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82 tones found

Tones by ricksox

Product   Tone Name Guitarist Song Band Amp Style Downloads  
 
  
Author   Comments Date Pickup Rating
 
POD HD300

AnaEchGain2HD3 19 331
ricksox 5/24/11
 
POD HD300

AnaEchSlapHD300 Blackface Double 374
ricksox 5/24/11
 
POD HD300

AnaEchWarmHD300 Gibtone 185 402
ricksox 5/24/11
 
POD HD400

AnaEchGain1HD4 19 270
ricksox 5/24/11
 
POD HD400

AnaEchGain2HD4 19 282
ricksox 5/24/11
 
POD HD400

AnaEchSlapHD400 Blackface Double 292
ricksox 5/24/11
 
POD HD400

AnaEchWarmHD400 Gibtone 185 342
ricksox 5/24/11
 
POD HD500

AnalogEchoGain2 458761 418
ricksox My “AnalogEchoGain2” patch is similar to the “AnalogEchoGain1” except I went with 4x12 Blackback 30 cabinet which helps lose some of the fuzz and gives it some more bite. As a result I tweaked the EQ a bit on the amp model to taste by bringing the drive down a bit and turning the presence completely off. Some minor tweaks were made to the bass parameter. 5/24/11
 
POD HD500

AnalogEchoGain1 458761 520
ricksox Gary Moore from Thin Lizzy quite often played out of a Marshall® JTM-45. Since the POD HD multi-effects processors actually include a model based on* this amp (it’s called “Brit J-45”) I figured it made perfect sense to demo the Analog Echo delay with it. I’m using the normal channel of this model. I used a guitar with dual humbucker pickups in the bridge position. I panned the mixer settings in the POD HD500 to front and center from hard left/right. The Studio Direct output modes were used and I dialed in through a pair of studio-grade headphones. I love the fuzz the 4x12 Greenback 25 cabinet brings to this tone and the J-45 model just sounds awesome anyway. I have the Analog Echo delay set to a relatively low delay time of 200ms. The Analog Echo really warms up the tone and brings a “reverby” type feel to it. Feedback is set to 25%. Bass and Treble parameters are set to 55% and Mix is set to 35%. 5/24/11
 
POD HD500

AnalogEchoWarm Gibtone 185 537
ricksox I love the Gibtone 185 amp model in the POD HD multi-effects processors. It’s modeled after* the 1939 Gibson® EH-185 and it sounds sweet. It’s a perfect complement to the Analog Echo delay effect. It really lets you hear what kind of warmth the Analog Echo can bring to a tone. I’m using the same guitar (bridge selection), output mode and mixer settings as before. I cranked the drive to 100% on the amp because I just love how this little guy breaks up. I tweaked the delay settings here just a bit by setting the delay time a bit higher to 250ms as well as the feedback to 55%. Bass is set to 30% and Treble is set to 55%. The Mix is turned up a tad to 35%. 5/24/11

Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).

The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.

Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.

For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.

Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.

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Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.