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rubenkamlah

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  1. this guy is doing the "mono mistake" and has -6dB going into everything after the drive while re-amping. i dont know if the mono block sum compensation is befor or after that drive block but it certainly is befor everything else in that chain and certainly also part of the reason why his re-amped tone is cleaner than the original (besides the different drive). this might seem pedantic and it works for his vibey solo reamp with a different drive, but if you jusz want to make minimal changes to an existing patch and AB the two and want to use the possibilities of digital audio recreating something 100% it's just not good enough for me. also i have a strange issue with the reamped signal being 73-74 samples earlier than the original/DI. furthermore that time difference varies from 73-74 samples and actually cant be quantified to complete sample alignment (there is no nudging the original/reamp so they completely cancel out when flipping phase) so I am guessing there is an analog circuit involved in the reamping signal flow?
  2. Did some trial and error today and figured it out. I have to complain about the UI at this point not showing you what the signal flow (Stereo/Mono) really is underneath. As far as I understand all signals are always stereo, thats also why u can only set USB7/8 as input and no Mono USB. To achieve same level as your guitar you actually need to set DI recording to USB7 and 8 and record both to a stereo track, becaus if you record your guitar through an empty patch to a stereo USB1/2 in this is exactly what you get when recording DI to USB7 AND 8. for re-amping put the outs of this stereo track to USB7/8 and you are gain staging correctly/just as your guitar would. if you only record USB7 mono DI and put out of the DAW track to USB7/8 pro tools does a split and lower the signal by -3dB and puts it on both tracks. first source of signal loss. this could be compensated by puttinfg the DI track to +3dB but its a source of error for me. second possibility is setting the out of that mono track to USB 7 mono. with an empty patch this produces signal only on the left - with a MONo block that funtions as "monoizer" (like you would in a real patch) this happens wich nothing can be found about in the manual: Mono blocks sum the signals of the two channels together, compensate -6dB and then process and put the result on both channels. if you use the "mono method" (Di to USB7 only and re-amp through USB7 only) this means sinal loss of -6dB when going into a mono block. I had to find all of this out with 5 hours of trial and error and I do not like how the user interface is "scientifically incorrect" to make it look more simple. i need things to be clean, precise and correct and for that i need to know whats actually going on. I am thinking about making an in depth youtube video about this, but I'm not sure if it is worth the effort since it's hard to explain and it seems nobody really cares about this tedious stuff... what do you think?
  3. The Re-Amped Signal sound somewhat "gated". Peaks are the same but it has less sustain and notes die off earlier. Also Gates in the signal chain close when they didn't in the original. The Re-Amping feed track in my DAW has Mono Output 7 and 0.0 dB Gain. My Patch has Input USB 7/8. I checked for Signal loss due to sending the DI only over Out 7 instead of Out7/8, but everything is fine at unity gain, an empty patch gives me back my DI with the same peak values. I am quite disappointed about the Re-Amping function since it could be such a neat feature but apparently comes at the price of signal loss! I hope this can be fixed! Firmware Helix LT 2.82 Pro Tools 12.5 MacOS 10.14.6
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