I don't think that will do what I want. If I do that, if I play a note, I will hear the entire note dry, and mixed with that I will hear the same entire note, delayed, with reverb applied to the the entire note. So I will hear two notes, each with its own attack, which isn't what I'm looking for. Or am I missing something?
What might work is to keep an entirely dry path, then add a second path that has a compressor on it which completely silences the first portion of the note. Then place the fx loop after the compressor. The only problem with this is that the dry signal (1st path) will have to be at the same level as the wet signal (2nd path), which is not what I want. After the dry attack I want 100% wet. To get around this maybe I could also put a compressor on the dry path which completely silences the the note AFTER the attack.
Anyone know which compressor, if any, is best for silencing a portion of a note?