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    <title>Community: Message List</title>
    <link>http://line6.com/support/index.jspa?view=discussions</link>
    <description>Most recent forum messages</description>
    <language>en</language>
    <pubDate>Sat, 20 Apr 2013 00:26:28 GMT</pubDate>
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    <dc:date>2013-04-20T00:26:28Z</dc:date>
    <dc:language>en</dc:language>
    <item>
      <title>Re: Stop looper and switch preset at same time</title>
      <link>http://line6.com/support/message/485538?tstart=0#485538</link>
      <description>&lt;!-- [DocumentBodyStart:56dabead-943b-4887-a6ec-aa655500fb9b] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;It should be easier with an external midi pedal.&amp;#160; Even if it can't be done "simultaneously," it should be possible to do it digitally fast.&amp;#160; Provided the looper responds to midi signales - I haven't actually looked into this.&lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:56dabead-943b-4887-a6ec-aa655500fb9b] --&gt;</description>
      <pubDate>Sat, 20 Apr 2013 00:26:28 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/485538?tstart=0#485538</guid>
      <dc:date>2013-04-20T00:26:28Z</dc:date>
      <clearspace:dateToText>1 month, 3 days ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: Looking for correct pedal order(with details inside)</title>
      <link>http://line6.com/support/message/485528?tstart=0#485528</link>
      <description>&lt;!-- [DocumentBodyStart:69642a53-8680-4877-8761-7cfdb1838100] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;Bru and GTLazer are both talking about variations on a some tried and true pedal orders.&amp;#160; Basically, gain stuff before preamp, and time stuff afterwards.&amp;#160; Which is a huge oversimplification.&amp;#160; If you start there - distortion-&amp;gt;preamp-&amp;gt;delays-&amp;gt;reverb - and then move some things around, you'll find what you like.&amp;#160; I tend to break with with tradition in regards to my phaser - like GTLazer, I place mine after the distortion.&amp;#160; &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;Filter effects like phasers, wah and EQ when placed before distortion tend to be muted and understated - while placing them after distortion makes them more distinct and exaggerated.&amp;#160; &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;As far as what order you put your distortions in - that deals with something called "gain staging," which is not something I feel the Pod emulates particullarly well.&amp;#160; With "real pedals," the prevailing wisdom is to put a throaty, mid-boosting overdrive first and follow it with a more even-eq'ed, "amp-like" distortion pedal.&amp;#160; Something like say a tube screamer into a Fulltone OCD.&amp;#160; I sometimes run a real tube screamer in my effects loop right before my amps - using the tube screamer to boost the distortion on the HD500's amp emulation. &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;Also - shameless self promotion - I have a website of free guitar lessons.&amp;#160; It'd be awesome if you checked it out and let me know what you think. &lt;/p&gt;&lt;p&gt;&lt;a class="jive-link-external-small" href="http://scheater5.blogspot.com" target="_blank"&gt;http://scheater5.blogspot.com&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:69642a53-8680-4877-8761-7cfdb1838100] --&gt;</description>
      <pubDate>Fri, 19 Apr 2013 21:30:24 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/485528?tstart=0#485528</guid>
      <dc:date>2013-04-19T21:30:24Z</dc:date>
      <clearspace:dateToText>1 month, 3 days ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: Upgrading from POD HD 500?</title>
      <link>http://line6.com/support/message/411782?tstart=0#411782</link>
      <description>&lt;!-- [DocumentBodyStart:0b93ee72-5f34-4ad5-a01b-acd4ba16459e] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;The HD500 and the HD Pro have the exact same processing power.&amp;#160; The 500 has the floorboard, the Pro has some more inputs/outputs - those are the only differences.&amp;#160; If you expect the "upgrade" to be anything other than I/O, then you'll be disappointed.&amp;#160; &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;But, if what you want is rackmount and massive I/O, then the Pro is the way to go - certainly for a studio. &lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:0b93ee72-5f34-4ad5-a01b-acd4ba16459e] --&gt;</description>
      <pubDate>Sat, 23 Feb 2013 17:23:59 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/411782?tstart=0#411782</guid>
      <dc:date>2013-02-23T17:23:59Z</dc:date>
      <clearspace:dateToText>2 months, 4 weeks ago</clearspace:dateToText>
      <clearspace:replyCount>3</clearspace:replyCount>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: HD500 Gain on metal/ Rock amps</title>
      <link>http://line6.com/support/message/407286?tstart=0#407286</link>
      <description>&lt;!-- [DocumentBodyStart:87cf39b4-cb1e-4190-848a-8dff81a1dd49] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;If you're after high gain, very little is going to get you there other than slamming your amp somehow.&amp;#160; Guitarists have been doing it for years, the most famous method is taking a tube screamer, turning the gain down and maxing out the level.&amp;#160; You could do this with just a clean boost, but the tubescreamer adds an EQ that is generally desirable for high gain playing.&amp;#160; Your milage may vary on that point.&amp;#160; But mainly, if you want high gain, you're going to need some sort of boost (like the level on a distortion pedal) between you and the amp.&amp;#160; The vast majority of Meambobbo's patches use this. &lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:87cf39b4-cb1e-4190-848a-8dff81a1dd49] --&gt;</description>
      <pubDate>Thu, 17 Jan 2013 19:43:19 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/407286?tstart=0#407286</guid>
      <dc:date>2013-01-17T19:43:19Z</dc:date>
      <clearspace:dateToText>4 months, 5 days ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: On discounts and predictions...</title>
      <link>http://line6.com/support/message/406474?tstart=0#406474</link>
      <description>&lt;!-- [DocumentBodyStart:845299fc-9ffb-401f-9005-dd2975e77f82] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;True story spikey, but I meant free for us - after all, I'm considering buying a JTV and this is incentive, so it's good for business.&amp;#160; But still, I'm hoping Line 6 has more in their hat. &lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:845299fc-9ffb-401f-9005-dd2975e77f82] --&gt;</description>
      <pubDate>Sat, 12 Jan 2013 05:29:37 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/406474?tstart=0#406474</guid>
      <dc:date>2013-01-12T05:29:37Z</dc:date>
      <clearspace:dateToText>4 months, 1 week ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: On discounts and predictions...</title>
      <link>http://line6.com/support/message/406439?tstart=0#406439</link>
      <description>&lt;!-- [DocumentBodyStart:35e77489-ea9e-497b-8ea4-eb970b3a25e7] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;Well, the annoucement on the front page says that the JTV-89F is coming, with a firmware update ("HD") to follow.&amp;#160; I gotta say, tantalizing (and appreciated) as that is, I expect some more from Line 6 at NAMM.&amp;#160; I reiterate my appreciation of Line 6's continued updating of existing product (for free, no less), but I seriously hope for some more announcements either leading up to, or at, NAMM.&amp;#160; Then again...I &lt;em&gt;own&lt;/em&gt; a Pod and &lt;em&gt;want&lt;/em&gt; a JTV-89, so this annoucement doesn't directly effect me. &lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:35e77489-ea9e-497b-8ea4-eb970b3a25e7] --&gt;</description>
      <pubDate>Fri, 11 Jan 2013 23:18:21 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/406439?tstart=0#406439</guid>
      <dc:date>2013-01-11T23:18:21Z</dc:date>
      <clearspace:dateToText>4 months, 1 week ago</clearspace:dateToText>
      <clearspace:replyCount>2</clearspace:replyCount>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: How to use Volume pedal HD500</title>
      <link>http://line6.com/support/message/406299?tstart=0#406299</link>
      <description>&lt;!-- [DocumentBodyStart:bf157194-4249-4059-ba7c-47ec85473bcc] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;This is something that would come with difficulties with the HD500 setup.&amp;#160; If what you want is a dedicated, post-effects master volume, you may be better suited by simply buying a volume pedal and placing it after the Pod in your setup.&amp;#160; Then it will not be altered by changing patches.&amp;#160; The onboard pedal could then be applied to other settings within the signal chain (wah, delay feedback, etc).&amp;#160; &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;Should Line 6 implement this as an option in a future firmware?&amp;#160; I dunno, it's not useful to me.&amp;#160; Drop them a line and let them know it would be useful to you.&amp;#160; &lt;/p&gt;&lt;p&gt;&lt;a class="jive-link-external-small" href="/company/contact/productfeedback/" target="_blank"&gt;http://line6.com/company/contact/productfeedback/&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:bf157194-4249-4059-ba7c-47ec85473bcc] --&gt;</description>
      <pubDate>Thu, 10 Jan 2013 21:23:09 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/406299?tstart=0#406299</guid>
      <dc:date>2013-01-10T21:23:09Z</dc:date>
      <clearspace:dateToText>4 months, 1 week ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: Which one is the closest amp model of boogie mark series?</title>
      <link>http://line6.com/support/message/406130?tstart=0#406130</link>
      <description>&lt;!-- [DocumentBodyStart:e04125cd-4fcd-4c45-9a6b-cd349805bf2d] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;Check out meambobbo's patches on customtone.&amp;#160; He has a few awesome Mark tones - I use a modified version of his MkiiC+ tone for my non-shred-y leads.&amp;#160; He frequently uses heavily eq'ed Uberschalls for Mark-ish tones.&amp;#160; &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;Like this one:&lt;/p&gt;&lt;p&gt;&lt;a class="jive-link-external-small" href="/customtone/tone/221975/" target="_blank"&gt;http://line6.com/customtone/tone/221975/&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:e04125cd-4fcd-4c45-9a6b-cd349805bf2d] --&gt;</description>
      <pubDate>Thu, 10 Jan 2013 00:01:32 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/406130?tstart=0#406130</guid>
      <dc:date>2013-01-10T00:01:32Z</dc:date>
      <clearspace:dateToText>4 months, 1 week ago</clearspace:dateToText>
      <clearspace:replyCount>4</clearspace:replyCount>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: L6 Link between 2 HD's</title>
      <link>http://line6.com/support/message/406127?tstart=0#406127</link>
      <description>&lt;!-- [DocumentBodyStart:61a564c4-97a4-41fe-b8a1-b664ed4d0a0d] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;Interesting question.&amp;#160; I'm not sure if this functionality is built in, but you should be able to do most of that through MIDI, anyway.&lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:61a564c4-97a4-41fe-b8a1-b664ed4d0a0d] --&gt;</description>
      <pubDate>Wed, 09 Jan 2013 23:51:05 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/406127?tstart=0#406127</guid>
      <dc:date>2013-01-09T23:51:05Z</dc:date>
      <clearspace:dateToText>4 months, 1 week ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
    </item>
    <item>
      <title>Re: HD500 How to undo modified * tones</title>
      <link>http://line6.com/support/message/406125?tstart=0#406125</link>
      <description>&lt;!-- [DocumentBodyStart:2d11a416-3c0d-4dbf-b43b-3fdb181a2483] --&gt;&lt;div class="jive-rendered-content"&gt;&lt;p&gt;Quickest way is to re-select the patch.&amp;#160; For instance, say you're on Bank 1 Patch A, you add an EQ in and decide you don't like it, simply stomp on switch A again, and you're back to the saved patch.&amp;#160; &lt;/p&gt;&lt;p style="min-height: 8pt; height: 8pt; padding: 0px;"&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;I actually use that when playing live sometimes, as I have "tails" turned on, so if I turn a delay on and then off, the trail of the echo will remain. But, instead, if I re-select the patch, it goes quiet instantly.&amp;#160; &lt;/p&gt;&lt;/div&gt;&lt;!-- [DocumentBodyEnd:2d11a416-3c0d-4dbf-b43b-3fdb181a2483] --&gt;</description>
      <pubDate>Wed, 09 Jan 2013 23:49:51 GMT</pubDate>
      <author>support@line6.com</author>
      <guid>http://line6.com/support/message/406125?tstart=0#406125</guid>
      <dc:date>2013-01-09T23:49:51Z</dc:date>
      <clearspace:dateToText>4 months, 1 week ago</clearspace:dateToText>
      <clearspace:objectType>0</clearspace:objectType>
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