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  1. Skips

    HX STOMP LEDs

    Hey People, I just recently purchased an HX STOMP. I have been watching loads of videos on how to create presets and such. One in particular which caught my attention was this one: He assignes his settings to SNAPSHOT 1 and 2 and upon doing so, the switch lights on his HX STOMP change colour. I have tried this and unfortunately my lights are just white and this is only when the switch is selected, when a switch is not selected the lights are off. Any Idea what I've done wrong? I feel as though I followed the video correctly. Thanks
  2. hello! I updated to 3.15 some weeks ago, kept recording in pro tools first, using a scarlett 2i2, with my stomp. Three days ago, I started the Metallurgy trial, so I attempted to record with it. I could not, I guess because it's the free trial version, so I 'd have to buy it. I could play with the tones though, so I recorded some DI lines and -since I could not reamp with metallurgy- I tried the stomp, with no result ... I tried the manual's way, two tracks, one DI ( input 5) one wet (input 1). The DI track gets no signal at all while playing (and the wet track works fine)... I also uninstalled metallurgy but still nothing. Using hx stomp as an interface, but input 5 gets no signal. Help!!!!
  3. Hi! This is my first post in the forums and I'm a somewhat new HX Stomp user. I have used the M9 in a similar setup but upgraded to the stomp for added versatility of running direct in live and studio situations. For me, the Stomp is mostly taking care of time-based and modulation effects. My typical setup is tuner > compressor > overdrive > boost > hx stomp. From there, I either run the stomp direct to the PA (being careful to change the output to line level) or into the front of my Deluxe Reverb (with instrument level output impedance). So far, everything sounds great except when I engage my Katana Boost. I typically run boosts after overdrives to give me more volume for leads. When not using the stomp, engaging a boost after an overdrive gives me more volume for solos. When running into the input of the stomp, however, I have found that engaging a boost actually results in more compression and less volume. For context, I do not use any of the HX stomp overdrive models and my input impedance is set for instrument level. I've tried three different overdrive pedals (Nobels ODR-1, Tube Screamer, and Wampler Euphoria) and the boosts I've tried after the drives (all with the same results) are the Keeley Katana, Fulltone 2B boost, and Xotic EP Booster. With each of these, no matter how high I turn the volume (without any extra gain stages after the boost), the resulting sound to the amp or the board is more compressed and lower in volume. I removed my compressor and tuner from the signal chain and tested my patch cables to try to isolate the issue to just my overdrives, boosts, and stomp. No matter the combination of boost after overdrive, the result is the same. To ensure it's not an issue with my amp, I further isolated my boost / overdrive pedals and bypassed the stomp entirely. When I engage the boost after the overdrive directly into the amp, the sound is what I would expect - still overdriven but with more volume. Once the stomp enters the signal chain and I engage the boost pedal after the overdrive, the volume drops. It's as if the stomp is unable to accommodate the additional output from the boost and the overdrive. I would expect this to happen if I were running a boost into an overdrive but it seems odd when running a boost after an overdrive. I should also note that I have tried this same setup with in both analog and DSP bypass. I have also changed the global EQ to have a few dB extra output at the end of the stomp's six blocks with the same results. This also occurs whether or not any of my other blocks on the stomp are engaged. As I said, I am new to the forum. And if there is already a topic on this, please point me in that direction. Any theories / help would be appreciated. Andrew
  4. I am having issues with HX edit 2.7 since I installed firmware 3.15. List of issues: 1. When I try and load my backup, it fails because something is missing apparently 2. The editor itself does not function properly. The lines connecting the blocks are not in the right spot and if I move them, I get an error message 3. I do not have a main L/R at the end of the signal path anymore. 3. I cannot rename or recolor snapshots anymore. I used to be able to do this before updating I have tried everything I can think of including a complete factory reset and deletion of all HX related files and registry keys followed by reinstall of most current programs. I am at a total loss and have gigs coming up. Please help!
  5. Any bass players around here? Anyone tried pairing the HX Stomp with any darkglass pedals(specifically the big ones)? Does that even make any sense in regards to tone and usability? Is there any instance that such method is just repetitive and waste of money? I'm considering the HX Stomp for my home studio as overall guitar/bass gear to use and i need insights before i pull the trigger. Hope everyone's fine. Cheers!
  6. hello, I would like to know if anyone has had good or bad experiences using the Jackson Audio via MIDI together with the HX STOMP. I would use them controlling with the Morning Star MC3 but, I have been told that there is some latency with the use of the switch on those pedals.
  7. Hi All, I have a problem regarding the integration of my HX Stomp XL into the FX Loop of my ENGL Fireball: I connect using 4CM: Guitar -> Stomp Input L / MONO -> Stomp Output L / MONO -> Fireball Input (Preamp) -> Fireball FX Send -> Stomp Return L / Mono -> Stomp Send -> Fireball FX Return -> Fireball Speaker Out -> Speaker The Fireballs FX Loop Knop is turned fully to the right (100% Wet FX Loop). Noise Gate at 12 o'clock. Now any time I try out an 4CM Preset of the stomp or create my own preset including an FX Loop block I get a high pitching continuous sound from my amp / box which does not sound healthy at all. It is really squeeling and not the typical noise. Sounds much more artifical an constant. Would be very happy if you could help me with your experience as under the current described circumstances I cannot use the Stomp with the ENGL which really is a pitty. Thank you so much! Best regards, Max
  8. Hi, this is Mauro from Argentina. After having some electrical issues on stage, Stomp's display turned white during the show. Turning off and on works but only for a random time that could go from 30s to 40m (after many tests at home and rehearsal room). The issue is only about the display, I had no sound problems at all. I also updated the Firmware after this issue just in case, but I can 100% affirm this is an electronical issue. Unfortunately, I don't have any trustable people who can look at it. Warranty has expired too (yes, one month after the 1-year). The seller reviewed and told there's nothing wrong in the unit because they weren't able to replicate. Here's a photo of the issue. I see this issue happening on many LED screens from TVs or computers, so I think it shouldn't be something too complex: https://drive.google.com/file/d/12KEMfg-FyCknNTX63CHyg5pdeMkiFrrL/view?usp=sharing Did anybody ran into this kind of issues? Any tips on which components should be taken in count for reviewing? any electronic plan? Thanks!
  9. I want to capture a direct signal before I use hardware FX pedals in front of my stomps amp blocks . Would this signal path work for me? GTR into input one ~ USB block to Daw ~ ,stereo Send and return to My Eventide H9 ~ followed by my amp blocks ~ then out the main outs to another H9 ~ to two inputs of my sound card. Id make a aggregated Sound card in my Mac so I could use my stomp USB for my direct signal and my sound card to record the second H9 feed from my main outs . Would this be the best way to get a DI and my effected signal in my DAW? My plan would also be to Re-amp through the Stomps USB Send return path.
  10. Hi First time poster here. I have searched, but couldn’t find the answer to my query. I currently have a Helix Floor and and also bought Helix Native at the discounted price - £99 here in the UK. What I would like to do is sell the Helix Floor and buy an HX Stomp, but keep or transfer my copy of Native. I would like to deregister the Helix so that the buyer can qualify for the Native discount, but keep the licence for Native I already have to go with the new HX Stomp Is this possible? Thanks
  11. So there is some confusion for me regarding the outputs on the stomp. Mostly due to this video: Like others, I am currently running my stomp outputs using a couple of diy TRS -> XLR connectors and have had great success. I have seen reports of people experiencing ground noise when using their stomp, which I believe could be solved by placing a latching switch (ground lift) on the ground wire of my DIY TRS -> XLR connectors. Which leaves me wondering: are there any advantages you gain by using a direct box with the stomp outside of having a ground lift switch?
  12. Hi, I use a HX Stomp for several months for professional use and I really like it. I built a external footswitch to change presets (FS4-5) and I'm using the HX Stomp in Snapshot Mode, that's great ! But... My problem : when I play in live conditions, I'm not that precise and I often step on 2 footswitches instead of the right one, so it open the bank of presets, which is really (really!) not confortable before a solo!... My question : is there a way to disable that function? I mean, keeping the control of snapshots with the footswitches but nothing else. I can't find anything in the Global settings... If not, is there a way to submit this idea to Line 6, and hoping they include it in a next firmware? By creating a petition or something like that... :) Thanks for your help! PS : "be precise" is not an valid answer ;)
  13. I wanted to make a list of power supplies that can work with the Stomp, most of these come from online and YouTube by seeing other guitarists (And bassists!) and how they power them. Even though they seem to work with Stomp, Line 6 has Clearly said in their HX Stomp FAQ that they advise to use the provided power supply. To make these power supplies work, you'll need some extra accessories. You'll need a current doubler, (NOT A VOLTAGE DOUBLER!) and a centre negative 2.5mm adapter (Center for you yanks!). The HX Stomp has a power draw of about 800-900 mA, most power supplies will have 9v 500 mA or higher, these are the outputs you are looking for on a power supply. Power Supplies like the Cioks dc7 will have 9v 660 mA, this will not hurt the stomp. So here are the Power Supplies that should work. Voodoo Lab Pedal Power X4 Isolated Power Supply https://www.long-mcquade.com/114125/Guitars/Cables---Power-Supplies/Voodoo-Lab/Pedal-Power-X4-with-Adapter.htm Voodoo Lab Pedal Power X8 Compact Isolated Pedal Board Power Supply https://www.long-mcquade.com/172388/Guitars/Cables---Power-Supplies/Voodoo-Lab/Pedal-Power-X8-Compact-Isolated-Pedal-Board-Power-Supply.htm Voodoo Lab High Current Power Supply https://www.long-mcquade.com/70394/Guitars/Cables---Power-Supplies/Voodoo-Lab/High-Current-Power-Supply.htm Strymon Ojai High Current DC Power Supply https://www.long-mcquade.com/73948/Guitars/Cables---Power-Supplies/Strymon/Ojai-High-Current-DC-Power-Supply.htm Strymon Zuma Power Supply https://www.long-mcquade.com/78116/Guitars/Cables---Power-Supplies/Strymon/Zuma-Power-Supply.htm Truetone CS12 Pure Isolated Power Brick https://www.long-mcquade.com/61870/Guitars/Cables---Power-Supplies/Truetone/CS12-Pure-Isolated-Power-Brick.htm Truetone CS6 Pure Isolated Low-Profile Power Supply https://www.long-mcquade.com/95105/Guitars/Cables---Power-Supplies/Truetone/CS6-Pure-Isolated-Low-Profile-Power-Supply.htm Cioks DC7 https://cioks.com/products/dc7/ CIOKS DC7 with this current doubler and this adapter cable to get to the 2.5mm plug for my HXFX. Both are made by CIOKS. For the Cables Strymon Power Supply and Line 6 Pedal Current Doubler Cable https://www.logsdonaudio.com/cables/strymon-power-supply-and-line-6-pedal-current-doubler-cable Voodoo Lab Current Doubler Adapter https://www.long-mcquade.com/15778/Guitars/Cables_Power_Supplies/Voodoo_Lab/Current_Doubler_Adapter.htm 2.1mm to 2.5mm DC Crossover Cable https://missionengineering.com/shop-2/products/cables/9v-2-5mm-dc-crossover-cable/ Amazon Cable https://www.amazon.com/gp/product/B016BJGZ2U/ref=crt_ewc_img_huc_1?ie=UTF8&psc=1&smid=A3TUR5JBYCEPNE CIOKS DC7 with this current doubler and this adapter cable to get to the 2.5mm plug for my HXFX. Both are made by CIOKS. Wall Plugs Upbright LH-12300 https://www.amazon.com/Line-NSA27EU-090300-HD500X-Multi-Effects/dp/B0154WFJDG/ref=sr_1_1?dchild=1&keywords=Upbright+Line+6+Adapter&qid=1614386173&sr=8-1 *If your wondering why everything is so expensive, some of it is in It's in CAD* @Digital_Igloo I hope what I've said is correct! If not please let me know!
  14. Hi, just switched to a Macbook m1 Pro. HX Edit HX Stomp all fine. Issue I, I cannot change the sample rate. Is fixed in Audio Devices. All my cubase projects are pitched up now (nice speed boost for metal, though :-) ) I have installed Line 6 Helix Driver 1.5.0.dmg. But no change here. What do I missing. Thanks, Marco
  15. Hi all! About a year ago, I was using an MXR 10-band EQ in the FX loop of my amplifier and it sounded amazingly good. I noticed it was giving me some bad hiss though, so I switched it out for a Source Audio EQ2 about 6 months ago, which also sounded good. I wanted to add delay, reverb, and an amp modeler into the amp's FX loop along with the EQ, so I ultimately decided to sell the EQ2 and put an HX Stomp in the amp's FX loop to do all of this. Currently, this is how my HX Stomp functions and here is my signal chain: Guitar > front of amp effects > preamp > FX loop send > HX Stomp 10 band EQ > HX Stomp digital delay > FX loop return > power amp The problem is that upon switching out the EQ2 for the HX Stomp, when I set the Stomp's 10-band EQ parameters to what the previous EQ's were set at, I realized there was an extremely noticeable jump in some of the frequencies. The signal immediately sounded very nasally. Through messing with the frequencies, I realized there was a boost in frequency right around 1K Hz. To give an idea of how different the frequency hike is, 1K Hz on the old EQ was set at +2 dB (I run a little hotter for more gain in the FX loop). On the HX Stomp, I have to run this same frequency at -2.0 dB to achieve a comparable sound. However, running this frequency this low on the Stomp's EQ is causing some fidelity issues; coming out of speaker, anything around 1K Hz sounds like it coming out of an AM radio. You can imagine this is frustrating. Has anyone had this issue and/or does anyone have any thoughts, suggestions, or advice on how to fix this? Thanks in advance.
  16. Help with Midi question please. I'm looking for a Midi Solution to assigning my Midi Controller to emulate FS4 / FS5 for preset switching and scrolling without using the CC52/53 emulate change controls. I have a Mission expression pedal plugged into EXP 1/2 and this uses FS5 to switch between EXP1 and 2. I am looking for different control change or method to handle what FS4 / FS5 does from my MC6 Midi Controller and not use CC52/53. I think it can be done since I had a Jet HX 3.0 controller that had this preprogrammed and allowed me to use the expression pedal as mentioned above. I do not know how they programmed it however... Thanks.
  17. Hi Guys, I have my HX stomp in the effects loop of a Simplifier Deluxe. With help frm this forum and TGP, I’ve got a ‘parallel amp’ set up w stereo fx frm the stomp. It’s set up in 7CM and the Simplifier DLX XLR outs go to the PA. I should have a pretty good sound going here, yes I now have minimal latency and better response/feel (which was a big goal) HOWEVER when I engage any gain, there’s that awful fizzy sound that almost sounds like a digital clipping thing. Like frequencies are clashing? I’ve APPLIED LOW & HIGH CUTS and though that’s improved the tone, I’m still getting these digital ‘overtones’ esp on the higher strings. Am not sure whether it’s something I’ve done or haven’t (!) or it’s just a reality of ‘analog’ modelling. Perhaps the Simplifier and the HX just don’t react well together in this set up? Here’s my signal chain, perhaps one of you clever people can see something I can’t! Guitar - HX stomp mono in. HX send to DLX input left - TRS cable. DLX send to HX L & R returns - Y cable DLX returns L & R to HX L & R outputs. Other settings - HX preset has a stereo FX loop block with all time based FX after, any overdrives before. FX loop level is at 50-60%. Send level is pushed slightly to help with volume and gives the guitar some ‘body’ (otherwise it sounds like I’m plugged in to the home stereo) I’ve BYPASSED the Simplifier DLX preamp section, using the amps in the HX which gives much more versatility. (Using the CAB SIM of the DLX…Not ideal but can’t do it the other way around) This set up DOES take my analog pedals much better than the HX stomp by itself, which is another reason I went for the Simplifier. However the fizz still occurs with my Wampler Plexi Drive and Bogner Burnley. AAAAHHH. Is it the FX loops of both these devices can’t quite take the heat? Or is it the 7CM thing, as much as stereo is a great idea perhaps I need to go back to mono. Have spent a month on this set up and beyond frustrated. I’ve learned SO much but with a gig in 3 days it’s not there yet and I’m halfway between Simplifier remorse and WTF am I doing wrong?!!!! Any help or thoughts would be very much appreciated! :)
  18. Hi there, since a few months now, I'm using my HX stomp and I love it. Yet, I'm still unsure in what speaker I should plug my new baby in. I have a Spider Jam which doesn't have any FX loop so it's a no as it is hard to have a neutral sound on this. And I have my drums amp (a Roland PM-10), which is so far the amp I'm using through the line input :-) I play mostly at home, and I'd like to have the best sound of my pedal at home, and since it has built-in amp & cabinet simulations, my understanding is that the most neutral speaker ("PA" ?) should be used, rather than a fancy amp with its own personality. I don't know how neutral my PM-10 can be, and I'm not familiar with the PA thing, so can you tell me what kind of speaker can I use to have something which doesn't level down my HX stomp ? I'd like to have get a speaker at a reasonable price, and which takes a reasonable amount of space :-) Many thanks
  19. Hi everyone. please tell me, if you faced such problem on Hx stomp. When you connect a Strymon Timeline delay to the FX Loop, the sound becomes muddy. (loss of high frequencies) Almost all the processing pedals, which I connect via FX Loop sound much worse than in input. The patches are qualitative. I don't understand what is the problem? Thanks in advance!
  20. Hi everyone! Hope you´re doing well! I play my guitar and sing in my band and therefore I have my effects pedals on the left side and switch them with my left foot. I want the HX Stomp to be on the left side of my other pedals, so I need to put the Tap/Tuner to FS1 in order to have the rest of the switches in a row (FS2, FS3, Wah, Fuzz etc...) Is there any way to customize the tap/tuner to be on FS1 instead of FS3? Thanks a lot in advance!
  21. Brand new user here. Got my HX Stomp wired up Guitar to Inst 1 In on front panel, L.Mono out to audio interface. Works great with the DIR presets. Tried running HX Stomp L/mono Out to my Blues Jr and its super noisy. Tried several FX and a New empty Preset with same results. How should I trouble shoot? Thanks! Steve
  22. Hi guys. Really need some help with my Simplifier deluxe direct rig routing. I’ve got a HX stomp thru the FX loop using a stereo 7CM set up. I was under the impression I could use the 1/4 inch outputs to by pass the Simplifier cab sim so I can use IRs & cabs frm my HX stomp. Currently I’ve got these outputs connected to the HX stomp left and right returns. Seems the preamp frm the Simplifier is no longer working, even tho it says on the manual that disabling cab sims leaves the preamp - effects loop & reverb all operating. I’ve got the XLR outs to the PA. Tried using the 1/4 jack outs direct instead but no signal at all. Any help at all would be so appreciated! Thanks in advance :)
  23. I have a question about using HX stomp with katana 50 MKII's power amp in. Is plugging the stomp to the power amp in ideal? Can I use the HX preamps, amps, cabs and IRs? Are preamps only option with that power amp? Katana's speaker isn't a FRFR speaker so is that a problem. Should I consider selling the katana and buying a FRFR?
  24. Hi all, I would like to know if is possible to use 4 Cable Method & FX Loop at same time on the HX Stomp. Anyone have tried this? What do I need to do this? I always have to change my cables when I'm playing in different places, so I want to let the connections ready and just plug the cables, more specifically, I'll use 100% of time my pedals on the FX Loop (cuz I use it after a comp), and when I need to use the 4 Cable Method, I just want to plug the cables to and from the amp. Kind regards Gabriel
  25. Well that, another geek test. Maybe someone is interested. Greetings. https://youtu.be/1Mci5dfCnm8 The Models: - Kinky Boost Based on: Xotic® EP Booster - Deranged Master Based on: Dallas Rangemaster Treble Booster - Minotaur Based on: Klon® Centaur - Teemah! Based on: Paul Cochrane Timmy® Overdrive - Heir Apparent Based on: Analogman Prince of Tone (basically half a King of Tone) - Tone Sovereign Based on: Analogman King of Tone V4 - Alpaca Rouge Based on: Way Huge® Red Llama (modded) - Compulsive Drive Based on: Fulltone® OCD - Dhyana Drive Based on: Hermida Zendrive - Horizon Drive Based on: Horizon Devices Precision Drive - Valve Driver Based on: Chandler Tube Driver - Top Secret OD Based on: DOD® OD-250 - Scream 808 Based on: Ibanez® TS808 Tube Screamer® - Hedgehog D9 Based on: MAXON® SD9 Sonic Distortion - Stupor OD Based on: BOSS® SD-1 Overdrive - Deez One Vintage Based on: BOSS© DS-1 distortion pedal (classic Made-in-Japan version) - Deez One Mod Based on: BOSS© DS-1 distortion pedal (Keeley mod version) - Ratatouille Dist Based on: 1984 Pro Co RAT - Vermin Dist Based on: Pro Co RAT - KWB Based on: Benadrian Kowloon Walled Bunny Distortion - Legendary Drive Based on: Carvin VLD1 Legacy Drive (high gain channel) - Swedish Chainsaw Based on: BOSS® HM-2 Heavy Metal Distortion (Made in Japan black label) - Arbitrator Fuzz Based on: Arbiter® FuzzFace® - Pocket Fuzz Based on: Inspired by the Jordan Boss Tone fuzz - Bighorn Fuzz Based on: 1973 Electro-Harmonix® Ram's Head Big Muff Pi - Triangle Fuzz Based on: Electro-Harmonix® Big Muff π® - Ballistic Fuzz Based on: Euthymia ICBM fuzz - Industrial Fuzz Based on: Z.Vex Fuzz Factory - Tycoctavia Fuzz Based on: Tycobrahe® Octavia - Wringer Fuzz Based on: Garbage's modded BOSS® FZ-2 - Thrifter Fuzz Based on: Line 6 Original - Xenomorph Fuzz Based on: Subdecay Harmonic Antagonizer - Megaphone Based on: Megaphone - Bitcrusher Based on: Line 6 Original The Gear: - Duesenberg Starplayer Tv Mike Campbell - Fender Telecaster '53 Relic - Deluxe Reverb Amp '65 Reissue - Beyerdynamic M88 - AKG 414 XLS - UAD Apollo Twin (Neve 1073 Preamps) - Logic Pro X
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