tcamuso

I'm getting this error message: So, I turned off the Memory Integrity, and the driver loads fine, but now Windows Security is complaining that my system is vulnerable as a result. What's weird is that I have this installed on another W11 system, and I am not seeing that error message. Anybody have any idea what I can do to fix this?

This is FANTASTIC! I'm going to download Reaper on my F31 workstation and try it out!

rd2rk Oh wait! The second one worked! But I have 3.0 installed now, so I don't know if it would have worked with 2.92. Meanwhile, check out this preset. It requires you to put your footswitches in stomp/snapshot mode, that is, stomps in the top four and snaps in the bottom four. Mesa-echoes.hlx

Nope. Just upgraded to 3.0, too.

Being intimately familiar with software updates, I'm gonna wait a bit before I commit. ;) I will be looking forward to seeing what those new models are in that patch, though!

OK, gang, I finally got it to work using saschafrank's suggestion to route the A/B split to a switch and set the max/min. I did this in the Helix Editor, and it took a few cycles of the assigned footswitch before it actually did anything, but now it's working. I don't know why the switch did not immediately respond to the configuration in the Helix Editor, but it seems to be working as expected now.\

Hi, rd2k. I tried to import this, but the helix editor complained saying ... I'm using V 2.92.

OK. I can have up to 8 snapshots, and each snapshot can control a myriad of parameters, but there are still only 8 possible sounds. If you have 4 snapshots and 4 stomps, then each of the snapshots can have up to 4 additional FX added to them. That's 4 factorial (4 x 3 x 2 x 1) combinations of FX for each snapshot, PLUS each snapshot with no stomps activated. That means with just 8 footswitches, I can have up to 76 different sounds. Example. You have a snapshot for lead. You've tweaked dozens of parameters in your EQ, Compression, Overdrive and Amp blocks for this snapshot. Now you have four stomp switches. One for Chorus, one for Delay, one for Slapback Echo, one for Reverb. Now you can have your lead tone dry, or with any combination of chorus, delay, slapback and reverb. AND you can do that for the other three snapshots, as well. This is powerful stuff!

Doesn't work for me. I don't know what I'm doing wrong, but I cannot select an exclusive A path or exclusive B path with one switch. If the footswitch makes one exclusive, flipping the switch ALWAYS gives me a merge of both.

No joy. I can get A-only, but when I flip the switch, I still get an A/B merge.

Is there any way to have an exclusive A or B? I can assign a foot switch to the A/B split and get 100% B, but when I toggle the foot switch to bypass the split, I get B merged with A, when what I want is 100% A. So, I want an A/B split that gives me 100% A and 0% B, or 0% A and 100% B. In truthtable terms: Footswitch State : OFF ON Output from split A/B : A only B only No merge 100%

Thanks for the reply, phil_m, but I'm already using snapshots. I've got 4 snapshots and 4 stomps. I need to have the stomps to add effects to the snapshots, which give me lead, crunch, in-between, and clean by changing settings on the compressor, overdrive, EQ, and amp blocks. So, that leaves the four stomps to add FX. Four stomps and four snapshots allows for many more combinations than just 8 snapshots. With the 4-snapshot/4-stomp configuration, I have 76 (4 * 4! + 4) possible combinations.

Thanks, zz. I'll probably have to figure some other way to effect this. Is there any way to have an exclusive A or B? I can assign a foot switch to the A/B split and get 100% B, but when I toggle the foot switch to bypass the split, I get B merged with A, when what I want is 100% A. So, I want an A/B split that gives me 100% A and 0% B, or 0% A and 100% B.

I have three delays. I don't want all of them on at the same time. I want only one of them to be on at any given time. For those of you familiar with logic, the truth table would look like this: D1 D2 D3 0 0 0 1 0 0 0 1 0 0 0 1 So, I want to have them ALL off, or only just one of them on at any given time. I can't do this with snapshots, because I've already used 4 snapshots for other things, so I need to do this with stomps and footswitches. My current layout is: Stomp-1 Stomp-2 Stomp-3 Stomp-4 Snap-1 Snap-2 Snap-3 Snap-4

Never mind. I answered my own question by poking around. I right-clicked on the stomps and noticed that the stomps with the "right" behavior had "Snapshot Bypass" checked at the bottom of the drop list that appears when you right click on the box. The stomps with the "wrong" behavior did not have that field checked. I checked that field for the two pitch stomps, and now all is good! I'm gonna bookmark this in case I forget how to do this in the future. Not ready for 3.0, yet.

OK, so I have my switches set to Stomp/Snapshot. My four stomps are 1. Pitch (fifths) 2. Pitch (octaves) 3. Verb/Delay 4. Chorus My four snapshots are: 1. Lead 2. Crunch 3. Clean 4. Clean w. Chorus When I turn the Verb or Chorus stomps ON for any given preset, they do not follow to the next preset, which is what I want. When I return to that preset, the stomps are still in whatever state I left them, which is also exactly what I want. However, the pitch stomps seem to be "sticky". That is, if I turn them ON in one snapshot, they are still ON when I go to another snapshot, even though they were never turned ON while previously in that snapshot. So, basically, I do not want the state of a stomp in one preset to remain in that state when switching to a new preset. I want the stomp to remain in whatever state I left it for any given preset. Am I missing something in setting up my snapshots?

This is what I have been doing. The latency is not that bad and does not throw me off, as my fingers are responding more to the music in the headphones than to the sound of my guitar. The recordings come out just fine. To practice against backing tracks, I'm using a mixer. See I have the Helix LT, so I have this signal path split capability. When you say USB 1/2, etc, are you implying that the USB connection to the Workstation is carrying more than one stereo channel? How would I access these from inside the DAW (Studio One V4)?

Agree 100%. A discrete mixer is the right way to go, and an integrated mixer is outside the scope of the Helix mission.

Yes, that's exactly it. And, as it turns out, the amplifier for the headphone jack has very little headroom, anyway, so I'm probably going to use a mixer, instead. Here are the configurations I'm considering. +-------+ +-------+ | |>>> USB >>>> PC DAW Stereo Audio out ===>| | guitar --->| helix | | Mixer |====> Headphones | |=== LXR Stereo (two LXR cables) ========>| | +-------+ +-------+ ALTERNATIVELY +-------+ +-------+ | | PC Stereo Audio out ===>| |>>> USB >>> PC DAW guitar --->| helix | | Mixer | | |=== LXR Stereo (two LXR cables) ========>| |====> Headphones +-------+ +-------+

OK, I have exactly the same question! I have Helix Line6 LT connected by USB to my W10 PC running Studio One v4.0 DAW. My headphones are plugged into the Line6 LT, because there is noticeable latency if I plug them into the PC, which throws off my playing. The volume of the guitar swamps the volume of the audio feed coming into the USB. If I increase the volume of the audio feed on the PC side, I get clipping in the DAW. If I cut the volume of the guitar with the volume pedal, I get too small a guitar signal in the DAW. If I cut the volume on the Line6 using the big volume knob, the audio from the PC is too low. There should be a way to control the mix of the audio from the PC and the audio from the Line6.

Yes, love apo! Great way to get control of your PC sound system! I'm at work, too. When I have time I will post screen shots of what I did, and maybe you can see where I went wrong.

rsvette, I downloaded Equalizer APO and the Peace interface to it. I used the configurator program to give Equalizer control of the Line-6 audio interface so I could bump the volume of the audio being sent to that device. Only problem now is that the DAW (Studio One 4) complains that it can't get control of the Line-6 audio. When I rerun the configurator and uncheck the Line6 audio interface, the DAW works with it again, but back to the same volume problem.

WOW!! Thank you rsvette so much for the instructional! I will definitely give it a try today!

I am using a PC, but apo 1.2.1 is an equalizer. I don't understand how that would boost the signal to the USB interface to the Helix LT.

If I bump the volume of the backing track in the DAW, I get clipping distortion.