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Koernerbrot

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Everything posted by Koernerbrot

  1. I can't do that because i already use the Y-Split to process two mono input signals in parallel. Only one split is possible or am i wrong?
  2. Yes, I am referring to the Hi/Low Cut EQ block. Using the Multiband Compressor is just my workaround currently. My use case is as follows: I play bass in pretty low tuned modern metal band (A# and F tuning). The industry standard is to leave the low end clean and distort the mids and highs. I could do all this with a frequency split in Helix, but I find the sound of my Darkglass B7K Ultra V2 a lot better than the equivalent Obsidian block. That's why (and because I have some other pedal effects on the board) I split the signal after a compressor before the HX Stomp, and route one half through my Darkglass B7K - applying a lot of distortion and sculping my main sound. The other half goes directly and clean into the HX Stomp. Using those two signals as left and right input allows me to then split the signal in the HX Stomp via hard pan splitting to L and R. Now I am in the need to cut away the highs of the clean signal and cut away the lows of the distorted signal. For the first case, the Hi/Low Cut EQ block works great, but not for the second case, because I want/need to remove everything above max. 200 Hz. Using the 3-band comp as a workaround, I can set the low X frequency to the desired frequency and pull the mid and high band gain all the way down. But as I said... this is not exactly the ideal solution :) I hope my use case is clarified now :) EDIT: Of course, I merge the two signals / paths again later, before going to the output.
  3. Hi there, Is it possible to set a high-cut below 1khz? The low/high cut block unfortunately only allows the high cut to a minimum of 1khz. At the moment I use the multiband compressor without any compression but with the bands set to where I want them and turned the gain all the way down on the mid- and high-band. This is not really ideal... In case there is no such possibility: Please Line6 let us set such limits freely ourselves... why make 1khz as a minimum?
  4. Hi, I use a g30 for rehearsal and live situations and i recently noticed, that the output level coming from the g30 receiver is stronger than the output level coming from my bass if connect the bass directly to my pedalboard. This is easy to see because the first pedal in my chain (after the receiver) is a compressor with gain reduction metering. I get around 4 to 6 dB more of the reduction while using the g30 compared to going directly into the compressor. This makes tweaking my sound at home (where i'm not using the g30) really difficult because everything in my chain behaves different with the higher signal level coming from the g30 when playing live / at rehearsal. Is this normal behaviour? I thought the output of the receiver should always be the same level as the input the transmitter gets from the connected instrument. Has anyone made similar experiences?
  5. My use case is reversed to this "solution"... I need the send to be line level and the return to be instrument level. I neither want to lower a already clipped signal nor to boost the send by +18db because I don't want to raise the noise floor by 18 db... It really can't be that difficult to implement a separated send and return level function.
  6. +1 I need the possibility to set send and return levels separately ASAP... :(
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