Jump to content

Recommended Posts

THANKS, for your interest . .

( Replies, Welcome !! )

 

I assure you of personal experience (music production), that the following info will provide you with a satisfying result; based on the Marshall 1959/ 1987 amplifiers. That said, I have ultimately gained the sound-knowledge of these musical machines; whether such be 6L6, or EL34-based TONES. Otherwise, for practical reasons I choose to record through the orig. Line 6 Pod HD Pro modeler, as well . .

Example : I have created a personal program patch which, has an uncanny sonic-resemblance to those particular EL34-loaded amps.

An alternative speaker cabinet *(1x12) was substituted for the typical, matching 4 x12 (due to overall, sweeter tonality).

Provided below, are the exact settings I employ for recording purposes :

 

Vintage, Marshall-Style Amplifier

 

1.) Distortion/ Tube Drive : 84%, Bass 51%, Mid 2%, Treble 41%, Output 75%
2.) Dynamics/ Blue Comp : Sustain 14%, Level 98%
3.) Dynamics/ Boost Comp : Drive 70%, Bass 50%, Comp 5%, Treble 40%, Output 53%
4.) Brit P-75 : *112 BF Deluxe, 421 Dynamic
5.) Volume A : -3.0 dB, Pan A/ L 96%
6.) Volume B : +1.0 dB, Pan B/ R 91%
7.) Studio EQ : Low Freq. 700 Hz, Low Gain -1, High Freq 200 Hz, High Gain -1.1, Gain -0.4
8.) Reverb : '63 Spring, Decay 19%, P. Delay 21 Ms, Tone 27%, Mix 84%,
9.) FX Loop : Send -25.0, Return +14.0, Mix 92%.

Share this post


Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


×
×
  • Create New...