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  • variaxlover Just Startin' 323 posts since
    May 19, 2007

    MerlinFL wrote:

    I also had no idea as nothing was ever said or advertised that this unit is NOT just for guitar.  It DOES handle Vocal input as well and a Variax bass or standard bass with several patches designed specifically for each other instrument than just guitar. . . .  Why Line 6 chose to add all these things in this unit?  No idea.  Why there are such a limited amount of amps - I think it has to do with the unit being a MULTI-PROCESSOR style unit instead of a guitar preamp, or like every previous POD.

    Just want to clarify this for Neal and anyone else who didn't know -- Line 6 made the move to this kind of "multi-processor style unit" with the POD X3 series.  At least the POD X3 Live and the POD X3 PRO have the same features for vocals and bass (not sure about the "bean" version -- never owned one -- but I believe it did too).  Here's a photo of the box from my old X3L where you can see the pictures of an acoustic, a bass and a mic, and blurbs about the new features.  These have been out for what? 2 or 3 years now?

     

     

    POD X3 Live box.JPG

     

    So they didn't "add all these things in this unit" and they definitely did NOT reduce the number of amps in order to add processing for vocals and bass, as Neal theorized.

     

    After hearing about the improved sounds in the HD500 I ordered one yesterday.  I was initially skeptical that 16 amps could be better than the 80 in my Vettas or X3L, but after reading more from reviewers and people who own one I'm ready to take the leap.  I'm also excited about the looper, the pitch bender (which may be able to replace the Digitech Whammy that I hardly ever use, yet takes up space on my pedalboard) and the ducking delay (which the Vetta has, but the X3L does not).  And if the talk box emulation lets me take the Rocktron Banshee off my pedalboard, even better, but I doubt it.  I'm excited to try the HD500!

  • rchoueri Just Startin' 97 posts since
    Nov 3, 2008

    Neal -

     

    Too bad it didn't work out for you. Hope you can find what you need for your performance needs in the Vetta II.

     

    My DT50 is enroute. Got the email UPS tracker today should be here by Thursday next week. Hopefully it will be everything I hoped for live performance and the PODX3 Pro will remain a studio staple for everything else. BTW do you know if my future ex-wife the the someday to arrive JTV59 that'll hopefully be here before the end of the world 12/23/2012 will work with the POD X3 Pro? I think it uses the old Variax paradigm that you use in the Vetta II right? I haven't been keeping track of the JTV threads and in a nutshell I think should work or partially work with the old Variax yes/no/maybe?

     

    Kind regards  -

     

    ~skygod~

  • Nick_Mattocks Best of the Best 9,065 posts since
    Mar 26, 2007

    Hey Neal

     

    I don't know if you've been over on the POD HD forum much.  It just struck me as a bit odd that you were experiencing issues recalling JTV banks and patches using the HD500, but I don't yet have my JTV59 and I'm not expecting it now until after Christmas so wasn't able to test what you were reporting and didn't chip in because of that.  But seeing now that you have succeeded, I'm guessing that maybe you had the HD500 Edit program connected to the HD500 last time when what you were trying didn't work and  not when you succeeded in doing what you wanted.  The editor can throw you a googly now and again, and if you haven't worked out what it's done sometimes and why, you can sometimes think that the HD500 is misbehaving and you end up doing a bit of head scratching.  The number one rule when using the editor is not to also start twiddling knobs on the unit itself or you can end up confusing the unit and/or yourself too.  The editor needs a bit of work IMO to make it slightly more user friendly.  It is very good but definitely has a few wrinkles that need ironing out.  The editor will remember any changes you made on the unit so when you twiddle knobs on the unit, those changes get reflected back to the editor which keeps them for the remainder of the session BUT as long as you don't send those new settings back to the HD500 they're not permanent.  However when you change back to a previously edited but unsaved patch with the editor running it will still be wanting to audition the changed preset with the HD500 and has made some users think that the editor has permanently overwritten the patch in the HD500.   It's possible therefore that if you have a Variax attached that the HD500 Edit program if running and connected could lead you on a wild goose chase in the same sort of way - if that makes sense

     

    I might be thinking a little off beam here but....

     

    Nick

  • rchoueri Just Startin' 97 posts since
    Nov 3, 2008

    Nick & Neal  -

     

    In terms of programmability, I experienced this day one upon recieving it and and realized right off the bat that it is a continuous back and forth process. Its a real PITA when connected to HDEdit, because if you forget what you just did and where you were at and forget to send back to the HD500 and save it you lose it. I found that I am constantly pressing the save button on the HD500 so as not to lose what I just did and liked.

     

    But what I don't like at all is the fact that yesterday in the studio I left for a few hours and unplugged the HD500, and when I came back could not get the female plug back into the hole. The male pin on the unit in the round hole has receded and I had to take a very fine object and gently straighten it out to get the AC/DC receptor receptacle attached again. This for me is a show stopper. If this device is going to be the control center of the entire rig live it's just not gonna happen until Line6 comes up with a sturdier AC/DC connection that is roadworthy. I haven't even taken it nor budged it off the table in the studio and this? OMG!

     

    Per UPS tracker email my DT50 is at Secacus UPS Main and will be at GC Paramus tomorrow. I am thinking at this point that this is not going to do it for me. I need something reliable for the long term and I am just totally miffed at this tiny little issue that will affect an entire rig and ultimatley an entitire show. Well looks like I'm back to my basic meat'n'ptates marshalls and fenders. They don't fail me based on a crappy internal AC/DC connector. When they fail the just faakin blow up, but I have redundancy for that. This is just plain ignorant that they put such a cheap connector on the unit. WTF was Line6 thinking anyway? You run this marathon to build the guitar tri-part rig of the ages and it's Achille's Heel is the electrical connector required to power up its brain center? Sorry guys the idea was great and you ran a good race but you'll never make it to the finish line on this one!

     

    Later -

     

    ~skygod~

  • johnnyayyy Iknowathingortwo 1,170 posts since
    Feb 24, 2010

    MerlinFL wrote:

     

    Kinda like not having any type of casters or even pre-drilled holes for casters for the DT50 combo amp.  Cutting corners (pinching pennies??)...AND if any of us were to drill holes and properly install our own casters, it would void the warranty.  This is good thinking how???

    Just a guess here, but maybe this was a way to avoid tons of unnecessary warranty repairs? I have seen so many amp casters fail over the years and cabinet corners broken because some genius decided to roll a caster equipped amp over a rough patch or off of a curb or down stairs or some other ridiculous stunt. Cabinet would have to have tons of reinforcement in the caster area... Not to mention casters make the amp more likely to tip over - any caster heavy duty enough to handle an 86 pound amp would probably be pretty huge, and taller casters = even greater likelyhood of amp tipover.

     

    I was under the impression the DT-50 was aimed at pros... all the pros I have ever seen at even the lowest levels have had road cases with wheels for their amps and crews doing the heavy lifting...

     

    In my opinion the Vetta is also unmanageable without casters, and it seems foolish to take an amp that expensive anywhere without a proper roadcase.

  • johnnyayyy Iknowathingortwo 1,170 posts since
    Feb 24, 2010

    MerlinFL wrote:

     

    I am beginning to think this unit (even with the very limited section of amps/cabs compared to the Vetta) the HD500, might just be a real excellent solution for live and especially studio work.

    Have you tried the HD with your Vetta yet?

     

    I think the 4 cable method would make for a cool way to keep the stuff you need the Vetta to do plus get the advantages the HD gives you til the HD has enough models added to bypass the Vetta pre completely.

     

    Also excited to hear the HD direct into the SPDIF (I am hoping to get my HD in the next couple of weeks)

  • Nick_Mattocks Best of the Best 9,065 posts since
    Mar 26, 2007

    Hi

     

    That's bad news about the DC input socket.  I haven't heard of anyone having that problem before.  I've had my unit since June and believe me the DC socket has seen a serious amount of action with zero problem.   I'm sorry you've had a show stopping problem with your HD500's DC socket.  I agree that shouldn't happen.  Your unit has a fault which needs to be resolved obviously.  I seriously don't think what you have is a widespread problem as it's never been reported on the POD HD forum to my knowledge, although plenty of people have bemoaned the fact there is no power switch and found other ways of managing the switching on and off of the power supply.

     

    I wonder what could have caused the centre pin on the DC socket to get pushed back in.  I guess if it got too hot the plastic into which it's set could have melted, but the socket doesn't get hot normally - in fact my unit is only ever slightly warm.  The other thing would possibly be that a different PSU with a plug having a smaller centre hole was used maybe at some time before you had the HD500 in your possession and that excessive force was used perhaps - obviously I can't know that this was or wasn't a potential cause.

     

    You should get your unit repaired for sure.

     

    Good luck

     

    Regards

     

    Nick

  • Nick_Mattocks Best of the Best 9,065 posts since
    Mar 26, 2007

    Hi Neal

     

    Your point about castors (we spell it differently in the UK LOL) is a good one for the DT50 as you definietly need wheels of some sort, whether that be on the form of a road case with wheels (good idea with an item as expensive and heavy as the DT50 212), a 'dolly' or castors. 

     

    In all seriousness, provided you drilled and fitted suitable castors without causing damage and you did it properly, I don't think that you would necessarily void your warranty on the amp - but clarification on that from Line 6 would be good.  It's sort of the same argument when replacing and biasing new output valves - it's a risky business, but a necessary and normal part of a user maintaining their amp.  Line 6's view on that (from old threads on the Spider Valve forum) is that as long as the biasing is done properly and that you haven't slipped whilst doing it and caused damage that way, your warranty remains intact, but if the job has obviously been botched because the user is inexperienced and has still had a go and as a result otherwise avoidable damage has been caused by the user, then the warranty may well be void.  It is obviously a bit of a grey area, but by adding castors you wouldn't be doing anything that would interfere with the amp's electronics.

     

    The best way to get an answer on adding castors and effect on warranty would be to ask on the DT50 forum and hope that one of the Tech Support guys will chip in, but in reality I don't think it would be a major problem as common sense should prevail - but I could be wrong.

     

    Regards

     

    Nick

  • toasterdude Just Startin' 745 posts since
    Oct 23, 2006

    rchoueri wrote:

     

    Nick & Neal  -

     

    In terms of programmability, I experienced this day one upon recieving it and and realized right off the bat that it is a continuous back and forth process. Its a real PITA when connected to HDEdit, because if you forget what you just did and where you were at and forget to send back to the HD500 and save it you lose it. I found that I am constantly pressing the save button on the HD500 so as not to lose what I just did and liked.

     

    But what I don't like at all is the fact that yesterday in the studio I left for a few hours and unplugged the HD500, and when I came back could not get the female plug back into the hole. The male pin on the unit in the round hole has receded and I had to take a very fine object and gently straighten it out to get the AC/DC receptor receptacle attached again. This for me is a show stopper. If this device is going to be the control center of the entire rig live it's just not gonna happen until Line6 comes up with a sturdier AC/DC connection that is roadworthy. I haven't even taken it nor budged it off the table in the studio and this? OMG!

     

    Per UPS tracker email my DT50 is at Secacus UPS Main and will be at GC Paramus tomorrow. I am thinking at this point that this is not going to do it for me. I need something reliable for the long term and I am just totally miffed at this tiny little issue that will affect an entire rig and ultimatley an entitire show. Well looks like I'm back to my basic meat'n'ptates marshalls and fenders. They don't fail me based on a crappy internal AC/DC connector. When they fail the just faakin blow up, but I have redundancy for that. This is just plain ignorant that they put such a cheap connector on the unit. WTF was Line6 thinking anyway? You run this marathon to build the guitar tri-part rig of the ages and it's Achille's Heel is the electrical connector required to power up its brain center? Sorry guys the idea was great and you ran a good race but you'll never make it to the finish line on this one!

     

    Later -

     

    ~skygod~

    It all comes down to making that 500 buck price point. They always need to cut corners at some important places. Plastic swicth mounting on X3L, crappy headphones out on X3 Pro, under powered DSP and no on/off switch on HD500. I wish they would do a Pro Level no compromise POD and charge accordingly.

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