Bass POD® xt Pro features 1/4-inch and XLR outs, 24-bit/96k digital I/O (AES/EBU & S/PDIF), effects loop, analog reamping in and outs, biamp mode with selectable crossover, the ability to mix the direct signal into the modeled output, 4 mic models, A.I.R.™ II cab/speaker/mic emulation, MIDI, and USB digital I/O for Mac® and PC recording applications.
Re-Amping Using the ANALOG REAMPING INPUT/OUTPUT connections, you can send a dry unprocessed guitar signal to your recording device and send it right back into the Bass PODxt Pro. Why is this so cool? Well, now you can go back at any time and change the entire sound of the track you recorded. How many times have you recorded a track where you wanted to just pull back the drive on a stompbox, try a different amp, or add a little more compression? Now you can! If you're really into experimenting with sounds, try sending other tracks like vocals, keys, or drum tracks through the Line Level Input jack! If you're really sneaky, you can also do this digitally with the AES/EBU, S/PDIF, or USB connections.
Effects Loop Even though Bass PODxt Pro has more stompbox and studio effects than you can shake a stick at, we've decided to give you some extra rope and thrown in a programmable effects loop. Now you can run your old rackmount effects processors in series or parallel.
Unbalanced Analog Out These 1/4-inch outputs can be run in Studio, Live, or Bi-amp mode. In Studio mode, they're ready to plug into a recorder with unbalanced –10dBV inputs. In Live mode, they don't have speaker simulation, and are ready for connection to an onstage amp. When Bi-amp mode is enabled, the low frequency portion of your signal is sent out the D.I. jack, while the high frequency portion goes out the Model jack, so each jack can be connected to a separate power amp and speaker cabinet(s) to separately amplify your lows versus your highs.
Balanced Analog Out These balanced XLR outputs can be run in Studio or Live mode. In Studio mode, they're ready to plug into a recorder with balanced +4dBu inputs. In Live mode, they send –10dBV signals to the P.A. or house system.
AES/EBU & S/PDIF Inputs and Outputs These jacks can send and receive digital audio signals in any combination of 16, 20, or 24-bits with 44.1, 48, 88.2 or 96KHz sampling rates. Bass PODxt Pro uses its internal clock to generate the sample rate you choose, or you can sync to the signal you send it from your digital system.
USB Port The Bass PODxt Pro USB driver software allows direct digital recording to your Mac® or PC, plus the ability to play back audio from your computer like a soundcard. Also supports MIDI over USB.
MIDI Bass PODxt Pro lets you control everything via MIDI. You can select any Bass PODxt Pro Channel, automate any parameter, and backup your Bass PODxt Pro memory to your computer.
Pedal Our FBV™ and FBV Shortboard™allow you to select different patches, tap in your effect speeds/times/tempos, and kick in the tuner. Plus, both foot controllers give you a Volume and Wah pedal. This same jack also sends power to the FBV and FBV Shortboard. There's also the smaller FBV Express™, FBV4™ and FBV2™ controllers if you want to travel light.
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Discrete Processed & DI Outputs
+4dBu / -10dBV balanced 1/4 Inch Outputs
24-bit/96kHz S/PDIF and AES/EBU Digital Inputs and Outputs
Bass PODxt Pro lets you control everything via MIDI. You can select any Bass PODxt Pro Channel, automate any parameter, and backup your Bass PODxt Pro memory to your computer.
Our FBV
