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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Found out waht MOST of the harshness is / was.......that Peavey IPR 1600..........hooked up my old Halfer G150........ahhhhhh warmth of other suns

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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Your guide is pretty good for inspiration on tinkering around. Gotta be honest I didn't really try using dual amps at all before but now I use them most of the time for my high gain stuff.
Not going to lie, your patches themselves don't do much for me(difference of taste mostly) but you've given me some ideas on new stuff to try.
Like I just recorded a demo of a patch I came up with the Solo 100 Overdrive that I'm pretty happy.
http://www.youtube.com/watch?v=KHdmmlSxavY
No audio processing whatsoever and I'm happy with the guitar tone. Cheers.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
dear anglepod I know I'm late, but I'm writing to apologize to you
you were right: the fx loop IS loosing gain at his send!
As I wrote you, at the time of my last post I tested it with a cable in the loop and this gave me unity because it's compensating the loss with a gain at the return
then i tested it with an effect thru the send/return but the effect wasn't gain-related, so I didn't notice anything
I've been doing other things in this months but in the last days I was ill at home so I decided to run some better tests on the pod,
please read this thread I started (specifically at point 2):
http://line6.com/support/thread/90441
it not only explains the problem but gives a SOLUTION to it
sorry again, peace!
bye
Lore
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
I'd just like to say a big thank you for your work (and the work of those you've referenced) in your guide.
Reading it within the first few days of getting my HD500 has skipped many teething problems and made my time more enjoyable and productive.
That's not to say I'm finding tone replication a breeze, but this has helped me in leaps and bounds.
Cheers.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
you are most welcome - that's exactly why i did it!
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Hey Bobbo, I took out some of your patches for a spin on stage last night and they were fantastic. CL_Prph-Cln and CL_SpnkCln sounded awesome for this slow moody/doomy song we were playing that was all about dynamics. Perfect response from that AC-30 and awesome power from the Double Verb. Also tried out the AC/DC patch, had slightly too much crunch for older AC/DC tunes but nevertheless great.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
EDIT : dedicated thread: http://line6.com/support/thread/91354
ALL CAPS MAJOR ANNOUCEMENTses...
1) I have finally quasi-mastered my patches as gig-level volumes against the cd's used to dial them in. So they should sound great at full volume as well as in mixes similar to those used as reference. If you have a question about what was used as reference, please ask.
I had previously volume-leveled all my patches, but I probably screwed that up with the latest tweaks. I won't have time to truly level them all again for a little while. Sorry. Also, I know the effects aren't always ordered the same way they appear in Edit - I blame Edit for that - it takes too much time to get them ordered correctly. Also, I probably don't have all the footswitches set up to toggle effects on/off like I'd want to in a live situation. I don't play live, so I don't have that requirement. I will eventually get around to it, but if you need it now, you'll have to make the changes yourself. Soooorrrry.
Also, I now use a Crunch Lab and Liquifire in my JPM and D-Activators in my RGA8. So they are dialed in for those pickups specifically (7S_* patches for the RGA8, everything else using the JPM). Use that reference point to adjust. The JPM seems to have a bit more gain and smooth crispiness to it.
Please give me some feedback as to how the patches sound. I don't have awesome expensive monitors or a sound-dampened room to play in. I just get the tone sounding good on my headphones and monitors and call it a day. I tend to have made them a bit darker this go round...let me know if I overdid it.
2) BY POPULAR DEMAND, I have made HD Pro and HD Desktop/Bean versions of my patches and setlists. Keep in mind I don't own either device, so there may be a discrepancy here or there. The common trick of changing the file extension and loading was not a 100% replication. The input settings were always "off". So I had to go back and manually set those up. I cannot guarantee none of the settings got changed. If something sounds horrible, let me know and I'll compare specific patches to the original HD 500 ones.
3) I will soon be posting requests for clips to put up on my site with a revamped tone demo section. I'll take whatever you're willing to give me (solos/rhythm, solo/full mix, single-tracked/double-tracked, original compositions/covers/random riffs or noodling), but I'm only going to post stuff that I think sounds badazz. You guys tend to exceed that bar, so...
I will announce specific "prizes" to go along with those who can get me the best clips, but anyone featured on my site will get credit with their name, as well as a link to their page (or whatever you'd prefer). Would definitely be a good way to get exposure.
I won't be too rigid about what is allowable or not, but the ground rule is to not make heavy modifications to the patches or use a bunch of external gear. And to please let me know how you've deviated from my stock patches.
Enjoy, humans!
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
So much for semi-retirement

Nice work bobbo! Will test if/when I get time.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Dunno why, but i can't make bobbo's patches sound as he does :/
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
there aren't any clips of the new patches up yet, other than a few on sevenstring.org by other people, and this one http://soundcloud.com/meambobbo/mark-tones-demo
keep in mind I had to re-tweak all my patches when I changed my pickups. and the patches sound different from one guitar to the next. i would definitely expect some tweaking, esp gain levels and pre-eq to get a sound consistent with others' clips. and maybe even swapping pickups.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Hi
did anyone notice that Multihead Delays on POD HD are mono?
is that some kind of joke?
******* POD X3 and even XT have multihead stereo delays?
so are multihead delays mono or i am stupid ?
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Gracias amigos por el interesante tema.
Thanks all for the interesting topic.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Would anyone be willing to create a patch that sounds like Trey Anastasio from Phish? He's got such a great guitar tone for both clean and distorted songs.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Hey Meambobbo another fan of yours here! Incredible work! I have had my HD500 and DT25 about a week and I have greatly benefitted from your comprehensive guide to the HD500.
I have some patches that I have made and some I have modded to work. I am trying to get the rig ready for a band practice in a week and then a gig the next night. I have been using the mixer levels to equalize the patches as I am setting up the unit as ABCD and then FS1-4 to toggle f/x. I am also using patches in the same bank for leads in a song.
Now for my question: I am planning to fine tune my volumes to prepare for gigs at band practice using the mixer: is that the best way?
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
hey jmdandy, using the Mixer will indeed work, but I would caution to make sure you do not boost it with reckless abandon if you have any EQ effects downstream of it. A hot signal can clip the EQ's...possibly other effects. If you are not using dual amps, the easiest thing to do is place everything in Channel A and mute Channel B in the mixer, then use the Channel A volume level to set the final patch volume. If you use dual amps, it's a bit trickier. You COULD use a copy of EQ in each channel behind the amps, so that none are behind the mixer. Or you can stick a Studio EQ or Tube Comp last in the chain to clean boost the signal at the end where needed.
But the bottom line is just to watch out for clipping. If you're not clipping, there's nothing to worry about. The easiest option is to keep the Pod volumes conservative (so just cut at the mixer block, not boost), and run the DT25 up high. But if you're maxing out the DT25 and still need more juice, then resort to the advice above.
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