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Found 95 results

  1. I bought my Spider V back in April and had nothing but trouble with it since. I have kept it up to date with the latest updates which cured my first problem with cabinet modelling switch. But now i am having more problems. -The built in effects for the reverb channel which intermittently cuts out on certain effects. -The sound, in that sometimes there is no sound coming out from the amp at all, both with the built in speakers (except drums/metronome), my cab, and my other guitarists cab. We spent 20-30 minutes last band practice trying to figure out what was causing the problem only for it to start randomly start working again how it was previously set up. This has happened twice now. -And the lack of power! It's 240watts, it should be enough to crumble the surrounding walls and cause all my band members hearing issues, yet my other guitarists 50watt Randall turned quarter way up sounds louder then the Spider V all the way up. Is anyone else having these problems and feel like they made a big mistake going for the Spider V?
  2. Hi guys, newbie here. This morning I went to set it up and I only get sound while the pedal is in bypass mode. If I engage an effect then I get silence. Has anyone else had this issue? How solve this problem? Help 58356942212__BF6A224D-D56D-449C-8961-59B39F83BFE5.MOV
  3. Hi I ask myself what would be better for me, a new Powercab or my good old stagesource l3t. I am using HELIX. Is there someone who has already compared? Profett
  4. Francais Deutsch Once you have installed Line 6 Monkey and the applicable drivers for your Line 6 device, you will be able to assign your USB capable device as the sound card for your computer. See the following instructions for assigning your Line 6 device as a sound card for your Mac computer: Select the "Apple dropdown" menu, then select "System Preferences" Select "Sound" in the Hardware section Select "Input", then select your Line 6 device in the Sound Playback dropdown menu (This example uses the Guitarport). Select "Output", then select your Line 6 device in the Sound Playback dropdown menu (This example uses the Guitarport). Close the window. Be sure that your speakers and/or headphones are connected to your Line 6 device (rather than the computer's sound card). Ein Line 6 Gerät als Sound Karte für Ihren Mac Computer zuweisen Nachdem Sie Line 6 Monkey und alle nötigen Treiber für Ihr Line 6 Gerät installiert haben können Sie ein USB-Gerät von Line 6 als Sound Karte für Ihren Computer zuweisen. Wenn Sie Probleme bei der Installation von Monkey oder den Treibern haben besuchen Sie bitte folgende Webseiten: Line 6 Monkey: Installation und F.A.Q. Installation von Treibern für Ihr Line 6 Gerät Folgen Sie den anschließenden Anweisungen um Ihr Line 6 Gerät als Sound Karte zuzuweisen: Im Apple Menu, klicken Sie "Systemeinstellungen". Wählen Sie dann "Ton" in der Kategorie "Hardware" aus. Klicken Sie oben "Eingabe" an und wählen Sie dann das Line 6 Gerät aus der Liste. Wir benutzen für unser Beispiel GuitarPort. Klicken Sie dann oben auf "Ausgabe" und wählen Sie wieder das Line 6 Gerät aus. Wir benutzen für unser Beispiel GuitarPort. Schließen Sie das Fenster. Verbinden Sie nun Ihre Lautsprecher und/oder Kopfhörer mit dem Line 6 Gerät anstelle der sirekten Verbindung an Ihren Computer. Assigner un appareil Line 6 comme carte de son de votre ordinateur Mac Si vous avez installé Line 6 Monkey et les pilotes pour votre appareil, vous pouvez assigner votre appareil USB comme carte de son pour votre ordinateur. Si vous avez des problèmes d'installation de Line 6 Monkey ou des pilotes, visitez ces sites: Installation et F.A.Q.: Line 6 Monkey Installation des pilotes pour l'appareil Line 6 Suivez les instructions suivantes pour assigner l'appareil Line 6 come carte de son: Cliquez "Préférences Système…" dans le menu Apple. Cliquez l'icône "Son" dans la catégorie "Matériel". Sélectez "Entrée" et choisissez l'appareil Line 6. Nous utilisons "GuitarPort" pour cet exemple. Sélectez "Sortie" et choisissez l'appareil Line 6. Nous utilisons "GuitarPort" pour cet exemple. Fermez la fenêtre. Assurez-vous que vos haut-parleurs et/ou écouteurs sont connectés à l'appareil Line 6.
  5. Hello Hello; Okay; I wrote music for my 1st album; the guitar sounds were dialled in by a producer in a studio. the album is finished. I m trying to recreate the sound with the helix lt for my I've setup. I spend some time with the helix; i love it; but i don t get it to sound right. I m posting 2 small sound files of the rhythm guitar sound, which i want to recreate; it s basically verse and chorus. The guitar tuning is weird. E , A and D strings (the deep ones) are tuned down 3 half steps - the chords are then all standard power chords played on these 3 strings starting on the 8 th fret and descending down. If anyone wants to give it a try, i d be super thankful. Hope this fits in this forum here. Thaaaaank you so much guitar_chorus_1.mp3 (the rhythm part, not the strumed chords) guitar_verse_1.mp3
  6. I'm looking at buying a Firehawk FX. However, I'd really like to be able to use some patches that were made for the Pod HD500x. Is this possible? If not this is going to make my decision between the Firehawk and Pod very difficult.
  7. Hi all, hope you're well. I'm hoping someone will be able to help me please. I'm having difficulties setting up a NT1-A condenser mic through a UX1. I've read through several old posts on this forum but can't seem to find the answer I need. The issue is the volume level from the mic; it's barely audible. The NT1-A is plugged in to the input channel of a Neewer 48V phantom power supply (power into mains), with the output going into the mic input of the UX1. The UX1 is plugged in via USB with the output settings set to 'built-in output' via Garageband on a MacBook Pro, coming through to my headphones. I've cranked the mic gain on the UX1 up to max, pushed the track volume up to max in Garageband and 'Mic 1' input is selected on the mixer in Podfarm. I can mostly hear a quiet, soft hissing noise (presumably the high gain setting) but when I go to record I can hear my voice quietly underneath, so seemingly the mic is on and registering. I've tried clicking the +18db boost on the input channels in the mixer in pod farm, which increase the volume of the hissing and makes things a little louder but something's clearly wrong. I've been recording guitar using Podfarm without trouble, so presumably I'm missing something as I believe other people have managed to get condensers with phantom power working fine? I'd appreciate any suggestions as to how I can fix this,, thank you!
  8. Francais. Deutsch. If you are having trouble with your Line 6 amplifier, please check the following points before taking your amplifier to your local Authorized Service Center: Q: I am noticing that I am getting volume/tone changes when playing at a high volume? A: Try "parking" the knobs (except master volume) at 100% to ensure that the knobs are not moving to the "current" location rather than the preset location. Recall a preset once the knobs are parked to ensure the tone you are working with is a preset rather than the current knob position. Q: My master volume has almost no change past 6? A: This is due to the volume pot installed on all Line 6 amplifiers. A solution to this would be to replace it with an "audio" pot, but this modification wouldn't make it louder - just smoother. Line 6 originally installed audio pots on the AXSYS, but players didn't like them because they made the amp feel "wimpy". Players also did not like the fact that they had to turn the amp up to about 4-5 before it would start "happening" and 7-8 on the gig. Even though there was still a good amount of headroom, player feedback was that they preferred the amplifier with the traditional volume pot, so that is the style used with Line 6 amplifiers. - Perform a factory reset of the unit: Factory Reset Procedures Volume and Signal Troubleshooting - turn off other volume controls not being used (i.e. volume trim pots) - Ensure there is no debris in the CAT-5 or input jacks. - Unplug all other units from the audio chain, as well as any CAT-5 cables and controllers. - Use a high-quality cable you know is functional (i.e. works in a different application) directly into the instrument input, bypassing all other effect units. - Ensure that the guitar/bass is outputting signal. Try the amplifier with another instrument you know is functional (if possible).Make sure all the input and output jacks are tight. Check the instrument with different pickup settings to make sure it is not a bad pickup connection. - Ensure that both the positive (white) and negative (black or red) wires are fully connected to the speaker, and that the speaker output from the amplifier is plugged into the correct jack (when applicable). - Check the effects loop (if the amp has one). If you're not getting any signal, try plugging into the RETURN side of the loop to see if there is any output. Likewise, with a source feeding the input, plug the SEND into another line level device to see if you're getting signal. Tone and Rattle Troubleshooting - Check the make sure all buttons on the unit are not stuck - Be sure that all screws on the unit (handle, corners, baffle boards, speakers) are snug. - Ensure that there are no foreign objects (i.e. silicon packs) stuck in the speaker enclosures Q: Are the tone controls on the on a Line 6 amplifier passive or active, and where is the "flat" level? A: Each amp model is different, and the controls behaves like the target amp. Most tube amplifiers will have a passive tone stack with makeup gain. Line 6 tone stacks are designed to behave just like the modeled amp (both the good and the not so good). Some amplifier tone stacks are the closest to flat when set B-0, M-10, T-0, but it is different for each model. Power Troubleshooting - Ensure that there is sufficient power coming from the power outlet into the amplifier. Try a different circuit to ensure there is not a power issue at the outlet. - Make sure that the both ends of the power cable are snug in their sockets. Tube Amplifiers Troubleshooting - Make sure the tube is firmly seated in the tube socket. - If the tube(s) make a popping sound accompanied by intermittent light from tubes, the tube is failing and needs to be replaced. - If there is "white frost" inside the tube, the tube has cracked and it must be replaced. - If there is a "tube" ringing (not due to loose screws), there may be a failing tube. Replace the 12AX7s individually and the matched 6L6 pairs to determine if a tube has failed. Replacing Tubes - Always replace power amp tubes with matched set(s) every 12-24 months depending on the amount of use, and have the bias checked and/or adjusted by an authorized Line 6 Service Center. - Preamp tubes (such as the two 12AX7s) only need to be replaced when they are microphonic (ringing sound from tubes when tapped), noisy, or damaged. Replacing tubes should be done a Line 6 authorized service center. The digital stage and analog tube stages communicate with one another, and so are not like the all analog tube (valve) amps from the 1960's and 70's. As a result, one cannot swap tubes out like in the old days. So please use the following specified tubes (valves) when the amp is taken to a service center. For Spider Valve series amps use the following specified tubes, 12AX7B China for pre-amps. 5881WXT Sovtek (matched pair), with the base cup bottom. 5881WXT Sovtek (matched quartet), with the base cup bottom for the HD-100 and HD100 MkII. For the Alchemist series amps use the following specified tubes, 12AX7EH Electro-Harmonix low microphonic for V1-3 pre-amp positions. 12AX7AC5HG Ruby Tube HG-High Gain for V4. 12AX7B China for V5. 6L6GCMSTR Ruby Tube (matched pair) power amp. For the DT50 series amps use the following specified tubes, 12AX7EH Electro-Harmonix approved for the DT50 pre-amps. EL34EH Electro-Harmonix (matched pairs) for the power amps. For the DT25 series amps use the following specified tubes, 12AX7EH Electro-Harmonix approved for the DT25 pre-amps. EL84EH Electro-Harmonix (matched pairs) for the power amps. Visit your local Line 6 Service Center for servicing a tube amp, as these have High Voltage Shock Hazards. Product Repair Si vous avez des problèmes avec un des amplis Line 6, vérifiez les points suivants avant de retourner l’ampli. J’ai des changements de son si je joue à un volume très fort. Pourquoi ? Laissez tous les boutons sur 100% excepte le Master Volume pour assurer que le bouton ne tourne pas à la position courante mais à la position du preset. Démarrez un preset pour assurer le ton est le propre. Presque rien ne se passe si je tourne le Master Volume passe 6, pourquoi ? C’est à cause du potentiomètre installé dans les amplis Line 6. On pouvait installer un potentiomètre audio qui ne changerait pas le volume. Line 6 a essayé d’installer des potentiomètres audio mais les joueurs ne l’ont pas aimé. Dépannage de volume et signal : Éteignez les autres contrôles volumes comme les potentiomètres Volume Trim. Assurez qu’il n’y en a pas du débris dans les jacks CAT-5 ou entrée. Débranchez tous les autres appareils de la chaine audio aussi bien que tous les câbles CAT-5. Utilisez un câble que vous savez qu’il fonctionne directement dans l’entrée, contournant les effets. Assurez-vous que la guitare ou basse produit un signal. Essayez un autre instrument que vous savez fonctionne. Vérifiez tous les jacks d’entrée et sortie. Essayez l’instrument avec autres micros pour vérifier que ce n’est pas un micro défectueux. Vérifiez les câbles blanc et noir ou rouges connectés au haut-parleur. Vérifiez la sortie du haut-parleur du ampli est branché correctement. Vérifiez la boucle d’effets, si vous ne recevez aucun signal, branchez le dans le RETURN. Avec une source dans l’entrée, branchez le SEND dans le Line In d’un autre appareil pour vérifier le signal. Dépannage hochet et ton : Vérifiez si un des boutons et collé. Toutes les vis doivent être serrées. Assurez vous qu’il n y en a aucun objet étranger dans haut-parleurs. Est-ce que les contrôles sur l’ampli Line 6 sont passifs ou actives ? Et ou est le niveau « flat » ? Tous les modèles sont différents et les contrôles changent pour chaque modèle. La plupart des amplis à tubes sont passives. Le ton des amplis Line 6 sont conçus pour se comporter exactement comme l’ampli modelé. Quelques modèles sont très près de « flat » sur B-01, M-10 et T-0 mais c’est différent pour chaque modèle. Dépannage alimentation: Assurez-vous qu’il y en a assez de courant pour l’ampli. Vérifiez lé prise de courant. Vérifiez le câble et les connecteurs. Dépannage des amplis à lampes : Vérifiez que le tube est bien assis dans la douille. Si le tube fait des sons popping avec de la lumière intermittente. Vous devez remplacer le tube. S’il y en a de gelée blanche dans le tube, vous devez le remplacer. Si le son sonne c’est possible qu’un des tubes est défectueux, remplacez les tubes individuellement. Remplacement des tubes : Remplacez les tubes tous les 12 à 24 mois selon l’usage. Et laissez vérifier/ajuster le Bias d’un centre service Line 6 autorisé. Les tubes de préampli doivent uniquement être changés s’ils sont microphoniques endommagés ou bruyant. Si vous avez des problèmes après toutes ces suggestions, veuillez visiter un centre service Line 6 s.v.p. mais n’oubliez pas la preuve d’achat si vous êtes dans les 12 mois de garantie. Réparation des produits Sollten Sie Probleme mit Ihrem Line 6 Verstärker haben, dann überprüfen Sie bitte erste die Folgenden Punkte bevor Sie sich an ein Line 6 Service Center wenden: Ich kann Ton/Lautstärkeänderungen feststellen wobald ich sehr laut spiele, woher kommen diese? Stellen Sie die Knöpfe, abgesehen vom Master Volume auf 100% um sicherzustellen, dass diese sich nicht zur derzeitigen Position bewegen sondern auf der Position des Presets bleiben. Starten Sie dann ein Preset um zu überprüfen ob der Ton der des Presets und nicht der der derzeitigen Position des Knopfes. Mein Master Volume verändert die Lautstärke beinahe nicht nach 6, warum? Dies liegt am installierten Potentiometer, Line 6 hat in frühen Modellen mal einen Audio Potentiometer ausgetestet aber den Spieler gefiel dieser nicht. Lautstärke und Signalproblembehebung: Schalten Sie andere Lautstärkeregler ab (Trim Pots zum Beispiel). Stellen Sie sicher, dass kein Dreck im CAT-5 Eingang oder anderen Jacks ist. Entfernen Sie alle anderen Geräte und Cat-5 Kabel aus der Kette. Benutzen Sie ein Kabel, von dem Sie wissen dass es funktioniert und schließen Sie es direkt zwiscen Gerät und Instrument, umgehen Sie so alle zusätzlichen Effekte. Stellen Sie sicher, dass Ihr Isntrument ein Signal abgibt. Versuchen Sie falls möglich ein anderes Instrument von dem Sie wissen, dass es funktioniert. Versuchen Sie unterschiedliche Tonabnehmereinstellungen. Stellen Sie sicher, dass das weiße sowie das schwarze bzw. rote Kabel korrekt an den Lautsprecher angeschlossen sind. Überprüfen Sie außerdem den jack des Lautsprechers. Überprüfen Sie den Effects Loop, falls vorhanden. Wenn Sie kein Signal bekommen, dann versuchen Sie diesen in den RETURN zu stecken um zu sehen ob Sie ein Signal bekommen. Genauso sollten Sie auch den SEND in ein anderes LINE IN Gerät stecken. Ton und Rassel Probleme: Überprüfen Sie alle Knöpfe um zu sehen ob einer feststeckt. Überprüfen Sie ob alle Schrauben fest angezogen sind. Stellen Sie sicher, dass keine unerwünschten Objekte im Kautsprecher sind. Ist die Tonsteuerung aktiv oder passiv? Und wo ist die flach Einstellung? Jedes Modell ist unterschiedlich und die Steruerung des Verstärkers verhält sich so wie die des modellierten Verstärkers. Manche Modelle sind sehr flach, wenn sie auf B-01, M-10 und T-01 eingestellt sind, dies trifft aber nicht unbedingt zu da dies auch unterschiedlich ist zwischen den verschiedenen Modellen. Röhrenverstärker Problemlösung: Stellen Sie sicher, dass die Röhren fest im Sockel sitzen. Sollten die Röhren ein Poppen machen und dazu unterbrochen leuchten, dann ist diese kaputt und muss ersetzt werden. Falls weißer Frost in der Röhre ist, dann hat diese en Loch und muss ebenfalls ersetzt werden. Sollte ein Röhre klingeln, könnte es sich auch um eine kaputte Röhre handeln. Ersetzen Sie dann die Röhren einzeln um festzustellen, welche kaputt ist. Röhren ersetzen: Lassen Sie Röhren immer mit passenden Sets alle 12 bis 24 Monate je nach Nutzung ersetzen und lassen Sie den Bias von einem autorisierten Line 6 Service Center überprüfen bzw. anpassen. Vorverstärker Röhren brauchen erst dann ersetzt zu wernden, wenn sie mikrofonisch oder rauschend klingen bzw. beschädigt sind. Sollten Sie dann immernoch Probleme mit dem Verstärker haben besuchen Sie bitte ein Line 6 Service Center. Vergessen Sie aber nicht den Kaufbeleg falls Sie sich noch in den 12 Monaten der Garantie befinden. Produktreparatur
  9. Hi. I found some issues in my Line 6 Spider 240HC amp that probably have other discussions opened, but i decided to record them. https://youtu.be/67unAeUulCA In the first one, the display flashes when it's turned off. https://youtu.be/477VH-TT4W8 That sound happens when i turn off the amp. That happens sometimes using different IEC cables. https://youtu.be/Fy6RwlY-xHk This problem started when i changed my IEC cable too. Sorry for the sound quality, there is a clicking sound when i activate the reverb. I though the it could be caused by the cable, but they are universal and i guess that it could be produced by digital issues. I really like this amp but it's difficult to play a gig calmed with that kind of problems. Is anyone having these problems? Sorry for my english.
  10. I was recording on my Pod hd pro x yesterday on my guitar(as i have countless of time before). Suddenly today it stops working. The device turns on and I can hear sound from my computer, but it won't get any signal from my guitar. Not even the tuner. I checked my guitar and the wires. I have no idea what happened or changed. I would really appreciate some direction.
  11. If you're having charging issues, please make sure you seat the transmitter completely into the receiver, otherwise the transmitter will not charge. For more details, see this article: Relay G10 FAQ We have designed the G10 transmitter to fit into almost any guitar. However, we anticipate that there will be some rare cases where the transmitter does not fit into a given guitar. If the G10 transmitter is inserted into your guitar and the transmitter's actuator pin is not engaged, the transmitter will not turn on, and the LED on the transmitter will not light up. In some rare cases, the guitar’s active electronics are wired with inverse polarity. In this scenario, the transmitter's electronics can go into a protection mode that keeps the system from being functional. This is evidenced by no output from the G10, even though the transmitter's light is on. We have found that a workaround to both of these issues is to use a mono-to-mono (TS-TS) Male to Female adaptor. More details and a troubleshooting procedure can be found at http://line6.com/support/page/kb/_/live-sound/relay-digital-wireless/relay-g10-guitar-compatibility-fitelectronics-r817. If these issues affect you, we encourage you to post the following information so that we can better understand the scope of the issue and the effectiveness of the solution: Guitar manufacturer Guitar model Does it fit and turn on? Do you hear audio? Does the adaptor solution resolve the issue?
  12. Hello All My questions are around 'how do you use stereo paths, effects and routing? Q) Do you use 'stereo' distortion in front of an AMP? If I use a dual path with two amps and a stereo Distortion in front of the two amps and I pan A/B is this really creating a stereo path? Q) Do you use a split path with effect in parallel or series? Q) Have you noticed that the smart harmony block, in stereo if its in front of a dual path does NOT split the harmony out to discrete stereo? Q) Do you notice anything interesting about stereo block effects before amp paths?
  13. Hi All, sure you have discusse dthis before but.. Do you use EQ globally or as a block or not at all? The reason I ask this is when i hear guitar players not using Line 6 Helix they seem to have a more mid range sound and when I hear Helix (most of the time) its like the sound of it has a EQ curse that ..well is lacking that mid range. So if you see that too do you add a global EQ or EQ in line in a block? Its kinda like when you add a good IR thats been properly mic in the studio with EQ. https://hearthis.at/joejeffries/sumo-2018-3-16/ (latest recording) our post process deals with this but i want to have a more pleasing sound during our session Someone described it as a kinda a scooping EQ (describing Line 6 sound by default
  14. Hello All!, first session of 2018! Using Variax and Helix listen to SuMo *(SuperMassiveMomentum) perform live over the internet from California, Colorado and Canada ..all in real time!. SuMo is three veteran musicians playing unscripted improvised progressive music...heavy, grooving, shredding...its all here!. Listen the the master at 96k!. Comments welcome. Tech: I used some of the new reverb's in this recording (spotlight my favorite) Follow us on our adventure https://www.facebook.com/SupermassiveMomentum/ https://hearthis.at/joejeffries/sumo-2018-3-16/
  15. Hey, I just bought an epiphone les paul jr, and spider classic 15 amp. 'm looking just to do some covers for fun, but can't seem to get the Blink 182 sound, looking to do a dammit cover. Anyone who knows if getting this sound is possible on this amp? So many presets. Thanks so much!
  16. SkyRoxx

    Normalizing sound

    Hy everybody ! First of all, please forgive my bad english, I'm french :p I just want to know if there's a way to "nomalise" sounds that coming out of the Helix (rack) ... And how to do it ^^ I explain : I have plenty of sounds and personal presets, but I realy have problems to have a "normalised" sound on main mix ... In exemple : A "clean" tone then a "drive" one, how can I have both to the same volume on the PA ?? When I play and ear with a headset, it sounds to be great but when I put it on a PA system, the volume (Db) is very different !!!! It's a tragedy !! :/ Is there any way to have all presets and different tones at the same volume on the PA ? Just like if I "normalise" with a DAW soft. I want to have this when I play live ... Is there a way to do it with the helix ? with an external rack ? witch one ? Thanx in advance for all, and please don't be too technic with the words in your answer ^^ :p SKY.
  17. Hi, Today I got a problem with my Spider Classic 15. I was playing with my cellphone connected to it via jack on the CD-MP3 input. Then a friend tried connecting it to a laptop via the same connector, and the amplifier started hissing heavily. If I touch with my fingers the end of the jack the noise is lower, but its still there. If I do this and at the same time I touch the strings of the guitar it dissapears. If someone is holding the end of the jack while I'm playing it sounds perfect, but I don't know why, and what to do to repair it. Someone has any idea of what happened and what should I do?
  18. Hello, new pod owner here. Upgraded from GT-10 to pod HD500x. I've had my HD for 2 weeks now and have downloaded and constructed a few patches using my headphones. When i play thru my monitors, my patches sound the same regardless of what amp sim I use. The tones sound muddy and thick. (to much bass.) Last night my wife was listening and told me my speakers sound like they have a towel draped over them. I turned the bass down on the unit itself and no change. Turned the tone knob up, no change. All i could do was laugh and make fun of my new piece of expensive gear I begged to purchase. Then I started started twisting the master volume nob clock wise and counter. Back and forth, back and forth increasing and decreasing my patch level. Suddenly the sound woke up no more bass or mud in that particular patch. I haven't tried this technique on any of the other patches yet. What gives? Does anyone else have this problem?
  19. Hello All Sorry to bring this up if its already been discussed in detail. Helix, AXE FX II, do you hear a big difference? The reason i ask this recently I was playing listening to Helix while another person was playing AXE FX II and while both sound great, the AXE FX II seemed to have a sonic quality that I was not hearing in Helix. I thought well maybe its the pre amps I am using (focusrite and prosonos) but still its really on the high end and depth the AXE FX seems to be far more clear over the helix which seemed far more harsh, No I am not using global eq although I tried that too. Helix at its base patches seems thinner...custom patches Helix on its own sounds great until AXE FX playing in the same mix. Dunno, I might be crazy would be interested in your thoughts. NOTE This is not to bash Helix or Line 6, I have been Line 6 customer for many many years
  20. So I've been playing guitar for a few years now, but I never really got around to learning how to make the "perfect" patch or sound for me, and honestly I still get lost when it comes to finding a good sound. I know about this^ website providing patches from other users, but honestly they sound good until you start playing with other instruments. I own a Schecter Blackjack SLS with the Floyd Rose and Sustaniac, with a Seymour Duncan TB-10 Full Shred Humbucker on the Bridge. I play at my church so I would really appreciate if someone could help me out on figuring out a sound that would sound good with this guitar and also sound good live. I will be plugged into the system, not an amp. Next week is my church's anniversary so I want to have a really good sound by then, for those that decide to help me, I am trying to look the basics, a clean patch, rhythm patch, and a solo patch, and for those that have experience with playing at a church, i am not looking for a sound like hillsong, at our church we like to play a little more "rock." Thanks.
  21. Hey everyone, Firstly, thanks for spending some of your time to give me a bit of help. I've recently moved country, and a friend gave me some speakers as a house warming gift. Problem is, they only have a single auxiliary input, and my UX1 has stereo outputs (quarter inch). WIth my previous speakers back in the U.K., it was simple. I had a cable which connected from the stereo 1/4 inch outputs, to stereo RCA, which I just plugged into the speaker set directly. No problems - stereo to stereo. Now I have bought an adapter to mix the stereo 1/4 inch down into a single auxiliary cable. The problem is, I think I am missing audio this way. Namely, when I test the configuration in windows sound (i.e. playback devices > line 6 UX1) and click to test the speakers, it plays the test sound for the left speaker, but not for the right speaker. However, if I take my aux cable, plug it directly into my computers port, and test, it will play the test sound through both speakers. I don't get why mixing down the stereo to an auxiliary with the UX1 causes only one speaker to work, because surely my computer is mixing the stereo into a single auxilary cable, yet it is still coming out of both speakers. Hope this makes sense. Is there any work around? Or does a UX1 just always require you to keep a stereo to stereo configuration? And buy speaker hardware which has a stereo input option? Cheers everyone. :D Joe.
  22. My USB keeps disconecting from my computer. Sound from the computer to Helix goes out from the audio interface. The control panel says "Helix not connected" and I lose control of the Helix from the App, The only fix is to reboot the helix. I have tried 4 different USB cables and 3 different laptops but the problem persists. It seems to be electrical with the Helix. It will sometimes happen just hitting one of the foot switches. Anyone else having this issue? Anyone have a solution?
  23. First of: This may not be the right place to start a discussion about this, but .. – everything found in Spider V cloud is a huge disappointment to me, – Line6 Custom Tone (http://de.line6.com/customtone/) doesn't feature Spider V (because of the cloud I guess) – and the Line6 Tone Templates are may be a good starting point, but stay too vague (for me at least) http://de.line6.com/tone-templates/ – The rest of the web is too confusing to me. That's why I want to ask the Spider V community directly. I am just getting into the sound-analysis-and-recreation-thingy and am really struggling to get the hang of it. In whatever I do, at some point the "Aaaha!" moment hits my forhead and I from then begin to control the matrix. But to get there it seems I need your help in this hobby. –––––––––––––––––––––––– GUITAR My Variax JTV69 is on factory Spank 5 (Neck-Pickup is what he mostly uses? Mixed information aswell here) AMP as suggested here http://de.line6.com/data/6/0a06439c160a957be2b16ef3c6/application/pdf I went with the Brit Plexi 200 here. Problem #1: he uses two amp setups. (Hail Helix, babe!) Problem #2: Tone equalizer isn't present in this PDF. What bass, mids and treble? Presence? Drive? I googled and found the amp-eq here: https://m.bonedo.de/artikel/einzelansicht/sound-alike-2-john-frusciante.html Bass 12'clock Mids 2'a'clock Treble 12 Presence 13 This sounds okay. But still faaar away from his sound. The PDF mentions some effects from the Californication tour. Do they apply to Dani California as well? I don't know! :D Even if; the settings are completely missing here. That's what I got so far; I know that the setup is only 50% of what makes the sound, – but if I want a chance on getting the other 50% even half right, I need more on the other 50% to support me and tickle out the best of my hands. What I now want from you guys: 1) (obviously) insight on what effects, knob positions, postEQ, you use for this song 2) maybe some resources or good starting points to get this AHA moment soon! Please be gentle with me, partypeople :) I'm learning and highly motivated to do it on my own next time! Thank you very much, Louis PS: These are some huuuuge paragraph margins :D
  24. Hi guys since yesterday i am an owner of the Helix after at least a year of studiying the system and its potential. I've seen alot of videos and listen to its sound so many times. I know that the Helix is not the best sounding system out there but got me with its overall package. Yesterday I unboxed the system and pluged it right into my home cinema sound system and into my PC using a Focusrite Scarlett 2i4 interface. But at the moment im a bit disapointed with the sound i get. It seem to sound extremly thin. Not full range or anything just pretty thin although the base and all seem to be outputed. I had the hope that the Helix might get me a valve amp like sound to more full and mid heavy sounding. The Helix out of the box seem to sound pretty high freq. heavy and pretty digital sounding. That is what i heard in a lot of reviews too. But i heard so many guys playing on the Helix and it sounded pretty good and all. Did you guys had to do alot of tweaking and stuff to get this thing to sound actually good ? I know i have to go with IRs to get the most out of the system and hope i get my hands on IRs in the next few days. But maybe you have some usefull tips on setting this bad boy up to sound not too digital. The point that bugs me the most is that almost every Amp und distortion Pedal seem to sound the same with this high gain characteristic. Any advise on tuning the system ? I know from my start with my last multi-effects system that i need some time to get used to the Helix.
  25. I've have this amp only a week and there is no sound coming from it. Tried factory reset already. Anyone run into this problem that was resolvable without having to send it to service center? Any info would be appreciated.
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