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  1. If you run the standalone app and don't get any audio output from your interface, the root cause is likely that your Mac is not allowing Metallurgy to use its mic. During the installation or upon launch of the Metallurgy standalone app, if prompted to allow Metallurgy to access the computer’s microphone, click OK. You can also manually edit this setting within the Mac’s System Preferences > Security & Privacy > Privacy tab - Microphone settings.
  2. Hi there, since a few months now, I'm using my HX stomp and I love it. Yet, I'm still unsure in what speaker I should plug my new baby in. I have a Spider Jam which doesn't have any FX loop so it's a no as it is hard to have a neutral sound on this. And I have my drums amp (a Roland PM-10), which is so far the amp I'm using through the line input :-) I play mostly at home, and I'd like to have the best sound of my pedal at home, and since it has built-in amp & cabinet simulations, my understanding is that the most neutral speaker ("PA" ?) should be used, rather than a fancy amp with its own personality. I don't know how neutral my PM-10 can be, and I'm not familiar with the PA thing, so can you tell me what kind of speaker can I use to have something which doesn't level down my HX stomp ? I'd like to have get a speaker at a reasonable price, and which takes a reasonable amount of space :-) Many thanks
  3. Hi all, this is my first post. Need some help about my Helix LT. So Last night i had a gig and i used Marshall Tube amp. The sound was nasty, terrible. So i learned from few forums that i need to use FRFR speaker to get a clean authentic Helix sound. So my Question is what is the best FRFR speaker? Does QSC K series consider as an FRFR speaker? I do gigs here and there and i drive coupe. So won't able to carry a big speaker.
  4. Hi everyone, here's a question that get asked probably a lot. Sorry. Basically i've been using the pod go with headphone in my bedroom for the longest time. That's all I have (I have guitars aswell eh ) I'm trying to join a band but the place where they rehearse is pretty much an empty room (I've been told there's only a mixing table) I know nothing about equipements, but I suppose a mixing table implies that there are speakers in the room with it ? Anyway I'm in desperate need to buy equipement fast to be able to play with them. I think that in the future I want to stay with the whole amp modeling technology and probably do not wish to get myself a full amp stack. So what could I buy to be able to play with a band ? I've read of FRFR speaker like the headrush, but from what I've seen it's mixed review: some people swear by it, and for some it's only good to be able to hear yourself ( like to point it towards you). I've also seen the line 6 powercab, but it's a bit expensive.. I've never done any gig, i've never done any research into amp/cab and all that part of guitar playing, as i'm in appartement. I'm very much a noob into it, but I need to buy something fast. All I know is the marshall stack I see on stage lol. Any recommendation ? a speaker that can make myself heard with a band in a room. I play with a distortion and gain, and usually metal if that helps. I'd like to go no more than 600euros ( 700 dollars) if possible. Cheers!!
  5. 1) I've been getting a lot of replies from people who are evidently not understanding the simplicity of my question and in turn makes me wonder if they are actually using the Powercab in the manner that they think they are. I get the more complicated stuff. My question is 'simple': What are people/users (including Hindmarsh and Line 6 instructions) meaning by "normal", "amp in the room", and "air moving" - and why do they all have different settings? I thought the terms meant the same thing. Check out the following Line 6/Hindmarsh vid. If you skip to 2:24 he plainly explains the settings (flat mode and LF Raw) for achieving "traditional guitar speaker" behavior. Then skip to 2:54 and he plainly explains settings (speaker mode) to achieve "traditional amp in the room experience". What's the difference? I thought they were the same thing. 2) On the more technical side - I've been advised differently but I'm pretty sure if I'm using Flat mode/LFRaw (which I 'think' is my personal end goal), I still have to put a cab or IR in the Helix chain or it's going to sound horrible - same as before having the PC+ - right? . https://www.youtube.com/watch?v=K7yIZnYeXmQ
  6. Hello, I have been researching this ad nauseam. At this point it just feels like there is just too much information to come to a conclusion, so I am just gonna ask for some advice. I’m playing a helix HX stomp and my guitar patches use 12 inch speakers with 2x12 IR’s mostly, and a supro 1x15 IR for guitar. I also play bass and I play a 1x15 IR, but guitar is more important than bass for me right now. So I don’t play any amp cabs with 10’s but my understanding is the woofer in a 2 way powered cab is different than the drivers in a guitar amp. So will a 12” PA speaker be any better at reproducing / representing the 12” and 15” guitar speakers in the IR’s I’m using or is the woofer size nearly irrelevant. I like to use different IR’s with different speakers, I’m just looking for something to reproduce the IR’s, I know it won’t be amp in the room and that is fine. So I just need a full range flat uncolored speaker right? I play clean and with low gain but I do some thump for chet atkins merle travis picking. I like the weight of a 10” PA speaker but if a 12” would be better then the extra 10 pounds or so isn’t a big deal. For bass I am considering getting a sub to go with the PA speaker if the PA speaker doesn’t go low enough for bass, but for now I’ll just get the FRFR PA speaker. So do you have any recommendations? The ones I am considering are QSC K10.2 K12.2, they seemed the best with the extra options for bass settings. Also considering the Yamaha DXR10 DXR12 or EV ZLX12P. These are the ones I think will fit my needs. This price range is what I’m looking at and open to other suggestions. Thanks
  7. Hi, I just got the Helix floor unit and I am trying to figure out the best setup. Im using a Roland JC-85 as speaker, connecting the Helix in the effect loop. I want to be able to use the fulll range of possibilities of the Helix with effects and amps (not using the 4 cable method). My question is if I should continue to use the Roland speaker or change this into a FRFR speaker?
  8. Ok, My DT25 head came in today.., The cab gets here next week Have any of you swapped out the FR style Celestion in one for a V30 or Greenback to give it a true classic tone?
  9. Hi! What speaker would you recommend for an hx stomp user playing at home? The alternatives that fit my budget are a Headrush Frfr 108 or one single JBL 308P. I aim at putting either of those on a desk about 10-15 cm from a wall. Which alternative is best? Are there other options to consider?
  10. Ok, My DT25 head came in today.., The cab gets here next week Have any of you swapped out the FR style Celestion in one for a V30 or Greenback to give it a true classic tone?
  11. Ok, My DT25 head came in today.., The cab gets here next week Have any of you swapped out the FR style Celestion in one for a V30 or Greenback to give it a true classic tone?
  12. Hi guys, so few months ago I bought the Stomp, but I was already spending a bit more (I'm a student) than I initially wanted to (now I know that it was definitely worth it) so I decided that I would use it with my ATH-MSR7 headphones until I'd find a better solution. I was pretty satisfied with using it through headphones (that was before trying it with the JBL, the headphones sound good but I think they are somehow coloring the sound more and make it more muddy, basy and less clear, even tho the headphones are not basy and pretty detailed when I'm listening to music through my PC) but I'm not a big fan of wearing headphones when playing so I decided to try something that was laying next to me: the JBL Clip 2 bluetooth speaker. The speaker has jack input so I connected it the same way I connect my headphones and honestly I was pretty blown away with the sound. It sounded very good to me even better than the headphones. I could hear more of the nuances of each amp model and overdrive pedal. I am happy with the sound but I'm wondering how much can it be improved by using proper studio monitor or FRFR speaker? I never had a chance to test it out with any of those. I only tested it in the store through plugging it straight into front of one of the amps there and through my headphones I brought. The only other amp I've played my guitar through is super cheap borrowed CRATE amp which sounds really bad so I have no tube amp reference. If some of you guys have this speaker I would love to hear from you how you like it and how it compares to a proper solution. In the current situation I can't go to store and try it out with a proper FRFR speaker or studio monitor so I'm wandering how big of an improvement would using one bring (over the JBL). I currently only practice at home so lower volume is not a problem. I'm currently thinking about saving up for one good studio monitor (for example Adam A7X caught my interest, even tho it's really expensive). I would rather spend more and get a good product than save some money in short term and spend more in the long run. So do you think that using one studio monitor is a good idea or do you think I should look into something else or maybe buy two (honestly the price of two A7Xs seems kind of unrealistic to me). I have a lot of time to do online research but I'm kind of overwhelmed by all the studio monitor and FRFR options and I'm not sure about the whole one studio monitor thing. Hope my questions are at least somewhat clear. Thanks for your replies!
  13. I’m looking for some advice for my set-up. I’m playing mostly at home now, with an occasional jam out with friends. I purchased a Helix LT a few weeks ago and love it; past the honeymoon phase. Currently, my set-up is going through the effects loop of my Mesa Mark V:25, so using the power amp only, into a 2x12 closed back cab with V30s. It sounds great! However, the Mesa is a pretty expensive as just power amp... So I’m looking at two options. 1) Helix straight into a JBL PRX812 (or other brand/model suggestions?) and sell the Mesa and cab. Or 2) Helix into a separate power amp (brand/model suggestions?) into my current 2x12 cab. There’s really no way to test either of these optional methods without major time and expense, so I’m hoping someone here may have experience comparing these set ups and be able to offer some sage advice. Thanks in advance for your input!
  14. I’m looking to pair a powered speaker with my Helix. I currently play through a Blackstar Ht Club 40 and it performs very well for me. I’m trying to leave potential technical issues in the dust as much as possible. Applications will be Rehearsals and live playing. Ranges of music are between progressive dashes of jazz/rock/metal. I’m playing a Reverend Descent Baritone :)
  15. Dear all, I recently got my hands on a Flextone 212s cabinet. However just one of the two speakers was operational. I found out that the wiring for one of the speakers was loose when unscrewing the small back plate for the speaker cable inputs and looking through the opening. I managed to get my hand (I have fairly small hands) into the opening and plugged the wiring back on the speaker. The speaker is working fine now, still since the cables are just plugged into the speakers and not soldered, I am afraid that this could happen again. Therefore I would like to open the front of the cabinet to unbuild the speakers and solder the cable connection properly. How do I open the front however? I found no screws or any indication on where to open the front grill/cloth of the cabinet. I do not want to destroy the cabinet, so I am curious how to do this? Thanks for any advice! Cheers, Alex
  16. Hi. First of all, sorry for possible bad english. I am about to buy helix along with some kind of speakers. I know that there are tons of topis related to speakers to use with helix but most of them are old and dont answer my specific doubt (actually most dont aproach dialing tones with recording in mind). My band have a pair of JBL EON615. I guess they might be good to dial tones to use live(most places i play already have a PA system with floor monitors) but i am not sure if tones to use live will translate well to record. For recording purposes i guess studio monitors with speakers of 5'',6'',7'' or 8'' are better suited.. am i right? if so, Could you give me some recommendations of something around $400? And the other way around would work well? i mean... tones dialed to record could be used live with good fidelity? It seens way to much effort in having to dial each patch twice. One for live use and other for recording. Finally..... Am i just thinking to much? i could just dial tones in the JBL and then record with them and the results would be good? Thank you in advance for the help
  17. Hi, I was wondering if Helix offers a way to have a cabinet emulation but without any microphone coloration added to it? I am running a frfr scenario and the sound I get is much like what I would get from a monitor as it is "micked" (microphone algorythm in helix's cab block). The problem is that I wan't to be able to put a microphone in front of my frfr speaker in order to send this signal to FOH. I wanna do so because I mainly play small venues as opening act and most often, old school soundmen don't like this "d.i." thing. The problem is if i get a microphone to pick up a sound that is already sort of micked, then the actual mic coloration will add up to the simulated one and enhance some frequencies in an unpleasant way (high mids). Basically, I want my frfr to sound more like a real amp rather than like a micked amp through a monitor. I know I can bypass the cabinet block altogether but then I only have the preamp through the frfr and it sound's like s*** also, would the line 6 powercab remedy this situation? Thank you guys!
  18. I'm about to pick up a Spider V 240HC on craigslist for cheap, and probably pair it with my spider valve cabinet (v30's). I understand the spider cabs have brighter speakers than the v30s in general. Some rumors are that they use G12P-80's (which seem to also be called Seventy-80s?), and there are some comparison videos on YT of the two. They're much brighter overall. Does anyone know what speakers are really in the Spider V's? Does anyone know if the spider is compensating for the speaker frequency response of their expected speakers, to try to make it "flat"? I'm curious how full range this will really be using the head with the V30 cab vs the regular V cab. I'm also considering picking up a Seismic Audio empty 212 cab or something, and putting in the same speakers - so I can have a smaller rig when I want. It's too bad L6 doesn't have a 212 extension cab for this. Maybe down the road.
  19. Hello All, New to Helix so I apologize if this is already covered. I am purchasing a Helix floor by weeks end and just wanted to know best speaker option. I was going to run through my Fender Hot Rod Deluxe but is there a better option. Am I better with a powered speaker and if so could you please give me a few good choices. My playing is only is only for home and no gigging if that matters. Setup can get expensive just trying to get it right the first time. Thanks in advance for your help.
  20. Hello! I recently bought a Line 6 Helix, and am absolutely in love with it. There is way more that I want to do with it, including getting myself more pedals to go with it outside of it's preset tones and effects. I also have a Spider Valve MKII That I've used in the past (and love it almost as much as the Helix) and was wondering If it would be okay to use the effects return part of the amp to use as a practice speaker since I do not have the finances to go and just buy a speaker at the moment. I know that it isn't ideal since the Helix works best with an FRFR Speaker cab. It's got the Celestion Vintage 30s in it. Anyone think that it would color the sound too much from what it would sound like in a FOH situation? I play for a church and my tones are pretty much perfect for what I want there. I haven't tried this yet since I'm typing this up on my lunch break at work. Anyways thanks all who reply to this!
  21. Line6Tony

    Powercab FAQ

    LINE 6 POWERCAB 112 / POWERCAB 112 PLUS So are these the Helix FRFR speakers we’ve been requesting for, like, years? Nope—Powercab is waaay beyond your bog standard FRFR speaker. When paired with any modeler, it’s an active speaker system that can deliver a much more authentic “amp-in-the-room” playing experience. However, when set to Flat mode (and whether you load IRs into Powercab or your modeler), Powercab amplifies the sound of your presets as they are, similar to a traditional FRFR speaker system—but with the response and feel closer to that of an actual guitar amp. Powercab works as both a backline amp and a wedge speaker, thanks to its integrated kickstands. Oh, and it looks like a guitar amp instead of a PA speaker. So that’s cool. What’s going on under the hood? Powercab doesn’t utilize cab modeling; it has true speaker modeling. Speaker Modeling is Line 6’s proprietary method of duplicating the frequency and behavior of speaker drivers by themselves, independently of the cabinets in which they happen to be loaded. Imagine having an empty 1x12 speaker cabinet where you can swap out the Greenback for a Creamback or a Swamp Thang or an Alnico Blue—instantly—and you’re close. I don’t own Helix. Will Powercab work with my Kemper, Atomic, or Fractal box? Absolutely! And any other modeler as well, including POD HD500X. In fact, if your modeler has a 48kHz AES/EBU out (or S/PDIF out with RCA-to-XLR M adapter), with Powercab 112 Plus you can run everything digitally, with no additional D/A/D conversion or latency. And if your modeler sends MIDI messages, you can even sync Powercab 112 Plus’s presets and user IRs with your modeler or profiler’s presets. Which six speakers are the models based on? Celestion® Vintage 30 Celestion® Greenback 25 Celestion® G12M-65 Jensen® P12Q Eminence® Swamp Thang Patriot Series Celestion® “Blue Bell” Alnico What’s the difference between Powercab 112 and Powercab 112 Plus? Powercab 112 Plus adds the following: 2-inch, 128 x 32-pixel LCD display 128 user preset locations 128 user IR locations MIDI In and Out for recalling presets, IRs, and most parameters (can also be recalled via USB) AES/EBU | L6 LINKTM digital In and Out Additional input for use as an FOH monitor (post-DSP) Powercab Edit connectivity USB audio interface for jamming along with or monitoring backing tracks from your Mac/PC/iOS* device User-selectable mic modeling and distance on the XLR output (Powercab 112’s output uses an SM58 model only) Powercab 112 Plus is about 2 lb (1 kg) heavier *iOS interfacing requires the Apple Camera Connection Kit How loud do they get? 250 watts total. That's 200 watts to the woofer and 50 watts to the compression driver. Wait. 250 watts doesn’t sound like much. Aren’t there other speakers that are thousands of watts? 250 real watts, not marketing watts. The operative spec here is SPL (Sound Pressure Level). Powercab reaches 125dB SPL handily. You should have no problems playing next to the drummer. What’s the reference speaker used? Powercab features a custom designed 8Ω, 12" coaxial speaker that uses a guitar-style cone as opposed to a PA-style cone with a 2” high-temperature voice coil loosely based on the Eminence Beta 12CX format. The 1” compression driver is a Celestion CDX 1-1010, which is used only for Flat mode, monitor feeds, and user IR modes; it’s not utilized at all for speaker models. How do I load IRs into Powercab 112 Plus? From the free Powercab Edit software (Mac/PC) via USB. So I can edit presets via Mac or PC? Yes. Powercab Edit (Mac/PC, available this May from http://line6.com/software/) is used to manage, reorder, backup, import, and export your Powercab 112 Plus presets and IR files (2048-point, 48 kHz .WAV). This allows you to easily create an unlimited collection of presets and IRs stored on your computer, and transfer them as needed to Powercab 112 Plus. Can I get a cover for Powercab? Yes, Powercab covers will be available from select retailers and the Line 6 Store; expected US street price is $69.99. Dimensions/weight? Am I gonna break my back? Powercab 112—22.3”w x 18.2”h x 12”d (33.25 lbs), Powercab 112 Plus—22.3”w x 18.2”h x 12”d (35.5 lbs) What’s the price? Powercab 112—$599.99 US street, Powercab 112 Plus—$799.99 US street When are they shipping? May 2018.
  22. Note: The Spider III was released in 2006 and discontinued in 2010. The Spider III is now listed as a Legacy Product. Q: How are the Artist preset banks categorization and alphabetized? A:When looking at the list of the banks in the unit, the banks seem to be broken into four different sections: 1. Albert Lee - Julien K 2. Ash - Volto 3. The Accident Experiment - Thursday 4. Songs 50's - Misc. Fun Each of the first 3 sections (artist banks) is alphabetized. Is there a reason all the artist presets overall aren't alphabetized? The artist banks are categorized by Clean, Dirty and Heavy: 1. Albert Lee - Julien K: Cleaner patches 2. Ash - Volto: Midgainy patches 3. The Accident Experiment - Thursday: Heavily overdriven patches Q: How do I perform a factory reset on my Spider III? Line 6 Device Factory Reset Procedures Q: How do I use the compare mode (to find where the knobs were originally set)? A: Press and hold the Tap button, then turn the Amp Models knob. This activates Spider III's "Compare mode". Now turn any knob other than Amp Model and Master Volume, and the channel lights will tell you whether you need to turn that knob up (Channel A lights) or down (Channel D lights) to match the stored setting. The Channel B & C lights will be lit at the same time once the knob position matches the stored setting exactly. Q: How do I connect the Spider III HD 150 to the Spider Cabinet? A: The Spider III HD 150 is designed to see a load on *both * speaker outputs by connecting the left and the right inputs to the Spider cabinet with speaker cables. Running the Spider III HD 150 into a 4 ohm load may result in damage to the amplifier. Please see the following link for more information: Cabinet Connection and Ohm F.A.Q. Q: Can I use two Spider III cabinets with the Spider III HD 150? A:The Spider III HD 150 was designed to power a single Spider III Stereo Cabinet with a stereo 8 ohm load. Using two Spider III cabs would require a modification to each cab so that they are each rewired to produce a 8 ohm mono load. This modification would preferably be done by an authorized Line 6 service center, which can be located from the Service Center link on the Support page. Q: How do I connect external speakers to my Spider III 150 amplifier? A: You will need to disconnect the internal speakers (covering the dry-solder clips with electrical tape) and connect both external speaker outputs to an 8 ohm (or higher) load. Do not connect just one side, as this may cause a power amp failure. Powering the internal speakers along with a external speakers may cause a power amp failure and is not supported. Q: What type of speaker is used on the Spider III combo series? Spider III 15: Custom 15 (4 ohm) Spider III 30: Celestion G12E50 (4 ohm) Spider III 75/150: Celestion G12P80 (8 ohm) Spider III 120:(2) Celestion G10P80 (8 ohm)
  23. Hi guys! I have the possibility to buy only one of these two speakers: RCF art310 or Electrovoice ZLX 12p. What do you recomend me? Could someone compare them? Sorry my bad english!
  24. Hi Line 6 community, I have a ev elx 12 powered speaker that I use with my helix. I also have a vintage ev 12L speaker sitting around and am thinking about switching the stock speaker out for the 12L. I know it's a lot heavier and fuller sounding speaker with a very flat response. Question is, will this work, are they compatible? Or would this be a waste? Any thoughts or experience would be very helpful. Thanks! Justin Ps-this is my first post here
  25. Hey, i have a little problem and i hope someone can help me. A long time ago I bought a Line6 4x12 cabinet on ebay. I had no idea what I was buying and what specifications it had. I just wanted to play with my Spider II 150HD. Luckily everything worked and didn't blow up and I had a lot of fun. But now it is time to sell the cabinet, because I have no space for it. But since I don't know anything about it on the tech side I can't estimate the value nor promote it appropriately. A already asked the guys in a big musicians' store without success and I can't register the product, because the serial number [(21)CABA5307000376] seemes to be useless for that. I attached some pictures. If someone could help me I would be very happy.
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