Dkenbrooks93

no need to call line 6. the ONLY way you can do this is to either have a clean amp model, and add a distortion effect and when you save your preset ensure that the distortion is turned off, but still assigned to a footswitch. my clean tones use delay and reverb, and i have my clean patch on switch A. i use a heavy distortion and have it assigned above Switch A.

has anyone successfully created an acoustic tone for an electric guitar?

Does anyone have a dumbed down version of understanding the built in parametric EQ on the firehawk? i have a general idea of how it worksa. However, when I’m alone at my bands rehearsal space and I’m busy dialing in my volumes and tone etc, if I hear something I don’t like. I immediately go into the EQ and turn it on the issue I have is trying to narrow down what frequencies I’m trying to lower. I guess for an example, a high gain amp with a tube screamer for a bit of drive. I notice a very “high” somewhat ear piercing fizzyness. Teying to narrow down exactly what Frequency it is gets aggravating. So I guess, what frequencies define low shelf, low mids, hi mids, and high shelf?

Makes sense. I was unsure I would be able to use both outs! But that simplifies it for me!!

Got my first gig coming up in mid January. Is there anyway to run the firehawk to a Pa (which I’m currently doing now) but as well as run it to an amp for stage volume/monitoring??