less noise  volume for the gate to kick in. I don't think you require a meter, just use your ears. I usually set it to as high a negative number as I can get away with ("high" being a relative term in this context as we are talking negative dbs) and not have excessive noise. This avoids choking off sustain. I also always assign the Threshold parameter to snapshots as for example most clean snapshots require little to no gating(depending on how quiet your pickups and cabling are). I only want it kicking in where it is required on for example high gain or distorted snapshots. So for a clean tone's snapshot I might for example have the threshold set to -95db whereas a distorted lead tone might be set at -65db.

 

The lower the number you set for the 'Decay' setting the more quickly the noise gate will release after kicking in. Here is a post on it from vmoncebaiz, a Line6 product specialist.

 

 

  • Thanks 1
  • Upvote 1
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

×
×
  • Create New...