Any thoughts on this monitoring setup?
I think Kemper amp version works this way if you go directly with IR cab to FOH , and that is what I do with my helix , but for your stage power they go with a real gtr cab to push some air.
I guess the idea is to have a cab that is matching the IR that is sent to FOH ?
If not , you won't remember what tour tone sounds like to FOH.
As an ex: I send XLR direct an IR of the 1960 A , I should have one on stage to get the exact tone I'm sending out to the board.. Right?
Is anyone have experienced this setup ?
Notice that I always have stage wedges or IEM as monitoring depending on witch act I play with.
Cheer thank