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Found 117 results

  1. Hey ya'll, I searched the forums for this exact question and haven't had any luck yet. I'm still fairly new to the HX Stomp. I wish to move through the Presets (i.e. 35b, 35c, 36a, 37b, etc), while in stompbox mode, with my foot instead of bending down to turn the top wheel. Is that possible with an external pedal of some kind, or is there a way within the Stomp itself? Maybe I completely missed this in the manual. Thanks!
  2. On the POD HD500X, is there a way to move (or maybe copy and paste) a preset from one setlist to another? I want to gather the presets I use most often together into one of the empty user setlists, so I don't have to move back and forth between different setlists all the time. The manual shows how to move a preset within a setlist, but not how to move it to a different setlist. Can this be done?
  3. I welcomed with anticipation the new method of Helix linking its IRs to Presets with what appears to be the IR name (vs the index number in the list of IRs). My understanding of how this is supposed to work, is that once you have specified which IR a preset is based on, the preset is supposed to be smart enough to "find" that preset based on name -- in the list of IRs. I think this is supposed to provide the user the flexibility to rearrange the IRs without worrying about having to re-link the presets to new IR index numbers. I did some testing, and for the most part it, this feature SEEMED to work on my laptop. If you moved an IR, re-clicking on the preset would re-link to the IR in its new location.. I also found that if you deleted an IR, re-clicking the preset would produce an error message. I found however that on a number of occasions that if an IR was deleted, an error message was NOT presented when you re-selected the preset. What happened in this case was that the preset definition had been updated automatically to point to IR number 127 which was empty. In both cases, the name of the preset was lost. (It would have been more useful if this name had been displayed in the error message saying it could not find this IR). In addition, after spending THREE HOURS fixing my presets so they pointed to the proper IRs (they had gotten mixed up in the upgrade)... I created a bundle of my patches as well as some setlists, and then happily went to my second computer, fully expecting that I could just copy in my IRs to Helix Native, and then import my bundle or the setlists -- and then the preset references to the IRs would all sort themselves out... Nope. This did not work. Only about a half of the references to IRs were resolved, even though all my IRs were all copied into Helix Native first. Could anyone please confirm: - has anyone else experienced this bug? - am I doing something wrong: do the IR references not get copied into the bundles and setlists? Do I need to manually export and import each single preset in order to preserve the IR reference? (I certainly hope not! That would be way to much work). If someone from Line6 is reading this, could you please reply and comment on how this new feature (to co-ordinate presets and the IRs they reference) is SUPPOSED to work? Thanks for your help. Richard.
  4. I am a relatively new POD HD500 user, just bought a used one a few weeks ago. I use it through L6Link (XLR cables) w/ my Line6 DT25 112 combo. Yesterday during testing w/ my band, something strange happened. In general I use 2 banks of presets within the user setlist#1 - 1A through 2D. Depending on the songs we played yesterday I switched between presets in the 2nd bank (2A to 2D) of this setlist which contain AC15 pre, AC30pre, BF Double pre, and BF 'Lux pre, all in combination w/ some FX's. All of a sudden I noticed that preset 2B no longer contained the AC30pre but had been overwritten by a preset called 'Middle Pups' (which sounds funny in German, BTW) w/o me having changed or saved anything! Looking at the list of presets, I saw, that 'Middle Pups' usually is on 2B of the setlist L6LINK<->DT. So, it obviously was copied from 2B of one setlist to 2B of another setlist w/o any user action. Any idea how something like this can happen? Has anyone made a similar experience? Regards from Germany Wilfried
  5. Hi, I use a HX Stomp for several months for professional use and I really like it. I built a external footswitch to change presets (FS4-5) and I'm using the HX Stomp in Snapshot Mode, that's great ! But... My problem : when I play in live conditions, I'm not that precise and I often step on 2 footswitches instead of the right one, so it open the bank of presets, which is really (really!) not confortable before a solo!... My question : is there a way to disable that function? I mean, keeping the control of snapshots with the footswitches but nothing else. I can't find anything in the Global settings... If not, is there a way to submit this idea to Line 6, and hoping they include it in a next firmware? By creating a petition or something like that... :) Thanks for your help! PS : "be precise" is not an valid answer ;)
  6. Hi guys, I have recently noticed on my HELIX LT that my presets sound slightly different when I copy them to another setlist. Namely, I have the very same presets in User 3 and User 4, and the same preset in User 4 sounds noticeably less alive (as if I'd dialed presence or gain back a bit). I mainly use User 3 folder to create the presets and then copy them to User 4 in the convenient order, but I've just discovered the issue above and I was wondering if there is a logical explanation behind it. Some could easily say that it is just my ears that trick me, but I've shown it to other people and they noticed it to - so the difference between the very same preset in User 3 and copied to User 4 is not huge, but definitely noticeable. And while it is easier to notice it on high-gain presets (the sound is thinner in User 4), it is definitely there for clean presets as well. Since it is the case for basically all presets that can be found in both folders, it seems like a general difference between the folders, which is strange since I don't know about any options to set something like a general EQ which is only for a certain folder. Any ideas on this, anyone?
  7. Looking for preset recommendations tailored specifically for the JTV Variax Acoustic guitar models. I understand the basic recipe (just a preamp or no amp at all and EQ, reverb, and a bit of compression to taste), but still interested in comparing with other players faves. If someone had a banjo preset I would not mind checking that one out too.
  8. Dude this is getting ridiculous. How do I save newly created presets and changes?? I'm using Logic Pro X and I cannot for the life of me figure out what I am doing wrong here. I create a preset or I make changes to a preset, I click the drop down at the top left of the Helix Native plug-in and click SAVE. It acts like it saves something. I double click to a different preset then back. Changes are GONE. WTF am I doing wrong? Please help me as I am at the end of my rope here. I wanted to create, not perform IT functions in order to be able to do so. Thank you to anyone that can help me out here.
  9. Hi all. On my second HX effects unit as first one faulty. Some of the presets have no sound on bank 11 and 12. I have the latest 2.82 firmware loaded. Any ideas? Many thanks JW
  10. Note: This will erase all current presets and restore the factory sounds, so please save your sounds on a second source if necessary. AMPLIFi 30/75/150/TT: Press and hold the Master Volume knob and Tone button as you power up the amp. AMPLIFi FX100: Press and hold the Master Volume knob and the TAP button as you power up the unit. Axsys 212 or AX2: Press and hold the "User/Preset" and "Save/Store Sounds" buttons, and keep holding as you turn the unit on. DL4: You can reset your pedal to the factory settings by powering it up with the A and D footswitches held down - the power is turned on and off on the modeler pedals by inserting a plug into the left mono input jack. Duoverb: Hold A & D while powering unit. DT25/DT50: Requires a MIDI-to-USB interface with driver support from manufacturer (M-Audio MIDIsport series, Yamaha UX16, etc.) and use Line 6 Monkey via USB connection to MIDI In and MIDI Out of DT50 for a firmware re-install. DT25/DT50 Firmware Update Instructions Firehawk FX: Press and hold the Master Volume knob and the TAP button as you power up the unit. Unfortunately, any patches not backed up to My Tones prior to the reset will be lost. Firehawk 1500: Press and hold the Master Volume knob and the Navigation Encoder (the scroll wheel) as you power up the unit. Flextone I &II: hold down A, B, C, and D while powering the unit on. Flextone III: hold the A and D Buttons while powering up for 8 seconds. Bass POD: press and hold the up and down arrow buttons as you power the unit on for ~ 5-7 seconds or until it goes to the preset 1-A Bass POD Pro: Hold the UP and DOWN arrow key down as you power on for ~ 7 seconds. Bass POD XT Pro and Bean: press SAVE once, use the select key to scroll clockwise to the factory recall page, then press SAVE twice. Bass POD XT Live: see POD XT Bean/Live/Pro Bass Floor POD: Hold COMP and FX while powering up. When 01 appears, disconnect power. Power up. Floor POD: Hold MOD and DELAY while powering up. When 01 appears, disconnect power. Power up. Floor POD Plus: Hold BANK UP and BANK DOWN while powering up unit (display will read INT) Four Button Modeling Pedal: (DL-4, MM-4, FM-4, DM-4): Hold A and D footswitches and power up - the power is turned on and off on the modeler pedals by inserting a plug into the left mono input jack. Helix Floor/LT: Turn unit off and then back on. Hold in Footswitches 9 and 10 right after you turn the unit on, throughout the boot process, until you see that your factory presets are loading. Helix Rack: Turn unit off and then back on. Hold in Encoders 5 and 6 right after you turn the unit on, throughout the boot process, until you see that your factory presets are loading. HX Effects: Turn unit off and then turn back on. Hold Footswitch 6 and Tap throughout the boot process, until you see that your factory presets are loading. If you run into any trouble with a failed update or your unit will not boot up, try powering on while holding the right arrow ">" This will put the unit into update mode and you can re-install the latest firmware from there. HX Stomp: Turn unit off and then turn back on. Hold Footswitches 2 and 3 as the unit boots up. HD147: hold the A and D Buttons while powering up your amp. JM4: Hold down the settings/tone button as you power the unit on and hold the button for 5-8 seconds. M5: Press and hold the TAP button and tap the Model Select knob to enter the setup menu. Tap the model select knob until you see the MIDI, Tempo and Gate functions. Turn the model select knob until the corresponding display shows RST FACT. Hold the On/Off switch and tap the model select knob twice to reset the M5. M9: Press FX Unit 1B and 2B switches at the same time to enter the setup menu. Press the Model Select knob until the display reads MIDI Gate Display across the top. Turn the Model Select knob until the corresponding display shows RST FACT. Press and hold the TAP button just before (split second) pressing the Model Select knob. Its like pressing them down at the same time, but making sure the TAP button is pressed first. Do that once again to reset the M9. M13: Press and hold Looper Controls to enter the setup menu. In FX UNIT 4, turn the Model Select knob until the corresponding display shows RST FACT. Press down on the Model Select knob twice to complete the reset. Lowdown: power on while holding down the 'A' button for 5-8 seconds. POD/POD 2.0/Bass POD/POD Pro: press and hold the up and down arrow buttons as you power the unit on for ~ 5-7 seconds or until it goes to the preset 1-A Pocket POD: Hold the save button and 4-way arrow key up while plugging a cable into the instrument input to power the unit on. The unit will prompt for a factory reset, press save to initiate the factory reset. You can also re-install the flash memory on the Pocket POD by connecting to your computer via USB and using the latest version of Line 6 Monkey. In the UPDATES tab of Monkey, click on Flash Memory, then click 'Re-Install Latest' or 'Update Selection'. POD X3 - Bean/Live: Press and hold the "Home/Hold For Commands" button, select "Reset User Presets" and press the "Save" knob to reset the User bank to its factory presets. POD XT: Bean/Live/Pro: You must re-install the flash memory on the PODxt device to reset the unit back to factory settings. Check out this link for instructions. PODxt reflash instructions. POD HD300/400: POD HD300/400 Factory Reset Video Tutorial POD HD500/500x/HD/HD Pro: You must re-install the flash memory on the HD device to reset the unit back to factory settings. Check out this link for instructions POD HD500 Factory Reset Video Tutorial POD GO: Hold Buttons C and D as you power up the unit. Powercab 112 Plus: Re-flashing the firmware will effectively perform a factory reset. Rackmounted Pro Effect units MOD Pro/Filter Pro/Echo Pro: press MIDI/Sys, use program select knob to FR (save button will begin flashing). Turn speed knob all the way up to "all", press save twice. Relay G70/75 From the edit menu, select "Factory Reset" and press the Nav/Select Encoder. Turn the Encoder to select OK, or cancel to exit. Press the encoder button to commit your selection. Spider I, II, III, IV, Micro, and Valve Series: Hold down the A (or clean) button as you turn on the power and hold the button for 5-8 seconds. Spider V Hold down the Home button to access the settings menu. Scroll down with the encoder to where it say Factory Reset. Scroll to the right and press to encoder knob to hit Yes. Spider V 20: Hold down FX2 and FX3 buttons while powering on, then press and release 'save' while the amp is turned on. Spider Jam: Hold down the settings/tone button as you turn on the power and hold the button for 5-8 seconds. Stagescape M20d: You must tap the "i" button in the upper right corner of the Main Toolbar. Then tap Show System Settings > backup > Restore Factory Settings. **Warning!** This procedure will erases ALL stored presets on the unit and reverts to the factory presets provided by Line 6 in the latest installed firmware. Variax Electric and Acoustic Guitars and Basses You will have to connect your VARIAX to the WORKBENCH, POD XT/X3 LIVE, or VETTA II to reset your factory default settings. Then you will have to connect your interface to your computer. Here are the instructions for each: Variax Electric 300, 500, 600, 700 and James Tyler Variax Guitars These instruments can only be returned to factory reset by reinstalling the flash memory. Connect the Variax digital guitar cable to your Variax interface (you will need to have the unit powered the with TRS cable unless you are using a POD XT/X3 Live or Vetta) to the Line 6 Monkey, select your variax instrument, choose firmware (in the updates tab), and select "reinstall latest". Variax Reflash and Software update F.A.Q. Variax Acoustic (Steel String and Nylon) 300 These instruments do not have a reset function. The presets are simply a variety of settings that the user can overwrite. In other words, the user cannot lose anything, except for the original settings that are provided as examples/starting points. Variax Acoustic 700 - Soft Reset Start with unit off (TRS cable and/or Variax Digital cable unplugged from guitar). Rotate the model selector to the SITAR position. Press and hold model selector (as in Save routine) while inserting TRS cable or Variax Digital cable to power up the unit and perform reset. For a full reset, please follow the Variax Electric Guitar procedure as described above. Variax Bass 700 705 Factory defaults must be restored one at a time. Select the Model you wish to normalize. Place the blend and two tone controls in the detent position. Now press the Model select pot down until the indicator light stops flashing. The Model should now be restored to factory settings. Use this procedure for any model you want to restore to the factory setting. Vetta I & II Soft Reset: Press the save button, and spin the Page knob until you get "Reset USER memory?". Press the Save button again and you will see the Vetta count through the channels one by one. Hard reset: Vetta Reflash procedures Rackmounted Pro Effect units
  11. I'm new to the Helix, and I have the full floorboard model. When saving the presets I've worked on, I save them into a folder in which I call "Fundamentals". Sometimes I like to look at the factory presets to see what they do and how they path certain things together; however, when I go back to my "Fundamentals" folder, it's filled with the factory presets and not the presets that I worked on and saved. Apparently, they are backed up in the Templates folder even though I saved all my made presets to the "Fundamentals" folder, but I never know if I'm going to get them back every time. Is there a fix for this or is it something faulty with the saving function?
  12. Hi all. I'm new here (just got a Helix Floor yesterday) and am pretty excited. One thing I immediately noticed though was how difficult it was to figure out all of the different models of amps, effects, etc. and how they related to the various patch presets, etc. I found this to be a great simple resource, but felt like the community could be better served with a proper database, so I got things started! Introducing HXDB First, I'm using Airtable to build it…think Google Sheets on steroids. Second, much of the data is based on Dshowmusic'sresources. I've already got all of the amps, cabs, effects, and mics that I'm aware of in there, but am looking for some help to get the patch presets in. The beauty of the database model is that we can reference all of the specific effects, etc. associated with each patch directly within its entry. I've also added a column for the artist inspiration, so it can be easily referenced. Link to the database: Full database: https://airtable.com/invite/l?inviteId=inviQCBQHUH2vVuVS&inviteToken=74b3a1adda357e713fa998996811520e8534db8b45a21da3f85ecf91f1ed24cfNote: You'll need to sign up with Airtable (sorry, I can't change this) but it's free, and not spammy. Here's the link to sign up/log in, and get read access to the database: Preview of effects database: https://airtable.com/shr5FUWGUh0rPE0rf If you'd like to help out to improve the database, send me a message! I'll be able to make you a collaborator. Please give me any feedback that you would like! Ultimately I think this should be a community driven resource.
  13. Unfortunately when I purchased the MkII it already had the updated firmware (2.0) installed. The online documentation shows a completely different list of presets than what is on my amp. Is there some place where I can download some of the old presets and install them on my amp? Do I need to downgrade the firmware to get the old presets that I want? Thanks
  14. Hello I'm very new to mutlieffects processors and need some clarification on it's capabilities. I love user made presets and I see the helix has a sizeable collection of artists I really like. The hxstomp has some but not nearly as many. I know the stomp supports 8 blocks in the chain and the helix a few more but, as long as the signal chain is under 8, would I be able to pretty much replicate any user preset that was made for the full helix? Idk if the answer is obvious but I'd like some help from you guys. Thanks if you help out.
  15. After update many presets (not all) had no output. Seems that any preset that reroutes to path 2A or 2B is muted BECAUSE the input to 2A/B defaults to none and there is no option to select 2A/B. Rerouting the output from 2A to XLR,1/4 inch outputs reestablish's output but the 2A path seems unavailable. Updated the firmware on my Helix floor unit to 2.8. All went smooth and backed up before update. Any advice would be appreciated. Thanx
  16. Got my HX Stomp and as expected there is always going to be differences in the volume of the different factory presets as well as the many presets I’ve downloaded from the community site. Such differences of course would be expected say between a clean twin preset and a cranked metal tone. however the volume differences appear to be extremely different from one patch to the next. I spent a number of hours trying to normalize these, not to identical volumes, but to more appropriate volume differences between clean versus crunch versus distorted. at first I begin modifying amp distortion levels then channel volumes then master volumes, then pedal volumes...and lastly noted that additional volume changes could be made at the output. so... before I spend too many more hours, am I missing some major concept here - and if not is there a better way to be approaching more reasonable volume differences between patches. Many thanks, Jack
  17. Sharing Settings! POD HD500 SLASH Tone MARSHALL Amp Simulation [PATCH - USB Recording]. POD HD500 STEVE VAI Tone DISTORTION "The Love of God" guitar sound [LINE 6] PATCH Settings in the video.
  18. Hi, New HX Stomp user here! I'll try to ask this question as clearly as possible.... I know that there is an option to tell the HX Stomp to send a PC command when calling a preset to external midi devices. I was wondering if you could set specific PC commands, depending on WHICH preset you activate? I have a Soleman midi controller (4 footswitches), with many many songs already programmed. Out of 50 songs in our set, maybe 30 need a specific set of presets (combinations of drive pedals, delay/reverb and modulation), and those are already programmed in my Soleman with song sections (verse, chorus, bridge, etc.). The rest of the songs are more "generic" tones, for which I typically use a general set of presets that get me through many songs that "fit" these tones. Now, I would like to create a preset on the HX Stomp for each and every song we play, and have it send a PC message to the Soleman ONLY when I want it to recall the "panel preset" that I already previously programmed. Which would give me greater flexibility and more swtiches to control my other pedals that are midi, but not in the HX Stomp (SA Nemesis, SA Ventris, Whammy 5). Please help. This has been spinnning in my head for days now.....! Ps. My other solution was to do it the other way around, with the Soleman calling presets on the HX Stomp, but it'd mean that I would have to do a lot more programming, and it's not ideal, I think.
  19. Is there a list of the Firehawk 1500 presets somewhere? I can find a list of the Firehawk FX presets online but the first three banks are different when I factory reset my Firehawk 1500. The online list says bank 1a should be "HD Rhythm" but it is in fact "Plexi Lead 100 N"
  20. Hi guys! Just wanna let you all know that I am making a lot a videos about the Helix and how to get the best tone out of it! Every week I release at least two new videos! Make sure you check it and subscribe to be notified. Here’s the link of the last upload! https://youtu.be/Poenu02m9uE Hope you enjoy it!
  21. This post is for those who use a PC to trigger MIDI events in Helix. Since I updated to the 2.8 firmware, my USB connectivity for MIDI is not working. I’ve checked all of my settings, reinstalled the ASIO audio driver and validated my USB connection to the PC as I’m able to control Helix perfectly through HX Edit app. I also validated the issue by reverting back to 2.71 and testing and everything worked fine. I also copied all of the global settings so I could reset them all in 2.8. Well, the issue is back and I don’t know what to try next. Any known issues or ideas you can share with us? I really need to resolve this before my upcoming live performances, thanks!
  22. Hi, fellow Helixoids! I've just released 13 new Helix sound sets, available at the Helix Marketplace. I've taken an unusual approach: While we all know that Helix is great at mimicking classic analog gear, I've been exploring Helix as the unique and powerful instrument it is, with an emphasis on startling new tones that could only have been created in Helix. I think these sounds will appeal to restlessly creative players in search of new tones and textures. (Admittedly, they're probably not suitable for REO Speedwagon cover bands.) Each board sell for $13 and has its own demo video at the above link. There's also a combo back offering all 13 sets at a 40% discount. Its demo video, which provides a taste of all 13 products, is a good starting point if you're curious. Thanks for listening! :)
  23. Deutsch Français Q: Where can I find videos on how to use the Spider IV amplifier? Spider IV movies Q: Where can I download the Spider IV Pilot's Guide and Advanced Guide? Spider IV Advanced Guide Spider IV Pilot's Guide Q: What are the presets on my Spider IV amplifier? A: The user presets and artist/song presets for the Spider IV can be seen at Spider IV presets.xlsx. There are the 64 user-programmable presets, over 350 Artist Presets, and over 200 song and effect-based presets. Be aware that the artist, song, and effect based presets cannot be saved in their current location, but you can modify and/or store these setting in one of the 64 user-programmable presets. If you would like to return your unit to the original presets, please perform a factory reset. Q: How are the preset banks categorized? A: The User, Artist, and Song Banks can be navigated by using the left/right buttons on the four-way selector. You can navigate through the banks once you are in the specific area using the up/down buttons on the four-way selector, then once you are in the specific bank you can access the individual presets by turning the presets encoder key. Q: How do I perform a factory Reset on the Spider IV series amplifiers? A: Hold the A button as you power the unit on, then press the presets encoder once. ***NOTE: If an FBV controller is connected to the Spider IV during the Factory Reset, the LCD screen on the FBV will go blank. To return the display, simply press a footswitch on the FBV or disconnect/reconnect the CAT5 cable to the FBV. Q: Where are the "bonus" presets that are not programmed into the amp? Spider IV 75, 120, 150 and HD150 - Song Settings Q: Is there an editor for the Spider IV (75, 120, 150, 150 HD) series amplifier? A: Yes, see the following link for details: Spider IV Edit v1.02 FAQ Q: What are the amp models on the Spider IV 75/120/150/150HD?* Clean Red - Based on the clean channel of the Marshall® JCM 900, the first true modern high gain amp from Marshall. Select Clean Red to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you'll need with a generous amount of bottom end. Clean Green - We developed this amp model to emulate those late 60s and early 70s clean tones. We modeled a 1973 Hiwatt® custom 100, then extended the tone control range and tightened up the low end for that big, ringing sound. Twang Red - This amp model draws on our analysis of mid 60s Fender® amps, in particular the blackface '65 Twin Reverb®. We wanted that classic, glassy high end tone, with enough snap and bite for some serious chick'n pick'n. Things don't get too crunchy until you reach the top range of the Drive knob. Twang Green - There's nothing like the sound of the classic Fender® blackface Deluxe Reverb®, the Holy Grail for many blues, country and roots rockers. Class A Red - Ready, steady....GO! This amp model is based on a Vox® AC-30 amplifier with an updated and expanded TBX tone control circuit. We wanted to capture that early pop rock tone that many British invasion bands are so well known for. Class A Green - There are some great modern amps out today based on the legendary tones of yesteryear. Here's our take on the EL84 circuit of a Divided By 13 9/15 Model. Blues Red - This amp model is inspired by that famous vintage tweed sound we all know and love. We evaluated a '53 Fender® wide panel Deluxe and this is what we came up with. Blues Green - Blues Green is based on a Gretsch® 6156, a 1960 1x10 combo from the days when rock 'n' roll took the blues to a new level. Add some reverb and a slap echo and be-bop-alu-la! Crunch Red - This sound was crafted during our studies of the '68 Marshall® Plexi 50 Watt, which was used by a number of early metal bands. Hi Gain Red provides a wider range of tone control settings than the original jumpered Marshall®, allowing you to bump up the mids even at the highest Drive settings. Crunch Green - Here's our inspired interpretation on a 2005 Orange® AD-30TC, a 30 watt, Class A head that oozes pure Brit rock tone, taking 60s crunch to a new level. Hi Gain Red - Plexi On Fire! This amp model is based on a '68 Marshall® Plexi 100 watt with a few added extras; the combination of a Variac and the jumpered input channels creates that infamous brown sound that will feel like flames are shooting out the input jack! Hi Gain Green - Hi Gain Green was inspired by the Diezel® Herbert, the 180 watt Ducati of high performance guitar amplifiers, featuring a huge, tight low end. Metal Red - For this amp model we took the classic Mesa/Boogie® Dual Rectifier® and added a few enhancements. The resulting Amp Model has a definite modern flavor. This monster truck of tone delivers a bottom end that's big, powerful, tight and fast. Use Metal Red to get a punchy, high gain Metal sound. Metal Green - This sound was created to be an aggressive high gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. With the Mid knob is set to minimum, the distortion exhibits Fuzz pedal characteristics. When set to noon, it mimics the creamy modern high gain amp tones. And when turned up to max, its reminiscent of that maxed out Class A sound. Of course there are all the places in-between... Insane Red - This model is our "dialed in for shredding" version of the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind. Insane Green - Our goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character. As a result, you get way more bottom end and cabinet character than other small amps. Crank up the Drive control and prepare to dominate! *All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying the specific products that were studied during Line 6's sound model development. HIWATT® is a registered trademark of Fernandes Company, Ltd. FENDER®, TWIN REVERB® and DELUXE REVERB® are registered trademarks of Fender Musical Instruments Corporation. VOX® is a registered trademark of Vox R&D Limited. MARSHALL® is a registered trademark of Marshall Amplification Plc. GRETSCH® is a regustered trademark of Fred W. Gretsch Enterprises, Ltd.ORANGE® is a registered trademark of Orange Personal Communications Services Ltd. MARSHALL® is a registered trademark of Marshall Amplification Plc. MESA/BOOGIE® and RECTIFIER® are registered trademarks of Mesa/Boogie, Ltd. DEIZEL is a regiustered trademark of Deizel GMBH. Q: What is 'Manual Mode'? A: When the Manual button is lit, Spider IV is operating in 'Manual Mode', meaning that all of the controls are active and the sound of the amp is determined by the current knob settings. If you are not in Manual Mode and would like to be, simply press the 'manual' button. You can exit manual mode by selecting the 'manual' button again, or pressing the buttons for A-D. Q: What are the specifics of the Smart Harmony effect on the Spider IV (75-150) Series? A: The Smart Harmony can be placed 'pre' or 'post' amp, and can perform diatonic harmony for any root note (A through G#) from a unison (no change) to a ninth interval (up to seven steps) above or below the root note. The scales included in the Smart Harmony include Major, Natural Minor, Pentatonic Major, Pentatonic Minor, Harmonic Minor, Melodic Minor, Whole tone, and Diminished scale. The overall mix of the Smart Harmony effect can be programmed and stored per patch from 0-100%. Q: What are the specifics of the Pitch Glide effect on the Spider IV (75-150) Series? A: The Pitch Glide can be placed pre' or 'post' amp, and the Heel and Toe positions of the FBV can be programmed two octaves above or below the incoming note in ½ steps (semi-tones) increments. Be aware that the number '7' in this situation equals 3.5 steps (because of the half step measurements) rather than an interval of a seventh (5.5 steps) that would be heard when using the Smart Harmony effect. The overall mix of the Pitch Glide effect can be programmed and stored per patch from 0-100%. Q: Where can I learn more about using the Smart Harmony and Pitch Glide features? Q: I already have an original FBV controller, will this work on the Spider IV 75-150 series? A: The FBV (Mk I) controllers will control most of the standard functions on the Spider IV 75-150 series with a few limitations. Here is a breakdown of the limitations: FBV Express 1. The FBV Express (Mk I) cannot punch in and out overdubs. It just starts record once for a single pass. The FBV Express Mk II can control the overdub feature. 2. The FBV Express (Mk I) cannot arm the Quick Loop. The quick loop must be armed by pressing the amp front panel. The FBV Express MkII can arm the Quick Loop by pressing down either the A+B or C+D footswitches. This is what takes you out of Looper mode as well. FBV Shortboard The FBV Shortboard (Mk I) cannot arm the Quick Loop. The quick loop must be armed by pressing the Quick Loop button on the front panel. The FBV Shortboard MkII can arm the Quick Loop by pressing the (new) Function 2 button. Overdubbing works on both original and current Shortboards. All other functions are available on the FBV Mk I pedals as their Mk II counterparts. Due to the new effects layout, the FBV Shortboard FX Loop button will activate the Boost setting in the Spider IV 75-150. On the FBV Shortboard Mk II this button is labeled 'Function 1'. Q: What are the specifics on the Looper function of the Spider IV (75-150) Series? A: The Spider IV (75 and above) has a 14 second looper on the amplifier that can be activated by the face of the unit or the FBV Mk II series controllers. See the following video for more looper information: Q: How do I connect the Spider IV 150/HD to the Spider Cabinet? A: The Spider IV 150 and HD is designed to see a load on *both * speaker outputs by connecting the left and the right inputs to the Spider cabinet with speaker cables. Running the Spider IV 150/ HD into a 4 ohm load may result in damage to the amplifier. Please see the following link for more information: Cabinet Connection and Ohm F.A.Q Q: Can I use two Spider cabinets with the Spider Series HD 150? A: The Spider IV 150 and HD were designed to power a single Spider Stereo Cabinet with a stereo 8 ohm load. Using two Spider cabinets would require a modification to each cab so that they are each rewired to produce a 16 ohm mono load. This modification would preferably be done by an authorized Line 6 service center, which can be located from the Service Center link on the Support page. Q: How do I connect external speakers to my Spider IV 150 amplifier? A: Line 6 recommends disconnecting the internal speakers (covering the dry-solder clips with electrical tape) and connecting both external speaker outputs to an 8 ohm (or 16 ohm) load. Do not connect just one side, as this may cause a power amp failure. Powering the internal speakers along with a external speakers may cause a power amp failure and is not supported. Q: What type of speaker is used on the Spider IV series? Spider IV 15: Custom 15 (4 ohm) Spider IV 30: Celestion G12E50 (4 ohm) Spider 1V 75/150: Celestion G12P80 (8 ohm) Spider IV 120: (2) Celestion G10P80 (8 ohm) Q: Where can I get a cover or replacement knobs for my Spider IV amplifier? A: Line 6 Store Wo kann ich Videos zur Nutzung des Spider IV Verstärkers finden? Spider IV movies Wo kann ich Benutzerhandbücher herunterladen? Spider IV Advanced Guide Spider IV Pilot's Guide Welche Presets kann ich auf dem Spider IV finden? All User, Artist und Song Presets können Sie hier finden: Spider IV presets.xlsx Insgesamt sind 64 selbsteinstellbare Presets, über 350 Artistenpresets sowie über 200 Song- und Effektpresets enthalten. Die Artist, Song und Effekt Presets können nur verändert und abgespeichert werden indem Sie sie in eine der 64 User Banken abspeichern und dann von dort aus editieren. Wenn Sie das Gerät zurück auf die Originalpresets zurückstellen wollen, dann müssen Sie das Gerät auf Werkseinstellungen zurücksetzen. Gibt es verschiedene Kategorien für die Presets? Die Presets sind in User, Artist und Song Presets eingeteilt. Nutzen Sie zur Auswahl einfach die rechts-links Pfeiltasten. Sobald Sie dann in einer der Abteilungen sind, können Sie die Bank anhand der rauf-runter Pfeile auswählen und hier können Sie dann die verschiedenen Presets mit dem Preset Knopf ansteuern. Wie kann ich das Gerät auf Werkseinstellungen zurücksetzen? Halten Sie dazu den A Knopf beim Starten des Gerätes gedrückt und drücken Sie den Presets Knopf einmal. Achtung, wenn ein FBV Controller während des Zurücksetzens angeschlossen ist, dann wir der Bildschirm sich leeren. Um wieder ein Bild zu bekommen brauchen Sie nur einen Fußschalter zu drücken oder das CAT5 Kabel neu einzustecken. Wo sind die Bonus Presets, die einprogrammiert sind? Spider IV 75, 120, 150 and HD150 - Song Settings Gibt es einen Editor für die Spider IV 75, 120, 150 und 150HD Verstärker? Ja: Spider IV Edit v1.02 FAQ Welche Verstärkermodelle gibt es auf dem Spider IV? Clean Red: Auf Basis des Clean Kanals eines Marshall® JCM 900, der erste moderne High Gain Verstärker von Marshall. Wählen Sie Clean Red für knackigen, klaren Sound und warme Jazz Töne. Zusätzlich bietet das Modell Viel Bass. Clean Green: Dieses Modell wurde dazu entworfen nach den sauberen 60er und 70er Tönen zu klingen. Wir haben dazu einen Hiwatt® custom 100 als Vorlage verwendet und die Tonreichweite modifiziert für einen tollen klingelnden Sound. Twang Red: Dieses Modell ist das Resultat unserer Analyse von Fender® Verstärkern der 60er Jahre, ganz besonders des 65er Blackface Twin Reverb®. Unser Ziel war ein klassisch glasiger Ton, der aber nicht zu krass nach oben hin klingen soll, wenn man Drive aufdreht. Twang Green: Auf basis des einzigartigen Fender® Blackface Deluxe Reverb®. Class A Red: Auf Basis eines Vox® AC-30 mit modifizierter TBX Kontrolleinheit für tollen englischen Pop Rock Sound. Class A Green: Es gibt viele modern Verstärker, die auf Tönen von alten Verstärkern basieren. Hier ist unser Modell nach einem EL84 Schaltkreis eines Divided By 13 9/15. Blues Red: Auf Basis eines 53er Fender® Deluxe. Blues Green: Auf Basis eines Gretsch® 6156, eine 1x10 Combo von 1960. Crunch Red: Auf Basis eines 68er Marshall® Plexi 50 Watt. Crunch Red hat mehr Ton Kontrolle als der original Marshall Verstärker sodass Sie die Mitten auch bei hohen Drive Einstellungen noch aufdrehen können. Crunch Green: Unsere Interpretation eines 2005er Orange AD-30TC 30Watt. Purer englischer Rock Sound der Klasse A. Hi Gain Red: Auf Basis des 68er Marshall Plexi 100Watt mit ein paar kleineren Extras. Für den berüchtigten „Brown Sound“. Hi Gain Green: Auf Basis eines Diezel® Herbert, ein 180Watt Verstärker mit ungleublicher Performance. Metal Red: Für dieses Modell haben wir den Sound eines Mesa/Boogie® Dual Rectifiers® modelliert und leicht verändert für einen etwas moderneren Ton. Nutzen Sie Metal Red für druckvollen High Gain Sound. Metal Green: Ein aggressives High Gain Modell mit einzigartiger Kontrolle über die Mitten. Auf dem Minimum können Sie Fuzz Karakteristiken erzeugen, auf 12 Uhr bekommen Sie einen modernen High Gain Sound und voll aufgedreht bekommen Sie einen Class A Sound und dann gibt es natürlich noch alles dazwischen. Insane Red: Unsere Shredding Version des roten Kanals eines Mesa/Boogie® Dual Rectifiers®. Eine Kombination von Metal Red mit mehr Mitten. Insane Green: Dieses Modell soll so viel Input Gain wie nur möglich liefern mit extremer Verzerrung. Das Modell behält bei der abgefahrenen Verzerrung aber immernoch die Definition und den Charakter. Mehr Bassbox Karakter als die meisten kleineren Verstärker liefern können. *Alle in diesem Dokument erwähnten Produktnamen sind Marken der jeweiligen Besitzer, welche weder zu Line 6 gehören noch mit Line 6 assoziiert sind. Die vorher genannten Marken werden in diesem Dokument nur zur Identifikation der Produkte verwendet, deren Sounds und Klänge Line 6 studiert hat während des Sounddesigns der verschiedenen genannten Line 6 Modelle. HIWATT® ist ein eingetragenes Warenzeichen von Fernandes Company, Ltd. FENDER® TWIN REVERB® und DELUXE REVERB® sind eingetragene Warenzeichen von Fender Musical Instruments Corporation. VOX® ist ein eingetragenes Warenzeichen von Vox R&D Limited. MARSHALL® ist ein eingetragenes Warenzeichen von Marshall Amplification Plc. GRETSCH® ist ein eingetragenes Warenzeichen von Fred W. Gretsch Enterprises, Ltd. ORANGE® ist ein eingetragenes Warenzeichen von Orange Personal Communication Services, Ltd. MESA/BOOGIE® und RECTIFIER® sind eingetragene Warenzeichen von Mesa/Boogie, Ltf. DIEZEL® ist ein eingetragenes Warenzeichen von DIEZEL GmbH. Was ist der „Manual Mode“? Wenn der Manual Mode Knopf leuchtet, dann ist der Manual Mode eingeschaltet, der Ihnen volle Knotrolle über den Verstärker verleiht. Alle Einstellungen sind also aktiv und der Ton des Verstärkers hängt vollkommen von den Einstellungen der Knöpfe ab. Drücken Sie einfach den „Manual“ Knopf um den Manual Mode ein- und auszuschalten. Was sind die Spezifikationen des Smart Harmony Effektes auf den Spider IV 75-150 Verstärkern? Der Smart Harmony Effekt kann auf Pre oder Post gestellt werden und liefert eine diatonische Harmonie für alle Grundtöne vom Einklang zum neunten Intervall über oder unter der Grundnote. Enthalten sind Major, Naural Major, Pentatonisches Major, Pentatonisches Moll, harmonisches Moll, melodisches Moll, voller Ton sowie eine verminderte Skalierung. Der Mix das Effektes kann von 0 bis 100% eingestellt und einzeln auf Patches abgespeichert werden. Was sind die Spezifikationen des Pitch Glide Effektes auf den Spider IV 75-150 Verstärkern? Der Pitch Glide Effekt kann auf Pre oder Post gestellt werden und die zwei Pedal Stellungen des FBV können auf 2 Oktaven rauf und runter in Halbschritten programmiert werden. 7 bedeutet in diesem Fall also 3,5 Schritte anstelle eines siebtel Intervalls, wie man es sich eigentlich vorstellen könnte. Der Mix das Effektes kann von 0 bis 100% eingestellt und einzeln auf Patches abgespeichert werden. Wo kann ich mehr über Smart Harmony und Pitch Glide lernen? Ich habe bereits einen original MkI FBV Controller, funktioniert dieser mit dem Spider IV 75-150? Die meisten Hauptfunktionen sind auf den MkI Boards belegt mit ein paar wenigen Ausnahmen: FBV Express: Es kann keine Overdubs benutzen, es fängt einfach an aufznehmen. Dieses Problem besteht nicht bei dem MkII. Der Quick Loop funktioniert nur bedingt, Sie müssen Ihn am Frontpanel des Verstärkers starten. Beim MkII kann Quick Loop ganz einfach durch den Druck der Fußschalter A+D oder C+D gestartet werden. FBV Shortboard: Der Quick Loop funktioniert nur bedingt, Sie müssen Ihn am Frontpanel des Verstärkers starten. Beim MkII kann Quick Loop ganz einfach durch den Druck des Function 2 Knopfes gestartet werden. Overdubbing funktionert auf MkI sowie MkII. Alle anderen Funktionen sind auf dem MkI (dem originalen Shortboard) funktionstüchtig. Aufgrund des neuen Layouts jedoch, aktiviert der FX Loop knopf am alten Shortboard die Boost Einstellung und am neuen (MkII) heißt dieser Knopf „Function 1“. Was sind die Spezifikationen der Looper Funktion auf den Spider IV 75-150 Verstärkern? Der Spider IV (75 oder höher) hat eine 14 Sekunden Looper Funktion eingebaut die vorne auf dem Verstärker aktiviert werden kann. Wie kann ich mein Spider IV 150/HD an ein Spider Cab anschließen? Die Spider IV 150 und 150 HD sind dazu entworfen eine Last auf beiden Lautsprecherausgängen zu haben. Schließen Sie also bitte beide Ausgänge an die Box anhand von Lautsprecherkabeln an. Den Verstärker an eine 4 Ohm Last anzuschließen kann den Verstärker beschädigen: Cabinet Connection and Ohm F.A.Q Kann ich zwei Spider Boxen an den Spider 150 HD Verstärker anschließen? Der Verstärker ist dazu entworfen eine einzige Box angeschlossen zu haben mit stereo 8 Ohm Last. Um 2 Boxen anzuschließen, müssten beide Boxen modifiziert werden um 16 Ohm Mono zu erzeugen. Die Modifikation kann bei einem Line 6 Service Center durchgeführt werden. Wie kann ich externe Lautsprecher an den Spider IV 150 anschließen? Wir empfehlen die inneren Lautsprecher vom Verstärker zu trennen und beide externe Lautsprecher Ausgänge an 8 oder 16 Ohm anzuschließen. Aber schließen Sie immer beide Seiten an, nicht nur eine einzelne denn dies kann zu Endstufenproblemen führen. Die internen zusammen mit externen Lautsprechern anzuschließen kann auch zu Fehlern in der Endstufe führen und ist nicht unterstützt. Welche Lautsprecher werden in die Spider Verstärker eingebaut? Spider IV 15: Custom 15 (4Ohm) Spider IV 30: Celestion G12E50 (4Ohm) Spider IV 75/150: Celeston G12P80 (8Ohm) Spider IV120: 2x Celestion G10P80 (8Ohm) Wo kann ich Ersatzteile oder in Schutzhülle für mein Spider IV kaufen? Line 6 Store Ou puis-je trouver des vidéos sur l’utilisation du Spider IV? Spider IV movies (Attention, les vidéos sont en anglais.) Ou puis-je télécharger le mode d’emploi du Spider IV ? Spider IV Advanced Guide Spider IV Pilot's Guide Quels sont les presets sur l’ampli Spider IV? Trouvez tous les presets User et Artist/Song ici : Spider IV presets.xlsx . Le Spider IV a 64 presets User, plus que 350 presets Artiste et 200 presets Song et sur base d’effets. Les presets Artist, Song et sur base d’effets ne peuvent pas être enregistrés dans la position courante mais vous pouvez les modifier ou enregistrer dans une des banques User. Si vous voulez retourner votre appareil à cause d’une erreur ou un problème. Comment est-ce qu’on classe les presets en catégories ? Vous pouvez naviguer entre presets User, Artiste et Song avec les boutons gauches et droite. Si vous êtes dans une banque, vous pouvez naviguer pour chercher Comment puis-je réinitialiser l’appareil ? Maintenez enfoncé le bouton A en allumant l’appareil. Après ca, poussez le bouton Presets. Attention, si un contrôleur FBV est connecté au Spider IV pendant la réinitialisation, l’écran du FBV se vide. Poussez un des commutateurs aux pieds ou reconnectez le câble CAT5 pour réactiver l’écran. Ou puis-je trouver les presets « bonus » pas programmé dans l’ampli ? Spider IV 75, 120, 150 and HD150 - Song Settings Y a t il un éditeur pour les Spider IV ? Spider IV Edit v1.02 FAQ Quels sont les modèles d’ampli sur les Spider IV ? Clean Red: Basé sur le canal clean du Marshall® JCM 900 le premier amplificateur moderne à gain élevé. Sélectez Clean Red pour un son clair, un ton jazz chaud et beaucoup du basse. Clean Green: Ce modèle était développé pour les sons clairs des amplis des années 60 et 70. Ce modèle est basé sur un Hiwatt® 1973 custom 100. Twang Red: Ce modèle est le résultat de nos analyses des amplis Fender® des années 60. En particulier, le Le 65 Blackface Twin Reverb®. On a essayé d’imiter ce son classique, de gain élevé. Le son ne devient pas trop crunchy jusqu’à ce que vous tourniez au bouton Drive. Twang Green: Basé sur le Fender® Blackface Deluxe Reverb®. Class A Red: Basé sur un Vox® AC-30 avec circuit de contrôle TBX modifié. On a essayé d’enregistrer le on pop rock des groupes anglaises. Class A Green: Basé sur le circuit EL84 d’un Divided By 13 9/15. Blues Red: Basé sur un Fender® Deluxe de 1953. Blues Green: Basé sur un Gretsch® 6156, un combo de 1960 1x10. Crunch Red: Basé sur un Marshall® Plexi 50 Watt de 1968. Crunch Green: Basé sur un Orange® AD-30TC de 2005. 30Watt classe A. Hi Gain Red: Basé sur un Marshall® Plexi 100 Watt de 1968 avec des extras. Hi Gain Green: Basé sur un Diezel® Herbert 180 Watt. Metal Red: Basé sur un Mesa/Boogie® Dual Rectifier® amélioré. Le modèle est un peu moderne. Metal Green: Un modèle de gain élevé très agressive avec un contrôle des mis spéciale. Le bouton des mis sur le minimum et vous recevez des distorsions comme un pédale Fuzz. Sur le maximum, c’est un son comme un ampli Classe A. Insane Red: Basé sur un Mesa/Boogie® Dual Rectifier® avec plus de mis. Insane Green: Le maximum de distorsion d’entrée possible. *Tous les noms de produits dans ce document sont des marques déposées des propriétaires respectifs. Ces noms de produits ne sont pas affiliés ou associés avec Line 6, ils sont uniquement utilisés pour identifier les produits de ces fabricants. HIWATT® est une marque déposée de Fernandes Company, Ltd. FENDER®, TWIN REVERB® et DULXE REVERB® sont des marques déposées de Fender Musical Instruments Corporation. VOX® est une marque déposée de Vox R&D Limited. MARSHALL® est une marque déposée de Marshall Amplification Plc. GRETSCH® est une marque déposée de Fred W. Gretsch Enterprises, Ltd. ORANGE® est une marque déposée de Orange Personal Communications Services Ltd. MESA/BOOGIE® et RECTIFIER® sont des marques déposées de Mesa/Boogie, Ltd. DIEZEL® est une marque déposée de Diezel GmbH. Qu'est-ce que le « Manual Mode » ? En mode manuel, tous les contrôles sur le Spider IV sont activés et le son de l’ampli est déterminé par les postions des boutons. Poussez le bouton Manual pour entrer le mode manuel. Poussez le bouton encore une fois pour désactiver ce mode. Quels sont les spécifications pour l’effet Smart Harmony sur un Spider IV ? Vous pouvez le mettre en Pre ou en Post et peut faire une harmonie diatonique pour tous les notes de base d’un unisson à au 9ième intervalle (c’est jusqu’à 7 étapes) dessous ou dessus de la note originale. Inclus sont : Majeur, Mineure naturelle, Pentatonique majeur, Pentatonique mineur, Mineure harmonique, Mineure mélodique, Ton entier, et échelle réduite. Le mix peut être programmé et enregistré par patch de 0 à 100%. Quels sont les spécifications pour l’effet Pitch Glide sur un Spider IV ? Vous pouvez le mettre en Pre ou en Post et les deux positions du contrôleur FBV peuvent être programmées pour deux octaves dessus ou dessous la note d’entrée en incréments de ½. 7 veut dire que ce sont 3,5 étapes. Vous pouvez aussi programmer le Mix de l’effet et l’enregistrer entre 0 et 100% par patch. Ou puis-je apprendre plus sur ces deux effets ? J’ai déjà un contrôleur FBV original, est-ce qu’il fonctionne avec le Spider IV? Oui, mais avec quelques limitations : FBV Express : Vous ne pouvez pas configurer les overdubs. Il simplement enregistre une fois. Vous ne pouvez pas utiliser Quick Loop. Lancez-le avec le panneau de l’ampli. FBV Shortboard : Vous ne pouvez pas utiliser Quick Loop. Lancez-le avec le bouton Quick Loop. Quels sont les spécifications pour la fonction Looper sur les Spider IV ? Les Spider IV 75 et ci-dessus on un looper de 14 secondes. Comment puis-je connecter le Spider IV 150/HD à un baffle Spider ? Vous devez toujours connecter les deux sorties gauche et droit au baffle avec des câbles d’haut parleurs. La connexion du Spider IV à une 4 Ohm Impédance peut endommager l’ampli : Cabinet Connection and Ohm F.A.Q Puis-je utiliser deux baffles avec le Spider HD 150? L’ampli doit être modifié pour faire fonctionner deux baffles avec un ampli. Un Line 6 Centre Service peut faire cette modification. Comment puis-je connecter des haut-parleurs externes à mon ampli Spider IV 150 ? Déconnectez les haut-parleurs internes et connectez les deux sorties haut parleurs à 8 ou 16 Ohm. Ne connectez pas seulement une côté. Ne connectez pas des haut-parleurs externes ET les internes en même temps, ce peut endommager l’ampli. Quels haut-parleurs sont utilisés dans les amplis Spider IV ? Spider IV 15: Custom 15 (4Ohm) Spider IV 30: Celestion G12E50 (4Ohm) Spider IV 75/150: Celestion G12P80 (8Ohm) Spider IV 120: 2x Celestion G10P80 (8Ohm) Ou puis-je acheter des remplacements ou une couverture pour men ampli? Line 6 Store
  24. I really appreciate the care that a lot of you put into your custom tones, and have been pretty impressed with some of your work. And even when I wasn't exactly impressed - which says more about me than it does about you - I still valued the time and thought that you put into posting your custom tone creations. But we don't all have the same musical knowledge you have, so we don't all know what you're aiming for when you post a custom preset that has no notes in it beyond the title. And we all want to know what you were aiming for/what sound you intended to achieve with your custom presets. So please, don't worry about spelling or grammar, just pretend the person who's reading it doesn't understand what you mean by your preset title and needs some explanation, which only you can provide by way of entering a description of the tone in the "Comments" field when you upload it. I guarantee you it increases your downloads, and who knows? Maybe one day you build enough visibility that you can sell them for some dough to fund your next Line 6 purchase. Thanks -
  25. A factory preset called 'Fire Woman' was lost when upgrading to v2.8 and I am hoping someone might have an archive of the original. The 'Fire Woman' preset had a Weeper wah, Bucket Brigade delay, Script Mod Phase modulation and Plate verb.
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