cruisinon2

Dogs barking can't fly without umbrella.

See above... no company on earth is ever going to provide lifetime support for anything that you buy. Might as well get used to it.

1) This is a user forum... nobody who could actually grant your request is ever gonna see this. 2) You're asking for an update to a platform that was mothballed years ago...it ain't happening.

Open a service ticket and see what they tell you.

You'll know when they say "Here it is"... L6 has been rolling that way since day one.

Beyond keeping different patches for each guitar, the only real solution would be using one or more EQ blocks within a patch that you toggle on or off depending on which guitar you're using.

Unfortunately you've already exhausted all the end-user "fix weird $hit" options there are... time for a support ticket.

Well If you've never used it and have no plans to, then you're contemplating elective surgery for a disease you don't have, lol... just leave it be.

You could attempt a factory reset, but that's about the only option you have. If that doesn't work and it's stuck like that, then it's FUBAR... open a service ticket and see what they tell you.

If you're dialing in your tones at living room volume, you will always have issues when you crank up those same patches to stage volume. It has to do with how we perceive loudness of different frequency ranges at any given volume. If you really want to go down the rabbit hole, Google the "Fletcher-Munson curve". Whether you choose to delve into the "why" or not, there is only one solution, and that is dialing in your tones at (or at least close to) the volume at which you intend to use them.... otherwise you will find yourself in a constant state of EQing your patches back and forth every time you change listening environments and volume. Keep two set lists... one for lower volume home use, and another for gigs... it'll make your life a whole lot easier. This is true of any modeler... there's nothing unique about the PODGo in that respect.

You could probably get an old school MIDI controller to work... haven't used used one since my rack-mount days, but I assume they still exist. As for the spacing between the buttons, I imagine that will vary from unit to unit. Don't know if that's something they'd put on the spec sheet... might have to try and find one in person. Either that or invest in smaller feet, ;).

Unfortunately copying settings verbatim from the POD just won't work... the modeling engines are completely different. You can start with all the same (or at least similar) models in the signal chain, but just inserting the same values for each parameter will get you nowhere. Since you are already familiar with the process of building a patch, your learning curve will be easier than most, but you still have to start from scratch and figure out how to coax the tones you hear in your head from the Helix. Fiddle with the mic choice and position...I find that can often fix a "tinny" sound quite easily, often without touching anything else.

110 Main Street Squashed Possum, WV ;)

L6 advertising drivel notwithstanding, the whole point of modeling gear is that no matter what unit you choose, you can create just about any tone under the sun. None of them are genre/style specific. Choose based on your budget and form factor, being mindful of how and where you intend to use the unit... are you just playing along with your favorite tunes, doing home recording, or live performance? Are you touring with it, or playing Walt's Trout Hut once a month, etc etc? But no matter what you pick, the sounds you want are in there... it's your job to find them.

Yeah... if I had a wall of tube amps to capture, then I'd be all in. But as it is, all I'd be doing is auditioning hundreds of captures that somebody else did, just to find the 2 or 3 that would be useful... it'd be no different than the Customtone and IR rabbit holes.