43 tones found
Tones by echirouze
||europa lead||carlos santana||europa||Tweed B-Man Nrm Pre||640|
|echirouze||this is my best patch for this song and i can't keep it just for myself friends...try it and enjoy play with les paul, neck humbucker, or other guitar like this. little sample here: http://www.soundclick.com/player/single_player.cfm?songid=12374732&q=hi||6/20/13|
||The Wall Solo||david gilmour||the wall||pink floyd||Hiway 100||rock blues||734|
|echirouze||i try to find this famous sound that's the one i use on stage with my band, with a stratocaster (emg pickups) neck position here a sample http://www.soundclick.com/player/single_player.cfm?songid=11982765&q=hi give feedback at email@example.com||11/5/12|
||purple clean||prince||purple rain||prince or sex symbol or ....||Tweed B-Man Nrm||slow||1036|
|echirouze||trying to close this sound.... a sample here to listen on the strat neck/middle position http://www.soundclick.com/player/single_player.cfm?songid=11963592&q=hi send return here please and give your opinion firstname.lastname@example.org||10/25/12|
||JT45 blues crunchy||bluesman||blues||Brit P-75 Brt||blues||573|
|echirouze||the same patch 1 part just amp 2 with screamer with drive very low 3 with screamer with drive high sample here http://www.soundclick.com/player/single_player.cfm?songid=11962546&q=hi rythmic at the end is realized with the same patch but with volume pot little down||10/24/12|
||MONEY FOR NOTHIN||Mark Knopfler||Money for nothing||Dire straits||458852||rock||1086|
|echirouze||a new patch for this song, using Soldano amp...for trying a sample here http://www.soundclick.com/player/single_player.cfm?songid=11960078&q=hi with middle pickup with strat||10/23/12|
||Still got the so||458852||663|
|echirouze||in the style of "still got the blues" from Montreux 1995, so different from the first i've made before made with a soldano SLO100...and les paul i've played with pots and give or not dynamic. go and listen here http://www.soundclick.com/player/single_player.cfm?songid=11953206&q=hi&newref=hi - - - give your opinion about this patch please at email@example.com that's how we could progress and make better later||10/19/12|
||S.Lukather LEAD||steve lukather||hold the line or others||toto||458852||rock||1609|
|echirouze||my first lead sound with SLO100 i was waiting for a long time (thank you Line6 Team) in this sample you will ear firstly the Rh patch and after this lead sound sorry for the performance, i'm not a guitar hero yet http://www.soundclick.com/player/single_player.cfm?songid=11951611&q=hi||10/18/12|
||LUKE RH||steve lukather||recent songs||Toto||Angel F-Ball||rock||986|
|echirouze||here my sound when i play Hold the line or other songs from toto in this style here a sample where you hear first this ryhtme patch and after the lead patch you will found called "S.Lukather LEAD"..... http://www.soundclick.com/player/single_player.cfm?songid=11951611&q=hi i'm not a guitar hero....you will see this in my solo||10/18/12|
||DOOM CR dual exp1||standard Crunch||458855 / 458849||blues crunchy||769|
|echirouze||realised for strato sungle coil, but sound very smooth and crunch with les paul too. sample under with strato i call it Dual but it's a 4 in 1 patch, because FS1 switch DOOM amp, or SLO100 Exp1 give more gain for the amps.. amp level will be rectified when gain added automaticaly with controller programation. you could listen sample with: 1..first amp and gain low (with 2 differents coils)......2 first amp and gain high (with 2 differents coils)......3 second amp and gain low (with 2 differents coils)......2 second amp and gain high (with 2 differents coils) try it and you'll love it !!! http://www.soundclick.com/player/single_player.cfm?songid=11951297&q=hi||10/18/12|
||my best sultans 2012||mark knopfler||sultans of swing||dire straits||Tweed B-Man Brt||country rock||1632|
|echirouze||always looking for this famous sound i've made another one this day played with strat middle neck position or middle bridge in this sample, made with middle neck http://www.soundclick.com/player/single_player.cfm?songid=11949206&q=hi expression1 is for more reberb during solo, less chorus (high position) and reverse in low position||10/17/12|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.