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MusicLaw

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MusicLaw last won the day on January 21 2019

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  1. Changing pickups is akin to changing microphones. Each brings it's own characteristic sound. And, just as with microphones, the position of pickup relative to the strings will affect the sound. If too close magnetic pickups can prematurely dampen a string's sustain.
  2. Also be sure to see Craig Anderton's excellent Helix Articles on Sweetwater InSync: One is entitled: "Line 6 Helix: The Overachieving Audio Interface" published Apr 16, 2020. Another is entitled: "Beyond Normal Bass — with the Line 6 Helix" published Jan 31, 2020. Another is entitled: "Line 6 Helix Tips for Bass" published Jan 10, 2020,
  3. @Anderton Craig, great to see your post here. Recently enjoyed reading your Creative Ways to Get Even More out of the HX Stomp, article published 9/20/21 on Sweetwater's site. Fantastic! Well written, great screen shots, audio examples, and more! Please add me to the list (if you maintain one) for when the book is ready. Additionally, should you wish to have another set of eyes read through your manuscript before release and publication, consider me available; I'd be happy to sign an NDA should you wish. I have a Floor, Stomp and Native, and have done Beta with Line 6. Either way, keep up the great work and I look forward to seeing your book published!
  4. Have you reinstalled the latest firmware version 3.11 and followed with a Factory Reset to be certain that you are running a flawless Firmware install? If not, give it a go. Be sure to backup any custom Presets you may wish to preserve before you begin.
  5. Also to be found via Line 6 Home Page > Contact Us > IdeaScale
  6. Post it to IdeaScale. There it can be seen and voted for or against. Line 6 accumulates the IdeaScale responses as part of their process to determine which features and enhancements to include.
  7. @hallissyc, in addition to the responses in your similar thread over on TGP, hang onto your Boogie unless you ultimately conclude that you no longer find it of any use. It is quite likely that you will find it is still worth keeping and using with an HX Stomp. The HX Stomp can certainly serve with your Boogie. It can also serve with Studio Monitors and Headphones. After all, regardless what Amp models and FX you may use in your Helix gear signal chain, somehow you've still got to hear it! The step up in DSP resources, ergonomics, and UI features of the Floor, LT, or Rack with Controller are all nice luxuries above and beyond what the compact Stomp or slightly larger Stomp XL offer, however all share the identical Firmware selections of Amps, Cabs, FX, etc. If you buy from a dealer with a Satisfaction Guarantee, should you find the HX Stomp constraining, upgrade to a higher model and simply return the HX Stomp. As I mentioned in my TGP response, I have a Helix Floor and added the HX Stomp a few years later. Each is outstanding. I can do just about everything I need on the HX Stomp, even though it has only 1 DSP and lacks an on board Expression Pedal. If I were to do it all again, I'd perhaps go with a Helix Rack Unit with the Floor Controller and Expression Pedal simply to have all the flexibility and features that would afford both on the floor and on the desk, and I might still also have an HX Stomp for more agile and compact use. Have fun with whatever you decide and post back to share your findings.
  8. Either add a separate cab block or replace the existing cab block with a dual cab block. Using two cab blocks affords the capability to place one in a split path with split parallel FX processing, levels, etc.
  9. For those Amps which actually have Master Volume Controls, Line 6 Modeled the parameter. For Amps which do not actually have Master Volume Controls, Line 6 created a Master Volume Control parameter in the Modeled Block. As I recollect, this "created" parameter will act as an attenuator (of the signal level hitting the Power Amp stage of the modeled amp) if not set to Maximum value. Regardless, always use your ears and go with what sounds good to you. I too often use closed back BeyerDynamic DT700 Pro 250 Ohm headsets with my Helix Gear, although I generally prefer the comfort and tone of my open back Sennheiser HD600 300 Ohm.
  10. @kajlew1, be sure to follow the instructions regarding restarting and doing a Reset. If you have any doubt that the entire update process may not have completed properly, simply uninstall all Helix Software from your computer. Then re-download and install a fresh copy of HX Edit and allow HX Edit to reinstall all the software and drivers to your system and your HX Stomp. If you have not yet created any Custom Presets or saved any Favorites, etc, which you want to preserve, there is no need do first perform a backup. Nevertheless, should HX Edit reinstallation or HX Stomp firmware updating prompt you to do a Backup allow it to proceed.
  11. So long as you're prepared to add external Expression Pedals as you may need, the Helix Rack w/ Floor Controller is an outstanding way to go!
  12. The "give them what they need..." you mention, I presume is the FOH or Mixer Desk/Console. Most often what you would send to them would be what you have already dialed in as your Preset. In other words, they would adjust the house volume at the desk to suit the venue, size of room crowd, part of the song, etc. Fletcher-Munson Curve physics are unavoidable. Thus, you must dial in your Presets for venue performance level SPLs. Set up your Presets so that when you enable or disable any FX, or other changes to the Parameters of the Blocks comprising your Preset, the overall SPL doesn't change more than you actually may desire. Most often the FX or other parameters will change the tone, but not drastically affect the SPL; this even if you switch to a dirtier or boosted lead segment etc. In many if not most instances, regardless if the FX or parameter change values are enable or disabled and how they may affect the tone (best accomplished using Snapshots) the overall SPL level should not change dramatically. If the FOH actually does needs a higher signal, and you would want that to apply to all the Presets you will be using for that performance, it would probably be easiest to use the Global EQ Settings to boost the output level, so you only need do so once for that show. Doing so for the Output block of each Preset would be cumbersome to say the least. As for the a Block's Channel Volume vs the Signal Chain's Output Block or Send Block Level, each has a place for use. The Output Block Level will affect the output level of everything before it. Whereas, the Channel Volume of any individual Block will only affect it's properties and how that signal next hits what comes next in the Signal Chain (or external device if a Send Block). So long as you are not overloading, use your ears an go with what suits you.
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