Please ensure Javascript is enabled for purposes of website accessibility Jump to content

Search the Community

Showing results for tags 'wetdrywet'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Community Support
    • Multi-Effects Units
    • Variax Instruments
    • Amplifiers
    • Computer Based Recording
    • Live Sound
    • Pedals/Controllers
    • Dream Rig - Line 6 Product Integration
  • General Discussion
    • Tone Discussion
    • Line 6 Lounge


  • General FAQ
    • Operating System-specific Information
  • Tutorial Videos
  • Effects/Controllers
    • HELIX/HX
    • DL4 MkII Stompbox Modeler
    • FBV Controllers (MKII / 3)
    • M5
  • Amplifiers
    • Powercab
    • Catalyst
    • Spider V
  • POD
    • POD Go
    • Pocket POD
  • Guitars
    • JTV / Shuriken / Variax Standard / Workbench HD
  • Relay/XD-V Digital Wireless
  • Recording
    • Helix Native
    • Metallurgy
    • Echo Farm/Amp Farm
    • POD Farm 1/2.0/2.5
    • Computer Audio Set Up and Troubleshooting
  • Legacy Products
    • POD
    • Amps
    • 1st Gen Variax Guitars / Bass / Workbench
    • Effects and Controllers
    • AMPLIFi Series
    • Live Sound
    • Digital Wireless
    • Mobile Products
    • POD Studio / Tone Port / GuitarPort
    • Software
    • Dream Rig

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start





Website URL







Registered Products

Found 1 result

  1. I'm struggling to create what I think is a pretty straightforward signal chain, can anyone help me please? It would be this: Guitar, three mono pedals, (Boost, comp, EQ, etc) into a stereo reverb that then spits the signal into stereo and feeds two ams planned hard left and right. This is a setup I use with my pedals and amps and it's also a setup used by a lot of the modern jazz guys like Jonathan Kreisberg and Mike Moreno. Also, I'm a bit confused by Wet-Dry-Wet explanation on the Sean Halley Helix vid. My understanding of WDW was that the signal was this: Left and right are wet signal only through two cabs hard left and right and the dry signal was fed to a central cab – correct me if I'm wrong but that that was the Bob Bradshaw method used by Mike Landau, Steve Lukather and maybe even Scott Henderson. Can this be achieved with the Helix or am I asking too much? Also while I'm here, I'd love it if someone could explain the thinking behind some of the preset patches as the vast majority seem to be unusable or just plain bad. Apart from that, I'm loving it. Boneyt
  • Create New...