154 tones found
Tones by Nick_Mattocks
| Product | Tone Name | Guitarist | Song | Band | Amp | Style | Downloads | ||
| Author | Comments | Date | Pickup | Rating | |||||
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Zep-10yrsGone | Jimmy Page | Ten Years Gone | Led Zeppelin | Brit J-45 | Rock | 1173 |
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| Nick_Mattocks | This is the distorted phaser tone based on the version in the Spider IV amp | 1/8/11 | |||||||
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Zep-10yrsCln | Jimmy Page | Ten Years Gone | Led Zeppelin | Blackface Double | Rock | 1995 |
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| Nick_Mattocks | This is the clean tone for the song based on the version in the Spider IV amp | 1/8/11 | |||||||
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Zep TSRTS Tone | Jimmy Page | The Song Remains the Same - General tone | Led Zeppelin | Brit P-75 | Zep live guitar tone | 6615 |
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| Nick_Mattocks | This is a general attempt at the main live tone as used by Jimmy Page on the Song Remains The Same album - it should put you somewhere near at least | 1/7/11 | |||||||
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WholeLottaLuvZII | Jimmy Page | Whole Lotta Love | Led Zeppelin | Super O | Classic Rock | 4927 |
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| Nick_Mattocks | Whole Lotta Love tone based on the studio recording included on Led Zeppelin II where JP is reported to have used a Supro amp. Delay FX are included but switched off for the middle section if needed | 10/30/10 | |||||||
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4The Love of Bod | Steve Vai??? | 4 The Love of God | Angel F-Ball | 13357 |
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| Nick_Mattocks | This preset is copied from the Spider IV preset of a similar name. It may need some tweaking, but seems reasonably close to the tone Steve Vai gets on the original recordingto me. YMMV | 10/20/10 | |||||||
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Sample Route | N/A | N/A | N/A | Brit J-800 | Sample tone showing routing for two separate signal paths | 1615 |
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| Nick_Mattocks | This tone is to illustrate how two signal paths can be used for two separate instruments and how only one signal path is heard at any one time | 10/5/10 | |||||||
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StillOfTheDay | Still of the Night | Whitesnake | Treadplate | 8474 |
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| Nick_Mattocks | 10/5/10 | ||||||||
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NeighborOfTheBea | Number of the Beast | Iron Maiden | Brit J-800 | 5036 |
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| Nick_Mattocks | 10/5/10 | ||||||||
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MakingTheLaw | Brit J-800 | 2391 |
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| Nick_Mattocks | 10/5/10 | ||||||||
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Faces High | Brit J-800 | 1647 |
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| Nick_Mattocks | 10/5/10 | ||||||||
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
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Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.






