bypassvalve

you can do it with any delay block, feedback 100% with tails active, momentary footswitch on bypass state, hit the button, it grabs whatever is going through it, release button and it holds it forever... only problem is with the delay units there's no way to clear the buffer without turning down the feedback again manually. I really wish there was the setting to clear the delay buffers on bypass, while also somehow holding tails, that would make every delay the equivalent to that $300 freeze pedal... you could momentarially open a runaway oscillating modulating tape machine, feed it some little tidbit of noise, then get off of the footswitch while it runs away, then hit the switch again and it goes dead silent empty and starts again from scratch. If you want to stop the runway just tap the switch quick without playing ...2 hours later: ok so you can assign more than one function to a switch, try this, delay bypass on momentary FS1, delay feedback on momentary FS1, feedback inverted to min=100 max=0, so FS1 bypass state turns off the delay (with tails active) and turns up feedback to 100, holding whatever was in it to infinity. With tape modulation and distortion it gets real nice as it washes out. Hit the button to activate delay and grab something else, it puts the feedback at 0 whenever you turn the delay back on, it doesn't wipe the buffer all at once but it overwrites that section of the buffer for as long as you hold the button down, you can tap it real fast and grab noises and make a patchwork of insanity by tapping the button real fast and playing all over the place with noises and scratches and bends. (warning: preset makes noise by itself) I HAVEN'T HAD THIS MUCH FUN IN A LONG TIME Mars Page.hlx

When using delays as comb filters on split path, or using delay algorithms as modulation source at 100% mix and sub 1ms times, the ability to step by 1/100th of a second increments, if only up to 50ms or so. Using simple delay on split paths, it's the in betweens (1/10ths and 1/100ths between 0ms and 10ms) that really let you tune the space just right. Definitely need 1/100ths up to 10ms, from 10ms to 50ms 1/10ths would be enough to have finer control over the held pitch of a self oscillating delay.

tune your presets while at gig volume, then when you go to practice at home or whatever, just use the global EQ to tune the overall sound to make it sound good at low volume. Then for gigs just turn off the global EQ and you're back to normal. The filters on the global EQ sound amazing, they sound like Elektron quality like the ones in the Octatrack

YES exactly like that, i couldn't figure out how to change the split Y dot to an ABY, then i turned the bottom knob, VIOLA, crossovers and dynamic splits and everything, thanks a bunch. I will go RTFM before more posts

it is already hard panned coming out of the dual cab. i assumed it was a mix, to test it out i put a stereo volume block on path B, which i guess grabbed a stereo copy of the dual cab block, which mixed with itself on path A. Then when i went to hard pan the splitter dot, it sent just cab A to left and cab B to right again, it spread back out and sounded great, just at the louder volume since it was being doubled. It's exactly how it sounded coming out of the cab block, just louder. If you just turn down cab A or B, the left/right channel goes dead so yeah it's already hard panned.

They aren't hard panned coming out of the cab, if you make a path B and hard pan the splitter, and also hard pan the mixer dot, it sounds lollipopin glorious, it just wastes a block to have to make a path B

If you assign a footswitch to a splitter block it doesn't kill the path B signal...I was hoping to easily turn on and off the path B with a switch. That being said, can a splitter block be made an ABY block, where you can assign a switch to it and have it either toggle ABY or the variant combos? Coming from the analog world I'd rather have one switch point with all the BS on it than 4 bypass assignments on one switch...

Is there really no way to pan a stereo cab without wasting a block? You have to use up a volume block or some other throwaway to get path B active, then pan the stereo cab output with the mixer dots. Stereo cab has level for each but no pan... btw I've been jacking with AFX3 for two years, i just got a HX stomp, and i haven't been this satisfied with a piece of gear in my entire life. Everything sounds and f e e l s amazing right from the get go, and tweaks only make it better, it's hard to get a bad sound out of it. I was ready to invest 6 hours getting all my good OH IRs imported, but the cabs and mic positioning is BLOWING MY MIND with how good all the mics and positions are, even the condensers are 100% usable when you adjust mic distance. There are absolutely zero throw away settings, and each individual half inch opens up just the right scoop and high end, tapering off the right amount of volume and lows...somebody(s) put the right kind of work in on all that and it sounds AMAZING. It's also sitting in front of me running off a 9v ripcord and a USB power bank LMFAO. And a simple delay in parallel path, 3ms 66% feedback at 31% mix? HOLY lollipop. How about micro delays in the mixer dots so they don't eat up a block? Just need up to 10ms, but you need all the 0.1 ticks between 0 to 10. Otherwise you have to waste two simple delay blocks, one for the 1/10 ms and another for the single ms...or bust out the zoia.

I just bought the Triple Pack of models, they work in Pod Farm 2.5, but can they load into the Amplifi? I would think since they are older models they could be easily run by the new technology.