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Found 291 results

  1. Hi I am wondering is there a way to upgrade my sound presets I made from line 6 spider IV to to be compatible with line 6 Spider V?
  2. cass_wood

    Thanks

    I’ve been a longtime line 6 user... from the dl4 when it first released, the m9, echo park, m13, pod hd, and now the helix lt i just wanted to say thank you... to everyone who built this unit... how crazy is it that we can have access to so many different amps and effects, constant FREE updates, and it sound so amazing?! It’s a joy whenever I power it on and strum a chord... I didn’t know where to email this, and didn’t want to open a support ticket just to say thanks... no one has to reply to this or anything like that... but it’s especially been great to have my helix during quarantine, and through this crazy year. It’s an amazing product and you guys should be proud.
  3. Hi! Just got my Line 6 UX2 (with black front). In box there was Podfarm 2.5 CD included but i downloaded from internet. Installed everything needed: License manager, Line 6 Monkey and Farmpod 2.59. For some reason farmpod is not authorizing even tho my computer and UX2 are authorized under license manager. (images attached). Also i can't load or save tunes, what the f am i missing here ?? I'm running windows 10. Thanks in advance.
  4. So i ended up getting a UX2 POD studio for christmas, i just recently started trying to get it started up, due to my computer being on the fritz, sort of got it working and functioning without any problems so i think its safe (my computer) So back to the topic, i cannot get this to work for the life of me, and i haven't had the best expierence with line 6 products in the past. I've been scouting around trying to see what the problem is and what the solution will hopefully be. The driver won't install. line 6 monkey? won't dectect it or allow me to download/update the drivers. The liscense manager isn't detecting anything either. This was a NEW product unopened when i recieved it with the 2 discs. I registered it and need some serious advice on what to do with this. thanks for reading.
  5. Bonjour, Je lance une bouteille à la mer ? Suite à ma recherche pour controler les canaux de ma tête Laney Ironheart via le HX effects j'ai finalement décidé d'acheter le "Voodoo Lab control switcher" qui me parait la solution la plus confortable. Pour info je me suis renseigné auprès de Voodoo Lab (échanges de mails) et on m'a bien dit que je ne devrais pas avoir de problèmes pour controler ma tête avec le switcher et le HX Effects. Chose importante : l'entrée footswitch de ma tête d'ampli est un "DIN 5 Pins" mais en aucun cas une entrée midi. laney J'ai donc commencé à connecter tout le matos, et la première étape est ok ! : Le "Voodoo lab" arrive bien à faire switcher les canaux de la tête d'ampli via la sortie MULTI (DIN 5 Pins également) quand j'appuie sur les boutons de devant : voodoo [/img] Mon problème est que je n'arrive pas à envoyer le signal midi du "HX Effects" vers le "Voodoo lab". Dans "Command center" du HX Effects je ne sais pas si il faut que j'utilise MIDI CC ? ou Bank PC ? Il faut que j'utilise "Instant 1-2-3-4-5-6" ou "Footswich 1-2-3-4-5-6" ? Et ensuite comment envoyer le signal ? Midi ch, CC# etc... ? Quel numéros ? J'ai vu dans le manuel du voodoo lab qu'il y des canaux CC# 80-83, 84-87 etc.. mais je n'y pompe rien, de plus il n'y à la le numéro "value". J'en ai vu certains qui utilisaient des "Snapshots" pour faire changer les canaux de leur ampli et je n'arrive pas à comprendre à quoi cela sert vraiment. Bref, j'ai essayé plein de combinaisons mais je n'ai pas réussi à envoyer de signal Midi vers le Voodoo Lab. Pour info, j'ai bouffé plein de vidéos youtube (pas trouvé ma config) ainsi que des recherches google à n'en plus finir mais impossible de trouver la solution (et je ne pige pas grand chose en ce qui concerne le MIDI du HX)... J'ai également lu le manuel du HX et du Voodo Lab mais rien n'y fait. Je ne comprend pas bien les "snapshots" et les "instants". Un énorme merci d'avance si quelqu'un s'y connait au niveau du midi du HX effect et peu m'aider à trouver une solution Ma config et les manuels : - Ampli Laney Ironheart 60 : https://manuals.laney.co.uk/IRT120H_IRT60H_Manual_ML.pdf - Line 6 HX Effects : https://line6.com/data/6/0a020a3d3f355a6a18827952c/application/pdf/HX%20Effects%202.50%20Owners%20Manual%20-%20French%20.pdf - Voodoo Lab control switcher : http://www.voodoolab.com/manuals/control_switcher_v1_manual.pdf La chaine avec les cables midi : 1er cable midi : Sortie midi du HX effect => dans le IN Midi du Voodoo control switcher. 2ème cable midi : Sortie MULTI Voodoo lab entrée (5 pins également) => Sortie de la tête d'ampli DIN 5 pins. Merci d'avance !
  6. Line 6 don't sell replacement cables or accessories. Recently my Sonic Port VX stopped working and I think -working with Line 6 Customer services -I've narrowed down the issue to the lightning port cable. I found: Sonic port VX >line6 lightning cable>ios device = No response Sonic port VX >standard mini USB out> official apple USB to lightning adaptor>ios device = message on apple device saying "accessory requires too much power" Sonic port VX> standard mini USB out> powered USB hub connection> official apple USB to lightning adaptor>ios device = everything works... but this is not a convenient and portable solution. Sonic port VX> standard mini USB out> windows computer = works fine So whilst I can use Sonic port VX> standard mini USB out> powered USB hub connection> official apple USB to lightning adaptor>ios device, to get it to work -the whole thing is no longer mobile, losing one of the main elements that attracted me to device in the first place. Customer services say they can't sell me the lead, and have only 1 supplier in the UK I can use Sontec. Sontec told me a replacement cable is £56.81 -and it's Line6's fault. This is nearly same price as a brand new sonic port (which you can buy new for £63). If anyone has a spare they'd be willing to part with let me know! Otherwise I suppose I'll have to buy 2nd hand sonic port from ebay or something in hope the cable works...
  7. Guest

    HELIX Support FAQ

    Will there be an iOS or Android editor? Probably not, Helix's presets are extremely large, and syncing 1024 tones would take forever. As Helix is more at home in larger studios and on larger tours, it makes sense to support Mac/PC editing. Can I reamp? Yes, You can reamp two instruments simultaneously. You can even choose which two physical inputs will be sent dry to your DAW. Does Helix pass SysEx data via MIDI Thru? No. We actively filter out SysEx data through Helix. Does Helix have delay or reverb spillover? Delays, Reverbs and FX Loops have bypass trails, where they'll continue to ring out after being bypassed (if desired). But this currently no delay or reverb spillover when changing presets. Why isn't there a metal protection bar for the knobs? Helix's top panel is carved from a solid block of aluminum (like a Macbook Pro you can stomp on) and its side panels and treadle are solid aluminum as well. There's no metal protection bar because our 210 pound lead tester kicked the crap out of it and the metal knobs worked flawlessly. How do I get Helix's footswitch mapping to be like HD500X's? Stay in Preset footswitch mode. Then, the Global Settings > Footswitches menu, set: *Knob 2 (Preset mode Switches) to "Lower Row" *Knob 4 (Up/Down Switches) to "Banks" How do I customize a footswitch's label and LED color? There are two ways. *From the Footswitch Assign screen, as long as the current block is assigned to a footswitch, press Knob 6 (Customize) *From the Command Center screen, select Footswitch 1-6, 7-11, or Exp Toe and press Knob 6 (Customize) The Helix Modeling Engine Is this the same old HD engine? No, Helix utilizes an all new from the ground up advanced dual DSP processor architecture with HX models. Are ALL the models HX? Not quite. The reverbs and 8 our of 10 wahs are HD, but they've been enhanced and tweaked for inclusion in HX. The popular Line 6 custom amps Elektrik, Doom, and Epic are technically HD, but have been rebuilt inside the HX engine and many advantages of HX. All other amps, cabs, and effects have been modeled in HX from the ground up. I noticed some model names are the same as in the HD models packs. Are you sure they aren't HD? The all new models in the HD model packs came from the original Helix modeling sessions (except for the Pete Anderson Custom which is based on POD 2.0!), but they've been stripped down somewhat to run on the HD architecture. Where are the deep cab parameters? Instead of reso, thump, etc., Helix has mic distance, Low Cut, and High Cut. Model list/DSP Allocation Will the I see the DSP LIMIT REACHED message like in HD500X? Why are some items in the model list grayed out? Even though Helix has 2.3 times the DSP power of HD500X, and we have more efficient code optimization, HX models are notably more sophisticated than HD. In practice, you should get about 50% more blocks than HD500X and 60% more than HD500. However, the message popping up and telling you you've run out of DSP is gone. Instead, Helix intelligently grays out and skips over any models that can't be accommodated. How can I move a block from Path 1 to 2 (or vice versa) Currently, Helix cannot move blocks between paths. You can, however, copy and paste blocks from one path to the other (even in a different preset) How do I create parallel paths? 1. Highlight a block you want to move to a parallel path a press ACTION to "pick it up" 2. Move the joystick down to move the block to the parallel path. Troubleshooting I hear some distortion/clipping from my headphone out. Why? Helix's headphone out is designed to drive even high impedance studio headphones. If you use low impedance headphones, you may hear a bit of distortion when cranked all thew way. This is normal. Why is the AUX IN volume different from the guitar in? Helix's AUX IN has a 10k Ohm impedance, and is meant to accommodate guitars or basses with louder active pickups or line-level mono synths. My S/PDIF output is low The S/PDIF output is a copy of the internal levels. The master will not affect the output volume. If you are experiencing a quiet output with SPDF, you can add volume somewhere in the patch. Add channel volume on the amp model, or even output gain on a some dynamics. Remember that a lot of patches have lower db due to compression and EQ. Mystery Train has a lot of low end cut out of the patch that would lower the total db, but still keep the perceived volume around the same as something with higher db and more low end. Helix Rack and Control What's the difference between Helix and Helix Rack? Along with the Helix Control Remote, Helix Rack's workflow and feature set is virtually identical to that of Helix. Plus you get duplicate expression pedal jacks, a 1/4" analog bypass (buffered) output, AES/EBU in and Wordclock in with terminator switch. Presets can be freely shared across both units with no file conversion required. Is Helix Control powered from Helix Rack? Why is there a DC IN jack? Yes, Helix Control is powered from Helix Rack. if you leave its power switch on, turning Helix Rack on and off will also affect Helix Control. The DC IN is for very long cable lengths (TBD, but probably over 100 feet) and for possible future use. Helix Control does not ship with a DC-3G, as it's not necessary. Why does Helix control have a USB connector? For potential future use. Helix's Control firmware is updatable, but only while connected to the Helix Rack. which would be connected via USB to a Mac or PC. Do not connect Helix Control's local USB jack to a Mac/Pc, at last for now. Why is Helix Rack 3 spaces? Couldn't you have crammed it into 2 spaces? No, but we tried. The color screen is far too large and there are too many ins and outs to fit into 2RU. What kind of expression pedal do I use with my Helix? You can use either the Line 6 EX-1 or the Mission Engineering EP1-L6. Helix LT What am I not getting with the Helix LT? First, remember that the Helix modeling engine is exactly the same as the rack and main floor unit. All units in the Helix family will sound the same, and you will be able to transfer patches between them all. The biggest thing missing is the scribble strips and a must leaner I/O. Click here to check out all its specs. Is the on pedal screen the same? Yup, completely identical. Weights and Measurements Rack: 19 x 5.05 x 8.80 inches, 11.9 lbs Control: 17.09 x 9.46 x 2.58 inches, 7.3 lbs Floor: 22.05 x 11.85 x 3.58 inches, 14.7 lbs LT: 20.87 x 11.93 x 3.66 inches, 12.5 lbs
  8. I installed the Spider V Remote amp plus the Line 6 updated (which did it's job, everything it's supposed to) and when I go to open the Spider V Remote software, it starts to open... and then just shuts down. I really need the software. I sold my other amp just to get the Line 6 Spider back specifically for the software and the presets you can download. Anyone had any ideas?
  9. Hi at all!!! I have a problem with the amplifi tt drivers. I have already installed line 6 updater and updated to the latest version but when I start line 6 updater does not recognize the amplifi tt and as a result do not recognize it as sound card and I can not use cubase to record. what can I do? I have seen that many have encountered the same problem I followed all the directions but still did not go. Is there anyone who can help me ??? Please
  10. Hello, I have been using the toneport ux2 for a while to connect my studio monitors to my pc and had no problems with it. Recently i bought a xlr microphone and connected it. It was all good untill I shut down my computer. When I turned on my computer it didnt work. The fix I found was changing the inputs & recording to another one and then swapping it back in the Line 6 Audio-MIDI devices program and changing the default format in the settings of the audio interface. The problem switches between the mic not working at all or producing a very loud white noise. I already updated all my drivers and checked the cables / connections, it is a software based problem. Does anyone know a fix for this because it is pretty annoying changing around the settings every time I want to use the microphone.
  11. Hi! So, I have been seriously considering buying Helix LT from Thomann, since its under 900€ there. How ever, I have never used these amp modeling units before, and my understanding of them is pretty limited. So, my question is: How would I setup the Helix LT to be able to use headphones, and play along with Spotify tracks on my PC? Just to be super clear, i want to hear BOTH Helix and Spotify from my headphones at the same time (duh) I do have a Focusrite Scarlett Solo 2nd gen audio interface which I plug my headphones into when normally using my PC. So would I need to connect the Helix to the Focusrite? If so, should I connect it to the microphone, or instrument slot? Or will it be enough to just connect the Helix to my PC with the USB cable, and then plug headphones into the Helix? I live in an apartment, so being able to use headphones and play along to music that way is a "must have" feature for me. I have been using amp sim softwares like Bias Amp before, and with those I have just plugged my guitar into my pedalboard, and the pedalboard into my Focusrite interface and that's it. Thank you so much for your help! I am really looking forward to getting the Helix if what I described is possible with it.
  12. So I think I might know what it is, but I accidentally left my amp on when I left my house for vacation, when coming back a week later, the amp wouldn't power on. I found that the tube fuse was just fine, but the main power fuse was blown, so I got a replacement fuse, replaced it, blew again, I have 3 line 6 cabinets, all different speaker configurations, so I tried another cabinet, and the fuse blew again. What I think is, that the transformer is going out, but I see this might be a common thing for this amp? I mean, lets be honest I, ME, MYSELF left the damn amp on for what could have been a week, and it could have blown something. But if someone could point me in the right direction for troubleshooting, or where to buy a replacement and I can just do it myself? Thank you! Hetrickaj
  13. Français Deutsch Q: Which type of USB is my Line 6 device compatible with? A: Most Line 6 USB products are compatible with USB 1.x and 2.0. The UX8 and POD X3 USB Devices are USB 2.0 exclusive devices. Connecting these to USB 1.x ports will result in failed connectivity. The following Line 6 units are compatible with all 3 types of USB Ports: Guitarport Toneport Series (GX, UX1, UX2, KB37) Toneport DI (Gold/Silver) POD Studio series (GX, UX1, UX2, KB37) POD XT/XT Live/XT Pro Pocket POD Backtrack The following Line 6 units are ONLY compatible with USB 2.0: POD X3/X3 Live/X3 Pro Toneport UX8 Q: How are 2.0 USB ports different from 1.1 ports? A: As we all may know, USB ports are on your computer so you are able to connect external devices to work with your system. Most computers today come with one or more USB ports and they're so fast and easy to use. It's easy just to plug something into a port and go. Most newer computers come with USB 2.0 ports, but some of the older ones still have 1.0 or 1.1 (which are very similar to each other). To find out which version you have, follow these directions: Select the start menu, then go to "My Computer" right click on the "my computer" icon, then select "manage". Click on the "Device Manager" under "Computer Management". Scroll down on the right side of the box until you locate the Universal Serial Bus (USB) controllers, then expand the list by clicking the addition (+) symbol. If you have a USB 2.0 controller in your computer, the word "enhanced" will be listed somewhere in one of those names. Q: Can I use a USB Hub to connect my Line 6 unit to my computer? A: No, USB hubs are not supported in any application of Line 6 hardware. Q: I am receiving an "Error 10" code when attempting to connect my POD X3 or UX8 to my computer? A: An "Error 10" occurs when a USB 2.0 device (i.e.POD X3 and UX8 series) is connected to a USB 1.x port. Please connect these units to a USB 2.0 port. Q: I cannot find a driver to download for the Pocket POD, FBV Mk II controller or Backtrack? A: The Pocket POD, FBV Mk II controllers and Backtrack use "class compliant" drivers that are "pre-installed" in your OS.? If you are having trouble connecting to these devices you should try a different USB port and update your OS to ensure you have the latest class compliant drivers on your system. If you have tried all available USB ports on your computer and have either no device recognition or poor audio quality (clicks-pops), you will want to consider purchasing a PCI USB 2.0 card to connect your Line 6 USB audio interface. Q: I am receiving an error that says my hardware is not a valid Line 6 device (error 8000710B) / the ESN on my unit is showing "00000000" when I connect to Line 6 Monkey? A: This situation may happen when a unit is incorrectly repaired at a Line 6 service center. The unit needs to be returned to the service center that originally serviced the unit for repair. USB Komptibilität mit Line 6 Geräten Mit welchen USB Arten ist mein Line 6 Gerät kompatibel? Die meisten USB Produkte sind mit 1.x und 2.0 kompatibel. Die UX8 und POD X3 USB Geräte sind USB 2.0 exklusive Geräte. Die Verbindung dieser Geräte an einen USB 1.x Port schlägt dann fehl. Folgende Line 6 Geräte sind mit allen 3 USB Typen kompatibel: Guitarport Toneport Serie (GX, UX1, UX2, KB37) Toneport DI (Gold/Silver) POD Studio Serie (GX, UX1, UX2, KB37) POD XT/XT Live/XT Pro Pocket POD Backtrack Die folgenden Line 6 Geräte sind nur mit USB 2.0 kompatibel: POD X3/X3 Live/X3 Pro Toneport UX8 Inwiefern sind USB 2.0 Ports unterschieden von USB 1.1 Ports? Als erstes sollte man wissen, das der Computer USB Ports hat und Sie Ihre Geräte so mit Ihrem PC verbinden können. Die meisten Computer haben heutzutage mehrere USB Ports, sie sind schnell und einfach zu benutzen. Die meisten neuen Computer haben jedoch auch USB 2.0 Ports. Um herauszufinden welche Ports Sie haben, folgen Sie diesen Anweisungen: Gehen Sie auf das Startmenü, dann Arbeitsplatz. Rechtsklicken Sie den Arbeitsplatz, dann Verwalten. Klicken Sie dann auf den Gerätemanager unter Computerverwaltung. Scrollen Sie dann nach unten im rechten Fenster bis Sie die Universal Serial Bus (USB) finden und erweitern Sie die Liste indem Sie auf das (+) Symbol klicken. Wenn Sie einen USB 2.0 Controller haben werden Sie hier das Wort "Enhanced" finden. Kann ich ein USB Hub benutzen um mein Line 6 Gerät an an meinen Computer anzuschließen? Nein, USB Hubs werden von Line 6 Hardware nicht unterstützt. Ich bekomme eine "Error 10" Fehlermeldung wenn ich mein POD X3 oder UX8 an meinen Computer anschließe. Was kann ich tun? Ein "Error 10" tritt auf, wenn ein USB 2.0 Gerät (wie POD X3 oder UX8) and einen USB 1.x Port angeschlossen wird. Schließen Sie diese Geräte ausschließlich an USB 2.0 Ports an. Ich habe meine Treiber aktualisiert, habe aber immer noch keine Verbindung oder habe MIDI timeout Fehlermeldungen mit meinem Line 6 Gerät, was kann ich tun? Stellen Sie zuerst sicher, dass der Treiber korrekt installiert ist. Schauen Sie sich dazu diese Seiten an: Windows: USB Device Driver Installation Mac: USB Device Driver Installation Stecken Sie Ihr Line 6 Gerät direkt in das Mainboard Ihres Computers (hintere Seite des PCs). Meiden Sie USB Hubs und die USB Ports auf der Vorderseite Ihres Computers. Wenn Sie einen Laptop benutzen sollten Sie alle USB Ports ausprobieren (da manche USB Ports widerstandsfähiger sind als andere). Entfernen Sie dann alle unnötigen USB Geräte um die Last des USB Datenflusses zu verringern und deisntallieren Sie dann jegliche unnötige Software von Ihrem Computer. Klicken Sie folgende Links, um weitere Fehlerbehebungen zu USB Problemen zu erhalten: Audiooptimierung für das Computersystem USB Audio Problems and Chipset Error Explanation Ich kann keinen Treiber für mein Pocket POD, FBV Mk II oder Backtrack finden. Pocket POD, FBV Mk II und Backtrack nutzen generische Treiber, die auf Ihrem System vorinstalliert sind. Wenn Sie Probleme mit der Verbindung dieser Geräte haben sollten Sie es mit verschiedenen USB Ports versuchen und Ihr Betriebssystem aktualisieren damit Sie den neusten generischen Treiber auf Ihrem System haben. Wenn Sie alle verfügbaren USB ports ausprobiert haben und der Computer erkennt das Gerät immer noch nicht oder Sie haben sehr schlechte Audioqualität (Klicks, Rauschen,...) brauchen Sie vielleicht eine PCI USB 2.0 Karte um Ihre Line 6 Geräte an Ihren Computer anzuschließen. Ich bekomme einen Fehler, der behauptet meine Hardware sei kein gültiges Line 6 Gerät (Error: 8000710B) oder die ESN auf meinem Gerät zeigt "00000000" an wenn ich es mit Line 6 Monkey verbinde. Was kann ich tun? Dieser Fehler kann auftreten wenn ein Gerät inkorrekt in einem Line 6 Service Center repariert wurde. Das Gerät muss dann zurück ins Center, welches das Gerät repariert hat. Compatibilité USB avec les appareils Line 6 Avec quels types USB est-ce que mon appareil Line 6 est compatible? La plupart des produits USB sont compatibles avec 1.x et 2.0. L'UX8 et le POD X3 sont seulement compatible avec USB 2.0. La connexion de ces appareils à un port 1.x échoue. Les appareils suivants sont compatibles avec tous les trois types USB: Guitarport Série Toneport (GX1, UX1, UX2, KB37) Toneport DI (Gold/Silver) Série POD Studio (GX, UX1, UX2, KB37) POD XT/XT Live/XT Pro Pocket POD Backtrack Les appareils suivants sont seulement compatibles avec USB 2.0: POD X3/X3 Live/X3 Pro Toneport UX8 Dans quelle mesure est-ce que les ports USB 2.0 sont différents des ports 1.1? D'abord, on doit savoir que l'ordinateur a ces ports USB et que vous pouvez connecter vos appareils à votre pc via ces ports. La plupart des ordinateurs d'aujourd'hui a plusieurs ports USB, ils sont rapides et facile à utiliser. La plupart des ordinateurs nouveaux ont aussi des ports USB 2.0. Pour découvrir lesquels ports vous avez, suivez ces instructions: Menu démarrer -> Poste de travail. Clic droite. Faites un clic gauche sur Gérer. Dans la gestion de l'ordinateur, cliquez le gestionnaire de périphériques. Cherchez Universal Serial Bus (USB) dans la fenêtre droite et développez la liste par cliquer sur le (+). Si vous avez un contrôleur USB, vous pouvez voir le mot "Enhanced" comme sur la capture d'écran suivante: Puis-je utiliser un hub USB pour connecter mes appareils Line 6? Non, les hubs USB ne sont pas soutenus du hardware Line 6. Je reçois une erreur "Error 10" si je connecte mon POD X3 ou UX8 à mon ordinateur. Qu'est-ce que je peux faire? L'erreur 10 se produit si un appareil USB 2.0 (comme POD X3 ou UX8) sont connectés à un port USB 1.x. Connectez ces appareils uniquement aux ports USB 2.0. J'ai actualisé mes pilotes mais j'au toujours pas une connexion ou reçois une erreur MIDI timeout avec mon appareil Line 6, que puis-je faire? Le pilote doit être installé correctement. Veuillez visiter ces sites web concernant ca: Windows: USB Device Driver Installation Mac: USB Device Driver Installation Insérez votre appareil Line 6 directement à l'arrière, dans la carte mère de l'ordinateur. N'utilisez pas les hubs USB ou les ports USB de devant. Si vous utilisez un portable, essayez tous les ports USB. (Certains ports sont plus résistants qu'autres.) Débrochez tous les appareils USB inutiles pour réduire la charge du flux des données et désinstallez tous les logiciels inutiles. Pour autres solutions, visitez ces liens: Optimisation audio pour le système d'ordinateur USB Audio Problems and Chipset Error Explanation Je ne peux pas trouver des pilotes pour mon Pocket POD, FBV Mk II ou Backtrack. Qu'est-ce que je fais? Le Pocket POD, FBV Mk II et Backtrack utilisent des pilotes génériques qui sont préinstallés sur votre système d'exploitation. Si vous avez des problèmes de connexion avec ces appareils, essayez différents ports USB et mettez à jour votre système d'exploitation pour recevoir les pilotes génériques les plus récents. Si vous avez essayé tous les ports USB, et l'ordinateur le reconnait pas votre Appareil ou vous avez une qualité audio très mauvaise (clics, bruits,…), peut-être vous avez besoin d'une carte PCI USB 2.0 pour connecter vos appareils USB Line 6. Je reçois une erreur qui dit que j'ai un appareil Line 6 invalide (erreur: 8000710B) ou le numéro ESN sur mon appareil montre "00000000" si je le connecte avec Line 6 Monkey. Qu'est-ce que je peux faire? Cette erreur peut se produire si un appareil a été réparé incorrectement dans un centre de service Line 6. L'appareil doit retourner au centre qui a réparé l'appareil pour résoudre ce problème.
  14. Hello! I am considering the Stomp as an option as a fly rig. I play on cruise ships and they require only 2 pieces of luggage, so I'm looking at options to replace my pedalboard. I have a two switch external footswitch already so I'd definitely use it with the Stomp. I just need to find out whether it would work for my set up. I would need Clean, Overdrive and Solo tone. I understand that you can do this in the snapshot. But sometimes I'd want delay on for the solo tone or others. Could the external footswitch be assigned to switch delay on/off in the snapshot mode for all of the snapshots. Or is this not possible? And is there another way to get this? By the way I've never used multi effect units so go easy on me! Any help would be great!
  15. boa noite galera alguém já usou a interface da firehawk fx ? se sim... tente me ajudar pois não estou conseguindo, meu notbook não esta conseguindo fazer download no site. desde já agradeço
  16. POD Farm 1.0 System Requirements Windows® Pentium 4 -1.2GHz or better (2.5 GHz or better, or multi-core CPU recommended) Windows® XP (with SP2 or SP3), Windows® XP X64, Windows® Vista® (including SP1), Windows® Vista X64 512 MB RAM minimum (1 GB or more recommended) 1 GB free hard disk space minimum (10 GB or more recommended for recording) Drive speed 5400 rpm minimum (7200 rpm or faster recommended) 1024 x 768 minimum screen display resolution CD-ROM drive One free USB 2.0 compatible port on computer (USB hubs are not supported for Line 6 devices) Internet connection for online features Compatible Line 6 USB hardware (device must be connected to computer & authorized to use POD Farm): POD Farm Plug-In - POD Studio, TonePort, GuitarPort, POD X3, or PODxt hardware POD Farm Standalone Operation - POD Studio, TonePort & GuitarPort hardware Mac® Intel or Power PC based G4 1.5 GHz or better (G4 1.67 or better, or multi-core CPU recommended) OS X 10.4 or later 512 MB RAM minimum (1 GB or more recommended) 1GB free hard disk space minimum (10GB or more recommended for recording) Drive speed 5400 rpm minimum (7200 rpm or faster recommended) 1024 x 768 minimum screen display resolution CD-ROM drive One free USB 2.0 compatible port on computer (USB hubs are not supported for Line 6 devices) Internet connection for online features Compatible Line 6 USB hardware (device must be connected to computer & authorized to use POD Farm): POD Farm Plug-In - POD Studio, TonePort, GuitarPort, POD X3, or PODxt hardware POD Farm Standalone Operation - POD Studio, TonePort & GuitarPort hardware
  17. Hey gear heads, I am wondering if i can use 12au7 and 12ay7 pre-amp tubes with my Bogner Alchemist Head? I guess the real question is what other tube options do i have other than 12ax7/ecc83 and 6l6/5881 Much Appreciated.
  18. Line 6 generally tests with software Digital Audio Workstations (DAW) that are the latest and the last freely upgradeable versions. Line 6 does not test on 3rd party applications that are no longer supported by their own developers. While we use a wide variety of 3rd party recording applications during our software testing, it is simply not possible to test POD Farm's (or any other Line 6 software) compatibility with every DAW. We make every effort to be compatible with as many recording applications as is practical. Research performed by our Quality Assurance department, beta testers, and ultimately POD Farm users systematically help us to identify bugs and incompatibilities, and we continually strive to resolve these issues with incremental software releases and/or documentation in the form of release notes, online Knowledge Base items, and forum posts. POD Farm plug-ins are developed to conform to the standards established for RTAS, VST and AU and should be compatible with any DAW supporting these plug-in formats. It is important to note that the way that DAW manufacturers implement these standards varies, which, when combined with a given computer's unique configuration, may result in varying plug-in performance.
  19. Français Deutsch 日本語 Below is a chart of the carrier frequencies for each channel in RF1 and RF2 mode. There are 2 frequencies in RF2 mode, because each channel has 2 carrier frequencies per channel. At the same time, each channel in RF1 mode has 4 carrier frequencies per channel. Line 6 Wireless Modes RF2 & RF1 The new V75, 55 and 35 default to RF2 mode, but include the ability to be switched into RF1 mode. You cannot use RF2 mode in the presence of any older Line 6 2.4G wireless (including Relay) in the same venue. If you try you will likely get failures in both the old and new units. Just say no! You can check using the RF scan feature included in XD-V75 receivers. You must either flash older models to the newer V2.0 firmware (and you must have access to a V75 receiver and do this via Monkey) or you can shift the newer models (or any that have been flashed with V2.0) into RF1 mode. If an XD-V75 unit is being added to a setup that already includes any devices running in RF1 mode, the XD-V75 can be used to update the older devices to run RF2 mode by using an internet-connected computer attached to the XD-V75's USB port. See the Firmware Updating Procedure section for more information. Alternatively, the XD-V75 transmitters can be set up to operate in RF1 mode if it is necessary to use the transmitters with older Line 6 receivers. Note: Relay G30 and G50 Receivers that have been updated to V2.0 firmware will *follow* the RF Mode that the corresponding G30 or G50 Transmitter is set to. Note: Encryption only works in RF2 mode. Please also note that the RF Performance feature (the sixth page on the XD-V75 receiver) is only functional when the Tx is in RF2 mode. To Set The THH12 Or TBP12 Transmitters (Including Relay G50/90): Enter Setup mode to display the current channel While holding down the SELECT button, press and release the ON/MUTE button on the THH12 or VALUE button on the TBP12, then release the SELECT button. The display will briefly show [XD-V75 RF1] or [XD-V75 RF2] to indicate whether it is operating in the old or new mode, respectively. This setting is retained when powering off, so as a reminder the display will also show this indication [RF1 or RF2] each time power is turned on. The XD-V75 receiver will display a [To] on the far right of the display to indicate while communicating with a RF1 software transmitter. [Tx] indicates units operating in RF2 mode. They must ALL be the same. The XD-V35 system ships set to the new dual frequency RF2 mode. To use an XD-V35 version transmitter with an earlier generation XD-V30 receiver (RF1 mode), you must change the transmitter from RF2 mode to RF1 mode. The method differs slightly between the handheld and beltpack. Setting THH06 And TBP06 Transmitters (Including G30) THH06 HandheldTransmitter Turn the transmitter off. Press and hold the channel SELECT button. While holding the SELECT button, press and hold the power ON button. The blue LED over channel 1 will flash three times to indicate that the transmitter is in the RF1 mode. To revert to the RF2 mode, repeat the above steps; the blue LED over channel 2 will flash three times when the transmitter is in this mode. TBP06 Beltpack Transmitter With transmitter off, set the Channel Select slide switch to channel 6. Turn on the transmitter. Immediately after the blue light blinks, slide the Channel Select switch completely left to channel 1 and back to channel 6. Do this 3 times total. This process must be completed within three seconds of turning on the transmitter. The blue LED will flash once to indicate that the transmitter is now in the 4-frequency transmission mode. To revert to RF2 transmission mode, repeat the above steps; the blue LED will flash twice when the transmitter is in this mode. Note: It is IMPORTANT to note that once you shift (in either direction) the transmitters will only remember the change if you power cycle the transmitter. Just turn it off with the power switch and then back on. If you were to pop a battery before doing this then it will revert back to the last "saved" mode. Line 6 Wireless RF1 und RF2: Frequenzmodus wechseln Line 6 Wireless Modus RF2 & RF1 Die neuen Line 6 Wireless Sender V75, 55 und 35 werden im RF2-Modus ausgeliefert, sie können aber auch in den RF1-Modus umgeschaltet werden. Der RF2-Modus kann nicht benutzt werden, wenn ältere Line 6 2.4G Wireless-Geräte (inklusive Relay) am gleichen Ort verwendet werden, weil das zu Störungen bei beiden Gerätetypen führen kann. Welcher Modus gerade eingeschaltet ist, können Sie herausfinden, indem Sie die eingebaute Frequenzen-Scan-Funktion Ihres XD-V75-Empfängers benutzen.Um das Problem zu beheben, müssen sie entweder die neuere V2.0-Firmware auf ihre älteren Geräte aufspielen (dazu brauchen Sie Zugang zu einem V75-Empfänger und Monkey), oder sie schalten die neueren Modelle (beziehungsweise jedes Modell, auf dem die V2.0-Firmware läuft) in den RF1-Modus um.Wenn ein XD-V75-Gerät zu einem Setup hinzugefügt wird, das schon Geräte enthält, die im RF1-Modus laufen, kann das XD-V75 benutzt werden, um die älteren Geräte zu aktualisieren. Dazu brauchen Sie einen Computer mit Internetverbindung, der an den USB-Port des XD-V75 angeschlossen wird. Weitere Informationen dazu finden Sie in der Sektion über Firmware-Aktualisierung. Alternativ können Sie das Setup in den RF-1-Modus umschalten, um die Sender mit älteren Line-6-Empfängern zu verwenden. Bitte beachten Sie: Relay G30- und G50-Empfänger, die auf die V2.0-Firmware aktualisiert wurden, „folgen“ automatisch derjenigen Frequenz, auf die der dazugehörige G30- oder G50-Empfänger eingestellt wurde. Einstellen des THH12 oder TBP12 Senders (Inklusive Relay G50/90): Gehen Sie in den Setup-Modus, um den aktuellen Kanal anzuzeigen. Halten Sie den SELECT-Knopf gedrückt, drücken Sie dann den ON/MUTE-Knopf (beim THH12) beziehungsweise den VALUE-Knopf (beim TBP12) und lassen Sie ihn wieder los. Das Display wird kurz [XD-V75 RF1] oder [XD-V75 RF2] anzeigen, so können Sie sehen, ob der Transmitter im alten oder neuen Modus läuft. Die Einstellung wird beibehalten, wenn Sie das Gerät ausschalten. Zur Erinnerung zeigt das Display den jeweiligen Modus [RF1 oder RF2] beim Einschalten des Geräts kurz an. Der XD-V75-Receiver zeigt an der äußersten rechten Seite [To] an, wenn das Gerät mit einem RF1-Transmitter kommuniziert. [Tx] bedeutet, dass die Geräte im RF2-Modus arbeiten. Damit die verschiedenen Sender- Empfänger Generationen zusammen störungsfrei arbeiten müssen ALLE Geräte im gleichen Modus arbeiten. Bedeutet das Vorhandensein eines Senders im RF1 modus.Bedeutet das Vorhandensein eines Senders im RF2 modus. Das XD-V35-System ist bei der Auslieferung auf den neuen Dual-Frequenz-Modus RF2 eingestellt. Um einen XD-V35-Sender mit einem XD-V30-Empfänger der früheren Generation (RF1-Modus) zu verwenden, müssen Sie den Sender von RF2 auf RF1 umschalten. Die Vorgehensweise ist etwas unterschiedlich, je nachdem, ob Sie das Mikrofon- oder das Beltpack-Gerät verwenden. Einstellen des THH06 und TBP06 Transmitters (Inklusive G30) THH06 Handheld-Transmitter Schalten Sie den Transmitter aus. Halten Sie den Kanal-Select-Knopf gedrückt. Während Sie den Select-Knopf gedrückt halten, drücken Sie den Power/Ein-Knopf und halten Sie diesen ebenfalls gedrückt. Die blaue LED über Kanal 1 leuchtet dreimal kurz auf, um anzuzeigen, dass der Transmitter jetzt im RF1-Modus ist. Um in den RF2-Modus zurückzukehren, wiederholen Sie die oben genannten Schritte; die blaue LED über Kanal 2 leuchtet dreimal kurz auf, um anzuzeigen, dass der Transmitter im RF2-Modus ist. TBP06 Beltpack-Transmitter Bei ausgeschaltetem Transmitter den Schieberegler zur Kanalauswahl auf Kanal 6 stellen. Transmitter einschalten. Den Schieberegler sofort nach dem Blinken der blauen LED insgesamt dreimal auf Kanal 1 stellen, zurück auf 6 und wieder auf Kanal 1 schieben. (nicht vergessen: das muss dreimal geschehen) die Sequenz von 6 startend ist also : 6-1-6-1-6 Dieser Prozess muss nach Anschalten des Senders innerhalb von drei Sekunden geschehen. Die blaue LED blinkt einmal, um anzuzeigen, dass der Sender jetzt im RF1 Modus ist, Sie blinkt zweimal wenn man im RF2 Modus ist (auch immer nach Anschalten Status sichtbar) Um in den RF2-Ãœbertragungsmodus zurückzukehren, wiederholen Sie die oben genannten Schritte. Die blaue LED blinkt dann zweimal auf, wenn der Sender im RF2-Modus ist. Wichtig: Bitte beachten Sie, dass das Gerät den soeben eingestellten Modus (egal in welche Richtung) nur beibehält, wenn Sie das Gerät nach dem Wechsel kurz aus- und wieder einschalten. Dadurch wird der aktuell eingestellte Modus gespeichert. Wenn sie vorher eine Batterie eingelegt haben, springt das Gerät zurück zum zuletzt gespeicherten Modus. Line 6 sans fil RF1 et RF2: Changement de modes Les modes de transmission RF2&RF1 Line6 Les nouveaux systèmes sans fil V75, 55 et 35 utilisent le nouveau mode de transmission RF2 par défaut, mais possèdent la possibilité de changer en mode RF1.Il n’est pas possible d’utiliser des appareils qui utilisent le mode RF2 s’il y a des anciens appareils RF1(V70 our Relay) sur la même scène ou dans le même bâtimentSi vous l’essayez, vous allez très probablement voir des erreurs de communication sur les anciens et nouveaux systèmes. Il suffit de ne pas les combiner ! Vous pouvez vérifier la présence d’émetteurs RF1 /FR2 en utilisant la fonction « CHANNEL SCAN » RF dans les récepteurs XD-V75. Vous devez soit mettre a jour les anciens modèles vers la version 2.0 ou vous pouvez changer les modèles déjà équipés de la version 2.0 en RF mode 1. Pour mettre à jour un ancien modèle, vous avez besoin d’un récepteur XDV75, un ordinateur et le logiciel Monkey. Si une XD-V75 est ajouté à une installation qui comprend déjà des appareils fonctionnant en mode RF1, le XD-V75 peut être utilisé pour mettre à jour les appareils plus anciens vers RF2 mode.Pour mettre à jour les modèles précédents, vous devrez avoir accès à l'Internet et une connexion USB entre le XD-V75 à l'ordinateur Voir la section Mise à jour ‘’Firmware Procedure’’ pour de plus amples renseignements. Alternativement, les émetteurs XD-V75 peut être configuré en mode de RF1 s'il est nécessaire d'utiliser des émetteurs avec les anciens Line 6 récepteurs. Remarque : Les récepteurs Relay G30 et G50 qui ont été mis à jour avec le firmware V2.0 suivent automatiquement le mode RF de l’émetteur correspondant. Pour changer le mode RF des émetteurs THH12TBP12et G50/90: Entrez en mode de configuration pour afficher le canal actuel Maintenez le bouton SELECT et pressez et relâchez le bouton ON / MUTE ou la touche VALUE sur le TBP12. L'écran indiqué brièvement [XD-V75 RF1] ou [XD-V75 RF2] pour vous indiquer le mode actif. Également quand vous mettez l’émetteur en marche.Ce réglage est conservé lorsque vous éteignez l’émetteur. Le mode actif [RF1 ou RF2] s’indique chaque fois que l'appareil est allumé. Le récepteur XD-V75 affichera une Icône ( To) à la droite de l'écran pour indiquer le mode RF2, ( Tx)s’indique que l récepteur est en communication avec un émetteur dans mode RF1. Ils doivent tous être les mêmes.montre la présence d’un émetteur RF1montre la présence d’un émetteur RF2 Le système XD-V35 est déjà réglé à la nouvelle fréquence RF2.Pour utiliser un émetteur XD-V35 avec un récepteurXD-V30 d’ancienne génération RF1 vous devez changer l'émetteur de RF2 mode RF1. La méthode diffère légèrement entre le modèle micro THH06 et le modèle ceinture TBP06 (et G30). Pour changer le mode RF des émetteurs THH06TBP06et G30 THH06 émetteur micro : éteignez l'émetteur. appuyez et maintenez enfoncé le bouton SELECT canal. tout en maintenant la touche SELECT, appuyez et maintenez le bouton d'alimentation. Le LED bleu sur le canal 1 clignote trois fois pour indiquer que l'émetteur est en mode RF1. pour revenir en mode RF2, répétez les étapes ci-dessus, le LED bleu sur le canal 2 clignote trois fois lorsque l'émetteur est dans ce mode. TBP06 émetteur ceinture : mettez le sélecteur de canal sur 6. éteignez l'émetteur. allumez l'émetteur et changez immédiatement après vous voyez la DEL bleu le canal vers 1, vers 6 et vers 1. Répétez ca TROIS fois (la séquence est donc 6-1-6-1-6 (commencez sur 6) ce processus doit être achevé dans les trois secondes après la mise sous tension de l'émetteur. le LED bleu clignote une fois pour indiquer que l'émetteur est maintenant dans le mode de transmission RF1. Pour revenir en mode RF2, répétez les étapes ci-dessus le LED bleu clignote deux fois lorsque l'émetteur est dans ce mode. Remarque: Pour sauvegarder le changement de mode RF dans l’émetteur, il vous suffit de l’éteindre et de le rallumer avec avec le commutateur ON/OFF.Si vous enlevez les piles, l’émetteur se met dans le dernier mode RF saufgardé. Line 6 ワイヤレス・モードRF2ã�¨RF1ã�«ã�¤ã�„ã�¦ æ–° ã�—ã�„XD-V75ã€�V55ã€�V35ã�®åˆ�期設定ã�¯RF2モードã�§ã�™ã�Œã€�RF1モードã�¸åˆ‡ã‚Šæ›¿ã�ˆã‚‹ã�“ã�¨ã‚‚å�¯èƒ½ã�«ã�ªã�£ã�¦ã�„ã�¾ã�™ã€‚従æ�¥ã�®Line 6 2.4 GHzワイヤレス (Relayã‚’å�«ã‚€) ã�¨å�Œã�˜ä¼šå ´å†…ã�§ã€�å�Œæ™‚ã�«RF2モードを使ã�†ã�“ã�¨ã�¯ã�§ã��ã�¾ã�›ã‚“。もã�—è¡Œã�ªã�£ã�Ÿå ´å�ˆã�¯ä¸¡æ–¹ã�®ãƒ¦ãƒ‹ãƒƒãƒˆã�§å•�é¡Œã�Œèµ·ã�“ã‚‹å�¯èƒ½æ€§ã�Œã�‚ã‚Šã�¾ã�™ã�®ã�§ã€�絶対ã�«è¡Œã‚�ã�ªã�„よã�† ã�«ã�—ã�¦ã��ã� ã�•ã�„。ã�©ã�®ãƒ¢ãƒ¼ãƒ‰ã�Œä½¿ã‚�ã‚Œã�¦ã�„ã‚‹ã�‹ã�¯ã€�XD-V75ã�®ãƒ¬ã‚·ãƒ¼ãƒ�ーã�«æ�­è¼‰ã�•ã‚Œã�ŸRFスキャン機能を使ã�£ã�¦ãƒ�ェックã�™ã‚‹ã�“ã�¨ã�Œå�¯èƒ½ã�§ã�™ã€‚ å•�題を解決ã�™ã‚‹ã�«ã�¯ã€�従æ�¥ã�®ãƒ¢ãƒ‡ãƒ«ã‚’æ–°ã�—ã�„V2.0ファームウェアã�«æ›¸ã��æ�›ã�ˆã‚‹ã�‹ (Monkeyを使ã�£ã�¦æ›¸ã��æ�›ã�ˆã‚’è¡Œã�†ã�«ã�¯XD-V75レシーãƒ�ーを使ã�†å¿…è¦�ã�Œã�‚ã‚Šã�¾ã�™)ã€�æ–°ã�—ã�„モデル (ã�‚ã‚‹ã�„ã�¯V2.0ã�¸ã‚¢ãƒƒãƒ—デートã�•ã‚Œã�Ÿãƒ¢ãƒ‡ãƒ«) ã‚’RF1モードã�«ã‚·ãƒ•ãƒˆã�—ã�¾ã�™ã€‚ RF1 モードã�®ãƒ‡ã‚£ãƒ�イスをå�«ã‚€ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã�¸XD-V75ãƒ¦ãƒ‹ãƒƒãƒˆã‚’è¿½åŠ ã�—ã�Ÿå ´å�ˆã€�ã��ã�®XD-V75を使ã�£ã�¦ä»¥å‰�ã�®ãƒ‡ã‚£ãƒ�イスをアップデートã�§ã��ã�¾ã�™ã€‚ã��ã�®éš› ã�¯XD-V75ã�®USBãƒ�ートã�¸ã€�インターãƒ�ット接続ã�—ã�Ÿã‚³ãƒ³ãƒ”ューターを接続ã�—ã�¦è¡Œã�„ã�¾ã�™ã€‚ファームウェア・アップデートã�®æ–¹æ³•ã�¯ã€�XD-V75ã�®è£½å“� ページã�®ãƒªã‚½ãƒ¼ã‚¹ã‚¿ãƒ–ã�«ç”¨æ„�ã�•ã‚Œã�¦ã�„ã‚‹PDFファイルをã�”覧ã��ã� ã�•ã�„。ã�ªã�Šã€�XD-V75ã�®ãƒˆãƒ©ãƒ³ã‚¹ãƒŸãƒƒã‚¿ãƒ¼ã‚’以å‰�ã�®Line 6レシーãƒ�ーã�§ä½¿ç”¨ã�™ã‚‹å¿…è¦�ã�Œã�‚ã‚‹å ´å�ˆã�¯ã€�ã��ã�®ãƒˆãƒ©ãƒ³ã‚¹ãƒŸãƒƒã‚¿ãƒ¼ã‚’RF1ã�«è¨­å®šã�™ã‚‹ã�“ã�¨ã‚‚ã�§ã��ã�¾ã�™ã€‚ 注æ„�: V2.0ファームウェアã�«ã‚¢ãƒƒãƒ—デートã�•ã‚Œã�ŸRelay G30ã‚„G50ã�®ãƒ¬ã‚·ãƒ¼ãƒ�ーã�¯ã€�対応ã�™ã‚‹G30ã‚„G50ã�®ãƒˆãƒ©ãƒ³ã‚¹ãƒŸãƒƒã‚¿ãƒ¼ã�§è¨­å®šã�•ã‚Œã�ŸRFモードã�«å¾“ã�„ã�¾ã�™ã€‚ THH12ã€�TBP12トランスミッターã�®è¨­å®šæ–¹æ³• (Relay G50/90ã‚’å�«ã‚€): Setupモードã�«å…¥ã�£ã�¦ç�¾åœ¨ã�®ãƒ�ャンãƒ�ルを表示ã�—ã�¾ã�™ã€‚ SELECT ボタンを押ã�—ã�ªã�Œã‚‰ã€�THH12ã�®ON/MUTEボタンã€�ã‚‚ã�—ã��ã�¯TBP12ã�®VALUEボタンを一度押ã�—ã�¦ã€�離ã�—ã�¾ã�™ã€‚æ–°æ—§ã�©ã�¡ã‚‰ã�®ãƒ¢ãƒ¼ãƒ‰ã�§å‹•ä½œã�—ã�¦ã�„ ã‚‹ã�‹ã�Œãƒ‡ã‚£ã‚¹ãƒ—レイ上ã�« [XD-V75 RF1] ã�¾ã�Ÿã�¯ [XD-V75 RF2] ã�®å½¢ã�§è¡¨ç¤ºã�•ã‚Œã�¾ã�™ã€‚å�Œã�˜ã�“ã�¨ã‚’ç¹°ã‚Šè¿”ã�™ã�¨åˆ¥ã�®ãƒ¢ãƒ¼ãƒ‰ã�«åˆ‡ã‚Šæ›¿ã‚�ã‚Šã�¾ã�™ã€‚ã�“ã�®è¨­å®šã�¯é›»æº�オフ時ã�«ã‚‚維æŒ�ã�•ã‚Œã€�é›»æº�投入時ã�« [RF1] ã�¾ã�Ÿã�¯ [RF2] ã�¨è¡¨ç¤ºã�•ã‚Œã�¾ã�™ã€‚XD-V75レシーãƒ�ーã�§ãƒ�ャンãƒ�ル・スキャンを行ã�†ã�¨ã€�RF1ソフトウェアã�®ãƒˆãƒ©ãƒ³ã‚¹ãƒŸãƒƒã‚¿ãƒ¼ã�¨ã‚³ãƒŸãƒ¥ãƒ‹ã‚±ãƒ¼ã‚·ãƒ§ãƒ³ã�—ã�¦ã�„ã‚‹éš›ã�«ã�¯ãƒ‡ã‚£ スプレイ内ã�®ãƒ�ャンãƒ�ル番å�·ã�®ä¸Šã�« [To] ã�Œè¡¨ç¤ºã�•ã‚Œã�¾ã�™ã€‚RF2モードã�§å‹•ä½œã�—ã�¦ã�„るユニットã�®å ´å�ˆã�¯ [Tx] ã�Œè¡¨ç¤ºã�•ã‚Œã�¾ã�™ã€‚複数ã�®ãƒ¦ãƒ‹ãƒƒãƒˆã‚’使用ã�—ã�¦ã�„ã‚‹å ´å�ˆã�¯ã€�ã�©ã�¡ã‚‰ã�‹ä¸€æ–¹ã�«å…¨ãƒ¦ãƒ‹ãƒƒãƒˆã‚’統一ã�™ã‚‹å¿…è¦�ã�Œã�‚ã‚Šã�¾ã�™ã€‚ XD- V35システムã�¯æ–°ã�—ã�„2周波数 (デュアルフリケンシー) æ–¹å¼�ã�®RF2モードã�«è¨­å®šã�•ã‚Œã�ŸçŠ¶æ…‹ã�§å‡ºè�·ã�•ã‚Œã�¦ã�„ã�¾ã�™ã€‚XD-V35ã�®ãƒˆãƒ©ãƒ³ã‚¹ãƒŸãƒƒã‚¿ãƒ¼ã‚’å‰�世代ã�®XD-V30レシーãƒ�ー (RF1モード) ã�§ä½¿ç”¨ã�™ã‚‹å ´å�ˆã�«ã�¯ã€�トランスミッターをRF2モードã�‹ã‚‰RF1モードã�¸åˆ‡ã‚Šæ›¿ã�ˆã‚‹å¿…è¦�ã�Œã�‚ã‚Šã�¾ã�™ã€‚ã��ã�®æ–¹æ³•ã�¯ãƒ�ンドヘルドã�¨ãƒ™ãƒ«ãƒˆãƒ‘ックã�§å°‘ã�—ç•°ã�ªã�£ã�¦ ã�„ã�¾ã�™ã€‚THH06ã€�TBP06トランスミッターã�®è¨­å®šæ–¹æ³• (G30ã‚’å�«ã‚€): THH06ãƒ�ンドヘルド・トランスミッター トランスミッターã�®é›»æº�を切りã�¾ã�™ã€‚ ãƒ�ャンãƒ�ルã�®SELECTボタンを押ã�—ã�Ÿã�¾ã�¾ã�«ã�—ã�¾ã�™ã€‚ ã��ã�®ã�¾ã�¾ã�®çŠ¶æ…‹ã�§ã€�é›»æº�ã�®ONボタンを押ã�—続ã�‘ã�¾ã�™ã€‚ ãƒ�ャンãƒ�ル1ã�®ä¸Šã�«ã�‚ã‚‹é�’ã�„LEDã�Œ3回点滅ã�—ã�¦ã€�トランスミッターã�ŒRF1モードã�«ã�ªã�£ã�Ÿã�“ã�¨ã‚’示ã�—ã�¾ã�™ã€‚ RF2モードã�«æˆ»ã�™ã�«ã�¯ã€�å�Œã�˜ãƒ—ロセスを繰り返ã�—ã�¾ã�™ã€‚モードã�Œå¤‰ã‚�ã‚‹ã�¨ã€�ãƒ�ャンãƒ�ル2ã�®ä¸Šã�«ã�‚ã‚‹é�’ã�„LEDã�Œ3回点滅ã�—ã�¾ã�™ã€‚ TBP06ベルトパック・トランスミッター トランスミッターã�Œã‚ªãƒ•ã�®çŠ¶æ…‹ã�§ã€�Channel Selectスライド・スイッãƒ�ã‚’ãƒ�ャンãƒ�ル6ã�«è¨­å®šã�—ã�¾ã�™ã€‚ トランスミッターã�®é›»æº�を入れã�¾ã�™ã€‚ Channel Selectスイッãƒ�を左端ã�®ãƒ�ャンãƒ�ル1ã�¾ã�§ç´ æ—©ã��スライドã�—ã�¾ã�™ã€‚ Channel Selectスイッãƒ�ã‚’å�³ç«¯ã�®ãƒ�ャンãƒ�ル6ã�¾ã�§ç´ æ—©ã��スライドã�—ã�¾ã�™ã€‚ 以上ã�®ãƒ—ロセスをã€�é›»æº�投入後3秒以内ã�«çµ‚ã‚�らã�›ã‚‹å¿…è¦�ã�Œã�‚ã‚Šã�¾ã�™ã€‚ é�’ã�„LEDã�Œ1回点滅ã�—ã�¦ã€�トランスミッターã�ŒRF1 (4周波数ä¼�é€�モード) ã�§ã�‚ã‚‹ã�“ã�¨ã‚’示ã�—ã�¾ã�™ã€‚RF2ä¼�é€�モードã�¸æˆ»ã�™ã�«ã�¯ã€�å�Œã�˜ã‚¹ãƒ†ãƒƒãƒ—ã‚’ç¹°ã‚Šè¿”ã�—ã�¾ã�™ã€‚é�’ã�„LEDã�Œ2回点滅ã�—ã�¾ã�™ã€‚ 注æ„�: トランスミッターã�®ãƒ¢ãƒ¼ãƒ‰ã‚’変更ã�—ã�Ÿå ´å�ˆã€�ã��ã�®å¤‰æ›´ã�¯é›»æº�を入れ直ã�™ã�“ã�¨ã�§è¨˜æ†¶ã�•ã‚Œã�¾ã�™ã€‚一度電æº�スイッãƒ�を切ã�£ã�¦ã�‹ã‚‰ã€�å†�度オンã�«ã�—ã�¦ã��ã� ã�•ã�„。ã�“ã�®ä½œæ¥­ã‚’è¡Œã�†å‰�ã�«é›»æ± を抜ã�„ã�¦ã�—ã�¾ã�†ã�¨ã€�以å‰�ã�®ãƒ¢ãƒ¼ãƒ‰ã�«æˆ»ã�£ã�¦ã�—ã�¾ã�„ã�¾ã�™ã€‚
  20. I have bought a used pod xt live some days back. It giving me some issues, while playing it automatically goes to amp control screen and some of the amp control knob on the screen tweeks automatically Other problem is, some times the volume goes all the way high, then the pedal not works. It solves automatically. Sometimes it take time to solve and sometimes it fixes quickly. A technician told me that is a software issue! Please help me to get rid of this.
  21. Q: What are Mobile In digital input adaptor and Mobile POD® app? A: Mobile In is a digital input adaptor that connects your guitar or a stereo line-level audio source to your Apple® iPhone® 4S, iPhone® 4, iPad® (3rd generation), iPad® 2 or iPad®. Also works with iPhone® 5 but requires an Apple-branded Lightning to 30-in adapter cable. Learn more Mobile POD is a free app that lets you rock anytime you want with 64 fully tweakable Line 6 models. Hear them in action Q: Why doesn't Mobile In work with my iPod touch 4G? A: At this time, iPod touch 4G only works with digital audio interfaces that include both audio inputs and audio outputs. This limitation is built into the iPod touch and nothing that the interface manufacturer can affect. Some digital guitar interfaces for iOS devices, including Mobile In and models from other manufacturers, contain inputs but no outputs and as a result aren't recognized by iPod touch 4G. This is why Line 6 does not list iPod touch 4G as a supported iOS device for Mobile In. Q: Will a Lightning adapter work with Mobile In? A: As it stands, we do know that using an adapter works. It is not packaged with the unit because we cannot assume that all users will need it. Q: How many models are in Mobile POD app? A: There are 64 fully adjustable models based on celebrated vintage and modern gear. 32 guitar amplifiers, 18 stompbox and rack effects, and 16 guitar cabinets. Learn more Q: What kind of inputs does Mobile In have? A: Mobile In has two inputs: 1/8-inch guitar input with 110 dB dynamic range and 1/8-inch stereo line input with 98 dB dynamic range. (One high-quality 6-foot guitar cable with 1/8-inch and 1/4-inch ends included.) Mobile In supports up to 24-bit/48 kHz digital audio. Q: Can I use Mobile In with other CoreAudio apps beside Mobile POD app? A: Mobile In works with many other apps besides Mobile POD. It's compatible with any app that uses CoreAudio for audio input, starting with iOS 4.2.1. Q: What Apple® devices are compatible with Mobile In and Mobile POD app? A: Mobile In and Mobile POD app are compatible with iPhone® 4, iPad® 2 and iPad®. Q: What does Mobile In come with? A: Mobile In comes with everything you need to get great guitar tones (or capture any stereo line-level audio signal with pristine quality) right of the box: Mobile In digital input adaptor and a high-quality 6-foot guitar cable with 1/8-inch and 1/4-inch ends. Q: Where do I download the Mobile POD app? A: Mobile POD app can be downloaded for free directly from your Apple® devices using the App Store app. Q: What kind of cable do I use to connect my instrument to the Mobile In? A: To connect a instrument to the Mobile In, use the included 1/8" to 1/4" guitar cable. Connect the '¼' plug into the output of your instrument, then Connect the 1/8" plug into the 'GUITAR IN' on the Mobile In adaptor. for a video tutorial on Mobile In Connections. Q: What kind of cable do I use to connect my stereo line level keyboard or mixer to the Mobile In? A: To connect a stereo line level audio source such as keyboard or mixer to the Mobile In, use a 1/8" Stereo Male to Dual 1/4" Tip Sleeve Male cable. Connect both of the '¼' Tip Sleeve connections to the left and right outputs of your audio source, then connect the 1/8" Stereo Male end of the cable to the 'LINE IN' on the Mobile In adaptor. for a video tutorial on Mobile In Connections. Q: What kind of cable do I use to connect my stereo CD/MP3 player to the Mobile In? A: To connect a stereo CD/MP3 player to the Mobile In, use a 1/8" Stereo Male to 1/8" Stereo Male cable. Connect one end of the 1/8" Stereo Male to the output of your CD/MP3 player, then connect the other end of the 1/8" Stereo Male cable into the 'LINE IN' on the Mobile In adaptor. for a video tutorial on Mobile In Connections. Q: How do I use the Mobile In with CoreAudio Apps like GarageBand? A: Check out our instructions on using Mobile In with GarageBand here. Q: How do I use the Mobile POD app with the Apple's Inter-App Audio? A: Check out our video tutorial on how to use the Mobile POD App with Apple's Inter-App Audio HERE. Q: How do I use the Sonic Port with the Audiobus App? A: Check out our instructions on using Sonic Port with Audiobus HERE. If you want to use the Mobile POD app to process the sound and then record the processed audio into a third party app then you'll need to purchase and use the Audiobus app. For a list of all of other current Audiobus compatible apps CLICK HERE. Q: How can I play along with songs from my iTunes® library? A: Launch Mobile POD, tap the 1/8th note icon in the lower right hand corner of the app. The in-app player will launch, tap the 'playlist' icon located on the bottom left hand corner of the app to choose which song from your iTunes® library you like to play along with. After selecting your song, the app will return to back to the normal amp screen at which point you can play, fast forward, rewind, and loop the track. Q: Does Mobile In interface work with the AmpliTube iRig apps? A: Sorry, no. It appears that the IK Multimedia apps only work with the low-fi analog audio input on the earbuds jack, not the high-resolution digital audio input on the dock connector that Mobile In uses. Q: What should I do if my Apple® device is not recognizing the Mobile In adaptor when it is plugged in? A: Check your iPhone or iPad to be sure the latest version of the iOS operating system is installed update if necessary, instructions to do so can be found here. Disconnect the Mobile In adaptor and reconnect it, making sure the Mobile In adaptor is firmly connected to your iPhone or iPad's device's 30 pin dock connector. Check Settings > General > Accessibility, and then turn Mono Audio off. If the adaptor is still not being recognized by your Apple® device, it may be necessary to backup and restore your current iOS installation using Apple's instructions located here. Q: Can I use Airplay or Bluetooth headphones with Mobile In? A: The current version of Mobile POD does not support the use of airplay or bluetooth headphones. Q: Does the Mobile In work with Android products? A: Many of you have asked why Line 6 mobile products only work with Apple devices, not Android. Since many smartphone and tablet manufacturers support the Android operating system and have different connectors, it is unfortunately very difficult to develop and support products for these various hardware configurations. Apple devices share a standard, 30-pin dock connector which is why we're able to create a single hardware solution for these devices.
  22. Q: What is an iLok? A: The iLok is a proprietary USB hardware dongle that holds licenses for software protected by PACE Anti-Piracy's Interlok. About The iLok: https://www.ilok.com/ilok.html Q: How do I activate my POD Farm iLok purchase? A: After you purchase an iLok-compatible software product from the Line 6 Online Store, you must deposit the license authorization to your iLok.com account and then download the license key to your Pace iLok USB Smart Key by following these instructions. Deposit Process: 1. Create an iLok account. (If you already have an iLok account skip this step and proceed to the next step. An iLok account and a Pace iLok USB Smart Key are required to complete the activation process. If you do not already have a free iLok account please create one now at iLok.com. If you do not own an iLok device, you will need to purchase one from a retailer). 2. Deposit your license authorization to iLok account. Sign in to Line6.com with the same Line 6 account that was used during your online purchase, and start the deposit from the iLok Deposits Page Line6.com by clicking 'Deposit' next to one of the listed license authorizations. This sends the iLok License authorization from your line6.com account to your iLok.com account. 3. Download (Sync) your license to your iLok device. A deposited license becomes visible on iLok.com and can be downloaded into your iLok device by connecting the iLok device to your computer and clicking 'Synchronize' from within your iLok account. Details are provided in your iLok.com account. For additional assistance, please post your question in the POD Farm Support forum. Transfers: Purchased iLok Licenses may be 'moved' between two iLok devices that are registered in you iLok.com account. Purchased iLok Licenses may also be transferred from you iLok account to another iLok account. Move and Transfer instructions are provided on iLok.com. There may be a nominal fee assessed by iLok.com. Trial and other free iLok Licenses may not be moved or transferred. Returns: As stated in the Line 6 Online Store Policy, we cannot accept returns of any purchase containing an iLok License authorization, because the iLok license keys are managed by a 3rd party. If you have experienced a billing or activation issue related to an iLok License purchase, please contact Line 6 Customer Service for assistance.
  23. ****If you recently purchased a Relay V75-SC Super Cardioid Microphone and that capsule does not have microphone models when placed on another XDV-75 handheld microphone body, then you will need to update the firmware on that handheld microphone to version 2.10. Instructions for updating Line 6 wireless systems can be found in other Knowledge Base articles.**** Range XD-V 70/75 systems are rated at 300 feet under ideal conditions and the XD-V30 systems are rated at a 100 foot range. This ‘Open Air Wireless Range’ also known as ‘Line of Sight’, meaning the transmitter’s antenna must have a clear path to the receiver’s antenna and be reasonably free of interference. For best performance ‘Line of Sight’ should be maintained between the receiver’s antennas and the transmitter’s antennas. Radio waves travel in straight lines and do not go around corners. Barriers such as walls can impede the path of radio waves depending on the thickness and the type of construction. RF will not transmit efficiently through metal barriers. If you have aluminum siding or a metal roof, it is unlikely the RF signal will transmit through this barrier with much efficiency. When using wireless systems indoors you could experience a moderate reduction in range compared to outdoors depending on conditions. RF will not transmit through the earth so if the receiver is placed in the basement, and the earth or ground is obstructing the line of sight transmission, it will not receive the direct signal. Human bodies also absorb RF energy and can affect maximum range so remember to place your antennas accordingly. Avoid cupping the bottom of the handheld mic as it will block the antenna resulting in a loss of range. Another significant reduction of range can be expected if the receiver antennas for the XD-V systems are very close to other intentional radiators in the same frequency band such as Wi-Fi wireless access points. Using the XD-V70 with remote paddle antennas and separating the antennas by several feet can be an effective way to mitigate this condition. Interference Q: What is the difference between Analog and Digital wireless systems handling of interference? A: Since the XD-V wireless system is digital, it is able to ‘intelligently’ ignore all signals that are not specifically intended for it. As a result, no audible interference can be generated due to other RF signals occurring simultaneously with the XD-V RF signals. Additionally, the XD-V system utilizes a frequency diversity system in which four different RF frequencies are transmitted for each single audio channel. Only if there are errors or loss of signal on all four RF frequencies within a single transmission packet will an XD-V system mute. Loss of RF signal can be the result of trying to function at too great a distance, having unintentional transmitters too close to a receiver (near/far), or a significant amount of close-by RF signals within the same 2.4GHz range (Wi-Fi, microwave ovens, etc.). In all cases, the symptoms will be the same: reduction of RF LEDs on the front panel that indicate usable RF signal strength, followed by the audio signal muting. Once good enough RF signal is received again, the signal will unmute. Put simply, all forms of potential interference for the XD-V system will have the net effect of reducing the total usable distance for the system. If your application does not require maximum range, then typically little concern about other radio signals is required. If you intend to use your system at a distance, it is recommended that you ‘walk test’ your system in advance of an event to verify that sufficient RF signal is available to avoid mutes from occurring over the entire desired range. Output Level Q: Why does the level change when I swap an XD-V digital wireless with my old wireless system? A: XD-V digital wireless are designed to be the same as a wired mic and are "unity" at the receiver's output relative to input to the transmitter. Most other wireless systems have gain stages that amplify the signal above the mic level itself. This means there is no relationship between the input level to the transmitter and the output level of the receiver. If the gain has been turned up on your old system then you will likely notice a drop in level when you hot-swap with an XD-V. This is a simple ‘gain-structure’ issue and is not a measure of sound quality. So if you hot-swap an XD-V wireless with the same mic as the model you have selected you will not need to make any changes to your gain structure. If you are replacing an older wireless unit that has gain added, you will need to balance the trim (gain) controls on your mixer inputs to accommodate the ‘unity mic level’ of the XD-V. This is why mixer inputs have gain adjustments ‘¦ so you can properly match mic preamp gain to the input source. Remember, XD-V digital wireless is mic level output only and must be plugged into a mic level input and not a line level input. If the trim controls are calibrated on your input strips a gain of 25-30 dB will probably be in the ballpark with an average vocalist. Frequency/Channels Q: What is different about the XD-V systems compared to the XDR-955? A: The XD-V30/XD-V70 systems use a higher frequency (2.4 GHz) and operate on 6 or 12 channels respectively, rather than 5. The XD-V channels numbers do not correspond to 802.11 Wi-Fi channels however. Q: Can the XDR-955 microphone be used with the XD-V systems? A: Both systems run in completely different frequency ranges so they are not inter-compatible, but X2 and XD-V units can be used on the same stage (along with any other analog wireless systems) with no problems. Q: Are the Relay G-series components compatible with the XD-V series components (or vice versa)? A: Because they both operate in the same 2.4 GHz frequency range, they are compatible. Q: Do the XD-V digital wireless systems share channels with the Relay systems? A: Both XD-V systems share their first 6 channels with the Relay G30. The XD-V70 shares all 12 of its channels with the Relay G50 and G90 models. A total of up to 14 systems can potentially be combined if the V70 firmware has been updated. Batteries and Power Supplies Q: Can I use rechargeable batteries? A: Yes, but the hours and minutes are calibrated to alkaline batteries. Different battery chemistries discharge at different rates, therefore the battery meter reading may be inaccurate when alkaline batteries are not used. The run time will be directly related to the current capability of the batteries. Some experimentation will be necessary to determine how they perform for you. Carbon Zinc batteries should not be used with XD-V wireless systems. Q: Why is the battery meter higher when I restart than when I shut off the transmitter? A: Line 6 2.4G wireless transmitters have a circuit that measures the actual real-time voltage of the installed batteries and transmits that data to the battery meters in the receivers. The battery meters are very accurate when they have been running continuously since new batteries were installed in the transmitter and the transmitter power has not been cycled on and off. However due to the chemical nature of Alkaline batteries, when they have been shut off, the voltage begins to ‘rebound ‘ and the voltage actually increases compared to its value at shutoff. Unfortunately it does not last long and it reverts to true self over twenty minutes or so. For this reason when you first turn on a Transmitter that has been run but allowed to rest the meter will give a high reading that quickly falls over the first few minutes and continues to fall quickly for the first few minutes. This is normal behavior for Alkaline batteries. Q: What's the battery life of XD-V digital wireless systems? A: Battery life depends on the current capacity of the batteries used. Typically AA alkaline batteries can provide about 2400 mAh and will provide about 8 hours of continuous use from two AA alkaline batteries when run on "high" power. Typically you will get 10 hours on the "low" power setting. Be aware of "alkaline rebound" when turning off the unit and turning it back on, as it may look like it has more power than it really has. Antenna Distro Q: Can the RX212 Receiver antennas be linked together? A: Up to 6 receivers can be daisy-chained together using the built-in antenna distro system. LMR-195 antenna cable is required for linking up multiple XD-V receivers. The last unit in the chain should be "terminated" (using the supplied term plugs) when linking receivers together. (Please see the Advanced User Guide). External Antennas Q: What type of antennas work with the XD-V70 receiver (RX212)? A: Line 6 offers both "omni"(P360) and "patch" (P180) directional paddle style antennas as options. http://store.line6.com/. These antennas have built-in line amps to accommodate long cable runs (up to 100' or more) depending on cable type. Antennas connect to Line 6 receivers with BNC connectors. LMR-195 cable (or better) should be used and the gain switch should be set to match the approximate loss of the cable. There are many specialty antennas made by third parties that may also be used. They must be specifically tuned for the 2.4GHz band. You must remember to take into account line loss when using passive antennas Mic Capsules for XD-V Handheld Transmitters Q: What mic capsules can be used with the XD-V handheld transmitters? A: XD-V Handheld transmitters have been designed to allow for the use of interchangeable capsules from 3rd party manufacturers such as Earthworks, Telefunken, Shure and others. However since there is no actual standard for compatibility there is some risk of unintended signal or mechanical issues. Users are advised to test specific combinations prior to purchase. Before replacing a capsule the power should be shut off. Simply screw on the desired capsule, then turn on the power. Mic modeling is bypassed (and not available) when using 3rd party capsules. Depending on the level of the capsule and the loudness of the person singing/speaking into it, the Environment filter may need to be switched ‘off’ if a gating sound occurs. Using Third Party Mics w/ Beltpacks Q: What is the pin-out for wiring to a TA4F connector? A: Pin 1 - Gnd Pin 2 - V+ Pin 3 - Signal Pin 4 - Z (leave open for instrument)(short to pin 3 for mic) For a normal, everyday, run-of-the-mill, Tip/Sleeve (TS) connector for a 1/4" instrument cable end,... the signal goes from 1/4" Tip to TA4F pin-3 (Signal), and 1/4" Sleeve goes to TA4F pin-1 (Gnd). Don’t worry about pins 2 and 4, those are used for Lavaliere Mic connections. Q: What mics work with the XD-V70 Beltpack Transmitter A: Questions often come up as to what mics are compatible with the system and how to adjust the gain to match other wireless systems. Line 6 XD-V70 beltpacks (TBP12) are essentially unity level devices meaning the output voltage of receiver essentially matches the input voltage of the transmitter. So it raises the question’¦ ‘match the level to what?’. Traditional systems are essentially a mic coupled with a preamp, not just a microphone alone. This may require thinking about your system in a new way. With traditional wireless systems that have limited dynamic range, gain and level control are essential if one hopes to have reasonable hiss free operation without excessive distortion. No gain or level matching is required when using XD-V wireless systems because of the XD-V’s wide dynamic range and compander free operation. So the system gain requirement is to have the speech or vocal input to the microphone present an appropriate level into the mic preamp so that the preamp can raise the voltage to be optimum into the next stage of the mixer. Gain is likely needed somewhere in this chain, but as long as the mic preamp has enough gain available there is no problem re-adjusting the input trim to do this. Just turn it up as much as needed. Just remember to plug the output of the XD-V into a ‘mic level’ input on the mixer as it is not intended to be used into a ‘line level’ input. In order to be able to certify a mic and being compatible one would have to know the distance from the user’s mouth and the level of their singing/speech. The sensitivity of both the Line 6 HS70 and the LM4-T lav mic is -46 dB, so using a mic that is approximately the same in sensitivity will result in a similar output voltage to the factory supplied mic. If a lower sensitivity mic were used with any traditional wireless system you would need to turn up the gain in the transmitter, receiver and/or the mixer. If the levels of these three controls are not in perfect sync with each other the result will be extra distortion or extra noise/hiss. With Line 6 XD-V is greatly simplified. Simply make adjustments at the mixer (in the same way as you work with a mic with a cable). Much less complicated (although it may be different than what a user is used to) it insures maximum headroom and far less chance to get it wrong. Just turn up the mixer, that’s why the knobs move. Remember, the relative position of a knob means almost nothing. The correct place is the correct place’¦ no matter where it occurs on the rotation. Examples: Shure® WL-185â„¢ lav is -45.5 dB WL-184â„¢ lav is -44.5 dB’¦ so these mics would be almost identical to The Line 6 LM4. WH30TQâ„¢ headset is -55 dB so it will need a 10 dB boost of the mic trim control on the mixer as compared to the LM4-T to have the same level. Countryman® E6 headsets come with different sensitivities and are specified per application. The E6ow5â„¢ is for general speaking and is the closest to our LM4 levels The E6ow6â„¢ is for strong speaking and singing The E6ow7â„¢ is for ‘powerful vocals’ and will seem very quiet if used for ‘normal speech’ as compared to our LM4-T. This would likely be a poor choice for general speech but could be the proper mic for a screaming singer. Countryman also provides caps to cover and further modify the mic element which can provide additional gain. Audio Technica® AT831â„¢ lav is -46 dB AT898â„¢ lav is -46 dB * Please double-check that the Audio Technica mic is a model equipped with the TA4F connector. You may need to special order a unit with the correct connection type or refit your existing cable end with the TA4F plug. DPA® 4066â„¢ omni headset is -44 dB 4061â„¢ omni lav is -44 dB 4060â„¢ high output omni lav is ‘“ 35 dB good with very quiet talkers or if the mic is some distance from the performer. Microphone sensitivity does affect the performance of the Environment Filter. If the sensitivity of the mic used is too low there may be audible artifacts. Depending on the situation it may be advisable to switch the filter to ‘off’. Racking V70/75 Receivers Q: How do I connect multiple receivers for rack mounting? A: The XD-V 70/75 half rack sized receivers can be locked together to become a single rack width using the supplied "dovetail key". When mounting a pair of receivers side by side, start with the dovetail inserted approximately half way in the side groove. Then start the second unit, from the front towards the rear and slide until they are closely aligned. A small tap with a mallet and block will align and secure the key in place and level the front faces. Use the short rack ear supplied with each receiver to complete the pair. Multiple rack pairs can be linked together by using dovetail keys in the top and bottom slots of a rack pair. When assembling more than a single pair it is recommended that the left ‘half’ and the right ‘half’ be assembled first and then the ‘halves’ joined together into the 19’ assembly. Wi-Fi Interference Q: Why does my Wi-Fi slow down when I get my transmitter near my computer? A: Because Wi-Fi and Line 6 2.4GHz wireless products share the same frequency band-space. Some users may experience a slowing down or even interruption of their Wi-Fi capabilities when using microphone or instrument transmitters in close proximity to their computers or routers. This is an example of a near/far interference problem and it may be intensified because consumer grade Wi-Fi typically has limited RF dynamic range. Using more XD-V channels operating at the same time will create more competition to Wi-Fi than a single channel would. If your Line 6 transmitter gets within 6 feet of your laptop you may witness this situation especially if your Wi-Fi access point is some distance away. Typically, simply moving your Line 6 transmitter farther away from your computer will remedy the situation. Users of Line 6 twelve channel systems can switch their transmitters to the ‘low power’ setting as this will mitigate the problem as well. If you are using the system outside the USA you can likely switch your Wi-Fi channels to 12, 13 or 14 depending on your location. The frequencies for these channels are outside the Line 6 2.4GHz frequencies. Likewise, switching Wi-Fi to 802.11n in the 5GHz band will avoid Line 6 wireless frequencies and double your potential Wi-Fi throughput. Suggested channels settings to avoid interfering with Wi-Fi. If your wifi network utilizes the channel listed, use the channel # listed under the Line 6 wireless channel column. Troubleshooting Q: Why am I getting dropouts? A: Assuming no hardware issues, dropouts generally occur because of local conditions. Do I have clear line of sight? The transmitter antenna should be able to ‘see’ the receiver’s antennas. Is your audience blocking the line of sight? Raising antennas to 6-8 feet high will often fix this problem. Make sure you are not being blocked by obstacles such as metal posts, walls, etc. Are your antennas connected firmly and splayed at 90 degrees? If they are straight up and down you could fall victim to a dead zone. Are other XD-Vs operating on the same channel? Each system needs its own unique channel to operate on. Do you have the receiver’s antennas near any intentional transmitters such as walkie-talkies, In-Ear Monitors, etc? They will need to be separated. The distance will depend on the strength of the transmitter and the gain of the transmitting antenna. Are you using the factory power supply? If you are using a substitute supply you must make certain it can supply the required 9vdc at 350 ma. Q: Why is the signal so weak compared to other wireless systems? A: XD-V digital wireless systems have "mic level" outputs (both XLR and 1/4" jacks) and need to be connected in the same manner as wired microphones are and with similar gain/trim settings. Plugging into a "line level" input or a channel with pads engaged will result in a weak and likely noise signal. The preferred connection is with the XLR output on the receiver to an XLR input on the mixer. The 1/4" output is unbalanced and is included as a convenience for users plugging into instrument amplifiers. It is important to NOT use TRS plugs into this jack as the "ring" is used for system upgrades and carries digital information that could be "noisy" if it were connected to an audio input. Q: Why is the sound so "thin"? A: This may be caused by the "Environment Filter" is the signal is too weak, especially when using lav mics. Try turning the filter to the "off" position. Q: What does the Near/Far spec mean? A: The Near/Far interference problem is common to all radio systems and happens when a strong RF signal in the same band uses a large portion of the available gain in a receiver making it difficult or impossible for the receiver to decode the weaker signal. Imagine having a conversation in a quiet room with a person 20 feet away from you. It is likely that you can carry on a conversation with normal voice levels. Now if you move to a noisy environment, with lots of other voices right around your ears, it may be very difficult for the conversation to continue with your long distance friend without the both of you shouting. A similar circumstance occurs with radios, and since the long distance transmitter is incapable of increasing its power output, it is very likely a very near transmitter may interrupt it. In the real world, this is rarely an unmanageable problem. You should avoid having a transmitter closer than 3 feet to a receiver that is not on your channel if the intended transmitter is more than 50 feet from this receiver. If this is a regular requirement you should install remote paddle antennas (G90, XD-V70 series). The near/far spec for XD-V70 is 50’/3’ which means if another transmitter (even though it is on a different channel) gets within 3 feet of your channels antennas at the same time you get 50 feet away the system could be affected in a negative manner.. By increasing the distance between antennas (using the paddle antennas) or simply raising the units up higher, it will become far less a possibility. LED Codes Q: What do the different LED colors mean on the XD-V system components? XD-V70 System THH12 Handheld Transmitter: No LEDs (see owner’s manual for LCD screen info) TBP12 Beltpack Transmitter LED states: Blue LED = power/>1hr battery life Solid red LED = Low Flashing red LED = Very Low/Change batteries Audio LED = Green LED (indicates audio signal) RX212 Receiver: Audio Green LEDs = audio signal present Battery Green LEDs = full battery life Red LED = less than two hours remaining Flashing red = Very Low / Change batteries RF Transmitter on same channel as receiver: Green to indicate signal strength/quality: from 5 Green = Data excellent, interference low to 1 Green meaning Data minimal, may have significant interference. When transmitter is off, or set to different channel than receiver these LEDs show as follows: No LED = No data, no interference 1 Red = No data, some potential interference up to 5 Red = No data, high potential interference. XD-V30 System THH06 Handheld Transmitter LED states: Channel LEDs - Illuminates blue to show the current active channel THH06 is transmitting on. Channel 6 LED will illuminate red when battery life is low and blink red when very low (change batteries). TBP06 Beltpack Transmitter LED states: Audio Green LED = Audio Signal Orange = On power/channel change Battery Blue LED = power/>1hr battery life Solid Red LED = Low Charge Flashing Red LED = Very Low Charge Purple: On channel change RXT06 Receiver LED states 3 Green = Data excellent 2 Green = Data OK, may have some interference 1 Green = Data minimal, may have significant interference No LED = No data, no interference 1 Red = No data, some interference 2 Red = No data, more interference 3 Red = No data, high interference Q: Does USB 3.0 create interference in the 2.4GHz frequency range? A: USB 3.0 computer cables and peripherals, including hard drives, are known to emit radio frequency interference throughout the 2.4GHz band, which results in reduced range and/or performance for any 2.4GHz device in its proximity (including wireless keyboard or mouse, WiFi, etc.). We recommend placing any digital wireless receivers at least two meters away from the USB 3.0 device and its cabling. Below is a link to a study by Intel regarding this interference. http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html
  24. M13 FIRMWARE UPDATE INSTRUCTIONS NEEDED: A MIDI interface that connects to your computer via USB (download the current Driver for it if you don't have it installed) 2 MIDI cables (or a MIDI interface such as the M-Audio Uno that comes with attached MIDI cables Note: Line 6 recommends a name brand USB to MIDI interface produced by an audio company that supports/updates their drivers. Good choices include: M-Audio, Edirol, E-Mu and MOTU. These interfaces have proven to be more robust and reliable when it comes to large MIDI transfers such as the M9 and M13 update.. For further information on MIDI connectivity and interfaces, please go over the following MIDI Document. A MIDI sequencer app such as Cubase or a sysex app -- if you don't have a sysex app installed, do a Google search for MIDI Ox (Windows) or Sysex Librarian (Mac) then download one or the other and install it. When your MIDI interface, Driver and sysex app are ready to go, follow PROCEDURE instructions below. If you experience trouble with this update, please make sure your cable connections are correct and to try un-installing the drivers for the MIDI interface, then, downloading and re-installing the drivers from the manufacturer's website. Then, try updating once again. Additional Instructions for MAC Users Using Sysex Librarian: Some users found that changing the "Pause Between Played Messages" in the 'General' tab of Preferences from the default 60ms to 100ms allowed them to update. Additional Instructions for WINDOWS Users Using MIDI Ox: 1. Make sure the Driver is installed and working. 2. Run the MIDI Ox application. 3. Go to Option, then MIDI Devices; select USB Audio Device for both MIDI Inputs and MIDI Outputs; un-check Automatically Attach Inputs To Outputs During Selection; click OK to accept it. 4. Go to View, then Port Routing; delete the connection between Input Ports and Output ports if they are connected; make sure only MIDI Ox Event Port connects to Output Ports. 5. Go to View, then Sysex; in Sysex View and Scratchpad, go to Sysex, then Configure, make sure to check Delay After F7 and set the Delay (Milliseconds Between Buffers) to 60ms; click OK to accept. Now you're ready to go. One more thing: If the update fails when using a USB hub, please try it without the hub. PROCEDURE: ***WARNING: Updating your firmware will erase user created scenes. Please back up your scenes as described in the M13 Scene Backup document and the M13 Advanced User's Guide.*** 1. Connect your MIDI interface to your computer via USB cable. 2. Connect the M13 MIDI Out to your MIDI interface In, and connect the M13 MIDI In to your MIDI interface Out. 3. Power on the M13 while pressing and holding down the 'Model Select' knob in FX UNIT 1 to put the M13 into FLASH UPDATE MODE. 4. Make sure your computer is set up to 'see' the MIDI interface (on Mac, you must configure Audio MIDI Setup -- on Win, see ADDITIONAL INSTRUCTIONS For Windows Users above). 5. Download the latest M13 Firmware from the Line 6 website (log in with your Line 6 User Name). 6. Launch your sysex app and select your MIDI interface Out port (for Sysex Librarian, use the top dropdown menu -- for MIDI Ox, select Options/MIDI Devices). 7. Load the M13 sysex file (in Sysex Librarian, select 'Add to Library' from the File menu; In MIDI Ox, select Actions/Send>'SysEx File...' and the 'Sysex View and Scratchpad will pop up. 8. Press Play (in Sysex Librarian). If using MIDI-OX, select 'Send Sysex File' from the 'File' menu of the 'Sysex View and Scratchpad Window'. A file browser will open for you to navigate to the M13 sysex file you downloaded from the Line 6 website. Select the M13 sysex file and click 'Open.' 9. The M13 will receive the sysex data and the unit will be updated to the latest Firmware. It sometimes takes 30 seconds to 1 minute to appear like the unit is receiving the update and takes about 8-10 minutes to complete. The M13 will re-initialize when the update is complete and the screens will light up with the new factory presets.
  25. Deutsch Français SONIC PORT VX CONNECTIONS 1. Before connecting the Sonic Port VX, check your iPad, iPhone or iPod touch to be sure you have the latest version of the iOS operating system installed. Instructions for updating your iOS device are available HERE. 2. In order to enjoy POD® amp and effects processing, you'll need our free Mobile POD application. The Mobile POD app also provides firmware updates to the Sonic Port VX hardware. If your iPad, iPhone or iPod touch has internet access, we recommend that you first download and install our Mobile POD app from the App Store app before you attach your Sonic Port VX for the first time. Simply search for 'Mobile POD' on the app store to find and download the Mobile POD app. 3. If you are using the Sonic Port VX with a iOS device, connect Sonic Port VX to your iPad, iPhone or iPod touch using the included 14-pin to Lightning connector cable. The Sonic Port VX has a red LED located on it's top side that will blink once a few seconds after the Sonic Port VX is successfully recognized by your iOS device. If you want to power/charge your iOS device (Lightning only) while using the Sonic Port VX, you can additionally connect the supplied USB-mini cable from the Sonic Port VX into a iOS USB power supply. If you are using the Sonic Port VX with a Windows computer, first make sure and download the Sonic Port Windows Drivers from our software page HERE before you connect the Sonic Port to your computer. If you are using the Sonic Port VX with MAC OS X 10.9 or above computer you will not need to install any drivers. To connect the Sonic Port VX to your computer simply use the supplied USB-A to USB-mini cable to connect it to your computer. Click the photo below for an illustration of these connections: 4. Connect your 1/4" instrument or other audio source to Sonic Port VX or Sonic Port. The Sonic Port VX and Sonic Port can only use one input source at a time, it will use whichever input is connected to first: Using Guitar In (mono): Connect a standard 1/4" guitar cable to the Sonic Port guitar input, then plug the other end into your guitar. Using AUX IN : Connect a standard stereo 1/8" line cable to the Sonic Port VX AUX input, then plug the other end into a line level audio output of your source equipment such as a keyboard, drum machine, mixer, or music player. 5. Connect two mono 1/4" Tip Sleeve cables to the Sonic Port VX's individual Left and Right outputs, then plug the other ends into a playback device such as a mixer, studio monitors, or powered PA speakers to monitor your audio. You can also connect one mono 1/4" Tip Sleeve calbe to only the Sonic Port VX's left output and the Sonic Port VX will sum together both the Right and Left outputs to allow you to connect it to mono sources such as a guitar or bass amp. To connect a pair of headphones or desktop speakers to the Sonic Port VX simply connect the 1/8" stereo cable into the 1/8" Headphone output on the Sonic Port VX. Click the photo below for a illustration of these connections: 6. If you would like to set the Sonic Port VX up on a mic stand or the included tabletop stand start off by threading the supplied mic stand mount onto the base of the Sonic Port VX. If you would like to use the Sonic Port VX on a mic stand, you can then simply attach the mic stand mount to a mic stand. If you would like to use the included table top stand for the Sonic Port VX, place the mic stand mount onto the tabletop stand and fasten them together using the supplied 1/4" thread as shown in the illustration below: We recommend that you place the Sonic Port VX at least 10" away from the source that you are trying to record with the built in mics. We also recommend that you use pop screen with the Sonic Port VX when you are recording vocals. 7. Once you have made all your connections launch the iOS or computer app of your choice and your ready to go. SONIC PORT CONNECTIONS 1. Before connecting the Sonic Port, check your iPad, iPhone or iPod touch to be sure you have the latest version of the iOS operating system installed. Instructions for updating your iOS device are available HERE. 2. In order to enjoy POD® amp and effects processing, you'll need our free Mobile POD application. The Mobile POD app also provides firmware updates to the Sonic Port hardware. If your iPad, iPhone or iPod touch has internet access, we recommend that you first download and install our Mobile POD app from the App Store app before you attach your Sonic Port for the first time. Simply search for 'Mobile POD' on the app store to find and download the Mobile POD app. 3. Connect the Sonic Port to your iPad, iPhone or iPod touch using the included 14-pin to Lightning connector cable or the 30 pin cable depending on your iOS device.The Sonic Port has a red LED located on it's top side that will blink once a few seconds after the Sonic Port is successfully recognized by your iOS device. Click the photo below for a illustration of this connection: 4. Connect your 1/4" instrument or other audio source to the Sonic Port. The Sonic Port can only use one input source at a time, it will use whichever input is connected to first: Using Guitar In (mono): Connect a standard 1/4" guitar cable to the Sonic Port guitar input, then plug the other end into your guitar. Using IN L/R: Connect a standard stereo 1/8" line cable to the Sonic Port IN L/R input, then plug the other end into a line level audio output of your source equipment such as a keyboard, drum machine, mixer, or music player. 5. Connect a mono or stereo 1/4" cable to the Sonic Port OUT L/R output, then plug the other end into a playback device such as a guitar amp, mixer or powered speakers to monitor your audio. To connect a pair of headphones or desktop speakers to the Sonic Port simply connect the 1/8" stereo cable into the 1/8" Headphone output on the Sonic Port. Click the photo below for a illustration of these connections: 6. Once you have made all your connections launch the iOS app of your choice and your ready to go. Sonic Port Anschlüsse: 1. Bevor Sie fortfahren, sollten Sie Ihr iPad, iPhone oder iPod touch auf die neueste Version des iOS überprüfen. 2. Bevor Sie aber die Effekt- und Verstärkerverarbeitung des POD® nutzen können benötigen Sie unsere gratis Mobile POD App, welche außerdem für Firmware Updates Ihres Sonic Ports sorgt. (Firmware ist Software für den Mikroprozessor Ihres Sonic Ports und bereits in diesem enthalten, sie braucht jedoch Updates von Zeit zu Zeit genau wie Software auf Ihrem PC.) Wenn Ihr iPad, iPhone oder iPod touch Verbindung zum Internet hat, wird es Ihnen automatisch helfen die Mobile POD App herunterzuladen, sobald Sie das Sonic Port anschließen. Ansonsten empfehlen wir Ihnen einfach die App von Hand herunterzuladen; suche Sie dazu im App Store nach "Mobile POD", klicken Sie auf "Kaufen" und installieren Sie diese im Anschluss. 3. Schließen Sie nun Ihr Sonic Port an Ihr iPad, iPhone oder iPod touch an indem Sie das 14-Pin zu Lightning Kabel oder das 30 pin kabel benutzen je nach Anschluss Ihres Gerätes. Das Sonic Port hat oben eine rote LED die 3 Sekunden lang blinkt sobald Ihr Apple Gerät das Sonic Port erkannt hat. Wenn Sie Ihr iOS Gerät laden möchten während Sie das SonicPortVX verwenden (nur über Lightning möglich) verbinden Sie bitte das mitgelieferte USB-mini Kabel des SonicPort VX mit dem USB-Netzteil Ihres iOS Gerätes. Sollten Sie das SP VX unter Windows verwenden, installieren Sie bitte zuerst den SonicPort VX Windows Treiber (bevor Sie das Interface anschliessen).Falls Sie MacOSX10.9 oder neuer verwenden muss kein Treiber installiert werden.Um das SonicPort VX mit dem Computer zu verbinden verwenden Sie bitte das mitgelieferte USB-A auf USB-mini Kabel. 4. Verbinden Sie Ihre Gitarre oder andere Audioquelle mit Ihrem Sonic Port. Sie können nur jeweils eine Audioquelle gleichzeitig an Ihr Sonic Port anschliessen. Unter Verwendung des "Guitar IN" (mono) können Sie Ihr standardmäßiges 6.3mm Gitarrenkabel an den "Guitar IN" des Sonic Ports und das andere Ende an Ihre Gitarre anschließen. Unter Verwendung des "IN L/R" können Sie ein standardmäßiges 3.5mm Kabel an den "IN L/R" Ihres Sonic Ports und dann das andere Ende an den Ausgang Ihrer Tonquelle, wie z.B. ein Keyboard, Mixer oder Musik-Player, anschließen. 5. Schliessen Sie ein Mono oder Stereo 6.3mm Kabel an den "OUT L/R" Ausgang Ihres Sonic Ports an, dann stecken Sie das andere Ende in Ihr Abhörgerät wie z.B. einen Gitarrenverstärker, Mixer oder Lautsprecher um Ihren Ton abzuhören. Sofern erwünscht, können auch Kopfhörer benutzt werden, diese müssen dann einfach an den 3.5mm Kopfhörer-Ausgang angeschlossen werden. 6. Starten Sie die Audio App Ihrer Wahl, wie zum Beispiel Garage Band® oder Mobile POD. Das Sonic Port Interface dient als Audio Input oder Output für jede App, die CoreAudio verwendet. Connexions du Sonic Port: 1. Avant de procéder, vérifiez que l'iOS de votre iPad, iPhone ou iPod touch est à jour. 2. Avant que vous puissiez utiliser le traitement des effets et amplificateurs POD®, vous avez besoin de notre application gratuite Mobile POD, cette application fais également les mises à jours du firmware de votre Sonic Port. (le firmware est du logiciel, déjà inclus, pour le microprocesseur de votre Sonic Port mais de temps en temps, ce logiciel a besoin d'une mise à jour comme le logiciel sur votre ordinateur. Si votre iPad, iPhone ou iPod touch a une connexion d'internet, il sera vous aider automatiquement de télécharger l'application Mobile POD, une fois vous connectez le Sonic Port avec votre appareil Apple®. Autrement, vous pouvez télécharger l'application vous-même par utiliser l'App Store, entrez "Mobile POD" et cliquez sur "Acheter". Installez l'application. 3. Vous pouvez connecter le Sonic Port avec votre iPad, iPhone ou iPod touch en utilisant le câble 14 broches à Lightning ou le 30 broches cable selon de la connexion de votre appareil IOS . Le Sonic Port a une LED rouge au-dessus qui clignote 3 secondes une fois votre appareil Apple® a reconnu le Sonic Port. Si vous voulez charger votre appareil iOS (lightning seulement) en utilisant le Sonic Port VX vous pouvez connecter le cable “mini-USBâ€� (fourni) avec l’alimentation USB. Si vous utilisez le Sonic Port VX avec un ordinateur Windows veuillez installer le pilote Sonic Port Windows par notre site d’internet ………avant connecter le Sonic Port avec votre ordinateur. Sous MacOSX10.9 ou plus récente ce n’est pas necessaire d’installer un pilote. Pour connecter Sonic Port VX avec votre ordinateur utilisez le cable USB-A vers USB-mini fourni. 4. Connecter votre guitare ou source audio avec votre Sonic Port. Vous pouvez attacher seulement une source audio à la fois. En utilisant le "Guitar IN" (mono), vous pouvez prendre un câble 6.3mm classique et insérer le dans le "Guitar IN" du Sonic Port, connectez l'autre prise à votre guitare. En utilisant le "IN L/R", vous pouvez prendre un câble 3.5mm standard et connecter une prise à "l'IN L/R" du Sonic Port et l'autre avec votre sortie audio comme par exemple un clavier, un lecteur de musique ou une table de mixage. 5. Connectez un câble 6.3mm stéréo ou mono avec la sortie "OUT L/R" de votre Sonic Port et connectez l'autre coté avec votre appareil monitoring comme par exemple un amplificateur de guitare, une table de mixage ou un haut-parleur. Si voulu, vous pouvez aussi connecter des écouteurs, vous devez les connecter avec la sortie 3.5mm pour les écouteurs. 6. Démarrez l'application audio de votre choix, par exemple Garage Band® ou Mobile POD. L'interface Sonic Port sert comme entrée et sortie audio pour n'importe quelle application qui utilise CoreAudio.
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