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Found 181 results

  1. I've had my HX Stomp for a little over 5 months, and noticed something odd since first getting they it. The Presets on the HX Stomp sound noticeably better "after" I launch HX Edit on my PC. Initially, I thought it was because I was new to the Stomp, had a lot to learn, and was sorting out some other tone issues. I feel pretty comfortable with the Stomp now, and yesterday (after doing some mods on my guitar) I notice the problem again. The sound from the Stomp was not very good, and I initially thought I'd messed up some guitar wiring. But, the moment I launched HX Edit my "good" Preset sounds came back. Specifically, with HX Edit launched, my Stomp is louder, warmer, more dynamic and alive, and sounds like higher fidelity. I don't know why that happens. It's as if the HX Edit on my computer has updated/better information on it, and that information only gets sent to the Stomp after I turn on the HX Edit. Has anyone else experienced this problem? Do you you know what causes it and how to solve it? This phenomenon may account for some of the complaints that the HX Stomp doesn't sound good. It doesn't sound good until I turn my HX Edit on, and after I do it sounds totally awesome, as I've figured out how to dial in the sounds I like. Thanks in advance. System Information: Windows 10 Pro, latest HX Firmware 3.11 and HX Edit.
  2. I have a Pod Go and a very clean sounding Bugera 50W tube amp. The amp is very clean sounding. I play both jazz (clean sound) and jamming rock, ala Grateful Dead, Allman Brothers, Santana, Clapton. I am looking for some advice on some settings on how to get both the super clean sound AND a very driven sound in the same Preset so I can switch between them in the same song. The challenge is the driven tones - looking for that tube "saturatuated" sound, like it is just about to break up, but doesn't. Alot of power behind a single string note, deep, resonant, sustained like Garcia, Allman, Santana. Not distortion, tube saturation. I have tried some of the drivers, but those alone don't provide the depth and power I am looking for. I want to also have a few blocks left over for other effects, so don't want to use all 4 blocks for this. And, want to be able to turn it on and off to mix the clean jazz and the more forceful jamming. Any thoughts suggestions or ideas are greatly appreciated. Thanks.
  3. Hi, I’ve been a Variax owner and line 6 Variax pods and amp owner for a couple decades now. Sometimes I’m amazed at the comments of dissatisfied customers. (I in no way am part of line 6 nor do I speak for them) . Line 6 didn’t start as a guitar company, rather synth centered stuff. But they had some great ideas. I know line 6 advertises instead of bringing multiple guitars, just bring a Variax. Well I’ve been a luthier for years and when the Variax came out I purchased a 300, 500, 600 which is a 300 with tremolo, and the 500 and 700 are similar. ALL the models back then used the same firmware the same sounds and were interchangeable where hardware was allowed. Number 1. I have never believed one amplifier would service this guitar correctly. Especially if you’re trying to play a classic sound of any type then try to play an acoustic guitar through the same rig. If you can only have one rig let it be sent to a high quality pa and use a line pod. Usually when you plug a Variax into a pod, and turn the model non either on the guitar or the pod line six has some pretty good presets to start with, then you can tweak from there. I’m semi retired now on a fixed income and can’t afford the latest in the pod family but I’ve listened to many they are awsome. My BEST Variax rig was 2- 4x12 marshal cabinets . I accidentally came across a vintage Acoustic speaker cabinet. It had 4 vintage celestion green backs 25 watt, and Jimmy Hendrix favorite the 55hz version instead of the 75hz that almost everybody uses. I also use a line 6 short board floor pedal and a line 6 - x3 pro rack unit. For power I used the Mesa bogie Stereo 4 6L6 GC 50/50 stereo power amp. Nice tube compression. So I used my edited tones from the X3 and it sounded fabulous. I also used their Variax editing software. I grew up playing during the mid 60s through early eighties. So I created a bass guitar model that sounds similar when played through my bass amp rig which I’ll talk about some other time. I made a patch where one was a Gibson Les Paul and the bottom one was the precision bass. You know how bass guitarists sometimes followed the lead player in some funky stuff or blues. What an incredible sound and with the foot switch I can turn the bass off and on by copying a patch calling it b instead of a so when I did chords I most often would switch the bass off. what I’m getting at, and especially fir guys like me who no longer has a band but still love recording in my home studio with my Logic x. before line 6 was putting mag pickups in Variax I was doing it. Only problem I know nothing about the software part of this so my guitars had way too many knobs and switches. I saw the JT stuff. It was starting to het too expensive to buy one to canabalize and hope to get your money back with a sale. Then the standard came out. Like I said I started a strat body design with all the contours and that big battery pack is in the way. One of my Variax conversions I still have is a GIBSON Les Paul Double cut. I decided to leave the tone control out because that can all be adjusted with the pod x3 and easily edited and saved . Pluse I never moved the tone control that much . I don’t miss it. I also left the battery cavity out of that one. Anyway it’s clean. Not as clean switch wise as the jt, but it’s not bad. having a Variax is a commitment. If you don’t put much time into this platform, well your sound will give you what you give it. But put some real time in what she’ll do you’ll be a pleased player. Anyway not trying to be know it a;l. I was so impressed with the potential of this system I really got into them. I think I’ve purchased 50 different Variax guitars and bass. Sold most but the favorites/ if you ever have a question with builds or what ever, I don’t know everything like the designers but certain ally have spent the time to get what I want out of it. If you are ready to dump your Variax standard contact me.. I think they are great
  4. Setup PodGo PRS SE 24 Headrush 12 Patches sound good up until I hit high notes. The issues starts only on the high E above the 12 - 15 fret. It sounds like a very fast, very irritating tremelo. This happens on most patches that are higher gain. Up to that point the sounds is great and then sounds like a cat mating. Any suggestions would be appreciated. thanks bruce
  5. I love the Helix, but I have had trouble getting a warm, rich, clean sound, and a recent discovery maybe hints at a problem. I have tinkered endlessly, reading forums for advice, trying user presets, etc. I have experimented with hi/low cuts and those are definitely important. I'm using a ribbon mic and adding quite a lot of reverb, and I have compression setup per Jason Sadites and other advice. I have long noticed that adding certain blocks including delays causes the sound to get unexpectedly tinny, shrill, harsh, digital. It seems to change the background/ambiance of the tone. It is subtle, but I eventually started avoiding delays, sadly. Recently I noticed something else which was really surprising. I bought a recorder pedal (TC Wiretap) which simply takes in a signal and records when you stomp. I added a "send" block to my clean preset and bingo, the sound degradation issue that I get with delays appeared. It really seems to affect the reverb and ambiance of the sound, and adds a digital harshness. With a single coil strat, I'm really relying on the reverb to warm/thicken up the sound, so the overall effect is not good. I tried bypassing the send block, which had no effect. I tried physically removing the patch cable sending the signal to the recorder pedal, and even that had no effect. I then deleted the block from my preset entirely, and that did it - the sound went back to normal. It's subtle, but who wants to add "just a little" tinny digital harsh edge to their guitar tone?! I had thought that delays just do something to the tone that I don't like. But a send block?! That should have no effect on the sound whatsoever, especially if the cable isn't plugged in! (eliminating grounding issues, etc.) And much more importantly, I'm now wondering if all the advice I've received from this forum over the past year for how to thicken up my tone (delays, reverb, pitch shifters, etc.) has been counteracted by this issue, because when I try these blocks, it often layers in this sound quality problem. Other setup details: Firmware 2.8, but this issue has stayed constant through several firmware updates over the past year. American Elite Strat with neck pickup for warmth, Yamaha HS7 studio monitors or headphones for playback. The sound quality issues are most noticeable with headphones. (could this be only a headphone-related problem somehow?) Thanks in advance for advice. I've tried to figure this out on my own and just can't. Also, any other tips related to adding thickness/warmth to a single coil strat are much appreciated. Joel
  6. Can someone tell me how to get close to his tone from The Loner? I know hi was using Marshall amps and Tube screamer as distortion pedal..but what about delay and reverb..does anyone got close to his tone? I read somewere that hi had a wah pedal open just a bit to get that nasally sound
  7. Hey all, I know this is a common topic but I still haven't found a satisfying answer so I'm going to ask it... How can I remove the tone coloring that occurs on the HD500X when in stompbox mode and all effects (and amp models) are OFF? I can tell when I go to the tuner and use the bypass mode that with all effects off, the 500X is still affecting my tone. In tuner bypass mode, the signal to amp is dry and unaffected do the 500x *should* be capable of not coloring my signal. In regular play, with all fx off and the amp model disabled, the tone is darker and the signal is weaker. This is really frustrating because what I wanted the 500X is for it's stompbox effects not an amp modeler. I know about the 4 cable method and using the modeling for the preamp toy amp, but that will be a last resort. I just really want the effects and my amp's tone! Please help! Kyler in Boise Keywords: pod, hd500x, hd500, hd-500-x, fx, f/x, tone, coloring, colored, true bypass, darker, signal, fx loop
  8. Alright people, this is my korn preset for just distortion. Metal: green Drive: 9 Bass: 5 Mid: 6.5 Treble: 8 Ch volume: 7 No fx or reverb
  9. Greetings Is it possible that someone has made an IR so you can get close to band volume tone response when using headphones? A room emulator? A band level emulator? Maybe an IR / block that simulates a 50 watt on about 8 or a 100 watt on about 7. Is this a dumb idea?
  10. I just bought this Line 6 POD XT Pro and was hoping someone might be able to help me, looking for a late 70's Bob Weir tone. Any help here is extremely appreciated. This is very new to me, have not used anything like this previously, so forgive my ignorance!!!
  11. Hey Guys! I put together another video highlighting a bass tone inside of Helix. It uses the Del Sol 300 amp block which is modeled after the "Sun Coliseum 300," with eh Obsidian 700 which is a model of the Darkglas B7K. The impulse is a ROSEN DIGITAL AUDIO Ampeg SVT. I tried to zoom on all of the important settings. If you have questions, feel free to leave a comment.
  12. So many users of the line 6 spider iv amps have had issues with the tones going thin or tinny, or muffled and low volume etc. I have a line 6 spider iv 120 and had the same thing start with mine. Well mine was what I call a cascading issue that led me to find what this issue is probably in almost all of your problems too. Seems the main board or brain has a few components used in circuit boards called voltage regulators. basically is drops the voltage down to what it needs to be and then the extra basically causes heat or is the by product which is correct and normal. the regulators have little metal tabs connected as a heat radiator to get rid of heat.......well the one regulator , which is one right beside the plug from the amp supply is the one that gets a little to hot and has a built in kind of thermal safety and kicks out or doesnt run like it should and that is when the sounds get weird, cut out, reset amp, etc. mine caused one of the solder joints on its 3 connections that was weak to start to crack and then when it got warmer it really kicked in to awful mode. so the solution? it is simple and cheap like 47 cents..... they make a heat radiator or fin that attaches to it with a clip, screw, or a thermal glue that is nothing more than an aluminum piece with fingers that is about size of my thumb and now not one issue ever!!!! you can get them on ebay, amazon, etc. there are 2 voltage regulators that are side by side on board and have metal tab, 3 legs connected to board. easy to just attach them and heat issue is gone!! hope this helps someone.
  13. New VIdeo up on the channel! Finally got around to an overview of my Killswitch Engage tone. Thanks for all your patience on this. When I started the channel, I got on a roll with other videos and left some of these tones behind so it's been fun going back and finishing up the overview. Cheer!
  14. Hello, I'm having trouble getting the sound I was hoping for on the Helix, and I need some help. I'm sure it's my lack of experience with gear and effects that's the problem, not the Helix. I watched all the Jason Sadites videos and regularly read through this forum, and I do seem to be SLOWLY getting closer, but I also wonder if there is not something more fundamental wrong with my setup or settings - like guitar, monitor speakers, amp choice, etc. Here's how I'd describe the sound I'm going for: Warm, smooth, thick, rich clean tone, with some reverb/spaciousness, and a little overdrive to give it a soaring quality. I tend to prefer smoothness and warmth to pinpoint clarity and accuracy, and I definitely don't like twangy sounds. - My guitar. I have an American Elite Strat. It's great, but the single coils are probably at odds with my tonal goals. I use the neck pickup exclusively, but want it to be even more "neck-pickup-like" if that makes sense. The bridge pickups sound unusably harsh and twangy to my ears through the Helix. - I have monitor speakers connected to the Helix as my "amp". Yamaha HS7's - they are nice monitors, but possibly not as guitar "amp" and this may be part of the problem. - Over headphones, I get closer to the sound I'm looking for. Things sound spacious and rich in comparison to the monitor speaker setup. - I get a harsh digital sounding tone anytime I use a delay block. This is not as important as the main tone issue, but it is pretty pronounced, and maybe this gives a clue to what's going on. Weirdly, ping pong delay is the only one I've found that doesn't have this problem as bad. - The sound was way too harsh and digital sounding until I turned on the global EQ and dialed down the high cut to a low level, around 5kHz - Using ribbon mic's on the cabinets helps immensely as well. I've not otherwise messed with trying different cabs or cab settings... - I've experimented with different amp models, and some work better than others, but the base fenders work the best: US Double vib/nrm. - Before Helix, I used a Yamaha THR10C, and found the chorus effect to give that smooth rich sound. (it doesn't actually sound like a chorus, and I only mention this in case anyone has experience with this) Appreciate the help!! Attached is a tone example (excuse my intermediate-lollipop playing) and also a settings file in case that's useful. Thanks, JoelMAIN Headphones.hlx Test Sound Clip Main Headphones.m4a
  15. Hi, if you are anything like me than you like modeling your sounds around other bands and either playing their songs or are using the tones to establish your sound. this is a thread that helps you in the journey to knowing what your favourite bands and artist use, from what guitars they use to amps and effects. To start off Anderton's TV Sounds Like https://www.youtube.com/playlist?list=PLQXro2VDjyIxdCSplV_Zk4qQbbZc2qTCU Second will be a site that catalogs pretty much every artist and what they have used https://equipboard.com Reverb.com also has a series https://www.youtube.com/watch?v=2Tcg5_RyWA0&list=PL6gRE6x7kQfp-4EGruNpHx0Fa9aA6x9oI If you know of any other videos than feel free to post below! p.s Upvote my comments if you like 'em!
  16. I've been pretty st0ked on this amp I purchased for my small practice studio. But occasionally, even with all the great sounds Line 6 Spider V technology has, I am trying to get just a "clean" signal to the driver. I have a set of the standard outboards pedals for sculpting my sound. But none of the 128 presets or any tweaks I have done to them have given me a sound that wasn't "time-smeared" and colored in a negative way. The real tell-tale is when I am using my RC-2 or RC-10r BOSS looper pedals' drum sounds. The snare and especially the cymbals are all resonating in a weird, mushy way that extends the attacks over a couple dozen ms, taking the definition away. It's not just EQ, which I can adjust for "flat" tone. They sound like crap anyway, and it takes some of the enjoyment away from practicing. This is with all the effects off (no chorus/mod, delay, reverb) in the amp, no distortion or overdrive, and using one of the "clean" amp models, with the preamp gain lowered as much as I can and still get output. If I compare it to my other practice amps - a Roland 30x and an old Fender - the clean channel sound is crisp and tight and the BOSS drum sounds (which are EQ'ed to sound fairly flat out of a guitar amp) work very well. Anybody got a clue or a hot tip how to just bypass all the DSP and feed the power stage in the Line 6 Spider V directly? Am I thinking about this in the right way? Thanks for any help, sincerely!! -JD in San Francisco
  17. I recently got the free trial of helix native to see if the helix was for me. I've been looking at it for a long time. Now that I have it, all my tones are muddy. When I record, the notes sound like one long jumbled and distorted mess. I record through a Scarlett 2i2 with the input gain super low because that helps. My question is, how would I fix this? Is it the Scarlett's gain that's the problem? Would the helix floor or rack have the same issues recording through that input as opposed to recording through a separate interface? Thanks
  18. Okkk kind of embarrassed to ask this and I'm sure its basic but can someone tell me how to achieve the guitar tone in jonas brothers year 3000? I'm sure it's not hard to get and used for a lot of pop but just that punchy, distorted but clean/smooth sounding but still hits hard .. not sure how to explain it and I'm sure a lot of it is in the production as well. It's a lame song I know it's just what I can think of as an example. I am using helix native but similar to helix floor.
  19. I want to record the cleanest possible tone into GarageBand. This is where I will apply amp effects. I find the Line6 app to be confusing, so haven't yet figured out how to get a clean tone. I can't be the only person wanting to do this. I figured there would be an FAQ but couldnt' find one. Any advice?
  20. I’ve owned a helix LT for almost a year, the problem I have it since the first days, the presets pre installed sound nothing like in the videos on YouTube...so I gave up on using them, then noticed that when creating a patch, I had to add compressors or ODs before the amp to get a decent distortion... recently I found this user on YouTube called Alex.guitars, and he has this video (link below) where he shows how each amp sounds just with default settings...my helix doesn’t sound even closer to that, there is also another user commenting the same.... I went to this guy webpage and copied this settings on the helix, same...to give you an example, the tweed blues brt at 0:48, It sounds so clean on my helix, I can’t get that driven sound even setting the drive at max. Can someone try the tweeed blues bright with just a low high cut eq (400-5k)and room reverb at the end and let me know if sounds like that? thanks in advance
  21. The solution to all helix tone issues or any issues really is to get an Ampegg Bass amp. FRFR speakers and tube amps are inferior to this method. Simply go direct to ampegg bass amp with ultra hi and ultra low button options or try some other bass amps and prepare for the wow factor. Only use one impulse response or one cab sim when doing this and you will be blown away. I use this for guitar and had been struggling to get a tone I completely happy with that felt full, ect. Now I can officially say my tone quest is over and amp modeling has finally surpassed tube amps in my opinion. Plus bass amps are lighter, cleaner and tighter sounding with a well rounded sound and a lot of thump. It's amazing that no one else on the internet has figured this out yet. I tried everything too, multiple IR's tube amps, 4cm, 200 presets lol nothing satisfied but the bass amp I got really brought my helix to the next level. I compared to my friends Krank 4x12 tube amp and I blew him out of the water. Plus I have a bunch of IR's I like so I can switch to emulate any speaker cabinent now with superior sound quality. No more messing with tubes and multiple cords, no more noise either. 100% consistency in the tone I have been searching for. I now use a strandberg boden 8 direct into the helix direct into the bass amp. I hit the pad button on my ampegg because I have active pickups and it really is everything now. I feel like I'm playing through a 5000$ system now. I am so glad I didn't spend 1000$+ on a FRFR speaker for Stack. If you don't believe me or are in disagreement, I highly urge you to go to guitar center and try some bass amps that have aux in for playback options (meaning that odds are it has a large frequency range) I can officially say now digital modeling has surpassed the need for bulky tube amps, ect. This is the one thing that truly worked. Make sure the bass amp has a dynamic EQ section so you can fine tune your presets (which you won't have to do much to accomplish that). I don't use any distortion blocks in my chain cause the amps sims I use like the texas II or the Badonk have really high gain. I set my noise gate at around -55db or-65db so it doesn't eat at the tone of the guitar.
  22. What's the best way to get a better palm mute chug sound out of the Standard? The models, so far, to me don't seem to be tight enough. Seems like a fairly common problem due to the piezo being behind your palm. So is there a good setting to use on the model that works well? I'll keep playing around with my Firehawk to see if I can get a good sound from it using the single coil magnetic pickup, too. My existing patches don't sound great with the magnetic pickup, so any tips there are welcome. Last resort would be replacing the bridge pickup. Any particular ones anyone has had good success with?
  23. Hello, Randall Satan has been my all around favourite sounding amp since the 1st time I've heard it live. Since their availability in my country is an issue, I never got to buy an actual unit. Well, now I have a Helix - reasoning behind going digital - that I'll leave to myself. All I can say is that I sold all my tube thingys. I saw Collin from Plague Scythe Studio dial in a Randall Satan patch with the AX8. Since AX8 can do it, I bet Helix does too - "Sky is the limit" is the common phrase around this forum. I bet that we can get somewhat close to the real thing. I already cracked the Grind pedal - all it took was a 10 band EQ with specific settings (I'll post a screen later, it works great). I just don't know where to start... The Badonk? Elektrik? What amp would be a good starting point? Maybe somebody already tried tonematching the Satan? I have a wide array of IRs available - ML Sound Lab Mega Oversize, Ownhammers Mesa, Orange and the HHC2. I even laid my hand on Ola's own Hesu IR - I already use it as a "to go" IR. Truth be told, I can't even imagine using the Helix without third party IRs. I think this is where Helix fails, and if the stock cabs were better, we wouldn't hear about AXE FX eating the HX for breakfast. All advice is welcome - lets crack this thing, and prove once for all that the Helix is capable of good, modern, tight, djenty high gain. Down the rabbit hole, Cheers, Chr1s
  24. Clang tone, a subtle ringing pitched sound caused by the longitudinal wave travelling along the string, is a phenomenon inherent to all vibrating tensioned strings. Piezos and microphones can pick up clang tone, but magnetic pickups will not. Variables that may exacerbate clang tone include: · Piezo saddles that are not properly seated · Playing techniques · High-gain amps or high-gain amp model usage · The strings themselves · The individual composition of the guitar · The setup of the guitar or any combination of these contributors. As such, there is no one-size-fits-all way to address the clang tone phenomenon. With Variax being a piezo-based guitar, we've built filters into the firmware to address clang tone. We have recently reviewed these filters and have come to the conclusion that they are already optimized, and further adjustments to the filters would not be beneficial. Each case of clang tone is unique, so we cannot guarantee that any or all of the actions below, when performed by Line 6-authorized service technicians or a luthier, will result in addressing clang tone: · Running the latest firmware (v2.22 or newer) · Replacing strings · Using at least a .010 gauge string set. · Cleaning out the cutout in the saddle where the piezo element sits (use pot/fader cleaner, not WD40) · Replacing piezos (available at www.FullCompass.com, part number 11-00-0010) If none of these actions resolve the issue, please contact Line 6 support at www.Line6.com/support, detailing your actions taken, if any.
  25. I apologize if this topic already exists in the forum. I was searching on how to set up tone/volume in chain: TL guitar, SpiderV 30 & Cubase at PC. I didn't find the answer in Forum. My Spider V 30 is connected correctly to PC via USB and there is a sound of TL in Cubase. In Cubase, I choosed ASIO Spider V driver. I/O is Speder V (L&R) - Active. ASIO buffer Size is set to: Extra Small. I can record my TL from SpiderV 30 via USB and reproduce my records, too. It is not a problem, it works. But, quality of record is desperate and not acceptable, too. The sound is dark, blurry, somehow smudged and does not match what I hear on Spider V 30 while playing & recording. E.g effect as drive is not OK and corrupts the recorded. This is especially pronounced when I strumming all the strings. When I am playing finger style in clear sound or near clear, it is a better. It seams to me that solution is to set properly the tone on all devices in the chain: TL guitar, SpiderV 30 & Cubase at PC. Acctually to set properly the tone/volume of input signal to PC or output signal from Spider V 30 via USB. When I am playing acoustic guitar via USB Audio Interface (UAI), I can adjust Input signal at UAI and all works fine. But at Spider V 30 there is not possibility to adjust Input signal. I can adjust tone at TL guitar as imput signal to SpiderV 30, but it changes a sound of guitar at SpiderV 30. Or I can reduce/decrease Master tone of SpiderV 30, but I can not hear what I am playing. Please, give me opinion regarding this topic. How to properly set up tone of all devices in chain: TL guitar, SpiderV 30 & Cubase at PC? What are your experiences with this?
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