Jul 29, 2012 2:46 PM
4cm with tube amp, some preamps have more volume mkaing switching difficult
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So I have a Randall MTS modular amp. I'm using two of it's preamps along with effects only patches as well as a Hiwatt (pod) patch, bypassing the amps preamps. I've tweaked all this to allow me to switch between the amp's own Plexi and Deluxe channels, and then choosing the Hiwatt on the Pod with that patches effects. works pretty well although I could mess with levels till I'm dead to make it better.
This setup is awesome so far. The problem arises when I go to say a Pod AC30 patch. the volume available does not match the Hiwatt patch or the amps preamps.
I have the mixer level all the way up on the left side, right is muted, I also have a studio EQ in there to bring up the volume but this adds gain and flavor which I'd like to eliminate, just getting the intended Pod preamps sounds through the amp. I can max out the gain on the Pod preamp and I'll have volume but it's all gain. not ideal for me
The Hiwatt amp works well because the gain is pretty well maxed and the nature of a Hiwatt is that it';s not high gain, more like a boost, the others so far do not work the same way... Is this just the physical nature of the modeled amp? a 100 watt Hiwatt vs. a 30 watt AC30? seems like there should be a global volume. I have followed the 4CM notes up here and like I said, it works well with the Hiwatt model
what am i missing here?
input appreciated
Working on a smartphone here so excuse brevity. Basically, the trick is to set the amp loop level to instrument level and the Pod 1/4" output to line level. You need to turn the mixer tap level down for your Randall preamp but it gives you much more headroom on your modelled amps. For the AC30 in particular can i recommend that you use the full model because is makes a big difference to the authenticity of the tone.
Follow method 2 in this doc. http://line6.com/support/docs/DOC-2522
thanks,I'll give it a try. I'll be back with questions I'm sure. do you have experience with MTS?
Nope but pulled the manual here.
It sounds like you have a choice of parallel or series loop. Use the series one: the parallel one will cause you all kinds of pain because of the requirement to kill the dry signal within the POD.
The big pain is that the loop runs at line level. It is quite tricky to get the Pod setup for this in 4CM - really 4CM only integrates cleanly with loops that run at instrument level. You can do it but there is risk of distortion and it will be difficult to get rid of your mismatch between the real and modelled preamps.
The problem is
It's catch 22.
The only practical suggestions I can come up with are:
Sorry to be a buzzkill
yes, I think you've nailed one of the problems in that the loop is line level. the converter is a good idea and I'll look for one. This could be the reason all my speakers sound like crap. It;s not something that is out front and obvious but is a buzzy distortion of a bad kind, making me think the Celestion is a POS, which it is, but perhaps not as much as this setup is making it seem. The amp is great, the pod is great, the two together work well is the Pod is an effects unit. the switching back and forth between amp's and pod's preamps is key to making this work
Ima tweak some more with these considerations then try to locate the converter and retry.
Thanks for the input, I'll let you know
got the ebtech, we'll see. thx
Jim,
damned if I can make sense of where exactly to put this thing in the chain, each have a 1/4" +4 and -10. I reckon on the loop send? cable from loop send goes to +4 and cabpe goes out -10 and then to the pod fx return, that simple?
Thx
I can think of a couple of ways ...
First
Hookup like this then try first method 2 in the doc I posted. If that doesn't play nice then fall back to method 1.
The other variation you could try is
The setup would be as before but the Pod FX Loop switch would be moved from 'Stomp' to 'Line'. Both Method 1 and Method 2 are worth a try.
I would try all variations and see which one sounds the most neutral and/or allows levels to be balanced best.
Do come back - I am very interested in how you get on with this.
good stuff thank you. It should be here soon, I'll try all things and get back to you. If it works well this could be the most versatile rig I've ever had.
Jim, method 1 in your above reply is the deal . It worked so well that I did not try method 2. I can match the volume of my amp's pres to any Line 6 pre or amp. no noise, no bad distortion, pure tonal goodness from both channels of my amp and the POD.
The only problem I can see with this setup is how fast I can toe tap to various patches and back to the effects only patches, but really not a big deal because i don't think I'll switch mid song too much if ever. The ebtech also has a hum eliminator circuit that works very well and should be handy in the studio I play in because of some ground problems there.
Thank you much for your input, this setup is the bomb. I recommend it
Good stuff! Glad it worked for you ![]()
further update for you Jim, this setup is increasingly impressing me. The more I tweak within this rig, the more I get really great tones. The MTS rigs are very cheap because Randall has discontinued them and with the modders like Salvation and Jaded Faith, coupled with the POD, you have an amazing sounding rig with seemingly endless possibilities. I would recommend trying this gear if ever possible. from what I've heard about the DT amps, MTS is a better option.
Best
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