Yea, I got it in today and upgraded it to version 2.0. The "classic" variation really REALLY is a HUGE improvement on this amp for live gigging. I love this lil f*cker. I've already customized tones for ZZ Top's "La Grange" and Van Halen's "Eruption". Working on Lynyrd Skynyrd's "Sweet Home Alabama" now. I also got the wireless and the FBV3 Advanced Footswitch to go widit. SUPER HUGE BRILLIANT IDEA to have the wireless receiver built into the amp and be able to plug the transmitter right into the Amp to charge it. Whoever thunk of that at Line 6, give them a raise!
My only complaints is you should have kept the "boost" switch from the older amps. I know I know there's workarounds but that was a step in the wrong direction (no pun intended). Also no send and return, so no using your favorite pedals in the signal chain.
I also own the Boss Katana 100 and Peavey Vyper Pro. Both them are good amps too, but they have nowhere near the sims the Line 6 has. I guess my favorite though is the Boss GT 100 that I also own. It's VERY, VERY, VERY versatile for the gigging musician, but its also a floor unit and I'm NOT a fan of floor based effect processors, mainly because I have to run 25 feet of speaker cable TWICE (L & R) from the floor unit to the 350 Watt Rocktron Stereo Power Amp that I use to power the 2x12 Stereo Cabs. Its just a pain setting it up and tearing it down, which is why I'm a fan of amps that all the effects built into the amp. Simple to set up, simple to tear down, simple to use. I can take the Line 6 Spider V 120, walk in, and be ready to play in 5 minutes. What's more important, I can tear down and be gone in 5 minutes. You never know when the egg cartons are going to catch on fire.