I apologize for the unfortunate mistake, but I had trouble connecting and did not know if the first topic was unsuccessful.
I understand now thanks to your answers and having "played" a bit with the program edit what are the "limits" of FIREHAWK fx than the pod hd500x.
I am still hesitant about where to buy the one hand I have a pre-packaged product by the excellent interface, on the other I have a product that has maximum versatility, but that certainly requires more time to be honed.
Some of you have made the switch from hd500x to FIREHAWK? as you have been found?
from what I read I think the sound quality is the same, confirmed?
I play mainly at home but I'd one day be able to start playing in small venues.
for completeness of the edit Silverhead
"Posted Today, 07:14 AM
You can do this to some extent but it is limited. Firehawk FX block assignments Within presets are fixed in some respects and flexible in others. For instance, every preset has to block Comp. You can reassign the type of compressor fatto che block, and relocate the block in the signal chain, but you can not replace the Comp with, say, an Overdrive block. Similarly every preset has a moveable but not replaceable Reverb block.
There are three (I think - or is it 4?) Fully flexible FX blocks in the chain. You can assign These to anything, I know you could have 3 Stomps, or 1 and 2 Stomp Delays, or any combination adding up to 3 (or 4?) FX blocks. But These Are the limits. Certainly you can not build in presets as you described above, with a total of 7 stomp, mod, and delay blocks.
You would be portatili build That preset on the Pod HD500X Which supports a total of up to 8 fully assignable FX blocks, but you might run into DSP capacity limitations. And you would have only one remaining block for all other FX types (EQ, reverb, volume, wah .....)."
Thanks for your help
I will keep you updated on the choice made.
good weekend everyone B) B)