kraM1t

I did an A/B test with the same patch in Helix Native vs POD Go in the same room with the same speakers, there is indeed a high-end drop off and lack of clarity. Line 6 service centre replied almost instantly to my email asking for relevant info, sent me a UPS label and I dropped it off at my local UPS locker all within 30 mins. Great customer service and hopefully it's fixed when it's back! Other than the high end issue the preset sounded exactly the same in HX Native as POD Go

As soon as I saw "New Cabs and IRs now use 66-80% Less DSP" I got hopeful that these would come to POD Go, I really hate the mic placement of the stock cabs and it forces me to always use an IR, I like the microphone just after cap edge but the stock cabs seem to be direct on the cap. Hopefully POD Go has enough onboard memory to store all the new IR Cabs, if it can't get all the mics just at least give us SOME of the most popular mic/cab combos Line 6!

I know the Helix got updated with one, and it would be really useful so I can keep all my presets around the same dB level like -6 (which would give headroom for a solo boost) At the moment you have to find the point of clipping yourself until you can physically hear it then back off which is kind of annoying tbh. I also imagine a lot of people are running like -16dB like the stock presets, and if using an underpowered speaker/headphone that could result in low volume output. Thanks

Ah yeah that's a good idea, damn... shame about the Amp out having no cab emulation, I mean it makes sense when intended for its purpose but damn lol

POD GO into Studio monitors in Stereo. Is it possible to use just 1 amp like the Placater, run my left speaker Dry and my right speaker completely Wet? I can do it with the Dual Delay by muting the left mix, but I'd also like my Chorus to only be on the right speaker. I do this in Helix Native but is it possible in POD GO?

With headphones it's like listening to an amp with ur head against the speaker cap, very buzzy/fizzy, with a speaker you sit off-axis or further away, so this gets dissipated. Try more bassy microphones (Ribbon, 4038) and you'll get a more normal distortion sound, also use the reflections on the cab.

I understand that as I use Helix Native and have read the POD Go manual to see which are Stereo/Mono. I just mean I have spare DSP but an arbitrary restriction put in place it blocking me from using it.

Why don't you plug the Studio Monitors direct into the POD Go so you have latency free monitoring? The DAW will auto adjust latency for recording itself then and everything will be in sync. You also won't have hiccups.

On a website I found that tests what each pedal/amp etc uses in terms of DSP, the mono dual pitch uses like 7% and the stereo 14%.. well I have 2 spare pedal slots so it's more than enough. Line 6 just restricting us like we're noobs and won't understand :( Let us activate an advanced DSP mode or something for the more experienced users come on Line 6..

How come nearly everything in the POD Go is Stereo except the Pitch models? It's so disappointing :( On Helix Native I'm using the Dual Pitch effect in stereo with -9 cents L and +9 cents R to get that lovely EVH Balance tone, it really sweetens up high gain amps. But on POD Go, despite having 2 empty pedals (so lots of free DSP) I'm still restricted to mono and it sounds terrible when you do a stereo detune effect in Mono. Does anybody know a workaround? I love everything else but this is such a let down, it also makes cleans sound huge.