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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
opps...double post...

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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
Thanks, spaceatl...I understand what you mean. I was leaning to the simpler setup of the HD400, too. It seems like the HD400 would be easier to use live and the HD500 might be better used in the studio.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
I haven't been keeping up and just found out about this today. I don't really wanna read through 33 pages so can someone just answer a simple question?
Can this replace my pod x3? I have my x3 hooked to my computer and pretty much just use it to record some tunes and jam anymore, I don't gig live anymore. I guess the part i'm confused about at the moment is that hte x3 is pretty much a stand alone unit as in, i can just hook it up to some powered speakers or to my computer and it will output through the computer speakers. I don't have to have an amp or a PA system to hook through for the x3. Is the HD 500 the same or is this just a multi effects pedal that needs an amp or pa.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
@ Scottcv: Yes, you can connect the POD HD to monitor speakers too, as long as they are powered speakers, same as the X3; but, if you record bass with it, or do vocals, don't get rid of the X3 yet, because the HD doesn't have any models for bass (unless you consider using the Tweed B-man) and there are not "preamps" for vocals yet. Also, if you use POD farm as a plugin, it will not work with the HD either, yet. And the models sound pretty much the same, slightly betters, some of them, but I, myself made the big mistake of selling the X3, and jumped into the HD. As a new toy, it looked great, nice build, 16 models only, I didn't need any more really, but...I had to return the first one and get another at GC, because I noticed a random "pop" or "click" which I really didn't wanna have during recording, It only did it every once in a while, but still, it was annoying, besides, I was getting a "distortion" not the good one, but some kind of a noise that you only get from digital artifacts, and some king of a "fizz", specially with the British J-800 which is the one I wanted the most. I got the new one, played it for a couple of days, and I have to admit, I love some of the models, but mostly in a clean setting. When I tried some crunch and high gain, the fizz came back, actually worst that the X3 (that also have that fizz) and the "random click" happened again, just a few times, but enough to made me go to the store and get a full refund. I won't be wasting my time and money on any other modeling device, not even the Axe Fx, at least not for a while, I'm getting great tones out of my Blackstar HT5 with custom made speaker cabs, at least is the tone I like. There are plenty of low wattage tube amps in the market these days, most of them sound really good, and I got my eyes a couple of them, specially the new Vox Lil' Night Train and the Blackstar HT 1 that's coming out in the next few months. I know a lot of people love these digital modelers, and they get great recordings out of them, but I'd rather not waste time tweaking, and "fixing" and fiddling with knobs. That's all I did for the past week, I spent all my time creating tones, and saving, and creating another, and comparing, and I found myself not playing guitar at all, I wished I could get my time back.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?scottcv, I sold the X3L and have not looked back. The amp models in the HD series are vastly superior to any previous generation. They actually feel right and respond correctly. Yes, the HD500 does not have mic preamps or bass amps. I am sure those will come in time. The m13 class effects coupled with the new HD amp models make the HD500 way better than the X3 IMHO.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
Wow - it seems I got here kinda late, but I do have a POD HD500 that I bought to test drive along with a DT50 2x12 combo, plus I'm a Beta person for the JTV guitars and have a Model 59US. I thought it best to get ALL the new gear that has been labeled the NEW Flagship series.
I'm still a die hard Vetta user and I never had any problems with either of my two Vax electric model 700s.
However, I do have many observations as every one else has about these various pices of new L6 gear. My opinions are just that - opinions, not facts. When I do discuss any piece of gear, I will separate my factual findings from my personal opinions if they either the same or differ. I also have no problems in writing or speaking what I feel to be where L6 or how L6 is doing with any piece of hardware or software that I've tried or own.
I've got lots of reading to do and if there are things I've found that may not have been already discussed, I'll bring them up.
What I have found to be a problem is getting my computers to have both version of EDIT on it at the same time. NOT RUNNING at the same time, but just ON the computer at the same time. What has happened to me is the HD500 EDIT somehow messes up the older EDIT for my Vetta and prevents the older version from "seeing" my Vetta connection as it always has previously. It DOES work as long as I DO NOT have the NEW EDIT installed.
Am I alone with this??
Take care,
Neal
New "Flagship" gear.... Below - Old Flagship gear....
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
I've been playing Boss modelers live and recording for the last 10 years or so and was on my way to purchase a GT-10 when I decided to plug in the HD 500. I programmed a patch that sounded great, assigned effects to different footswitches, moved some stuff in the chain and figured out how to save the sound into different locations in a matter of ten minutes. It took me two years to do that with any Boss product I've owned. I tried every floor processor L6 did but it never FELT good through an amp until this one. I'd say I have better tones in one week of tweaking than I had in 5 out of 10 of the years I fought with the Boss products. They have thier place, but as a complete modelling/fx solution..not so much. I love the HD series and I can't wait to see what kind of cool updates come down the line.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
A lot of information about HD500. thanks to all of you guys.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
MerlinFL, this is just a guess, but the installer for the "new" version probably puts everything int he same place and maybe overwrites what was in the folder.
Try installing to a different folder and see if that works..
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
Hi all,
First time poster on Line 6. I have a few questions that I would be grateful if you guys could help me on. I have sold my Boss ME-50. I want to buy either the Line 6 M13 or Line 6 HD500, but I am not sure which I want. I have a Fender Blues Deville 4x12 and a Fender Strat as the guts of my main rig.
My main worry about the HD500 is any time lapse between patches (pet hate from the Boss ME-50).
My main worrk about the M13 is switching between scenes on the fly.
I like being able to pre-program sounds into patches but also like the stomp box effects.
I don't foresee using the amp modeling as I have a good tube amp already but maybe that would work well into the Blues Deville?
Please help.
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
I can't remember, does the Deville have an effects loop with a level control? If it does you could REALLY get some good tones from the HD500. The HD would also be good in the loop just using effects, too. You would also be able to assign the 8 footswitches plus the expression pedal toe switch to cut effects on/off within one patch. I love the amp models post 1.31 patch into the power amp of a custom tube head I had built. I run that into a 4x12 with vintage 30's for large gigs and a 1x12 celestion closed back cab for small clubs.
You can't go wrong with the HD500 because you can use it as a multi effects box OR an all in one into a tube amp or PA.
Just one idiot's humble opinion, and I am not a Line6 homer. I have had tons of tube amps that my wife did not like to hear the costs of. I just got converted over to Line6 from a pair of Vox Tonelab SE's (primary and a spare). Now the Tonelab SE is the spare and the HD500 is the Optimus Prime! I'm very picky and this box has been great for me. Just don't listen to the stock presets, though. You might get nausiated. If you get one, just download a buttload of patches here, weed the ones out you don't need, and tweak the good ones to your liking with your rig. Most of it is EQ and gain with the excellent programmers and ears here on the site.
Good luck in your decision!
GLiDE
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
Thanks for that Glideman,
The Blues Deville has an effect loop (Preamp out is the send, Power amp in is the return).
I am still wondering is there any time lapse between patches (pet hate from the Boss ME-50)?
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
Hey all,
What's your opinion about the latest Crown I-T5000HD Power Amplifier? Its too expensive....
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
I'm computer based user with a UX2. Can these HD amps run on the UX2 ?
Is there or will there be a new toneport that will run the HD tones ?
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Currently Being ModeratedRe: Ok, we know about the HD500, why not talk about it?
Why don't they provide the HD500 amp sim software to run with UX2 ?
Or is the hardware (HD500) an essential part of it.
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