spearfishing

This is true but at least for my ears, in the rehearsal room with the band I have been playing on the P.A. system for a long time and in live performances set up like this I have highs that are round and do not bother the ears and my opinion is that everything is closer to the reality of miking an amp, I underline that the tones are very subjective and often you get there after a bit of time doing a bit of testing and spending a bit of time on it.

Questo è vero ma almeno per le mie orecchie, in sala prove con la band suono da molto tempo sul sistema PA e nelle esibizioni dal vivo allestite in questo modo ho alti rotondi e non disturbano le orecchie e la mia opinione è che tutto sia più vicino alla realtà di microfonare un amplificatore, Sottolineo che i toni sono molto soggettivi e spesso ci si arriva dopo un pò di tempo facendo un pò di test e spendendoci un pò di tempo.

After a few years of using the Pod Go Wireless, I switched to the Stadium and to find the same sound sensation that on PA systems often becomes too sharp at the beginning, I had to set a high cut at 4300 Hz. I was quite surprised because with the Pod Go I used the Global EQ like this: Low cut 120 Hz and Hi cut 6300 Hz obtaining a very credible and pleasant sound on the high frequencies. The difference between the two machines left me very perplexed, and even with the hi-cut at 4300 Hz, the Stadium for my ears had something wrong. Then one day I started playing with the input impedances and now finally setting the impedance to 22K I found again that sensation of real sound that I had with the Pod Go and the Hi-cut on the Stadium is now at 6300 Hz. With these settings (impedance 22k, Low-cut 120 Hz 6dB per oct., Hi-cut 6300 Hz 18dB per oct.) I find that the sound is truly beautiful and credible. Even the dynamic response becomes more "true" and the amplifier models respond to the tones in a more realistic way. I emphasize that with the Pod Go I used either a buffer in front or I used it wirelessly therefore with a buffer to overcome the well-known problem of input impedance which, unlike the Stadium, made the duo too opaque.

I have a Helix Stadium Floor, not the XL version. When I use the Tap Tempo footswitch, the snapshot names appear on the screen. Helix restarts. I even made a video, but I don't know where to send it. I'm having trouble because after spending €1,848, I'm afraid to use Helix live. I also wrote in a previous post that when the WHA is turned on by a footswitch, the expression pedal then controls it. But if you set the setting to turn it on with pedal movement, it doesn't work.

I just bought a Helix Stadium Floor and I have an Oedale that works perfectly with the volume block but does not work with the wha block. The position does not go below 70% and it activates with difficulty, turning off immediately. It is not a Line 6 expression pedal but on my PodGo and on the volume block of the Stadium it works, does this happen to anyone else?