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Randy Rhoads Tribute Tone


brettspahr
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Do what Randy did....

JCM 800 (Brit 2204). Marshall Super Lead (Brit Plexi Normal/Bright/Jump) ... goose it with the "DOD250" (Top Secret OD).

 

Actually, IIRC Randy used an MXR Distortion+, but the DOD 250 was very similar and is the closest overdrive within the Helix. 

 

You posted the live video, this next suggestion is more for his "studio tone". 

Randy triple tracked every guitar part.... physically played them the same three times. To get that out of the Helix, dive into the ADT which is found in the Delay section... add it directly after the amp.  That effect will simulate the extra tracks... including some random changes for more realistic "double/triple" tracks.  

 

There are many ways to get that tone on the Helix.... but I always think it's best to know what was used to created it first - then start there. Good luck!

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I'm pretty sure he actually used the Marshall 1959 SLP's (Super Lead Plexi's), which is a bit of a different circuit than the JCM800. Marshall's own literature on the reissue of his amp is referred to as the "Super Lead 1959RR".  Which is available in the HX Stomp as the "Brit Plexi Nrm/Brt/Jump".  Everything else suggested is very very close.  Here's a close diagram of his rig:  https://guitar.com/rig-diagrams/rig-diagram-randy-rhoads-ozzy-osbourne-1981/

 

While this gets all the ingredients right, it may still not be the exact signal chain he used. For instance the diagram show's the input to the amp being the normal channel (i.e., not the Bright channel or Jumping the the 2 channels).  And if you watch closely in this live video around 0:58 - 1:09 

 

 

It does look like the Normal channel.  So it could be right, at least for a live setup.  However he swapped-out Altec Lansing speakers for the stock Celestion Vintage 30's or Greenback's. And that's gonna have pretty noticeable affect on the over all sound that he was getting. The HX Stomp cab equivalent might be the 4x12 1960 T75 (a cleaner speaker) or 4x12 Greenback25 (a brighter greenback), the rest of the tweaking would be between mic choice and the 10-band EQ. And then of course the Double/Triple effect/technique that Codamedia mentioned. That last bit will go a long long way to not just getting his sound but the "feel" of what Randy was doing. 

 

Notice that he used a stereo setup so replicating that would also get you closer.  Thank god there fewer pedals to choose from back then and he really only had the Cry Baby, MXR Dist+, 10-band EQ, Grey Flanger, and Stereo Chorus (and some sprinkled Analog or Tape Delay).  Trying to run this in stereo could run out of blocks. But there should be a workable config.  It's very interesting that his pedal board didn't have built-in delay in the vein of the other effects.  When it came to delay he must have really liked the tape echo. That would be one reason delay wouldn't have been built-in. Them suckers where just too damn big to integrate into a board. 


Anyway, Good Luck!  Would love to hear what you come up with.  

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I've seen a few people do some really good attempts at this on youtube, if memory serves, Ben Vesco did a very good one - that may have specifically been the album tone though, but it's worth checking out

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On 7/7/2022 at 2:26 AM, cthompster said:

I'm pretty sure he actually used the Marshall 1959 SLP's (Super Lead Plexi's), which is a bit of a different circuit than the JCM800. 

 

You are very correct about that.... I'm not sure why I wrote JCM800 earlier, I knew better :) 

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