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Found 2 results

  1. I currently use a simple A/B switcher to swap inputs between my Kiesel ZBM6 (18v active pre) and NS Design WAV4 (passive piezo, running through an external 18V Aguilar pre). Even with the preamp for the upright cranked up all the way, the Kiesel pre is much louder. Is it possible to process the two inputs on the HX Stomp XL independently? Will I be able to match the levels and dynamics between the two instruments? Whether or not that's toggling the active input or certain patches only process one or the other input. Also, how does the onboard tuner fare with a low B string? Thank you.
  2. Hi, week-long lurker, first-time poster. Just got the Helix and love it. Only played it through cheap-ish headphones and still blown away. I've sifted through this forum as well as ones on other sites and compiled a lot of helpful tips about my following question, but also enough confusion to warrant asking it here directly ... I am looking to buy a speaker/PA system that will cover the following personal needs: I am using the Helix to process guitar as well as some electronic drums, a synth sometimes, looping w/an external looper, possibly even my vocals. So--primarily I'm a one-man band (and having the ability to process all these things through the Helix, on top of replacing my pedal board, is why I got it; really, it's a revolutionary device, not that I need to waste time preaching to the choir, but truly, revolutionary is an accurate descriptor for it), and thus the speaker/PA setup should reflect this use, particularly w/the idea in mind that it'd be used as my amplification in small venues (coffee shops->small bars sizes). I also play guitar in a couple of bands and would like to be able to use the same speaker/PA as either a monitor if we play somewhere that has FOH or on its own if we play somewhere that doesn't. Again, small-size rooms; not expecting to play theaters any time soon. From all I've read, this doesn't seem like an unreasonable expectation from the various FRFR/PA options out there.. I'd like to ideally use the same setup at home so I don't have to be concerned w/creating different patches for different systems, and would like the patches I create to translate as well as possible to FOH (I've read a lot about all that and understand moving from one system of playback to another will always cause some differences in how the patch comes across, but just looking to have decent expectations that things won't shift too drastically). One concern I read about is that creating patches using low volumes on speakers won't translate when the volume is increased in a live situation (or it may have just been playing through them w/the volume low won't sound too good?), and thus a suggestion was to use studio monitors at home. I'm open to this idea, but again, ideally would like one setup that covers it all. My favorite comment from those I've compiled is the one that seems to directly address my needs--"I'd go for one L2M just to give me an all in one home jamming, jamming w/friends, and a gig solution"--so perhaps my question is really, does this answer to another user's question also successfully answer mine? I'll also mention I have a JamHub, if that's helpful to know/put to use at all. I wouldn't mind not using/needing it though; really hoping to keep things as streamlined as possible, and the JamHub usually stays in my office. Thanks a lot for any help you can offer-
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