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  1. So I just got my Helix and I'm thoroughly loving it aside from one detail: the tuner is positioned at the very end of the chain and, thus, kills all sound coming from the unit, including and reverb and/or delay trails. I am aware that I can change the output so that it keeps the volume going, but that doesn't help because then I can't tune silently. I basically need a way to change where the tuner is in my signal path. Is there any way to do this or am I to be relegated back to using a Snark?? Thanks!
  2. I just bought the HX Effects and noticed that the delays and reverbs cut a lot from my dry signal past the 50% mark of the Mix control. Is there a way to get the Wet signal to be a bit louder without eating up my clean signal? Kind of what a Boss pedal or an analog pedal would do. Thank you!
  3. I picked up a Helix a couple days ago and am loving it. Been using a Kemper for a while but that will more than likely be sold soon. One glitch I am running into that I can't find on the forum... There is a noticeable drop out when I change patches. Has this been identified by anyone else yet ? I updated to the latest firmware but am still getting the delay. Any help is greatly appreciated!!
  4. Hey y'all, I recently purchased some patches from WorshipTutorials.com for my Pod Go. I REALLY love their patches! However, I am having an issue. P&W patches are very ambient a wet. Often the delay and reverb is backed off on the rhythm parts but not turned off completely. For the lead tones the delays and reverbs are much more present. No shredding in P&W generally speaking. On to the issue... The snapshots are as follows: 1 = Clean ish Rhythm w/minor delays and reverb 2 = Gain Push 3 = Ambient Lead with Long Delay/Reverb 4 = Clean Ambient Swells When switching snapshots there is a very audible sound anomaly whenever there is a large change in the delay/reverbs. It's hard to explain what it sounds like. It's like an alien spaceship sound. The pitch also changes temporarily. It's not like this on every patch. It seems to happen only on the wet effects like delays and reverbs. The other weird thing is that on some patches the sound anomaly is still there but more faint. In other patches it is very noticeable. It's annoying when at church we finish a rockin' part of a song and we bring down the volume to transition to prayer and lush ambient swells. But then your congregation is chuckling trying to figure out what that weird alien sound was. Are there any of you having the same issue? I imagine you David Gilmore fans might encounter this issue as well? It seems that the more FX parameters that change at once from snapshot to snapshot the more likely the sound anomaly will be to show it's ugly face. @Line6 Tech Support, will there be an update to fix this issue? Thank you all for your input. My equipment: Pod Go + 112 PowerCab Epiphone Sheraton II Pro Fender Strat w/Fishman Fluence SSS
  5. Guest

    Helix Scale Delay Parameter

    On the Helix all of the stereo delays (except the ping pong) have a true stereo path. The left and right sides are fully separate signal paths. The delay time of the left side of the signal is set by the delay time knob/parameter. The delay time of the right side is set by the scale parameter as a percentage of the left delay time. When scale is at 100%, the right side delay time matches the left side. Then, as the scale parameter is reduced, the right side delay time gets shorter on a percentage basis. For instance, let's say the delay time is set at 1 second. If the scale parameter is at 75%, then the right side delay time will be 750 ms (milliseconds). If the scale is at 50%, the right side will be 500 ms, and so on. The reason this is done is because these stereo delays are often used for rhythmic effect. Having the scale parameter set the right side as a percentage of the left side allows for the delay timing between the right and left sides to stay proportional when the main delay time is changed.
  6. Hello! Does anyone know if it is possible to assign the tap tempo switch to control the pre-delay on any of the reverb blocks in HX Effects? I have an EHX Cathedral that does this and it has become one of my go to delay/reverb sounds. I'm wondering if this is possible within HX. I thought about creating a custom block that includes both a reverb and a single repeat delay set to full wet before the verb, but i'd love to find a cleaner way to do it. Anybody have any thoughts?
  7. I would like to simultaneously record unprocessed YouTube backing track, processed guitar signal and webcam video to make some music cover videos. Would that be possible and how? I could use mobile phone connect to stereo input (aux in) for YouTube if necessary, but it would be easier if I could play YouTube form my PC while recording. Would there be any significant delay between YouTube audio and processed guitar audio or between webcam video and audio signal? I tried to do that using my Digitech RP500 multieffects unit connected as audio interface to my laptop via USB, paying YouTube video from my PC and recording with Screencast-o-matic (it can record video from web cam, audio from YouTube and processed guitar audio from RP500 at the same time). I had two issues: the first was significant delay in recorded material between audio and video and between Youtube audio and guitar audio. The second issue was degraded quality in recorded sound in comparison with whast I was hearing during the recording. I was using my headphones (connected to RP500) in both cases - when I was monitoring recording and when I was listening recorded material. Did anyone tried anything similar with Line6 Pod Go and how did it go?
  8. Hi all, I've been a pedalboard user my entire life. I found a good deal on a used Helix LT and decided to check it out. I’m trying to figure out the best way to program delay BPM’s for a setlist. I know tap tempo is available, but I prefer to have BPM’s dialed in beforehand and exact. I plan on using it in stomp mode since that’s most familiar to me. My thought was to have 10 presets all exactly the same, then pre-program BPM’s on each preset. So preset #1 would be song #1 and so on... But realized if I made any adjustments to an effect, it wouldn’t automatically be saved to all the other presets. This would require me to copy and paste my tweaked preset every time I make an adjustment. Does anyone out there have a solution for something like this? Thanks!
  9. Hola, soy Fran de Argentina, he comprado mi helix lt hace un tiempo y queria ayuda para lograr conseguir el sonido del siguiente video, sugerencias de amps, delay, etc... Muchas Gracias!!! https://youtu.be/UCxMW4nqhKU
  10. Logic Pro X 10.5 - Helix Native Issues Since upgrading to the newest version of Logic Pro X 10.5, my Helix Native plugin is running horribly slow. I have tried all of my other guitar plugins and they are working perfectly. After lots of testing, it has come down to only Helix Native that is having issues. When changing/dragging blocks, adding new amps/effects, or simply trying to select patches, there is always a delay. Almost as if when you (for instance) try to move a block in the signal chain, it takes a second to realize what you are doing and delays your command. Very annoying and makes it difficult to work quickly. Any clues? Is there a way to uninstall Helix Native and re-install easily on a Mac? It seems that the upgrade to Logic 10.5 has done the damage, but again, only with Helix Native. I am running OS Mojave 10.14.6 and the most current version of Helix Native.
  11. Hi all! New Helix HX user as of this week and still trying to learn my way around this new (for me) FX platform. Is there any manual or guide that can explain how the Multitap 4 and 6 effects work? I'm trying to create a 3 tap delay with 3 different delay times (example: 200ms, 400ms, 600ms) but I only see 1 delay time setting. How do the taps work in those two effects?
  12. I have a Helix LT and I'm trying to sync my tempo (for delays) using my Boss RC-505 as my master, but I want to keep the Helix LT ahead of it in the chain. I know there is a way to use a DAW to do it, but I was wondering if there was a way to sync without using one. FYI, I'm a classical violinist/pianist that recently decided to see what I can do with loop machines and a sequencer to create live trance, so I'm VERY new to sound modification/mixing and don't understand most of the electronics terminology, so if simple/descriptive explanations are possible, it would be greatly appreciated. Thanks!
  13. Hello, I'm having trouble getting the sound I was hoping for on the Helix, and I need some help. I'm sure it's my lack of experience with gear and effects that's the problem, not the Helix. I watched all the Jason Sadites videos and regularly read through this forum, and I do seem to be SLOWLY getting closer, but I also wonder if there is not something more fundamental wrong with my setup or settings - like guitar, monitor speakers, amp choice, etc. Here's how I'd describe the sound I'm going for: Warm, smooth, thick, rich clean tone, with some reverb/spaciousness, and a little overdrive to give it a soaring quality. I tend to prefer smoothness and warmth to pinpoint clarity and accuracy, and I definitely don't like twangy sounds. - My guitar. I have an American Elite Strat. It's great, but the single coils are probably at odds with my tonal goals. I use the neck pickup exclusively, but want it to be even more "neck-pickup-like" if that makes sense. The bridge pickups sound unusably harsh and twangy to my ears through the Helix. - I have monitor speakers connected to the Helix as my "amp". Yamaha HS7's - they are nice monitors, but possibly not as guitar "amp" and this may be part of the problem. - Over headphones, I get closer to the sound I'm looking for. Things sound spacious and rich in comparison to the monitor speaker setup. - I get a harsh digital sounding tone anytime I use a delay block. This is not as important as the main tone issue, but it is pretty pronounced, and maybe this gives a clue to what's going on. Weirdly, ping pong delay is the only one I've found that doesn't have this problem as bad. - The sound was way too harsh and digital sounding until I turned on the global EQ and dialed down the high cut to a low level, around 5kHz - Using ribbon mic's on the cabinets helps immensely as well. I've not otherwise messed with trying different cabs or cab settings... - I've experimented with different amp models, and some work better than others, but the base fenders work the best: US Double vib/nrm. - Before Helix, I used a Yamaha THR10C, and found the chorus effect to give that smooth rich sound. (it doesn't actually sound like a chorus, and I only mention this in case anyone has experience with this) Appreciate the help!! Attached is a tone example (excuse my intermediate-lollipop playing) and also a settings file in case that's useful. Thanks, JoelMAIN Headphones.hlx Test Sound Clip Main Headphones.m4a
  14. I use my Ipad with the App OnSong for Note-sheets and also to change the Presets from the Helix Floor. When connected with the usb-cable and the camera-adapter from the ipad it works perfectly. The Helix receives the bpm from the App and the delay works. Then I wanted to get rid of the cable and found the wireless adapter from yamaha MD-BT01. Connection works and the presets also change - BUT the tap tempo is very irregular. Some information comes, but not nearly in time. And so the delay always skews the tone so i can't use this. Does anyone have an idea? thanks for your help!
  15. I like my delay to be setup as follows: 1. 120 ms 2. quarter note Is it possible to always have one on and toggle the delay time and mode (time/tap tempo) with a footswitch without using a snapshot?
  16. Hola que tal? quería saber como hacer para pasar de un preset a otro y que quede sonando el delay, reverb, etc con el pod hd500x yo tenia el pod x3live y estaba muy claro el canal A y B en paralelo y seleccionaba uno u otro, pero en el hd500x no entiendo como se hace. alguien sabe? Gracias!
  17. Hi trying to replicate a DD-3 stutter effect, as shown below. Any advice? I’ve found that the pedal seems to retain previous feedback when i cut it on, off, and on again, so while I might get a good start towards this sound the first time, it progressively turns to chaos as I try it more than once, due to the feedback from previous tries sticking around.
  18. Hi there, After long research i decided to open an own Thread. Im workin a lot with reverb and delays while using my Line 6 Spider IV on stage. Partly im using all 4 (A B C D) Channels through one single song. So my problem: If im switching the channel, delay and reverb get cut off directly. Is there any possibillity in any settings to get them normally faded out if you switch your channel? I know the line 6 helix got some of those features bec i saw it in videos. Ofc its a newer amplifier but maybe theres an option on the spider iv too and im just blind. THX 4 help :)) Greets
  19. Okay, another new Helix owner question: I have presets for different songs and, like I'm sure a lot of you are, I'm using this thing only at church. I want to have different presets for different songs, even though I generally use the same sound (amp, drive pedals, etc) simply so that I can have tempos in place for the delays as I can't be bending down to enter stuff in manually every song and don't want to go back to tapping (I'm coming from a TimeLine after all so I'm kinda spoiled). However, there is a VERY noticeable gap in sound between presets. It's quick, sure, but it's still there and blatantly obvious. Anybody have any ways around this? This could very well be a dealbreaker which would really be a shame as I am otherwise loving the heck out of this thing! Thanks, Robbie
  20. Hi all, I just setup all my presets on my new Hx Stomp, and it sounds great! However, when rehearsing, I noticed that there's quite a delay when switching presets. Is that normal? For me that would be a real show-stopper, we have quite a lot of songs where I need a clean sound for the intro, and then a heavy distortion from one moment to the other...
  21. https://line6.ideascale.com/a/dtd/Frippertronics-loop-block/962141-23508 This is a bit of a selfish ask, but I figured I would try... maybe some others might dig it too. I would love to see a "Frippertronics" style block in the Helix. Kind of like a looper... but not like the current looper. In my mind, this would be two independent delays, but with really long delay times - say 1 to 25 seconds each - even better is you could have the delay times listed in Bars. Each delay would be fed from the same source, but fully independent. Each delay would also have a extremely long Feedback/Decay rate, so the repeats would go on for minutes if you wanted... but without ever going into oscillation like an analog delay. There would also be a way to bypass the "input" going to the delays so you could add things to the loops, and then play over them. You could achieve this with "Tails On" kind of thing and standard bypassing the pedal. Basically... I'm looking for something like the old Elottronix XL "Frippertonics Emulator" VST from way back - https://www.kvraudio.com/product/elottronix_xl_by_elogoxa - but inside the Helix.
  22. After a year of not being able to get this piece of garbage to work on my MacBook, I have finally achieved basic success Honestly I don't have another year, to invest in this, so any help would be greatly appreciated. 1. I'm using Audacity to record with on my MacBook 2. Programing drums in a program called Beatcraft, on a P.C, which I export onto a memory stick, in MP3 format. 3. Drop the Drums into Audacity, on the MacBook. 4. Verified Audacity had the Line 6 UX2 as its input device. Verified Audacity has the Line 6 UX2 as its output device, which I have headphones connected to. 5. Chosen my amp, and verified it was working, as well as this device allows, which isn't saying much 6. hit record an Audacity. 7. The drums begin to play and I start playing guitar. 8. I hear both, and the guitars record, overdubbing onto the Drum track. 9. When Im done, I hit play, and the guitar is not in 'time' alignment, with the drums, because its starting a micro second delay to late. 10. I experimented with a mic and vocals and the same thing happened. A micro second delay. 11. Ive even made sure project properties are the same. Any help would be greatly appreciated.
  23. Does anyone have a problem with Reverse delay? When i used reverse delay with 100% mix it should be only the reverse signal come out right? But it always still have the dry signal spill out. It's so annoy. Sometime it throw my thing away. Anyone who like to play ambient sound will understand. If anyone dont' have this problem pls let me know. Thanks a lot
  24. Don't know why but ever since updating to 2.80 and playing around with the king of tone and other effects I've been thinking about what pedals would be great additions to the helix. At the moment, my number one pedal would be the Buggfx Daydream delay. Such an insane little pedal. Or maybe an emulation of the eventide h3000 with the band delays effect. Anyway, just curious what you guys want to see possibly come in future updates. Cheers.
  25. Hello to everyone! I am thinking of buying the Helix Hx Effects for one purpose (among others) I want to recreate the "feel" of a second guitarist, and by reading and searching other subforums here, I haven't come to an end. My way of thinking is simple 1. guitar to the HX 2. split the signal with a (HX) delay of eg. 20ms-1repeat in 2 amps having the 2nd amp giving back just the feedback. (the "2nd" guitarist is created) 3. Having a (HX) harmonizer on, fully panned so amp1 plays the note I am playing (dry signal) and amp2 just the "harmonized" note. (the "2nd" guitarist is playing his "seperate" part) 4. Add a new delay along with the existing one in order for both the dry and the harmonized lead parts to sound better. (the 2nd guitarist has a tasteful sound) 5. Using something like the 4 cable method (or more) to switch the channels of both amps with a press of 1 button on the HX. (control all of the above features in amps and HX with one button) 6. Use the distortion and clean channels on the amps and use the HX just for the effects (not the distortion modelling etc) Is this possible? Is there someone who has tried it? Is there something I am missing about the connections? Any help and suggestions will do PS. I take it for granted that the "suggestion" "find another real guitarist" has already been considered and can't work at the moment :P Thanks in advance.
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