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TONE NAME: NDJ Roland JC120

  • Created with: Helix LT
  • Author:
  • Guitarist:
    Ned Jeffery
  • Guitar:
    PRS SE Hollowbody II Piezo
  • Tuning/Strings:
    Standard
  • Date: 9/8/22
  • Downloads: 345
  • Addons:

    Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).

    The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.

    Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.

    For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.

    Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.

  • Comments:
    After spending a month learning all the tips and tricks I could to shape a great tone. I put together a simple clean preset to incorporate them all to use as a basic template. Key things are: A transparent boost first in the chain, to get a little hair when you play harder. Into a compressor to control the dynamics. Then a volume before drive pedal and amp. A stereo room reverb to make the cab feel more realistic. Then a doubler placed on a parallel track to adjust the mix amount and make it sound full. Then a parametric EQ to shape the sound. Into a studio compressor to bring it all to life. Then a looper and stereo send at the end.

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