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Found 87 results

  1. Hi, I am pretty new on home studio. I have been playing gigs all the time and went to studios to record. Unfortunately I don't have any idea about recording setup. I've got a Line 6 SPider V 240HC and a Mac with Logic Pro, but no audio interface. How can I record guitar track on Logic Pro using my Spider v 240 HC. Thanks
  2. Mattulis

    Spider Jam versions

    Hi, I want to buy a spider jam. I notice that they were released in 2008. Is the current version for sale in shops still that version? or is there such a thing, spider jam 2.0? I have seen some youtube videos with the 2.0. There is one for sale in the local music shop in Kuala Lumpur that is the authorised distributor but I am unable to to determine if it is an old stock original or a newer 2.0 version. If the 2.0 exists, what is the difference to the original? Thanks!
  3. Deutsch Français Q: Where can I find videos on how to use the Spider IV amplifier? Spider IV movies Q: Where can I download the Spider IV Pilot's Guide and Advanced Guide? Spider IV Advanced Guide Spider IV Pilot's Guide Q: What are the presets on my Spider IV amplifier? A: The user presets and artist/song presets for the Spider IV can be seen at Spider IV presets.xlsx. There are the 64 user-programmable presets, over 350 Artist Presets, and over 200 song and effect-based presets. Be aware that the artist, song, and effect based presets cannot be saved in their current location, but you can modify and/or store these setting in one of the 64 user-programmable presets. If you would like to return your unit to the original presets, please perform a factory reset. Q: How are the preset banks categorized? A: The User, Artist, and Song Banks can be navigated by using the left/right buttons on the four-way selector. You can navigate through the banks once you are in the specific area using the up/down buttons on the four-way selector, then once you are in the specific bank you can access the individual presets by turning the presets encoder key. Q: How do I perform a factory Reset on the Spider IV series amplifiers? A: Hold the A button as you power the unit on, then press the presets encoder once. ***NOTE: If an FBV controller is connected to the Spider IV during the Factory Reset, the LCD screen on the FBV will go blank. To return the display, simply press a footswitch on the FBV or disconnect/reconnect the CAT5 cable to the FBV. Q: Where are the "bonus" presets that are not programmed into the amp? Spider IV 75, 120, 150 and HD150 - Song Settings Q: Is there an editor for the Spider IV (75, 120, 150, 150 HD) series amplifier? A: Yes, see the following link for details: Spider IV Edit v1.02 FAQ Q: What are the amp models on the Spider IV 75/120/150/150HD?* Clean Red - Based on the clean channel of the Marshall® JCM 900, the first true modern high gain amp from Marshall. Select Clean Red to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end. Clean Green - We developed this amp model to emulate those late 60s and early 70s clean tones. We modeled a 1973 Hiwatt® custom 100, then extended the tone control range and tightened up the low end for that big, ringing sound. Twang Red - This amp model draws on our analysis of mid 60s Fender® amps, in particular the blackface ’65 Twin Reverb®. We wanted that classic, glassy high end tone, with enough snap and bite for some serious chick’n pick’n. Things don’t get too crunchy until you reach the top range of the Drive knob. Twang Green - There’s nothing like the sound of the classic Fender® blackface Deluxe Reverb®, the Holy Grail for many blues, country and roots rockers. Class A Red - Ready, steady....GO! This amp model is based on a Vox® AC-30 amplifier with an updated and expanded TBX tone control circuit. We wanted to capture that early pop rock tone that many British invasion bands are so well known for. Class A Green - There are some great modern amps out today based on the legendary tones of yesteryear. Here’s our take on the EL84 circuit of a Divided By 13 9/15 Model. Blues Red - This amp model is inspired by that famous vintage tweed sound we all know and love. We evaluated a ’53 Fender® wide panel Deluxe and this is what we came up with. Blues Green - Blues Green is based on a Gretsch® 6156, a 1960 1x10 combo from the days when rock’n’roll took the blues to a new level. Add some reverb and a slap echo and be-bop-alu-la! Crunch Red - This sound was crafted during our studies of the ‘68 Marshall® Plexi 50 Watt, which was used by a number of early metal bands. Hi Gain Red provides a wider range of tone control settings than the original jumpered Marshall®, allowing you to bump up the mids even at the highest Drive settings. Crunch Green - Here’s our inspired interpretation on a 2005 Orange® AD-30TC, a 30 watt, Class A head that oozes pure Brit rock tone, taking 60s crunch to a new level. Hi Gain Red - Plexi On Fire! This amp model is based on a ‘68 Marshall® Plexi 100 watt with a few added extras; the combination of a Variac and the jumpered input channels creates that infamous brown sound that will feel like flames are shooting out the input jack! Hi Gain Green - Hi Gain Green was inspired by the Diezel® Herbert, the 180 watt Ducati of high performance guitar amplifiers, featuring a huge, tight low end. Metal Red - For this amp model we took the classic Mesa/Boogie® Dual Rectifier® and added a few enhancements. The resulting Amp Model has a definite modern flavor. This monster truck of tone delivers a bottom end that’s big, powerful, tight and fast. Use Metal Red to get a punchy, high gain Metal sound. Metal Green - This sound was created to be an aggressive high gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. With the Mid knob is set to minimum, the distortion exhibits Fuzz pedal characteristics. When set to noon, it mimics the creamy modern high gain amp tones. And when turned up to max, it’s reminiscent of that maxed out Class A sound. Of course there are all the places in-between... Insane Red - This model is our “dialed in for shredding� version of the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind. Insane Green - Our goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character. As a result, you get way more bottom end and cabinet character than other small amps. Crank up the Drive control and prepare to dominate! *All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development. HIWATT® is a registered trademark of Fernandes Company, Ltd. FENDER®, TWIN REVERB® and DELUXE REVERB® are registered trademarks of Fender Musical Instruments Corporation. VOX® is a registered trademark of Vox R&D Limited. MARSHALL® is a registered trademark of Marshall Amplification Plc. GRETSCH® is a regustered trademark of Fred W. Gretsch Enterprises, Ltd.ORANGE® is a registered trademark of Orange Personal Communications Services Ltd. MARSHALL® is a registered trademark of Marshall Amplification Plc. MESA/BOOGIE® and RECTIFIER® are registered trademarks of Mesa/Boogie, Ltd. DEIZEL® is a regiustered trademark of Deizel GMBH. Q: What is “Manual Mode�? A: When the Manual button is lit, Spider IV is operating in “Manual Mode�, meaning that all of the controls are active and the sound of the amp is determined by the current knob settings. If you are not in Manual Mode and would like to be, simply press the “manual� button. You can exit manual mode by selecting the “manual� button again, or pressing the buttons for A-D. Q: What are the specifics of the Smart Harmony effect on the Spider IV (75-150) Series? A: The Smart Harmony can be placed “pre� or “post� amp, and can perform diatonic harmony for any root note (A through G#) from a unison (no change) to a ninth interval (up to seven steps) above or below the root note. The scales included in the Smart Harmony include Major, Natural Minor, Pentatonic Major, Pentatonic Minor, Harmonic Minor, Melodic Minor, Whole tone, and Diminished scale. The overall mix of the Smart Harmony effect can be programmed and stored per patch from 0-100%. Q: What are the specifics of the Pitch Glide effect on the Spider IV (75-150) Series? A: The Pitch Glide can be placed “pre� or “post� amp, and the Heel and Toe positions of the FBV can be programmed two octaves above or below the incoming note in ½ steps (semi-tones) increments. Be aware that the number “7� in this situation equals 3.5 steps (because of the half step measurements) rather than an interval of a seventh (5.5 steps) that would be heard when using the Smart Harmony effect. The overall mix of the Pitch Glide effect can be programmed and stored per patch from 0-100%. Q: Where can I learn more about using the Smart Harmony and Pitch Glide features? Q: I already have an original FBV controller, will this work on the Spider IV 75-150 series? A: The FBV (Mk I) controllers will control most of the standard functions on the Spider IV 75-150 series with a few limitations. Here is a breakdown of the limitations: FBV Express 1. The FBV Express (Mk I) cannot punch in and out overdubs. It just starts record once for a single pass. The FBV Express Mk II can control the overdub feature. 2. The FBV Express (Mk I) cannot arm the Quick Loop. The quick loop must be armed by pressing the amp front panel. The FBV Express MkII can arm the Quick Loop by pressing down either the A+B or C+D footswitches. This is what takes you out of Looper mode as well. FBV Shortboard The FBV Shortboard (Mk I) cannot arm the Quick Loop. The quick loop must be armed by pressing the Quick Loop button on the front panel. The FBV Shortboard MkII can arm the Quick Loop by pressing the (new) Function 2 button. Overdubbing works on both original and current Shortboards. All other functions are available on the FBV Mk I pedals as their Mk II counterparts. Due to the new effects layout, the FBV Shortboard FX Loop button will activate the Boost setting in the Spider IV 75-150. On the FBV Shortboard Mk II this button is labeled “Function 1�. Q: What are the specifics on the Looper function of the Spider IV (75-150) Series? A: The Spider IV (75 and above) has a 14 second looper on the amplifier that can be activated by the face of the unit or the FBV Mk II series controllers. See the following video for more looper information: Q: How do I connect the Spider IV 150/HD to the Spider Cabinet? A: The Spider IV 150 and HD is designed to see a load on *both * speaker outputs by connecting the left and the right inputs to the Spider cabinet with speaker cables. Running the Spider IV 150/ HD into a 4 ohm load may result in damage to the amplifier. Please see the following link for more information: Cabinet Connection and Ohm F.A.Q Q: Can I use two Spider cabinets with the Spider Series HD 150? A: The Spider IV 150 and HD were designed to power a single Spider Stereo Cabinet with a stereo 8 ohm load. Using two Spider cabinets would require a modification to each cab so that they are each rewired to produce a 16 ohm mono load. This modification would preferably be done by an authorized Line 6 service center, which can be located from the Service Center link on the Support page. Q: How do I connect external speakers to my Spider IV 150 amplifier? A: Line 6 recommends disconnecting the internal speakers (covering the dry-solder clips with electrical tape) and connecting both external speaker outputs to an 8 ohm (or 16 ohm) load. Do not connect just one side, as this may cause a power amp failure. Powering the internal speakers along with a external speakers may cause a power amp failure and is not supported. Q: What type of speaker is used on the Spider IV series? Spider IV 15: Custom 15 (4 ohm) Spider IV 30: Celestion G12E50 (4 ohm) Spider 1V 75/150: Celestion G12P80 (8 ohm) Spider IV 120: (2) Celestion G10P80 (8 ohm) Q: Where can I get a cover or replacement knobs for my Spider IV amplifier? A: Line 6 Store Wo kann ich Videos zur Nutzung des Spider IV Verstärkers finden? Spider IV movies Wo kann ich Benutzerhandbücher herunterladen? Spider IV Advanced Guide Spider IV Pilot's Guide Welche Presets kann ich auf dem Spider IV finden? All User, Artist und Song Presets können Sie hier finden: Spider IV presets.xlsx Insgesamt sind 64 selbsteinstellbare Presets, über 350 Artistenpresets sowie über 200 Song- und Effektpresets enthalten. Die Artist, Song und Effekt Presets können nur verändert und abgespeichert werden indem Sie sie in eine der 64 User Banken abspeichern und dann von dort aus editieren. Wenn Sie das Gerät zurück auf die Originalpresets zurückstellen wollen, dann müssen Sie das Gerät auf Werkseinstellungen zurücksetzen. Gibt es verschiedene Kategorien für die Presets? Die Presets sind in User, Artist und Song Presets eingeteilt. Nutzen Sie zur Auswahl einfach die rechts-links Pfeiltasten. Sobald Sie dann in einer der Abteilungen sind, können Sie die Bank anhand der rauf-runter Pfeile auswählen und hier können Sie dann die verschiedenen Presets mit dem Preset Knopf ansteuern. Wie kann ich das Gerät auf Werkseinstellungen zurücksetzen? Halten Sie dazu den A Knopf beim Starten des Gerätes gedrückt und drücken Sie den Presets Knopf einmal. Achtung, wenn ein FBV Controller während des Zurücksetzens angeschlossen ist, dann wir der Bildschirm sich leeren. Um wieder ein Bild zu bekommen brauchen Sie nur einen Fußschalter zu drücken oder das CAT5 Kabel neu einzustecken. Wo sind die Bonus Presets, die einprogrammiert sind? Spider IV 75, 120, 150 and HD150 - Song Settings Gibt es einen Editor für die Spider IV 75, 120, 150 und 150HD Verstärker? Ja: Spider IV Edit v1.02 FAQ Welche Verstärkermodelle gibt es auf dem Spider IV? Clean Red: Auf Basis des Clean Kanals eines Marshall® JCM 900, der erste moderne High Gain Verstärker von Marshall. Wählen Sie Clean Red für knackigen, klaren Sound und warme Jazz Töne. Zusätzlich bietet das Modell Viel Bass. Clean Green: Dieses Modell wurde dazu entworfen nach den sauberen 60er und 70er Tönen zu klingen. Wir haben dazu einen Hiwatt® custom 100 als Vorlage verwendet und die Tonreichweite modifiziert für einen tollen klingelnden Sound. Twang Red: Dieses Modell ist das Resultat unserer Analyse von Fender® Verstärkern der 60er Jahre, ganz besonders des 65er Blackface Twin Reverb®. Unser Ziel war ein klassisch glasiger Ton, der aber nicht zu krass nach oben hin klingen soll, wenn man Drive aufdreht. Twang Green: Auf basis des einzigartigen Fender® Blackface Deluxe Reverb®. Class A Red: Auf Basis eines Vox® AC-30 mit modifizierter TBX Kontrolleinheit für tollen englischen Pop Rock Sound. Class A Green: Es gibt viele modern Verstärker, die auf Tönen von alten Verstärkern basieren. Hier ist unser Modell nach einem EL84 Schaltkreis eines Divided By 13 9/15. Blues Red: Auf Basis eines 53er Fender® Deluxe. Blues Green: Auf Basis eines Gretsch® 6156, eine 1x10 Combo von 1960. Crunch Red: Auf Basis eines 68er Marshall® Plexi 50 Watt. Crunch Red hat mehr Ton Kontrolle als der original Marshall Verstärker sodass Sie die Mitten auch bei hohen Drive Einstellungen noch aufdrehen können. Crunch Green: Unsere Interpretation eines 2005er Orange AD-30TC 30Watt. Purer englischer Rock Sound der Klasse A. Hi Gain Red: Auf Basis des 68er Marshall Plexi 100Watt mit ein paar kleineren Extras. Für den berüchtigten „Brown Sound“. Hi Gain Green: Auf Basis eines Diezel® Herbert, ein 180Watt Verstärker mit ungleublicher Performance. Metal Red: Für dieses Modell haben wir den Sound eines Mesa/Boogie® Dual Rectifiers® modelliert und leicht verändert für einen etwas moderneren Ton. Nutzen Sie Metal Red für druckvollen High Gain Sound. Metal Green: Ein aggressives High Gain Modell mit einzigartiger Kontrolle über die Mitten. Auf dem Minimum können Sie Fuzz Karakteristiken erzeugen, auf 12 Uhr bekommen Sie einen modernen High Gain Sound und voll aufgedreht bekommen Sie einen Class A Sound und dann gibt es natürlich noch alles dazwischen. Insane Red: Unsere Shredding Version des roten Kanals eines Mesa/Boogie® Dual Rectifiers®. Eine Kombination von Metal Red mit mehr Mitten. Insane Green: Dieses Modell soll so viel Input Gain wie nur möglich liefern mit extremer Verzerrung. Das Modell behält bei der abgefahrenen Verzerrung aber immernoch die Definition und den Charakter. Mehr Bassbox Karakter als die meisten kleineren Verstärker liefern können. *Alle in diesem Dokument erwähnten Produktnamen sind Marken der jeweiligen Besitzer, welche weder zu Line 6 gehören noch mit Line 6 assoziiert sind. Die vorher genannten Marken werden in diesem Dokument nur zur Identifikation der Produkte verwendet, deren Sounds und Klänge Line 6 studiert hat während des Sounddesigns der verschiedenen genannten Line 6 Modelle. HIWATT® ist ein eingetragenes Warenzeichen von Fernandes Company, Ltd. FENDER® TWIN REVERB® und DELUXE REVERB® sind eingetragene Warenzeichen von Fender Musical Instruments Corporation. VOX® ist ein eingetragenes Warenzeichen von Vox R&D Limited. MARSHALL® ist ein eingetragenes Warenzeichen von Marshall Amplification Plc. GRETSCH® ist ein eingetragenes Warenzeichen von Fred W. Gretsch Enterprises, Ltd. ORANGE® ist ein eingetragenes Warenzeichen von Orange Personal Communication Services, Ltd. MESA/BOOGIE® und RECTIFIER® sind eingetragene Warenzeichen von Mesa/Boogie, Ltf. DIEZEL® ist ein eingetragenes Warenzeichen von DIEZEL GmbH. Was ist der „Manual Mode“? Wenn der Manual Mode Knopf leuchtet, dann ist der Manual Mode eingeschaltet, der Ihnen volle Knotrolle über den Verstärker verleiht. Alle Einstellungen sind also aktiv und der Ton des Verstärkers hängt vollkommen von den Einstellungen der Knöpfe ab. Drücken Sie einfach den „Manual“ Knopf um den Manual Mode ein- und auszuschalten. Was sind die Spezifikationen des Smart Harmony Effektes auf den Spider IV 75-150 Verstärkern? Der Smart Harmony Effekt kann auf Pre oder Post gestellt werden und liefert eine diatonische Harmonie für alle Grundtöne vom Einklang zum neunten Intervall über oder unter der Grundnote. Enthalten sind Major, Naural Major, Pentatonisches Major, Pentatonisches Moll, harmonisches Moll, melodisches Moll, voller Ton sowie eine verminderte Skalierung. Der Mix das Effektes kann von 0 bis 100% eingestellt und einzeln auf Patches abgespeichert werden. Was sind die Spezifikationen des Pitch Glide Effektes auf den Spider IV 75-150 Verstärkern? Der Pitch Glide Effekt kann auf Pre oder Post gestellt werden und die zwei Pedal Stellungen des FBV können auf 2 Oktaven rauf und runter in Halbschritten programmiert werden. 7 bedeutet in diesem Fall also 3,5 Schritte anstelle eines siebtel Intervalls, wie man es sich eigentlich vorstellen könnte. Der Mix das Effektes kann von 0 bis 100% eingestellt und einzeln auf Patches abgespeichert werden. Wo kann ich mehr über Smart Harmony und Pitch Glide lernen? Ich habe bereits einen original MkI FBV Controller, funktioniert dieser mit dem Spider IV 75-150? Die meisten Hauptfunktionen sind auf den MkI Boards belegt mit ein paar wenigen Ausnahmen: FBV Express: Es kann keine Overdubs benutzen, es fängt einfach an aufznehmen. Dieses Problem besteht nicht bei dem MkII. Der Quick Loop funktioniert nur bedingt, Sie müssen Ihn am Frontpanel des Verstärkers starten. Beim MkII kann Quick Loop ganz einfach durch den Druck der Fußschalter A+D oder C+D gestartet werden. FBV Shortboard: Der Quick Loop funktioniert nur bedingt, Sie müssen Ihn am Frontpanel des Verstärkers starten. Beim MkII kann Quick Loop ganz einfach durch den Druck des Function 2 Knopfes gestartet werden. Overdubbing funktionert auf MkI sowie MkII. Alle anderen Funktionen sind auf dem MkI (dem originalen Shortboard) funktionstüchtig. Aufgrund des neuen Layouts jedoch, aktiviert der FX Loop knopf am alten Shortboard die Boost Einstellung und am neuen (MkII) heißt dieser Knopf „Function 1“. Was sind die Spezifikationen der Looper Funktion auf den Spider IV 75-150 Verstärkern? Der Spider IV (75 oder höher) hat eine 14 Sekunden Looper Funktion eingebaut die vorne auf dem Verstärker aktiviert werden kann. Wie kann ich mein Spider IV 150/HD an ein Spider Cab anschließen? Die Spider IV 150 und 150 HD sind dazu entworfen eine Last auf beiden Lautsprecherausgängen zu haben. Schließen Sie also bitte beide Ausgänge an die Box anhand von Lautsprecherkabeln an. Den Verstärker an eine 4 Ohm Last anzuschließen kann den Verstärker beschädigen: Cabinet Connection and Ohm F.A.Q Kann ich zwei Spider Boxen an den Spider 150 HD Verstärker anschließen? Der Verstärker ist dazu entworfen eine einzige Box angeschlossen zu haben mit stereo 8 Ohm Last. Um 2 Boxen anzuschließen, müssten beide Boxen modifiziert werden um 16 Ohm Mono zu erzeugen. Die Modifikation kann bei einem Line 6 Service Center durchgeführt werden. Wie kann ich externe Lautsprecher an den Spider IV 150 anschließen? Wir empfehlen die inneren Lautsprecher vom Verstärker zu trennen und beide externe Lautsprecher Ausgänge an 8 oder 16 Ohm anzuschließen. Aber schließen Sie immer beide Seiten an, nicht nur eine einzelne denn dies kann zu Endstufenproblemen führen. Die internen zusammen mit externen Lautsprechern anzuschließen kann auch zu Fehlern in der Endstufe führen und ist nicht unterstützt. Welche Lautsprecher werden in die Spider Verstärker eingebaut? Spider IV 15: Custom 15 (4Ohm) Spider IV 30: Celestion G12E50 (4Ohm) Spider IV 75/150: Celeston G12P80 (8Ohm) Spider IV120: 2x Celestion G10P80 (8Ohm) Wo kann ich Ersatzteile oder in Schutzhülle für mein Spider IV kaufen? Line 6 Store Ou puis-je trouver des vidéos sur l’utilisation du Spider IV? Spider IV movies (Attention, les vidéos sont en anglais.) Ou puis-je télécharger le mode d’emploi du Spider IV ? Spider IV Advanced Guide Spider IV Pilot's Guide Quels sont les presets sur l’ampli Spider IV? Trouvez tous les presets User et Artist/Song ici : Spider IV presets.xlsx . Le Spider IV a 64 presets User, plus que 350 presets Artiste et 200 presets Song et sur base d’effets. Les presets Artist, Song et sur base d’effets ne peuvent pas être enregistrés dans la position courante mais vous pouvez les modifier ou enregistrer dans une des banques User. Si vous voulez retourner votre appareil à cause d’une erreur ou un problème. Comment est-ce qu’on classe les presets en catégories ? Vous pouvez naviguer entre presets User, Artiste et Song avec les boutons gauches et droite. Si vous êtes dans une banque, vous pouvez naviguer pour chercher Comment puis-je réinitialiser l’appareil ? Maintenez enfoncé le bouton A en allumant l’appareil. Après ca, poussez le bouton Presets. Attention, si un contrôleur FBV est connecté au Spider IV pendant la réinitialisation, l’écran du FBV se vide. Poussez un des commutateurs aux pieds ou reconnectez le câble CAT5 pour réactiver l’écran. Ou puis-je trouver les presets « bonus » pas programmé dans l’ampli ? Spider IV 75, 120, 150 and HD150 - Song Settings Y a t il un éditeur pour les Spider IV ? Spider IV Edit v1.02 FAQ Quels sont les modèles d’ampli sur les Spider IV ? Clean Red: Basé sur le canal clean du Marshall® JCM 900 le premier amplificateur moderne à gain élevé. Sélectez Clean Red pour un son clair, un ton jazz chaud et beaucoup du basse. Clean Green: Ce modèle était développé pour les sons clairs des amplis des années 60 et 70. Ce modèle est basé sur un Hiwatt® 1973 custom 100. Twang Red: Ce modèle est le résultat de nos analyses des amplis Fender® des années 60. En particulier, le Le 65 Blackface Twin Reverb®. On a essayé d’imiter ce son classique, de gain élevé. Le son ne devient pas trop crunchy jusqu’à ce que vous tourniez au bouton Drive. Twang Green: Basé sur le Fender® Blackface Deluxe Reverb®. Class A Red: Basé sur un Vox® AC-30 avec circuit de contrôle TBX modifié. On a essayé d’enregistrer le on pop rock des groupes anglaises. Class A Green: Basé sur le circuit EL84 d’un Divided By 13 9/15. Blues Red: Basé sur un Fender® Deluxe de 1953. Blues Green: Basé sur un Gretsch® 6156, un combo de 1960 1x10. Crunch Red: Basé sur un Marshall® Plexi 50 Watt de 1968. Crunch Green: Basé sur un Orange® AD-30TC de 2005. 30Watt classe A. Hi Gain Red: Basé sur un Marshall® Plexi 100 Watt de 1968 avec des extras. Hi Gain Green: Basé sur un Diezel® Herbert 180 Watt. Metal Red: Basé sur un Mesa/Boogie® Dual Rectifier® amélioré. Le modèle est un peu moderne. Metal Green: Un modèle de gain élevé très agressive avec un contrôle des mis spéciale. Le bouton des mis sur le minimum et vous recevez des distorsions comme un pédale Fuzz. Sur le maximum, c’est un son comme un ampli Classe A. Insane Red: Basé sur un Mesa/Boogie® Dual Rectifier® avec plus de mis. Insane Green: Le maximum de distorsion d’entrée possible. *Tous les noms de produits dans ce document sont des marques déposées des propriétaires respectifs. Ces noms de produits ne sont pas affiliés ou associés avec Line 6, ils sont uniquement utilisés pour identifier les produits de ces fabricants. HIWATT® est une marque déposée de Fernandes Company, Ltd. FENDER®, TWIN REVERB® et DULXE REVERB® sont des marques déposées de Fender Musical Instruments Corporation. VOX® est une marque déposée de Vox R&D Limited. MARSHALL® est une marque déposée de Marshall Amplification Plc. GRETSCH® est une marque déposée de Fred W. Gretsch Enterprises, Ltd. ORANGE® est une marque déposée de Orange Personal Communications Services Ltd. MESA/BOOGIE® et RECTIFIER® sont des marques déposées de Mesa/Boogie, Ltd. DIEZEL® est une marque déposée de Diezel GmbH. Qu'est-ce que le « Manual Mode » ? En mode manuel, tous les contrôles sur le Spider IV sont activés et le son de l’ampli est déterminé par les postions des boutons. Poussez le bouton Manual pour entrer le mode manuel. Poussez le bouton encore une fois pour désactiver ce mode. Quels sont les spécifications pour l’effet Smart Harmony sur un Spider IV ? Vous pouvez le mettre en Pre ou en Post et peut faire une harmonie diatonique pour tous les notes de base d’un unisson à au 9ième intervalle (c’est jusqu’à 7 étapes) dessous ou dessus de la note originale. Inclus sont : Majeur, Mineure naturelle, Pentatonique majeur, Pentatonique mineur, Mineure harmonique, Mineure mélodique, Ton entier, et échelle réduite. Le mix peut être programmé et enregistré par patch de 0 à 100%. Quels sont les spécifications pour l’effet Pitch Glide sur un Spider IV ? Vous pouvez le mettre en Pre ou en Post et les deux positions du contrôleur FBV peuvent être programmées pour deux octaves dessus ou dessous la note d’entrée en incréments de ½. 7 veut dire que ce sont 3,5 étapes. Vous pouvez aussi programmer le Mix de l’effet et l’enregistrer entre 0 et 100% par patch. Ou puis-je apprendre plus sur ces deux effets ? J’ai déjà un contrôleur FBV original, est-ce qu’il fonctionne avec le Spider IV? Oui, mais avec quelques limitations : FBV Express : Vous ne pouvez pas configurer les overdubs. Il simplement enregistre une fois. Vous ne pouvez pas utiliser Quick Loop. Lancez-le avec le panneau de l’ampli. FBV Shortboard : Vous ne pouvez pas utiliser Quick Loop. Lancez-le avec le bouton Quick Loop. Quels sont les spécifications pour la fonction Looper sur les Spider IV ? Les Spider IV 75 et ci-dessus on un looper de 14 secondes. Comment puis-je connecter le Spider IV 150/HD à un baffle Spider ? Vous devez toujours connecter les deux sorties gauche et droit au baffle avec des câbles d’haut parleurs. La connexion du Spider IV à une 4 Ohm Impédance peut endommager l’ampli : Cabinet Connection and Ohm F.A.Q Puis-je utiliser deux baffles avec le Spider HD 150? L’ampli doit être modifié pour faire fonctionner deux baffles avec un ampli. Un Line 6 Centre Service peut faire cette modification. Comment puis-je connecter des haut-parleurs externes à mon ampli Spider IV 150 ? Déconnectez les haut-parleurs internes et connectez les deux sorties haut parleurs à 8 ou 16 Ohm. Ne connectez pas seulement une côté. Ne connectez pas des haut-parleurs externes ET les internes en même temps, ce peut endommager l’ampli. Quels haut-parleurs sont utilisés dans les amplis Spider IV ? Spider IV 15: Custom 15 (4Ohm) Spider IV 30: Celestion G12E50 (4Ohm) Spider IV 75/150: Celestion G12P80 (8Ohm) Spider IV 120: 2x Celestion G10P80 (8Ohm) Ou puis-je acheter des remplacements ou une couverture pour men ampli? Line 6 Store
  4. Note: The Spider III was released in 2006 and discontinued in 2010. The Spider III is now listed as a Legacy Product. Q: How are the Artist preset banks categorization and alphabetized? A:When looking at the list of the banks in the unit, the banks seem to be broken into four different sections: 1. Albert Lee - Julien K 2. Ash - Volto 3. The Accident Experiment - Thursday 4. Songs 50's - Misc. Fun Each of the first 3 sections (artist banks) is alphabetized. Is there a reason all the artist presets overall aren't alphabetized? The artist banks are categorized by Clean, Dirty and Heavy: 1. Albert Lee - Julien K: Cleaner patches 2. Ash - Volto: Midgainy patches 3. The Accident Experiment - Thursday: Heavily overdriven patches Q: How do I perform a factory reset on my Spider III? Line 6 Device Factory Reset Procedures Q: How do I use the compare mode (to find where the knobs were originally set)? A: Press and hold the Tap button, then turn the Amp Models knob. This activates Spider III's "Compare mode". Now turn any knob other than Amp Model and Master Volume, and the channel lights will tell you whether you need to turn that knob up (Channel A lights) or down (Channel D lights) to match the stored setting. The Channel B & C lights will be lit at the same time once the knob position matches the stored setting exactly. Q: How do I connect the Spider III HD 150 to the Spider Cabinet? A: The Spider III HD 150 is designed to see a load on *both * speaker outputs by connecting the left and the right inputs to the Spider cabinet with speaker cables. Running the Spider III HD 150 into a 4 ohm load may result in damage to the amplifier. Please see the following link for more information: Cabinet Connection and Ohm F.A.Q. Q: Can I use two Spider III cabinets with the Spider III HD 150? A:The Spider III HD 150 was designed to power a single Spider III Stereo Cabinet with a stereo 8 ohm load. Using two Spider III cabs would require a modification to each cab so that they are each rewired to produce a 8 ohm mono load. This modification would preferably be done by an authorized Line 6 service center, which can be located from the Service Center link on the Support page. Q: How do I connect external speakers to my Spider III 150 amplifier? A: You will need to disconnect the internal speakers (covering the dry-solder clips with electrical tape) and connect both external speaker outputs to an 8 ohm (or higher) load. Do not connect just one side, as this may cause a power amp failure. Powering the internal speakers along with a external speakers may cause a power amp failure and is not supported. Q: What type of speaker is used on the Spider III combo series? Spider III 15: Custom 15 (4 ohm) Spider III 30: Celestion G12E50 (4 ohm) Spider III 75/150: Celestion G12P80 (8 ohm) Spider III 120:(2) Celestion G10P80 (8 ohm)
  5. Hi My first Line 6 amp was a Spider Valve 112 (original version) and sometime ago the it pretty much died and I benched tested it and ruled IN the smaller PCB (the one controlling the LCD, Volume, Input, etc. It is connected via a ribbon cable to the longer board behind all the channel FX controls. Does anyone have a 112 they want to sell for parts (if that board is okay) or a resource for a new one ?? fullcompass online has parts, however, not anything like this. Yes I have searched eBay and other sites. Please contact me at: n944la ‘at’ gmail ‘dot’ com if you have any resources or are selling one. It it would be the left most board in the pic below...w/ the LCD display A15: UI RIGHT - 35-00-0247-1 REV A 7-JUNE-2007 Thank You Tim Dickerson ARS N9NU
  6. bassbo2112

    Spider V 120 display not working

    I purchased a used spider V 120 through GC and had it delivered to my house. Upon arrival, i excitedly plugged it in, only to find out it did not work, no sound, no display. So I took it back to GC and returned it. The GC staff was great and offered me a very good discount on a new Spider V 120. So I accepted and took my brand new amp home. After about 10 minutes of playing, I was scrolling through the amp section, when unreadable text started running across the bottom of the display. Noticing this problem, I powered down in hope of solving the problem with a hard boot. Upon powering up, the display no longer works. The amp works but I have no idea what is being played. I haven't had a chance to hookup a phone or tablet yet to see if that interface works, but even if it did, I would want the amp display to work. I haven't found any posts around this particular issue as of yet. Does anyone know if there is a simple way to resolve this problem before I return the amp. 2 strikes for line6 at this point in my book. Thanks for the help. Bo
  7. Hi eveyone! I am thinking to buy the Spider V, but I actually tryed just the 60w version of the amp, and I actually like it! I actually play Death-Metalcore and I need this amp for recording at home (USB/ Emulated Output to Audio interface / Shure SM57), and also to play some live concerts (small gigs) and with my band in small practise room. I am reading about REALLY BIG differences between the 120w and 240w version about: -Volumes (people changed their 120w with the 240w because it was not enough loud to play in live concerts) -Sound Quality (stereo vs mono seems to make a big difference) Since I don't have the possibility to try them in the store, is anyone able to tell me if there's really all this big difference? Is worth to spend more money to have 240w? Is really the 120w not loud enough? Is the 240w good to play at low volumes? Also, did anyone have any issues about latency while recording with USB ? Thanks everyone! :D Keep playing :lol:
  8. heavymetaldave

    How To Run POD HD500X into Line6 AMP

    I recently purchased a POD HD500X. I already have a Vetta II amp and Spider Bogner amp. Has anyone run the HD500X into these amps? How did you set it up? David
  9. I have the Spider V 120 and I'm looking to get the wireless transmitter. However, I'm considering getting the whole GT10 transmitter and receiver system as I would like to use it with my other amps. Will the GT10 that comes with the receiver work with the built in receiver on the Spider V series?...or is it only the GT10T that will work with the Spiders?
  10. king_sto

    Footswitch Compadability

    Hey guys! I am looking to buy a Line 6 Spyder amp, but do not know what footswitch to buy along with it. Could someone send me a link for the correct footswitch for the 60 watt one?
  11. HI! I have a problem with my line 6 spider IV 30 watts. When I connected to the electricity It doesn't turn on, but sometimes It only turn on some lights (channel, presents) but if you connected a guitar it doesn't sound anything. I tried to restarted but I doesnt work.
  12. Can I copy settings from one bank to another? The manual is pretty sparse for this pedal controller. Thanks
  13. Como posso realizar gravações e escultar a execução em tempo real no falante? é possível gravar com o Shortboard Mkii via USB, assim como na POD hd 300?
  14. I am currently looking to buy the new Line 6 Spider V 240 Combo amp. The only thing keeping me from pulling the trigger on the purchase is whether or not I can connect the combo amp to a speaker cabinet. Is it possible to connect the V 240 Combo to an external 212 or 412 cabinet?
  15. amschaaf

    MP3 playback on Spider V 60 watt?

    Can you play backing tracks through the spider v? Either through an input or using the app or a computer?
  16. I am really liking my Spider V but have started making videos and recordings for practice and come across a problem. Maybe I have overlooked something or it's a shortcoming of the amp and a feature that Line6 might potentially be able to add in a firmware update. I use Rocksmith for fun and Yousician in my practice regime. I have started recording myself to see how well I actually perform from a spectators point of view and potentially share with friends on youtube. The ASIO functionality works pretty well, I can use the Spider V as an interface with my PC. Backing track volume can be adjusted with Master Volume and I can mix in my guitar with the Equalizer volume. The problem is when I try and record the USB output. I only get the guitar sound, no backing track. All the interfaces I have used have either a mixer knob of a 50/50 mix button that mixes the guitar with the backing audio passing through the interface. The only solution I have come up with is to use the headphone jack to output the full sound to my computer or interface but that makes the Amp speaker redundant. I use a splitter to split the headphones to a Marshall Woburn which I use as a CAB instead. Am I missing something? Is there a way to mix the computer audio with the guitar and record on the computer via USB like an interface? I thought I'd ask here before I try posting on the Line6 ideas board. It's a small thing that could potentially be added as a menu toggle in a firmware update. Send all audio through USB for recording. Would be nice to get rid of clutter and just have a power cable and USB cable to PC with Wireless G10 and no other stuff. EDIT: I submitted the idea to Line 6 which can be voted on at: http://line6.ideascale.com/a/dtd/Spider-V-USB-Audio-OUT-option-to-mix-Computer-and-Guitar-output/864553-23508
  17. Nolefinity

    Are Jam Amps made recently?

    Does anybody know what year their spider jam was made if they bought it in the last year or two? With Fender guitars, for example, the serial number tells you what year it was made. Example: a serial number who's first four characters/digits are MX14 means it was made in Mexico in 2014. If you bought a spider jam in the last year? Is there a similar way to tell when it was made? I ask because I'd like to buy one brand-new sealed in box from a local store or Sweetwater or wherever, but I don't want it to be made in 2011 or something. I just prefer an amp that hasn't been sitting in a box in a warehouse for five years. Thanks!
  18. The mp3 input jack of my amp was bent on the inside, so i picked up a new stereo jack and took it apart to find that the original jack had 5 contacts, while the ones i got from radioshack only had 3. Anybody know where I can get one that would work? any help would be appreciated.
  19. I have a Spider Jam III and absolutely love the "Soil" preset on it. As you can well imagine, a 75watt combo is not sufficient for any moderate venue, so I would love to be able to export/import that specific preset (or all if there is some constraint) to either my POD HDPROX rack unit or my POD HD500X pedalboard. I have played around with audibly trying to get something to sound like this on the POD units but am not really happy with my results. I have not found anyway to export the Jam presets and/or if they are portable even if I could. Perhaps someone has already done this porting (line6)? Thanks in advance.
  20. lollipop you line 6... After 6 years i couldnt fix my Spider IV 150w... It just came with fabric issue, it restarts ramdonly and you NEVER EVER said NOTHING to your customers about this issue that SO MANY people had with their amps. (It seems like a Main Board issue.. Oh... The brain of the amp...) And so many people just take it back, but i couldnt do that because i bought it in USA when i was traveling, but im from Venezuela, so, take back the amp to store or to the technical support was more expensive than the amp. Really, just lollipop you... I'll never buy anything Line 6 in my lollipoping entire life, and i'll say it to every guitarist i know... I bought your lollipoping publicity, your digital lollipop and lights, but not an amp... Just got my new FENDER BLUES JR 15w TUBE AMP months ago and let me tell you, it was cheaper (500$) and IT IS lollipopING AWESOME, sound A LOOOOOOT BETTER and its loud as lollipop If you are reading this, and looking for an amp... DONT BUY line6 amps if you want to be a serious guitarist, dont let them mesmerize with all their desing and lollipop... if you have a budget, and want an amp for LIFETIME, really, just look for another options. Out there you can find awesome solid state or tube amps for the same price (or even cheaper). Thanks for stole my lollipoping money (Spider IV 150w + Fbv Shortboard MKII = 700$ 6 years ago), and goodbye line6 forum
  21. hellspoolboy

    Spider Valve Mkii vs AX2 212 anyone?

    Here is a throwback question for any die hard line 6 fans out there... Which would you rather have line 6's newer spider valve mkii whether it be a 112, 212 or the head OR would you rather have a little known or maybe just forgotten AX2 212 modeling amp from the 90's.. and Why? -hellspoolboy
  22. dzemil055

    Spider Valve and FBV2 Problem??

    Hi everyone.. I had a Line 6 Spider Valve 212, and when i plug in FBV2 footswitch its delay when i want to switch betwen chanels, and after that it changes randomly... I tried FBV2 on other Line 6 amp and it worked correct... Please help if you now something becouse i have some gig for about 10 days so i realy need help... Thanks...
  23. Hi guys! I'm fairly new to the Line 6 community and I'm looking to find a genuine slash tone. I know you guys probably get a ton of these posts, but I haven't been able to find a tone that sounds like Slash's on AFD. I know my amp comes with a preset Sweet Child tone, but it isn't like slash. Could it be my guitar and/or pickups? I tried turning tone knobs all the way down on the guitar and it is a little bit closer to slash's tone, but not quite. I have a Spider IV 120W 2x10 Combo Amp and I'm playing with an Epiphone LP Traditional Pro. Any help would be appreciated!! Thank you!
  24. I'm just starting guitar, so sorry if I sound dumb about this, but currently I have a Line 6 Spider IV 15 and I would really like to know how, or if I can connect it to my PC to use Monkey and the various other Line 6 softwares, thanks!
  25. Hey guys I want to know a few things so bear with me if things go over your head. 1) can I run this head with just one output jack connected to a modded spider 4x12 that i customized to work in just 16 ohm mono operation? I read somewhere that both jacks need to be connected or the amp can blow if you crank it like this...? 2) I've been cranking this baby with 2 identically modded 16 ohm mono spider cabs will I eventually cause my amp to blow? 3) should I return my cabs to their 4 ohm mono/8 ohm stereo op? Could I remod to remain 8 ohm stereo but with a 16 ohm mono op? I just wanted to use all speakers for the sake of having a full range (jsyk not to be mistaken as frfr) tone through all speakers rather than just two speakers per side. Have I made a mistake? 3) has anyone else just used the CD/Mp3 input for the sole use of the power amp section...? I'm running a laptop w/ cockos reaper and a external usb pre amp outing to the mp3 input jack in stereo with backing tracks + amp modeing into the rig to get my desired result. What are your thoughts on this? 4) line 6 really needs to consider adding more speaker configurations, Poweramp in, and speaker cab mute switch (why mute the speaker when using the di through the amp.. wtf) to their next spider series if they still plan on selling these series later on in the future. *more of an opinion*
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