Jump to content

YammerUK

Members
  • Content Count

    26
  • Joined

  • Last visited

Community Reputation

3 Neutral

About YammerUK

  • Rank
    Just Startin'

Contact Methods

  • Website URL
    https://yammer.uk

Profile Information

  • Location
    : Manchester, UK
  • Interests
    Guitars, production, recording.
  • Registered Products
    1
  1. I spent a couple of hours on Friday going though 13 patches I've built up since I got my Helix in March, adjusting them so that the Input Pad replaces the boost button. I duplicated the set list first, in case it was a disaster. I was effectively halving the input volume on all patches. Before, the humbuckers dictated the gain settings on the preamps, and the boost pedal would match the single coils to the same level. Now, the Pad matches the humbuckers to the level of the single coils. So I had to adjust the amp gain settings on each patch to bite at half their previous levels. Not only that, but I use the expression pedal to adjust the gain (and ch vol) on each patch. So there was a LOT of adjusting to do. The jury is out on the results so far. I feel that I have more work to do across all patches, as there are compressors involved too. I'm starting to wish I'd not bothered, and just created a duplicate set list with a different boost setting. It would have saved a lot of effort.
  2. Yes, I appreciate that. Some presets will work better with different guitars and worse with others. But not all. I'm trying to avoid duplication and over complication. I think I've just found a workaround. I read that the Guitar In Pad provides attenuation, but I haven't bothered with it because I thought it was only for active pickups. According to Helix Help (and the Helix manual), this isn't really the case. It provides 5.5dB attenuation for whatever use you want. https://helixhelp.wordpress.com/2017/04/19/tip-global-guitar-pad/
  3. Like a lot of people, I guess, I have several guitars I use with the Helix. These guitars have different output levels. I reckon my humbucker guitars are twice as loud as my Strat. So, when I build a preset that has some sort of dirty gain breakup threshold, the breakup is totally different for my guitars. Rather than build different presets for different guitars, I add a boost footswitch with a gain of x2. But adding this to every preset is not only time consuming to set up and use, but wastes a footswitch I could use for something else. It would be a cool feature to have an input gain adjustment you can set when you plug in the guitar. Can anyone suggest an easier way to do this?
  4. Awesome. That answers my questions perfectly. That's what I've been doing, but I wasn't sure if it was necessary. I didn't bother with the full reset for the latest update, and there's this nagging feeling that I might be missing out on changes to the factory presets.
  5. Bug Fixes in 2.92 When Global Settings > Footswitches > Stomp Select is set to "Off" or "Press," touch-holding switches could still result in assignment and swap dialogs—FIXED Yay!
  6. Hopefully a quick and easy answer to these. I've tried search, but I must be using the wrong words... I'm guessing the new amp/effects models which come with some firmware updates would be accompanied by the occasional new factory preset. Are the factory presets ever updated? Whenever you update the Helix firmware, what happens to the working (factory installed) presets/setlists? Are they updated? If the factory presets/setlists are not affected by firmware updates, do you have to backup your custom setlists, and do a factory reset with factory presets to see any new ones? I hope that makes sense. Thanks in advance.
  7. Thanks, everyone. I'll just stick to the old wheel. I'll reinvent it next month.
  8. Thanks. The penny is dropping. I'm slowly getting the idea that the Helix is to act as *the* DAW's audio interface, with the monitors connected directly to the interface's own line outs. I could theoretically bin the DAW's sound card. BUT, this requires that the Helix stays with the DAW whenever I do *any* recording/mixing/monitoring (in fact, any audio at all), UNLESS... That would enable the DAW to work without the Helix, but I can't help think it would just be a lot simpler/easier (and cheaper) to just send those Helix Line Outs straight to the sound card in the first place. :-D In my case, the DAW is a meaty 'tower' PC, with physical connections to monitors, ethernet and printers. The Helix is very much a portable unit. I guess I could just unplug everything every time it leaves the room, and reconnect every time I do anything involving audio, but I'm sure you can appreciate why I wouldn't be keen.
  9. Fair enough. I was surprised that we had 2 Helix software updates recently, so I sort of assumed Line 6 was well staffed during the lockdown.
  10. Right. So I'm not going mad then. Thanks for confirming that. I just brought my Helix up to my office, where the DAW computer is. It has an M-Audio 24/96 ASIO sound card which drives a pair of brand new active nearfield monitors. Once, I have recorded with the Helix, I will be mixing with the DAW, so I'm not keen to be plugging the monitors into the Helix just to record guitar. I'd need to bring the (25kg/54lb) FRFR combo up the stairs, from the room I use to practice, just to hear what I'm doing, although I guess I could use my Blackstar Fly mini amp. How embarrassing. Fortunately, the set-up is not permanent, and I'm thinking of moving my office into a bigger room, as part of the dual office/studio set-up. The big amp could come upstairs with the guitars and stuff. Let's hope I never have to take it anywhere. Or, I could just use a pair of 1/4 inch to RCA phono cables, and go straight into the sound card.
  11. I submitted a support ticket 10 days ago, and a gentle follow-up prod on Monday, but I've had no reply. Does anyone know what's the likely explanation for the silence?
  12. I'm just getting back into DAW recording and VSTs after a 15 year gap, so I'm a bit rusty. I used Orion Pro and Ableton Live back in the day. I just tried to plug my Helix LT into my PC using USB, after installing the latest Helix Edit and drivers. Everything went on OK, and the Helix shows up, but it appears that my DAW softwares' ASIO settings will only allow one device at once. So, I have to monitor through my Helix/FRFR and not my DAW. Is this correct? And if I don't want to do this, I have to go old school and use Line Out into the sound card?
  13. Are you sure? I initially had a problem in 2.82 with Controller Assign popping up when pressing switches by hand, and I stopped it by turning off the touch setting.
  14. Helix LT, 2.90 firmware. After upgrade from 2.82, I noticed the tap tempo flashing light was back on (I'd turned it off). Not a big deal, but... Capacitive footswitches appear to be on all the time, even if you turn them off... Global Settings > Stomp Select, go from Touch to Off, makes no difference to my LT. If I touch a switch, I still get the Bypass Asign screen.
  15. YammerUK

    Overwhelmed

    For the benefit of anyone coming here with a similar question, I found this video, which goes on a bit, but covers the Helix compressors in depth.
×
×
  • Create New...