XONE

I am sorry that you can't get it to work seamlessly. It's weird that it doesn't return you to the first amp channel (Snapshot 1) when the Preset loads Maybe reach out to Line 6. I'm sure it's something simple that we just missed. It always is. Let me know if you get it solved. I'd love to switch to Snapshots

I figured it out. In the EXT Amp Command Box, "right-click" on the word "Select" on the top left of the Box. A toggle for Snapshot Control comes up. Switch that "ON", and you should able to set up the commands per snapshot.

Glad that worked. I don't use snapshots, so I don't know why that's not changing for you. I only have my Presets programmed to change my amp channels

You have to set up separate Tip and Ring Commands in Command Center on the same preset/snapshot. Go into Command Center. On two separate Lightning Bolts choose Ext Amp Set up one as: Tip - Open. Set up the other as: Ring - Closed Hit Save. See if that's the combination for CH2 using the footswitches

Try this: CH2 (C (Tip) - Open / D (Ring) - Closed) You'll have to set up both as single commands. Hope this helps

Yes, you can control your Orange Super Crush with the Stadium XL. I have mine controlling my Engl Powerball 2. Connect a TRS cable from your A/B Output Jack to the Footswitch In. In Command Center, set up both Tip and Ring on the Lightning Bolts. Since you have 2 channels, you need to find out what combination changes the channels on the Orange. Channel one is probably 0+0 (Open + Open) Channel two might be: 0+1 (Open + Closed), or 1+0 (Closed + Open), or 1+1 (Closed + Closed) You'll have to test and see. But it will change channels on your Orange. It's a good feeling the first time you stomp the footswitch and your amp changes the channel. Also, you can do the same with C/D to control the Hi/Lo feature on the Super Crush. Hope this helps.

Cute. Your Hi-Gain Capture isn't good. Take a look at the Quad Cortex, which is excellent. Or better yet, swallow your pride, and integrate NAM A2. You could have the best Capture Device of them all.

Yes, you can control your Bad Cat with the Stadium. I have mine controlling my Engl Powerball 2. Connect a TRS cable from your A/B Output Jack to the Footswitch In. In Command Center, set up both Tip and Ring on the Lightning Bolts. Since you have 2 channels, you need to find out what combination changes the channels on the Bad Cat. Channel one is probably 0+0 (Open + Open) Channel two might be: 0+1 (Open + Closed), or 1+0 (Closed + Open), or 1+1 (Closed + Closed) You'll have to test and see. But it will change channels on your Bad Cat. It's a good feeling the first time you stomp the footswitch and your amp changes the channel. Let us know how it goes.

A lot people have the same connectivity issue with the Stadium and editor. I'm not sure how Line 6 will necessarily "fix" that in future updates. Could be a hardware issue too. I have no idea. Line 6 isn't saying either. So, I fixed this issue for myself by purchasing a TP Link Roam 6 Portable Router/Hotspot ($38US) off Amazon. The Roam 6 gives me a private hotspot right on my studio desk, that keeps my Stadium XL and the Stadium Editor connected, without any dropouts. It's also small, portable, and easy to setup on your phone in a pinch. I may even try the next update by Wi-Fi. Just an option for anyone seeking to actually use the editor seamlessly.

It would be the fastest way to get to the current standard or better.

I agree. I'm hoping Line 6 develops Proxy into something Next Level, but they've been a bit smug about the tech, and now they may be realizing it's not as simple as they thought it was, and it shows in Proxy. Fingers Crossed. I'm so glad you've experienced the same phenomenon with the QC. It's hard to explain to folks who haven't experienced it. When Line 6 reaches that level, they are serious about Capture Tech. Until then, they'll be chasing QC and Tonex....and may not even know it

That was only for not porting the Plugins onto the QC immediately. It took them 3 years to re-tool the Plugins. I bought the QC for the Capturing. It has worked perfect from day one, and I still prefer their V1 Capture over the new V2 Captures. Proxy is far from that.

Yeah, I got that. You tried CC#32 at 1, and it didn't work. But did you try it set to 0? I got results with the CC#32 set to 0. Hope you find a solution

I just spent the weekend setting up my Stadium XL to control 2 Quad Cortexes, a VoiceLIve 2, and 24 Hi-Gain amp heads on an amp wall. Spent a lot of time messing with CC#32 messages. Did you try the CC#32 set to 0?

You're trying to make something out of nothing. QC nails the feel, tone, and soul of an amp every time. Experience it over 2000 times, and you'll see what I'm talking about can't be quantified in a statement. It's just a rare phenomenon when it "sounds better". It can't really be explained with words. Line 6 is a long way from that.