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Found 76 results

  1. Hello everyone! I’ve just uploaded two videos on my YouTube channel (more coming soon). Free Helix patch inside; if you like take a look and join my channel! Ciao a tutti, ho appena caricato sul mio canale questi due video (ne seguiranno altri) con relativa patch Helix annessa. Se vi fa piacere guardateli e scaricatele! https://youtu.be/RO2Jj2lDB3Y https://youtu.be/SQOCiG2Tt-k
  2. Hello all! New Line 6 Helix user. In fact, new to the whole digital processing and multi effects and modeling units. So far I'm stoked with the unit. I think I was missing out a lot in terms of versatility and with regular pedals it would have been painstakingly hard to achieve so much in so little. Monetary and space-wise speaking. I am also not a professional musician. Mainly a hobby bedroom guitarist. So not a lot of sense for me to buy various amp head and cabinets. I think I, therefore, was missing out a lot by not hopping into the multi-effects modeler train earlier. Personal opinion. Having said that. Here I am: day two of messing around with the unit. I created a patch that kind of resembles Coheed and Cambria's Welcome Home -at least to my ears it gets somewhat close-. It was made strictly with factory effects and nothing more than Guitar > Helix > Headphones, no other gear used. I would like to share it with you so I can get additional input on how to improve the tone and whatever aspect you guys could think of, considering there are many, many pros here and almost ALL of you will have a broader experience in the unit, or any multi effects for that matter, than me. So, hi, again. Happy to be here and thanks in advance for the input. Welcome Home.hlx
  3. Hi folks, I'm wondering whether it is achievable with Helix to get the In/Out Phase sound or effect similar to what Brian May can do with his guitar? Cheers Marcel
  4. Hi All. I downloaded some patches. Some of them I can't hear. My Helix goes directly to my amp. I downloaded a patch called "everything" from the line 6 website and I can't figure out why I can't hear it through my amp. Regular 1/4 inch from helix to my amp. I can hear other patched but some of them I change the out to 1/4 inch and still no sound. I would live someone to let me know why I can't hear it. totally mute. Grrrrr Thank you all Eric
  5. Hi, fellow Helixoids! I've just released 13 new Helix sound sets, available at the Helix Marketplace. I've taken an unusual approach: While we all know that Helix is great at mimicking classic analog gear, I've been exploring Helix as the unique and powerful instrument it is, with an emphasis on startling new tones that could only have been created in Helix. I think these sounds will appeal to restlessly creative players in search of new tones and textures. (Admittedly, they're probably not suitable for REO Speedwagon cover bands.) Each board sell for $13 and has its own demo video at the above link. There's also a combo back offering all 13 sets at a 40% discount. Its demo video, which provides a taste of all 13 products, is a good starting point if you're curious. Thanks for listening! :)
  6. Hey Folks! So I have this one guitar solo from a japanese band called "the GazettE". Their lead guitarist has got an awesome guitar tone, which kicks lollipop in my opinion. I am trying to get my tone near to the following guitar solo, but I cant get something good out of my HD500X it. I know. That's sad. Maybe someone, who is more into their HD500X, can replicate the guitar sound? I would be really thankful, if someone is willing to do so. Since you're working on it, I will be even willing to pay you. https://www.youtube.com/watch?v=BbRHGe0_8sQ https://www.youtube.com/watch?v=z-EphIMS40A Its especially the guitar from the "second" part of the solo, which is played by the guitarist Uruha. Greetings, Nalfeyn.
  7. Note: The Flextone II was released in 2000 and replaced by the Flextone III in 2003. The Flextone II is now a Legacy Product. Application Q: What are the presets on my Flextone II amplifier? A: The Flextone II are available from the manual download section. If you would like to return your unit to the original presets, please perform a factory reset (see the trouble shooting section). Q: What editing software works with the Flextone II? A: Line 6 Edit allows the deep editing of all the Flextone II presets. Line 6 Edit FAQ Q: How can I control my Flextone via MIDI? A: Please check the Appendix C on your Pilot's Handbook, you will have a list of MIDI program changes and their relation with the Flextone channels. So channel 1A would recall program 1 on your MIDI device. You can either overwrite program 1 on your device with the effects you want to use with channel 1A or you can go to the preset you want to use and internally reassign that preset to MIDI program 1 (if your device offer that option). You can also set the Expression pedal on a MIDI controller to the MIDI CC# you wish to control - for example if you want to control the Delay Mix with it set the CC# to 34. Q: How is the Flextone II different from the Flextone I? Are the older Flextone I amp models changed in any way, software-wise? A: The Flextone II XL has more amp models, more editing capabilities, XLR outs, external speaker outs, improved tone, and an improved power amp stage. The models in the Flextone II are changed from the Flextone I models. The new models match exactly the models in the POD 2.0, so that patches made on one are completely interchangeable with the other. Q: How can I find out which cabinet models are used by default for the amp models? A: Hold down the save and tap tempo buttons at the same time and switch between the cabinet models. The manual button will flash off when the selected cabinet model is passed on the knob. Q: What are the secondary functions for each of the Flextone II's knobs? A: The secondary function for each of the Flextone II's knobs is as follows: DRIVE: Drive Boost on/off BASS: Delay Feedback (how many times it repeats) MIDDLE: Delay Amount TREBLE: Presence on/off CHANNEL VOLUME: Volume Boost on/off REVERB: Noise Gate on/off EFFECT TWEAK: Tap Tempo time Q: How can I control the "Delay Level" on my Flextone II when using the Delay in conjunction with another effect? A: The Delay Level and Delay Feedback can be adjusted on the Flextone II by holding down the TAP TEMPO button and turning the MIDDLE knob for Delay Level and the BASS knob for Delay Feedback. Q: Will the delay feedback on the Flextone II series repeat indefinitely if it is turned all the way up? A: Yes. The delay feedback on the Flextone II series will repeat indefinitely if it is turned all the way up. To turn the delay feedback on the Flextone II all the way up, simply hold down the TAP TEMPO button while turning the BASS knob to 10. Setup/Connections Q: Does the Flextone II have a line out? A: The Flextone II has a headphone jack that doubles as a good direct out. To utilize it properly, you should use a stereo-to-dual mono insert cable and use it as a stereo out into 2 channels on your mixer/recorder. If you need XLR direct outs, you may want to check into a Flextone Plus or XL. Q: Which Line 6 floor controller(s) can I use with the Flextone II? A: Either the FB4 or Floorboard will control the Flextone II, but we recommend the Line 6 floorboard. Please be aware that the Line 6 Floorboard and FB4 are no longer in production but may still be special ordered or found through used gear dealers. Q: Does the Flextone II have an effects loop? A: Yes, the Flextone II has a stereo unbalanced effect loop, located before the Master volume. Q: What is an effect loop used for? A: An effect loop is used for 'line-level' input and output level devices. Many rack mount effect units are line level units, while most guitar effects are 'instrument level' units meant to be run between the instrument and the amplifier. Q: Can I connect an external pre-amp (i.e. Line 6 POD unit) to the Flextone II? A: You can connect an external preamp into the front of the unit or the effects loop return of the Flextone II. Be sure to use a ¼" dummy jack in the instrument input to send the amplifier output to the speakers. Q: How should I connect my speaker cabinet(s) to the Flextone II? A: : Please see the following document (or your manual) for more information on connecting cabinets to your Flextone II. Cabinet Connection and Ohm F.A.Q. Q: What speakers are used in the Flextone II? A: The Flextone II amplifiers shipped with Line 6 "tubetone" speakers, which were manufactured by Celestion. The speakers are 80 watts and either 8 or 16 ohms. See the Line 6 Store for replacement speakers. Registration/Warranty Q: What is the warranty on the Flextone II? A: The warranty on the Flextone II is twelve months from the date of purchase. Q: How can I register my Flextone II? Product Registration F.A.Q. Troubleshooting/Service Q: How can I check the version of software on a Flextone II? A:* Hold down the C button as you power up. The D channel will flash and then the SAVE channel will flash. The number of D flashes = X The number of Save flashes = .X So if the D flashes twice and the SAVE button flashes twice, your version is 2.2. Q: My guitar's sustain is cut off after several seconds. Is there a way to stop this? A: This is likely because of the noise gate on the Flextone II. To turn it off, hold the Tap Tempo button and turn the Reverb knob down. To turn it back on, hold Tap and turn the Reverb knob up. Q: How do I perform a factory reset on my Flextone II? A: The factory reset for a Flextone II is to hold the A B C D Buttons while powering the amp. Q: My amplifier will not store presets anymore. What can I do? A: We use a 3v lithium coin cell battery in the Flextone II to store the user presets, a common replacement is the Panasonic BR2325-1HG. The current battery will need to be de-soldered and replaced with a new battery. If you are not confident in doing this replacement, it should be performed by an authorized Line 6 Service Center. Q: My amp seems to be malfunctioning. What can I do as an end user? Line 6 Amp Troubleshooting Q: Where can I download a Flextone II manual? A: Line 6 Manuals
  8. How To Create a Great Tone - Pt. 1 How To Create A Great Tone - Pt. 2 - Internal Cabs How To Create A Great Tone - Pt. 3 - Using A Split Block For Dual Cabs How To Create A Great Tone - Pt. 4 - Using Sag, Hum, Ripple, Bias etc. How To Create A Great Tone - Pt. 5 - How To Use A Compressor How To Create A Great Tone - Pt. 6 - Understanding And Using EQ's How To Create A Great Tone - Pt. 7 - Understanding And Using Delays How To Create A Great Tone - Pt. 8 - Understanding And Using STEREO Delays How To Create A Great Tone - Pt. 9 - Understanding And Using SNAPSHOTS How To Create A Great Tone - Pt. 10 - Modulation FX 1: Chorus & Vibrato How To Create A Great Tone - Pt. 11 - Stock Cabs vs. IR's How To Create A Great Tone - Pt. 12 - Using Split & Merge Blocks How To Create A Great Tone - Pt. 13 - Stock Cabs REVISITED How To Create A Great Tone - Pt. 14 - Dialing In Tones For Live Playing How To Create A Great Tone - Pt. 15 - Reamping & Audio Interface Use How To Create A Great Tone - Pt. 16 - Understanding And Using REVERB How To Create A Great Tone - Pt. 17 - Creative Use of EXPRESSION PEDALS How To Create A Great Tone - Pt. 18 - Great Acoustic Tone With Piezo Pickups How To Create A Great Tone - Pt. 19 - FX Placement Within The Signal Chain How To Create A Great Tone - Pt. 20 - Working With Harmonizers How To Create A Great Tone - Pt. 21 - Creative Use of DUAL EXPRESSION PEDAL How To Create A Great Tone - Pt. 22 - DI FOH Output While Feeding Real Guitar Cab...HOW? How To Create A Great Tone - Pt. 23 - Setting Up A Wet-Dry-Wet Tone How To Create A Great Tone - Pt. 24 - Alternate Use of SEND Outputs (W-D-W & FOH/Guitar Cab) How To Create A Great Tone - Pt. 25 - Overdrive Pedals (Comparison and Discussion) How To Create A Great Tone - Pt. 26 - Helix Microphone Models (Comparison and Discussion) How To Create A Great Tone - Pt. 27 - Tap Tempo & Setting Delay Time To Musical Note Values How To Create A Great Tone - Pt. 28 - Using High & Low Cut EQ - Comparison & Discussion How To Create A Great Tone - Pt. 29 - Global EQ - When Should I Use it? How To Create A Great Tone - Pt. 30 - How To Incorporate External FX Pedals How To Create A Great Tone - Pt. 31 - Volume Level Matching: Why It Is Crucial? How To Create A Great Tone - Pt. 32 - High Cut Filters 'In The Mix' vs. 'In The Room'
  9. The patch "Acoustic APX" on the Spider V 60 uses an amp model called L6 Piezo 2. Is that amp model or the APX patch available to download onto an HD500X?
  10. I just uploaded my first Helix video, and following a suggestion from a forum member I created a patch which takes the output of the guitar's piezo pickup into path 1, and takes the output of the iRig Acoustic clip-on microphone into path 2. I have placed all of the wet effects on path 1 and kept the iRig Acoustic path dry. In Logic Pro X I armed 2 tracks, one mono and one stereo (the stereo track is from path 1 with the wet effects). I have given the stereo track a little spread in Logic. I would love for experienced Helix users to critique my patch and give me suggestions for improvement. @datacommando gave me the idea. Thanks. https://www.youtube.com/watch?v=rjGEpsuo-ZM
  11. For those who are interested, here is my short cover of my favorite gojira song I used a soldano simulation with a mesa IR https://www.youtube.com/watch?v=26A-ScQgt3M
  12. Hi, I've been successful in changing patches on my Pod HD500 using Cubase LE AI Elements 8, but the Pod just doesn't toggle the effects on/off when a midi command is sent to it. The Pod is sending and receiving signal as I have even recorded effect toggles from it to a MIDI track, but the Pod only responds to the patch changes, not the effects toggling. I'm not sure if I need to change any settings in the Generic Remote Settings. Can anyone help please? :)
  13. Unfortunately the new HX Edit cannot import patches built for the Helix Floor. The only way is to edit the hlx files. I think I will implement a software utility to help the user in this modification and to convert the hlx files from Helix FL to HX Effects. Someone wants to join?
  14. Hi guys, here are a couple of my favorite patches that I'd like to share. I spent quite a few hours to dial them in. They sound really good (at least to my ear) with either my DT880 and my FRFR (ELX200-12P). I uploaded them to line6's custom tone here: https://line6.com/customtone/profile/yingwuzhao Though I have tons of IRs, but I found I can dial in very similar or better tones via a pair of Helix's cabs than any IR I imported. There are 5 clean tones, 1 crunchy and 2 lead tones. Let me know how you like them, and which one do you like the best. Enjoy :-)
  15. Hi there, I have been trying to figure how to change setlists/patches/snapshots with midi through ableton live. Having read the manual and had an extensive look here/online, I could gather that: Change a Setlist - CC32 - to whichever is needed Change a Patch - PC - to the relevant one Change a snapshot - CC69 - to the relevant snapshot The ultimate aim is that I run backing tracks through Live (as of up to now I have been running scenes for each song in session view) And can leave the Helix offstage, but having some issues. So I have been creating a midi clip under the audio track needed in arangemenrt view. As the setlist needed was the first one, I had not input anything CC32 wise, I had input the PC as the relevant patch, and then in the envelope, selected 69 and drawn a line between 0 and 3 to trigger the relevant snapshot as the track moves on through. My main issue is that at points I can do this and it seems to work fine, then I run the track again and just either doesnt work, or selects different snapshots. A few things that I had noticed: - For a patch change the PC number had to be 1 higher than the actual number for some reason? - When trying to change to a different setlist, I have had to put the bank as 36, the sub as the correct one (3 ikn this case) and then the PC as the correct one (2 in this case) and it would work. But then again I would try the track agian and just would not work. So am hoping/praying/begging that someone may be able to give me a breakdown on how to do this from scratch, am reletively new to midi so just working things out for myself, but seem to be hitting a brick wall. Ideally, where do I set the CC32 number to select the setlist, then the same with the patch and snapshot, and get this working in a live situation. Have attached a screenshot to show how the notes/envelope is setup. Any help would be greatly appreciated :) Many Many thanks Steve
  16. Hello guys. I'm a complete newbie when it comes to all this having just used amp heads, cabinets and pedals for years. I'm sure this has been answered a million times but I'm struggling with the tone and I'm not sure if I've set my patch up correctly. Using the 4 CM do I need to put in a preamp block or not? At the moment I don't and everything sounds quite off to me. I'm going I to an orange cr120 head and having to go I to the clean channel which only has a treble/ bass control and if I try to go into the dirty channel, who h has bass treble and mids I lose volume unless the gain is cranked all the way up which then affects the sound of any distortion or overdrive pedals I e put in my patch. Sorry if I haven't explained this very well. I'll post a picture of my patch below
  17. So, I play in a Praise and Worship band each Wednesday and Sunday. I send directly to the board via mono XLR. Problem 1: I use a MiM Strat with stock pickups fairly often. The volume cuts in HALF when I use it. The "gain" also cuts out a ton. My clean sounds great, my dirty sounds clean and my big boisterous solo sounds like a hint of overdrive with some delay.... Never had this issue with my Mustang 4 and "real pedals." Problem 2: Guitar 2 has an Invader in the Bridge...which I love...But that thing is TOO HOT for the Helix, in my opinion. Cleans are dirty, and dirty is just raw. Yes, I roll back the volume, but never had to with my Mustang IV, OCD, MojoMojo Holy Grail and Flashback delay. Problem 3: Guitar 3 has active EMGs. Sounds beautiful on everything I do, but It is a baritone that I have tuned up to D standard. E standard is too tight and makes it feel like an acoustic.....Leads on an acoustic? Tuning inaccuracies? Damage to the guitar? nah..... and No I don't want to capo or play everything on this guitar "transposed" and stuff (I majored in music...it isn't hard. I know what you're thinking) So, since I'm a newbie at this thing (one week/performance), What can I do to help level the dynamics (volumes) of each guitar? Should I just put up the guitar with the Invader? I'm clueless about EQ'ing these things btw. I understand frequencies, but not how to get the sound I want. Does anyone have some awesome patches. I've already gotten the ones from the Worship Tutorials website. Anyone have any Super clean..no grit, then Chunky, then solo/lead tones? I plan on setting snapshot 4 as an ambient swell. Thanks so much for all you guys do! PS: I've tried the Pad, and a few other little things.
  18. Hi there, I'm quite new in the line6 family and actually bought the hd500x because a friend of mine recommended that one. The setup I want to realize is like this: I play Strats over my Mesa Boogie Nomad 4x10 Combo My effects (actually only stomp distortion, phaser and chorus) should come from HD500x I want to play acoustic guitar with comp, chorus routed to the PA (DI like) with one channel because... I want to have the whole thing connected to my 16ch audio interface in order to record every type of setup I am using. I have done some try on realizing iot but am actually stuck due to my limited time and technical problems (meaning my intelligency) I have found out that my acoustic guitar can be routed like this with a very high output on the audio interface, but not that loud throu the PA As soon as I change a preset to a e-guitar the signal to the audio interface is very low. Generally the sound comming from my amp (hd=>amp) is not that good due to my personal limitations. Is there anybody out ther who can recommend me some patches (or share patches with the same routing that I need)? Patch - Clean (Sound of amp) - Stomp for distortion - stomp for chorus - stomp for phaser => Is it possible to have my true boogie sound in the room and a fender twin reverb amp sound into audio interface? Patch - Acoustic Guitar with same routing (Except that I would go into the PA of the rehearsal room or get a fullrange monitor instead of boogie amp), but same signal level on the audio interface? Patch- Distortion modeling amp into boogie, but with same level as mentioned above into audio interface? I'd realy appreciate your help and thanks in advance, Mark
  19. Help please line firehawk Brethren. Been using my Firehawk FX live for a while now and never had a problem with it. I'm used to switching patches and am used to gaps in between patches. I have been using a new sound for a particular song which seems to take much longer to load. I have the same tone on 2 patches, one for chorus playing and one for solo. Whereas normal patches change within say half a beat these 2 patches are taking at least a 2 beats to change which during playing feels like a lifetime and is more than noticeable. Both the tones are the same except for volume. They take the same time to load when switching between each other and from completely different patches. No device is Bluetoothed to it when I'm playing either. Can anybody suggest a reason why this is? Hopefully its a quick fix with a setting in the patch itself, I hope. Any advice would be greatly received.
  20. I noticed that when I get new patches from CustomTone, some are significantly more loud than others and it's not for lead and such. I would like the option to use these clean tones alongside each other with the same volume level (not including the lead tones which should be louder). Is there a way I can have this hooked up and check the volume level on the patches and adjust them accordingly with a visual tool? I was thinking of using Reaper to test this out, but I wasn't sure if there was a better option.
  21. Hi fellas 1st post here so please be gentle. I have recently joined a band after a few years out and am using a FHFX. The question I have is, Is there a way to have 2 identical patches but with different volumes that I can put next to each other so I have a rhythm patch and a lead patch? Thanks in advance
  22. So here's the scenario in a nutshell: I am playing live at church in front of several hundred people. I have one patch set up with the expression pedal controlling the volume for swells. The song ends and I move the expression pedal to the full heel position to mute the guitar. I change to another patch for next song, in which I have the expression pedal assigned to control the mix level of the octo-reverb. The drummer counts us off and I go to start the opening line and I have nothing - no volume whatsoever. So I start frantically waving at the sound guy while pointing to my guitar thinking he may have leaned on the mute button - he looks over the board and shrugs. I go back to the previous patch with the volume pedal and still nothing. I work the volume pedal back and forth, and eureka - there it is! I switch back to the patch with the octo-reverb and I have full volume. Is there a setting I'm overlooking that will prevent this in the future? Am I saving my tones with the expression pedal in the wrong position or something? This is the second time I've been hosed in a live situation by this. I have also played outdoors and been hosed by the sunlight freaking out the optical trigger, but that's something I can live with as I just throw a rag over the expression pedal.
  23. At the moment I don't have an amp or any speaker to plug my pod into so I can't test my patch out with a high volume, and I have practice next week so I don't want to waste everyone's time trying to figure out which settings to adjust.... so is there a way to raise the volume on the patch and keep the same tone that you currently have? if not, then which settings(mids, gain, bass, etc..) should i start adjusting? higher or lower? I'm going to be plugging in the pod into the system, on the XLR out, should I be plugging it on both left and right or is plugging it in on one side fine? Is there a certain setting, besides the amp volume, that should be the same on all the patches in order to keep the same volume on all of them.
  24. So I've been playing guitar for a few years now, but I never really got around to learning how to make the "perfect" patch or sound for me, and honestly I still get lost when it comes to finding a good sound. I know about this^ website providing patches from other users, but honestly they sound good until you start playing with other instruments. I own a Schecter Blackjack SLS with the Floyd Rose and Sustaniac, with a Seymour Duncan TB-10 Full Shred Humbucker on the Bridge. I play at my church so I would really appreciate if someone could help me out on figuring out a sound that would sound good with this guitar and also sound good live. I will be plugged into the system, not an amp. Next week is my church's anniversary so I want to have a really good sound by then, for those that decide to help me, I am trying to look the basics, a clean patch, rhythm patch, and a solo patch, and for those that have experience with playing at a church, i am not looking for a sound like hillsong, at our church we like to play a little more "rock." Thanks.
  25. What is the proper way for me to create a patch OR patches that will allow me to loop acoustic guitar and violin live from the Helix? I want to be able to record acoustic guitar via the looper and then immediately add violin. Ideally this would be done within a single patch where I have access to fx pedals for both. Currently I have my violin sending into "Aux1" and my acoustic guitar sending into "Guitar In." Both sound excellent. How do I preserve 2 separate signal paths (the first signal path being acoustic guitar - sending through Guitar 1; and the second path being violin - sending through Aux 1) yet have them sum to the looper? Do I need to create 2 separate patches (violin) and (AG) and switch between the two? Or can I create 1 patch using separate routing (paths 1A and paths 2A) to and somehow sum them to the looper? I was trying the latter idea of 1 patch with two separate paths (1A for guitar and 2A for violin) but guitar ends up being pushed through path 2a, thus picking up all the violin fx. Attached is my current patch. Can anyone help?
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