yeah - listening again def needs less distortion.  i always overestimate the amount initially.  force of habit.  but that's an easy enough adjustment.  hopefully people are enjoying these tones.  i sure am!

I use a Tread V-30 4x12 with 57 on axis in Channel A.  There's where any high-end harshness is coming from.  I use a Greenbacks with 4038 Ribbon in Channel B.  Using different cab/mics is an option, but will require more detailed rebuilding of the whole patch.  The EQ in Channel B is used to sync Channels A and B.  Removing it will create a comb filter, which might actually help roll off some high end...  Also, I know the Hiway 4x12 + 57 on axis could replace the Tread V-30 without having to change anything and worry about the channels getting out of sync, so you could try that.

Usually I use a Mid-Focus EQ to trim off the excessive high-end, but it's difficult to fit here.  I can actually fit it on the AC/DC patch, so I'll update that shortly.  The Gary Moore patch it will not fit; however, I do have a Tube Comp in the chain, which includes a Low Pass Filter with a cutoff frequency around 8kHZ if I remember correctly.  That is about how I set the Mid-Focus, so I don't think there should be too much of an issue there.

when i finalize all my clips i will, but since customtone has no versioning feature, it takes too much time to keep reposting the same ones over and over

yeah - I found I got a nice dirty deeds tone with that amp model, but Back in Black sounds more modern.  I think I had it dialed in pretty good with a Park model, or maybe the Plexi, but I found the SLO Crunch just sounded better.  If it's too much distortion, just back off the gain!