Kudos to Line 6 for creating the easiest sound system to set up, ever.
Shame on you for not including, for a few dollars more, open standard digital I/O like AES or USB to any of your StageScape/StageSource equipment.
What "genius" in your company decided that it had to be a thoroughly proprietary, closed system that didn't have any normal, digital ins or outs?
Sure, no one would want to record their gigs or practices in pristine digital form, right?
And, of course, everyone will want to use only your guitar pre-amps to hook up digitally to your speakers rather than anything else, true?
And when you have digital recording interfaces and wireless units, you really do benefit from having extra, unnecessary AD/DA conversions, don't you?
Open standards are for morons, correct?
So, enough of my snark.
I'm truly thinking about not buying an L3S and selling of my L3T because it won't recognize any digital input other than your L6 Link.
If you can offer a firmware upgrade, great, problem solved. If not, wow, big mistake on my part thinking that you'd make a truly all-around, great product that didn't have some gigantic design flaw.
If I wanted to buy your Helix Rack, this wouldn't be a problem, but, since that box has the most wackass effects line up ever and doesn't offer anything approaching studio level effects for bass or vocals, sorry, no thanks.
Even worse, it doesn't seem that you guys have added one new effect algorithm to your Pod line up in over a decade. That seems to be the running theme with everything you've ever produced. Great ideas that turn into product with glaring flaws and ommisions.
Thanks,
jeff