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squirrel211

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  1. UPDATE: I was using Analog Chorus to test the functionality of using the fx loop of 2 amps, while switching my guitar from 1 amp to the other with an ABY box. * Most of the delays behave EXACTLY AS I WISHED! The chorus is a totally different story; the wrong amp would be the only one with sound coming out at one point... Basically, any patch/effect that is true stereo will work.
  2. I'm uncertain what you're asking me Foggy? I'm using the 2 cable method of just running my amps' fx loop sends into the inputs of the M13, and running the outputs of the M13 back to the corresponding amp's fx return. I use the M13 for modulations/Filters/Reverbs/Delays with already overdriven amps, so I only want to have it in the loop of each amp. EXAMPLE: Amp 1 input ---- Amp 1 FX Send into M13 Left Input // M13 Left Output into Amp 1 FX Return Guitar into ABY into: Amp 2 input ---- Amp 2 FX Send into M13 Right Input // M13 Right Output into Amp 2 FX Return
  3. UPDATE: Using an ABC switcher, I have summed both FX Sends to mono, using both outputs from the m13 to go back to both amps. Doesn't work as well as I had hoped, the effects are much louder in one amp, despite that amp being the clean amp. Looks like I'll be buying 2 M9's and running 1 in each amp, for delays....
  4. I have tried before to use the M13 as a dual mono box, and it didn't work for the R Input. Set up was: Guitar --> ABY --> A/Amp1 --> FX Send --> L Input M13 --> L Output M13 --> FX Return --> B/Amp2 --> FX Send --> R Input M13 --> R Output M13 --> FX Return Amp1 worked, and also supplied effect to Amp 2 when used. Amp2 didn't work at all. Can I run a second ABY box, after the FX Sends from both amps, into the L Input of the M13 and leave the ABY box in the Y setting, assuming both amps' FX signals would be summed to the L Input on the M13? I want to use 2 amps, basically as a glorified channel switcher, and have the M13 in the loops of both simultaneously.
  5. Not the same power strip, but same circuit.
  6. The mic is a Shure SM86, plugged into a Behringer XR-16 Air.
  7. That's just it, I have played this venue about 40 times, with the exact same set up. When I unplugged the M13, I didn't get shocked anymore. My rig is: Guitar Budda Wah Fulltone Plimsoul Menatone Red Snapper Amp (Tone King Royalist) The amp goes into a Tone King Ironman Mini Pedal M13 goes into the amp's effects loop All gear is plugged into my powerstrip. Removing any of the other gear from the circuit/signal path didn't fix the problem. Since the problem was fixed with the M13 being removed, I am assuming the M13 is the problem.
  8. When I unplugged it from my rig, I didn't get shocked any more. I tested everything, pedals, tried a different amp, mic cords, patch cords, 1/4" cables, changed outlets. It was definitely the M13.
  9. I have used my M13 at shows now for about 3-4 years (I can't really remember which year I got it!), without issue. Then on Saturday, with the exact same setup as I have used in the previous 200 shows, I was wickedly shocked by my vocal mic!!! I trouble shot the rig, and it turns out, my M13 is the problem. I am still using the power supply that came in the box with the pedal. Please help. I have shows coming up in a couple of days, and can't afford to spend weeks messing around returning purchases, taking the pedal to dealers, etc... Any ideas? Please HELP.
  10. Amp 1 FX Send -------> M13 Input Amp 2 FX Send -------> M13 FX Return M13 FX Send -------> Amp 1 FX Return M13 Output -------> Amp 2 FX Return Set the Scene to have the loop inserted between FX2 and FX3. FX1 and FX2 will go to Amp 1, FX3 and FX4 will got to Amp 2.
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