I have the Stadium XL with my ToneX in the loop. Sonically, I find the Proxy very comparable to the ToneX captures—at least to my ears. Since I play a wide variety of styles and was already using a sort of "pedalboard strategy" with my "standard" Helix, I’ll likely stick with this setup. That means I have six main presets, each with matching pedals (Clean/Pop, Blues, Rock, etc.) and a corresponding Agoura amp—which can even be tweaked per snapshot (something that’s really easy to do since the Stadium update). I have the ToneX pedal in the loop, which I can use to replace the amp if needed. This gives me incredible tonal variety right at my feet, as the ToneX offers so many more amps (and gain stages, plus Bright, Balance, and Fat controls) ready to go. It’s also cool to be able to switch between the Agoura and the ToneX across snapshots (e.g., Clean vs. High Gain). I really like that. So, for now, I’m sticking with ToneX (mainly because of the workflow). If things get really wild, I can patch in my iPad and use NAM within Genome2 as a third option...