phil_m wrote:
I think the only time you would really be missing anything are when you're using the effects have a true stereo separation. I'm thinking things like the stereo delay, ping pong delay, panner, panned phaser, and a few others. Most of the effects when they are run in stereo have identical left and right signals. For things like distortions, there is definitely no difference between the left and right sides.
Phil
Yeah man, that has been my assumption as well.
I was only talking about the traditional "mono" units that have been modeled in the m13.
Which would be great fore-thought on the design team's part
to make a single input split to two different amps and have no
difference in volume or load of the effect. In essence, if you
have a mono input>mono effect>stereo output, then I would assume
common sense would be to have a double of the exact same sound.
But, I wondered if it might spark some good conversation on here.
I will, however say that for me, over the years, I have found that using a
splitter such as a Lehle, before you hit a pedal like the M13 that has true
stereo inputs, does make a difference in the sound that goes out stereo
to your amps. I haven't tried it yet w/the M13 because I don't run stereo right now But, recently I believe companies have made great strides in designing
a mono imput that becomes a "stereo" output.
So here's my next thought:
If Line 6 did such a good job converting a mono signal to "stereo",
why include a stereo input?
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