TonePort GX

TonePort GX is no longer made.

Manuals

TonePort GX Ins and Outs:
  • 1/4-inch input for instruments and microphone
  • 1/8-inch stereo headphone/line output with master volume knob
  • USB bus-powered with LED status indicator
  • USB 1.1 & 2.0 Compatible
  • Rock Solid ASIO, WDM and Mac® OS X Drivers
TonePort GX System Requirements:
    Mac:
  • Intel® or Power PC® based G4 1.5GHz or better (G4 1.67 or better recommended)
  • OS X 10.4 or better
  • 512MB RAM minimum (1GB or more recommended)
  • 1GB free HD space minimum (10GB or more recommended for recording)
  • Drive speed 5400rpm minimum (7200rpm or faster recommended)
  • CD-ROM drive
  • Internet connection for online features

  • Windows:
  • Pentium® 4 1.2GHz or better (2.5Ghz or more recommended)
  • Windows® Vista and Windows® XP (with SP2 only)
  • 512MB RAM minimum (1GB or more recommended)
  • 1GB free HD space minimum (10GB or more recommended for recording)
  • Drive speed 5400rpm minimum (7200rpm or faster recommended)
  • CD-ROM drive
  • Internet connection for online features

  • USB:
  • One free USB 1.1 or 2.0 compatible port on computer (USB hubs are not supported)
TonePort GX Guitar Amp Models:
  • Line 6® Treadplate
  • Line 6® Chemical X
  • Line 6® Insane
  • Line 6® Piezacoustic 2
  • Line 6® Spinal Puppet
  • 1953 Small Tweed based on* "wide panel" Fender® Deluxe Reverb®
  • 1958 Tweed B-Man based on* Fender® Bassman®
  • 1964 Blackface 'Lux based on* Fender® Deluxe Reverb®
  • 1967 Class A-30 Top Boost based on* Vox® AC-30
  • 1968 Plexi Lead based on* Marshall® Super Lead
  • 1968 Plexi Jump Lead based on* Marshall® Super Lead with "jumped" channels
  • 1987 Jazz Clean based on* Roland® JC-120
  • 1990 Brit J-800 based on* Marshall® JCM-800
  • 1993 Solo 100 Head based on* Soldano SLO-100
  • 2001 Treadplate based on* Mesa/Boogie® Dual Rectifier®
  • Tube Instrument Preamp
  • Citrus D-30 based on* Orange® AD30TC
  • Brit Gain 18 based on* Marshall® 1974X 18W Reissue
TonePort GX Bass Amp Models:
  • Rock Classic based on* Ampeg® SVT
  • Flip Top based on* Ampeg® B-15A
  • Adam and Eve based on* Eden Traveler WT-300
  • Silverface Bass based on* 1967 Fender® Bassman® head
  • Eighties based on* Gallien Kruger 800RB
GearBox™ Exclusive Preamp Models:
  • American Classic - Inspired by* an API® lunch box preamp in a classic studio setup:
    • API® - 512c Mic Pre
    • API® - 550b EQ
    • Studer® - 2-inch tape (Including Emphasis/De-emphasis & tape Soft Clip)
  • Vintage UK - Inspired by* a Neve 1073
  • Modern - Inspired by* an Avalon Vt737
  • Console
  • Vintage - Inspired by* a Classic Vintage Tube Preamp setup consisting of:
    • Requisite Y7 Mic Pre
    • API® - 550b EQ
    • Studer® - 2-inch tape (Including Emphasis/De-emphasis & tape Soft Clip)
  • Lo-Fi
GearBox™ Exclusive Preamp Effects Models:
  • Compressor (based on* LA-2A® Compressor)
  • Noise Gate
  • Male De-Esser
  • Female De-Esse
TonePort GX Stompbox and Studio Effects:
  • Facial Fuzz (based on* Fuzz Face)
  • Fuzz Pi (based on* Big Muff Pi®)
  • Screamer (based on* Tube Screamer®)
  • Classic Distortion (based on* ProCo Rat)
  • Vetta™ Comp
  • Line 6® Sine Chorus
  • Line 6® Flanger
  • Phaser (based on* MXR® Phase 90)
  • U-Vibe (based on* Uni-Vibe®)
  • Opto Tremolo (based on* 1965 Fender® Deluxe Reverb®)
  • Rotary Drum & Horn (based on* Leslie® 145)
  • Analog Delay Modulation (based on* Deluxe Memory Man)
  • Tube Echo (based on* EP-1 Tube Echoplex)
  • Line 6® Digital Delay
  • Standard Spring Reverb
  • Brite Room Reverb
  • Medium Hall Reverb
  • Cavernous Reverb
  • Slap Plate Reverb
  • Wah (based on* Vox® Wah)
  • Volume (Pre- or Post-Amp Routing options)
  • Compressor (based on* LA-2A® Compressor)
  • Noise Gate
  • Female De-Esser
  • Male De-Esser
  • Bass Overdrive (based on* Sans Amp bass Driver)
  • Bronze Master (based on* Maestro® Bass Brassmaster)
  • Sub Octaves (based on* L6 original synth effect)
  • Weeper (based on* Arbiter® Cry Baby)
All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.