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Found 67 results

  1. Hi guys, here are a couple of my favorite patches that I'd like to share. I spent quite a few hours to dial them in. They sound really good (at least to my ear) with either my DT880 and my FRFR (ELX200-12P). I uploaded them to line6's custom tone here: https://line6.com/customtone/profile/yingwuzhao Though I have tons of IRs, but I found I can dial in very similar or better tones via a pair of Helix's cabs than any IR I imported. There are 5 clean tones, 1 crunchy and 2 lead tones. Let me know how you like them, and which one do you like the best. Enjoy :-)
  2. Hi there, I have been trying to figure how to change setlists/patches/snapshots with midi through ableton live. Having read the manual and had an extensive look here/online, I could gather that: Change a Setlist - CC32 - to whichever is needed Change a Patch - PC - to the relevant one Change a snapshot - CC69 - to the relevant snapshot The ultimate aim is that I run backing tracks through Live (as of up to now I have been running scenes for each song in session view) And can leave the Helix offstage, but having some issues. So I have been creating a midi clip under the audio track needed in arangemenrt view. As the setlist needed was the first one, I had not input anything CC32 wise, I had input the PC as the relevant patch, and then in the envelope, selected 69 and drawn a line between 0 and 3 to trigger the relevant snapshot as the track moves on through. My main issue is that at points I can do this and it seems to work fine, then I run the track again and just either doesnt work, or selects different snapshots. A few things that I had noticed: - For a patch change the PC number had to be 1 higher than the actual number for some reason? - When trying to change to a different setlist, I have had to put the bank as 36, the sub as the correct one (3 ikn this case) and then the PC as the correct one (2 in this case) and it would work. But then again I would try the track agian and just would not work. So am hoping/praying/begging that someone may be able to give me a breakdown on how to do this from scratch, am reletively new to midi so just working things out for myself, but seem to be hitting a brick wall. Ideally, where do I set the CC32 number to select the setlist, then the same with the patch and snapshot, and get this working in a live situation. Have attached a screenshot to show how the notes/envelope is setup. Any help would be greatly appreciated :) Many Many thanks Steve
  3. Hello guys. I'm a complete newbie when it comes to all this having just used amp heads, cabinets and pedals for years. I'm sure this has been answered a million times but I'm struggling with the tone and I'm not sure if I've set my patch up correctly. Using the 4 CM do I need to put in a preamp block or not? At the moment I don't and everything sounds quite off to me. I'm going I to an orange cr120 head and having to go I to the clean channel which only has a treble/ bass control and if I try to go into the dirty channel, who h has bass treble and mids I lose volume unless the gain is cranked all the way up which then affects the sound of any distortion or overdrive pedals I e put in my patch. Sorry if I haven't explained this very well. I'll post a picture of my patch below
  4. Unfortunately the new HX Edit cannot import patches built for the Helix Floor. The only way is to edit the hlx files. I think I will implement a software utility to help the user in this modification and to convert the hlx files from Helix FL to HX Effects. Someone wants to join?
  5. awrigh10

    Praise and Worship Patches

    So, I play in a Praise and Worship band each Wednesday and Sunday. I send directly to the board via mono XLR. Problem 1: I use a MiM Strat with stock pickups fairly often. The volume cuts in HALF when I use it. The "gain" also cuts out a ton. My clean sounds great, my dirty sounds clean and my big boisterous solo sounds like a hint of overdrive with some delay.... Never had this issue with my Mustang 4 and "real pedals." Problem 2: Guitar 2 has an Invader in the Bridge...which I love...But that thing is TOO HOT for the Helix, in my opinion. Cleans are dirty, and dirty is just raw. Yes, I roll back the volume, but never had to with my Mustang IV, OCD, MojoMojo Holy Grail and Flashback delay. Problem 3: Guitar 3 has active EMGs. Sounds beautiful on everything I do, but It is a baritone that I have tuned up to D standard. E standard is too tight and makes it feel like an acoustic.....Leads on an acoustic? Tuning inaccuracies? Damage to the guitar? nah..... and No I don't want to capo or play everything on this guitar "transposed" and stuff (I majored in music...it isn't hard. I know what you're thinking) So, since I'm a newbie at this thing (one week/performance), What can I do to help level the dynamics (volumes) of each guitar? Should I just put up the guitar with the Invader? I'm clueless about EQ'ing these things btw. I understand frequencies, but not how to get the sound I want. Does anyone have some awesome patches. I've already gotten the ones from the Worship Tutorials website. Anyone have any Super clean..no grit, then Chunky, then solo/lead tones? I plan on setting snapshot 4 as an ambient swell. Thanks so much for all you guys do! PS: I've tried the Pad, and a few other little things.
  6. Line6Tony

    Helix Tutorials by Jason Sadites

    How To Create a Great Tone - Pt. 1 How To Create A Great Tone - Pt. 2 - Internal Cabs How To Create A Great Tone - Pt. 3 - Using A Split Block For Dual Cabs How To Create A Great Tone - Pt. 4 - Using Sag, Hum, Ripple, Bias etc. How To Create A Great Tone - Pt. 5 - How To Use A Compressor How To Create A Great Tone - Pt. 6 - Understanding And Using EQ's How To Create A Great Tone - Pt. 7 - Understanding And Using Delays How To Create A Great Tone - Pt. 8 - Understanding And Using STEREO Delays How To Create A Great Tone - Pt. 9 - Understanding And Using SNAPSHOTS How To Create A Great Tone - Pt. 10 - Modulation FX 1: Chorus & Vibrato How To Create A Great Tone - Pt. 11 - Stock Cabs vs. IR's How To Create A Great Tone - Pt. 12 - Using Split & Merge Blocks How To Create A Great Tone - Pt. 13 - Stock Cabs REVISITED How To Create A Great Tone - Pt. 14 - Dialing In Tones For Live Playing How To Create A Great Tone - Pt. 15 - Reamping & Audio Interface Use How To Create A Great Tone - Pt. 16 - Understanding And Using REVERB How To Create A Great Tone - Pt. 17 - Creative Use of EXPRESSION PEDALS How To Create A Great Tone - Pt. 18 - Great Acoustic Tone With Piezo Pickups How To Create A Great Tone - Pt. 19 - FX Placement Within The Signal Chain How To Create A Great Tone - Pt. 20 - Working With Harmonizers How To Create A Great Tone - Pt. 21 - Creative Use of DUAL EXPRESSION PEDAL How To Create A Great Tone - Pt. 22 - DI FOH Output While Feeding Real Guitar Cab...HOW? How To Create A Great Tone - Pt. 23 - Setting Up A Wet-Dry-Wet Tone How To Create A Great Tone - Pt. 24 - Alternate Use of SEND Outputs (W-D-W & FOH/Guitar Cab) How To Create A Great Tone - Pt. 25 - Overdrive Pedals (Comparison and Discussion)
  7. Hi there, I'm quite new in the line6 family and actually bought the hd500x because a friend of mine recommended that one. The setup I want to realize is like this: I play Strats over my Mesa Boogie Nomad 4x10 Combo My effects (actually only stomp distortion, phaser and chorus) should come from HD500x I want to play acoustic guitar with comp, chorus routed to the PA (DI like) with one channel because... I want to have the whole thing connected to my 16ch audio interface in order to record every type of setup I am using. I have done some try on realizing iot but am actually stuck due to my limited time and technical problems (meaning my intelligency) I have found out that my acoustic guitar can be routed like this with a very high output on the audio interface, but not that loud throu the PA As soon as I change a preset to a e-guitar the signal to the audio interface is very low. Generally the sound comming from my amp (hd=>amp) is not that good due to my personal limitations. Is there anybody out ther who can recommend me some patches (or share patches with the same routing that I need)? Patch - Clean (Sound of amp) - Stomp for distortion - stomp for chorus - stomp for phaser => Is it possible to have my true boogie sound in the room and a fender twin reverb amp sound into audio interface? Patch - Acoustic Guitar with same routing (Except that I would go into the PA of the rehearsal room or get a fullrange monitor instead of boogie amp), but same signal level on the audio interface? Patch- Distortion modeling amp into boogie, but with same level as mentioned above into audio interface? I'd realy appreciate your help and thanks in advance, Mark
  8. goughy69

    Firehawk FX patch latency

    Help please line firehawk Brethren. Been using my Firehawk FX live for a while now and never had a problem with it. I'm used to switching patches and am used to gaps in between patches. I have been using a new sound for a particular song which seems to take much longer to load. I have the same tone on 2 patches, one for chorus playing and one for solo. Whereas normal patches change within say half a beat these 2 patches are taking at least a 2 beats to change which during playing feels like a lifetime and is more than noticeable. Both the tones are the same except for volume. They take the same time to load when switching between each other and from completely different patches. No device is Bluetoothed to it when I'm playing either. Can anybody suggest a reason why this is? Hopefully its a quick fix with a setting in the patch itself, I hope. Any advice would be greatly received.
  9. boydwgrossii

    Is there a way to view volume levels?

    I noticed that when I get new patches from CustomTone, some are significantly more loud than others and it's not for lead and such. I would like the option to use these clean tones alongside each other with the same volume level (not including the lead tones which should be louder). Is there a way I can have this hooked up and check the volume level on the patches and adjust them accordingly with a visual tool? I was thinking of using Reaper to test this out, but I wasn't sure if there was a better option.
  10. goughy69

    Firehawk FX patch volume

    Hi fellas 1st post here so please be gentle. I have recently joined a band after a few years out and am using a FHFX. The question I have is, Is there a way to have 2 identical patches but with different volumes that I can put next to each other so I have a rhythm patch and a lead patch? Thanks in advance
  11. So here's the scenario in a nutshell: I am playing live at church in front of several hundred people. I have one patch set up with the expression pedal controlling the volume for swells. The song ends and I move the expression pedal to the full heel position to mute the guitar. I change to another patch for next song, in which I have the expression pedal assigned to control the mix level of the octo-reverb. The drummer counts us off and I go to start the opening line and I have nothing - no volume whatsoever. So I start frantically waving at the sound guy while pointing to my guitar thinking he may have leaned on the mute button - he looks over the board and shrugs. I go back to the previous patch with the volume pedal and still nothing. I work the volume pedal back and forth, and eureka - there it is! I switch back to the patch with the octo-reverb and I have full volume. Is there a setting I'm overlooking that will prevent this in the future? Am I saving my tones with the expression pedal in the wrong position or something? This is the second time I've been hosed in a live situation by this. I have also played outdoors and been hosed by the sunlight freaking out the optical trigger, but that's something I can live with as I just throw a rag over the expression pedal.
  12. Henry24foREVer

    Few questions about making a live patch

    At the moment I don't have an amp or any speaker to plug my pod into so I can't test my patch out with a high volume, and I have practice next week so I don't want to waste everyone's time trying to figure out which settings to adjust.... so is there a way to raise the volume on the patch and keep the same tone that you currently have? if not, then which settings(mids, gain, bass, etc..) should i start adjusting? higher or lower? I'm going to be plugging in the pod into the system, on the XLR out, should I be plugging it on both left and right or is plugging it in on one side fine? Is there a certain setting, besides the amp volume, that should be the same on all the patches in order to keep the same volume on all of them.
  13. Henry24foREVer

    Need help with HD500X Sounds

    So I've been playing guitar for a few years now, but I never really got around to learning how to make the "perfect" patch or sound for me, and honestly I still get lost when it comes to finding a good sound. I know about this^ website providing patches from other users, but honestly they sound good until you start playing with other instruments. I own a Schecter Blackjack SLS with the Floyd Rose and Sustaniac, with a Seymour Duncan TB-10 Full Shred Humbucker on the Bridge. I play at my church so I would really appreciate if someone could help me out on figuring out a sound that would sound good with this guitar and also sound good live. I will be plugged into the system, not an amp. Next week is my church's anniversary so I want to have a really good sound by then, for those that decide to help me, I am trying to look the basics, a clean patch, rhythm patch, and a solo patch, and for those that have experience with playing at a church, i am not looking for a sound like hillsong, at our church we like to play a little more "rock." Thanks.
  14. andygridley

    Patch - Looping AG and Violin

    What is the proper way for me to create a patch OR patches that will allow me to loop acoustic guitar and violin live from the Helix? I want to be able to record acoustic guitar via the looper and then immediately add violin. Ideally this would be done within a single patch where I have access to fx pedals for both. Currently I have my violin sending into "Aux1" and my acoustic guitar sending into "Guitar In." Both sound excellent. How do I preserve 2 separate signal paths (the first signal path being acoustic guitar - sending through Guitar 1; and the second path being violin - sending through Aux 1) yet have them sum to the looper? Do I need to create 2 separate patches (violin) and (AG) and switch between the two? Or can I create 1 patch using separate routing (paths 1A and paths 2A) to and somehow sum them to the looper? I was trying the latter idea of 1 patch with two separate paths (1A for guitar and 2A for violin) but guitar ends up being pushed through path 2a, thus picking up all the violin fx. Attached is my current patch. Can anyone help?
  15. TheBoyWithDog

    More Signal Paths in Upcoming Helix Update

    My experience with the Line 6 Helix has been overall positive, and I've thoroughly enjoyed being an owner. I still find new ways to implement it into my workflow as it truly is a versatile workhorse. But, not as much as it should be as, there are still areas i find it bizarrely incapable when it comes to signal routing. (Im going to keep these improvement pages simple so I'm starting with...) > Helix needs an option for splitting the left and right channels of a single stereo path into dual mono paths. i.e. For up to 8 mono paths, instead of a maximum of 4 stereo paths. > Stereo paths separated into mono paths will allow for each channel to be processed individually. > An added benefit to having separate channels processed individually would be, you wouldn't have to have one effect running into another, in series, and instead have multiple effects running in parallel for clearer and cleaner sounds that could then be blended together to taste. > Separated channels makes Helix more powerful when it comes to mono signals, as you can have a single inputs with up to four individually controlled parallel voices. > Alternatively, you could have 4 independent input/output channels versus the mandatory, original "one shared stereo channel for paired inputs and outputs(which often holds me back from implementing Helix's effect blocks when using it as an 8 in/ 8 out channel recording interface)" > There will be no waste of one of your 8 ins/ 8 outs, like before when using a stereo channel for mono. > As with any 8 channel mixer, the possibilities really do become endless. > You can help bring attention to this here ... https://line6.ideascale.com/a/idea-v2/902419 Every DAW I've worked out of has had this essential option and Line 6 Helix is lacking in power, flexibility and, ultimately, capability without it. I was surprised to find this option missing from this device and I'd be less surprised had i not been promised an 8 in/8 out multi effects device. Never have i requested 8 tracks from a DAW and been given four inseparable channels paired in stereo. Many users, especially bassists, will benefit from the ability to have separately controlled, independent parallel mono voices, as myself, and other studio workers i know, keep single sound sources in mono anyway and find no need for a stereo channel on a bass or guitar. Its cumbersome not to be able separate the channel into a separate voicing, and routings quickly get complicated and take unnecessary space when I routinely have to do so many workarounds to a simple issue. Having the channel separate, like on a mixer, is a simple solution to a simple problem, without a complicated workaround, that opens many more possibilities in signal processing. While I have the ability to route Helix's paired USB outputs into my DAW via separate mono input channels, as is customary with any digital audio workstation, i find it both perplexing and limiting as to why i can't process each signal separately within the Helix itself. If i could, then it would take so many other pieces of gear out of the equation and without this option i feel like I'm not being able to fully utilize the Helix's processing power. Stereo tracks being separated to mono would benefit not to fill each path with more effects, but to not be unnecessarily limited with how signals are routed. Picture four separate effects running in parallel blended together, instead of having them fed into each other, and imagine the difference in sound and possibilities that would make. Users, like myself, who appealed to the adverts of Helix being able to take the power of their studio sounds on the road, and vice versa, will appreciate this greatly. The Helix already has the design to accommodate four signals paths, the spillover for the next four paths just needs to be placed on a separate page as is typical with the effect parameters pages. The benefits are seemingly endless, only being limited by how creative you could be with it, instead of being stuck to the factory setting. Even single effect blocks running in parallel vs in series would be a large improvement versus having each effect fed into another. This will open a new world of infinite possibilities when it comes to Helix signal routing and how users will create patches. You can vote for this idea at... https://line6.ideascale.com/a/idea-v2/902419
  16. mralmostpopular

    Hd500 Patches Import To Hd500x

    Hey guys, I thought I'd make this a separate post so that it's easier to find for anyone who might be having some issues. The patches for the HD500 do not import directly into the HD500X Edit software at this time. They use different file formats. There is a work-around that I posted earlier, and is being passed around now. All you have to do is change the extension on the patch files: For individual patches, change the extension from .h5e to .5xe For bundles, change the file extension from .h5b to .5xb For setlists, change the file extension from .h5s to .5xs I have found no inconsistencies among the patches from the HD500 Edit to the HD500X Edit using this method. I don't know if/when Line 6 will update the software to allow backwards compatibility, but in the mean time, you can use this method to get your 500 patches to your 500X. UPDATE: Someone else mentioned that you can drag-and-drop individual HD500 files into the tone slots in the 500X Edit software. I can confirm that this works. You will still need to change the file names for set-lists and bundles, though.
  17. Hi All, I considering the purchase of the Helix and I'm completely new to amp modeling, etc. I keep seeing terms like "IR", "patches", and other terminology used in reference to these devices. Can someone help me understand these, and whatever other terminology I'm likely to encounter, in conceptual terms? I'm also researching a couple other devices, for example the Kemper system. Was it the case that when the Helix initially came out, the stock tones were not on the level of the Kemper but that over time Helix has closed the gap (if there ever was one in the first place)? I ask this because I visited a Kemper forum and had seemed to see more and more converts to Helix in terms of general attitude in the posts towards the device over the past year or so. So I'm wondering that as people have dialed in various tones on their Helixes via "tweaking" that perhaps things have improved over time? And then, of course, I've seen a number of Youtube videos where the Fractal, Kemper, and the Helix are compared and honestly I have a hard time telling the difference between any of them and that it boils down (to me, anyway) the interface of which Helix has the best (again, in my opinion). So if anyone can address or help me out with the above points, I'd greatly appreciated it. Thanks again. Regards, Geo
  18. Hello guys, Check out a cool tone I made and let me know what you think!
  19. I downloaded a patch (.l6t file). I would like to store in one of the banks in my floor pod plus. I connected the POD to my laptop with a MIDI connector and have the Vyzex editor. But I cannot seem to find any tutorial on how to store the patch. Any help would be greatly appreciated. Thank you
  20. Hickdood

    Smashing Pumpkins - Zero Patch

    Hi Everyone, Does anyone have a patch for "Smashing Pumpkins - Zero" for the POD HD500x I need theRhythm and solo patch. I've tried to do this and failed miserably... Ended up with a total pitch shifting MESS... Can anyone help? Regards, Hickdood
  21. aepoc

    New Patch (Orange & Plexi)

    This is another combination patch, Orange OR80 and the Marshal Plexi. Created with a PRS SE Custom 24. In the recording below, I utilize both humbuckers and single coil tones. Hope you like it. http://line6.com/customtone/tone/2218528/ Link to audio sample: https://soundcloud.com/aepoc/saginaw-3
  22. Anybody have any formant wah settings they've programmed? If not, any ideas on how to get them? Maybe via 2 (or 3?) wahs, using the same pedal as a controller, in parallel, to create the necessary frequency variations to get "vowel sounds"? two frequency formant three frequency formant I am a giant fan of Line 6 products generally and the Helix specifically - it's worth more than the combined value of many of my other effects, not even including the 2 JTVs I bought to really unleash it. But I am still surprised this is such a blind spot for the folks doing the typically robust modelling work. Thanks for any help you can provide - Dan
  23. Hi Everyone, Does anyone have a patch for "Smashing Pumpkins - Zero" for the POD HD500x I need theRhythm and solo patch. I've tried to do this and failed miserably... Ended up with a total pitch shifting MESS... Can anyone help? Regards, Hickdood
  24. Most of my patches are saved with the basic amp and reverb settings switched on, but with overdrive, a modulation effect and delay set up but switched off. So when I'm playing I'll switch those on as needed. The next time I use the patch, I want it to be in its saved state, with the overdrive, modulation and delay effects switched off. However the HD300 keeps them switched in, even if I select another patch and go back to the original one, it still has the variations switched on. Is there any way using the footswitches to recall a patch with its settings as they were saved?
  25. Please be aware that downloaded tones, patches and presets that were created by other users have the potential to be corrupted and not work correctly on the target device. Firewall/Antivirus/Internet security applications, Internet/video accelerators and proxy servers, among other things, can be causes of trouble with downloaded files. If your device freezes, a rule of thumb is to back up your custom patches, reset the unit to its factory state, ensure the unit does not freeze while in this state, then load your patches one by one, testing after each load to determine which patch is faulty. Otherwise, please contact our Customer Support team at www.Line6.com/support/tickets. Please be prepared to supply your backup file so that we can investigate your case further.
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