22 tones found
Tones by bryanr3691
| Product | Tone Name | Guitarist | Song | Band | Amp | Style | Downloads | ||
| Author | Comments | Date | Pickup | Rating | |||||
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Enter Sand CL | Kirk/ James | Enter Sandman | Metalica | Blackface Double | Thrash Metal | 2807 |
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| bryanr3691 | Since there's no JC model, this is the next best thing, lots of compression, the Bogner cab model for good schooped mids, and u don't have to swith to the neck pickup to the bridge when u change to my crunch sound i made to go with this ^^ | 4/12/11 | |||||||
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Enter Sand Crn | Kirk/James | Enter Sandman | Metalica | California Treadplate | Thrash Metal | 2375 |
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| bryanr3691 | Put this one right next to the Cln tone i put up also, they swithch right back and fourth perfectly ^^ | 4/12/11 | |||||||
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Superstition | Stevie Ray Vaughn | Superstition | Stevie Ray Vaughn and Double Trouble | Blackface 'Lux Nrm | Texas Blues/Funk | 1876 |
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| bryanr3691 | spanky clean tone for the verses and chorus, use the drive on fx1 for some boost and gain for the solo. | 9/14/11 | |||||||
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4theloveofVai | Steve Vai | For the Love of God | Steve Vai | Angel F-Ball 100 | Rock Instrumental | 1528 |
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| bryanr3691 | My improvements on the popular downloaded one ^^ | 5/6/11 | |||||||
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Elevation Crun | The Edge | Elevation | U2 | Tweed B-Man | Rock | 1501 |
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| bryanr3691 | My best shot at using a the fuzz sub octave effect and the fuz wah model to get the Kay Fuzztone pedal sound. | 1/25/11 | |||||||
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Dont Stop Believ | Neil Schon | Don't Stop Believing | Journey | Brit P-75 Brt | Rock | 1127 |
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| bryanr3691 | Put a floyd on that les paul! | 10/20/11 | |||||||
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1984Crunch | Edward Van Halen | Panama | Van Halen | Angel F-Ball 100 | Rock | 2009 |
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| bryanr3691 | 5/5/11 | ||||||||
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1978HotPlexi | Edward Van Halen | Ain't Talking 'Bout Love | Van Halen | Brit P-75 | Rock | 1643 |
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| bryanr3691 | Bridge humbucker of a Les Paul, Explorer/Distroyer or Super strat style guitar. | 5/5/11 | |||||||
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Main Crunch | Bryan Rasmussen | Life Story Soundtrack | Angel F-Ball 100 | Rock | 547 |
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| bryanr3691 | 1/23/11 | ||||||||
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Reelin in the Ya | Elliott Randall | Reelin In The Years | Steely Dan | Tweed B-Man Nrm | Rock | 598 |
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| bryanr3691 | Randall played a strat with a humbucker dropped in to the neck position, and then cranked up a 69 Ampeg SVT to what i can imagine to be a blistering volume with 300 watts out of that sucker!! | 10/20/11 | |||||||
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
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Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.






